CIA-RDP96-00788R000600040001-2

Approved For Release 2000/08/07 : CIA-RDP96-00788R000600040001-2
SECRET
INSCOM
GRILL FLAME
PROGRAM
SESSION REPORT
CLASSIFIED BY:MSG,DAMI-ISH
DATED:
051630ZJUL78
NOT RELEASABLE TO FOREIGN NATIONALS
SECRET
REVIEW ON: Mar 2001
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QF-025-8
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SUMMARY ANALYSIS
REMOTE VIEWING (RV) SESSION DC-94
SG1B
1.
(S/NOFORN)
This report documents a remote viewing session conducted in
compliance with a request for information concerning an individual identified
as
2.
(S/NOFORN) The remote viewer's impressions of the target are provided as
raw intelligence data, and, as such, have not been subjected to any inter-
mediate analysis, evaluation or collation. Interpretation and use of the
information provided is the responsibility of the requestor.
3. (S/NOFORN)
The protocol used for this session is detailed. in the document
Grill Flame Protocol, AMSAA Applied Remote Viewing Protocol (S), undated.
4. (S/NOFORN) Following is a transcript of the viewer's impressions during
the remote viewing session. At TAB A are drawings made by the remote viewer
reference his impressions of the target site. At TAB B is target cuing infor-
mation provided the remote viewer.
NOT RELFASABLE TO FOREIGN NATIONALS
EGY N
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"SECRET
TRANSCRIPT
REMOTE VIEWING (RV) SESSION DC-94
TIME
#66:
This will be a remote viewing session for 1100 hours,
5 March 1981.
Okay, this will be a pre-session briefing to the remote
viewer. At this time I am showing you a building which I SG1B
believe you've seen before in the, it's in
And we
SG1B
are interested in one area of that building, the office of
Now I'm
going to point to an area in the picture where we think his
office might be. Now in this case no one knows for sure where
his office is in this building. But in this, uh, back build-
ing here, back portion of the building, right down in here,
maybe between the third and fifth floors right over in this
area right here. In the building in the background here.
Now what we need you to do in this session is we need some
continuity of direction, so I'm going to target you on the
building. I want you to start right where this guy is.
#01:
Okay.
#66:
And then tell me about what's going on down here in this corner
where this man is. Tell me how you get into the building,
and tell me what it's like just inside after you get to the
building. And then from that point, after you describe that
area just inside there, I'm gonna say go to
SG1B
SG1B
office. Now from that point I want you, without
SG1B
reporting to me, to go down the hall, whatever you have to do
to get to
office. Now it's not necessary for you
to report to me at the time the route you take, but be pre-
pared to draw it for me later. And then when you get to
SG1B
office say to me, okay, I'm there, and then we'll talk
a little bit about
office. And if the General is in
we'll talk about him too.
SG1B
#01:
Okay.
#66:
Do you have any questions?
#01:
No.
SG1B
#66:
Okay ... Let me describe for you
SG1B
whom you know now by his nickname of
SG1B
He's a very high official in the
chief of one of
their
'Bout 53 years old, 6 feet, 175 pounds;
SG1B
SG1B
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#66:
his most distinguishing characteristic is his build. He is
very stoop shouldered. He has light, smoothly combed back
hair and a receding hairline. Has a beak like nose and wears
reading glasses. You now have 20 minutes to prepare yourself
for this session.
PAUSE
Focus your attention now on the building in the photograph I
have shown you ...
As the building comes into view, move to
the entrance area designated, and now describe your experience
to me.
PAUSE
#01:
It's about
.. door, door somewhere left of some glass ...
just over from a ... vehicle, vehicle entrance ... zig-zag pattern
in the floor ... A door ... right turn, left turn, right turn ...
Exterior behind wall, still outside. Some kind of ... guard ...
security guard ... Shelter. for guard from the elements built
against the wall next to ... next to a ... the interior corner of
the zig-zag ...
#66:
Approach the guard and determine what time window we have accessed,
determine what time window we have accessed.
#01:
Very early morning ... 7:30 ... between 7:30, 8:00 in the morning,
today.
#66:
All right. Um ... If we were in exact time from now it would be
those hours in the evening. See if you can ascertain what
makes you say morning ...
#01:
Person going to work ... people going to work ...
The number of
people going to work.
#66:
Is there daylight?
#01:
Sense outside, I don't know if it's daylight. Just know I'm
exterior of building ... in the side wall ... Get a courtyard
or ... courtyard feeling ... Not warm.
#66:
Okay .
Let's move into a neutral time window so we can be
assured. Let the time be 3:00 in the afternoon. Let the time
be 3:00 in the afternoon. And describe the activity around
you now as 3:00 in the afternoon comes ... 5 March, 3:00 in the
afternoon.
#01:
Just a minute .... Kinda looks like a group of people leaving
for a late lunch or ... going to eat ... going somewhere to eat,
but not home.
#66:
Okay.
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#01:
Very quiet ... light activity.
#66:
Okay. Now holding this time window, holding this time window
move now on your own without reporting to
office. I will wait.
PAUSE
SG1B
#01:
Okay. I get a ... cage type entry in the wall ...
Gotta show a
card or ID, go through a wall and go through zig-zag. Come
out on ... kind of a sidewalk. Cross an interior road that
goes under some kinda overhang. Uh, corner building is, uh,
cover comes out with arches. Walk straight down, tunnel type ...
terminal building under arches and ... this an intersection where
only a left turn is possible. Walk down this open arch area to
a entry door in the center of the building and ... uh, come into
a large square, many glass doors. Circular counter with ...
booth, booth type gates left and right and guards. Behind them
is the narrow passage, looks like elevators. Stairs to right
and left. Uh ... stairs, uh .... just a minute.
Uh, overview second floor swept, swept, oval type staircase.
I lose, lose stairs there for some reason. They're hidden
above, above the second floor. Uh ... primary mode is the elevator ...
Get to the fourth floor there's a ... it's like a. .. his office
is a group of three suites, near elevator, not towards end of
building but towards center of building. Not sure just how
it goes from elevator to rooms ...
Get one minute large bay ...
in the center and his office to the right. Next minute get,
uh ... three exits from elevator area, four doors front, abreast,
two doors right, two doors left, open area behind four doors.
His office suite's right two doors ... Much polished stone
#66:
Move into his office area.
#01:
Get corridor, uh ... lined with like cameos, people, cameos on
stone inserts. Now on the right wall. Entry area, uh, door,
entry area's empty, just got seats .. . door, uh, hall, hallway ...
short distance to a room on the left side, room straight ahead,
room straight ahead is like study area, conference area ...
Door all the way left is a. .. very tiny room, zig-zag through
room. Enter it from front right side of the room with secre-
tary ... uh, must go left, then right, exit rear left side of
room, to his office.
His office's got, uh, another entry-exit door, apparently two ...
One door unmarked on hallway, other door is to office ....
Uh, very ... very modern, functional office ... Three, apparently
three people besides himself work there ... Looks like a recep-
tionist and secretary and a aide. Secretary is only female.
Receptionist is male. Aide is male ..... Just, it's ... asso-
ciated some way to, uh, bay or cubicle area. Get this very
large, well lit area with many like card files, or ... yes, like
card files or files. Huge amount of paperwork, files.
1
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#66:
Tell me about
#01:
I don't have him there.
#66:
Move to a time window in the past week when he is there ...
#01:
Those, uh .. . I have him sitting at a desk doing of
people, looking at past histories of people. Struck with a,
uh, what appears to be ... some regulatory photos and logical
history card type information for people. Many files on his
desk like two, three stacks. He's reviewing files ...
#66:
For what reason does he review the files?
#01:
Can't tell if it's a ... it's a, I don't know if it's counter-
operation or just background. It's his own people, but he's
doing backgrounds.
SG1B
#66:
Describe
dress to me.
#01:
Suit, have him in dark suit, like tweeds, very coarse material.
#66:
Color?
#01:
Gray .. no, white gray, gray with white specks. Uh ...... uh, I'm
just perceiving this dark shade, lighter specks. Could be any
color. I want it to be gray though. Possibly green. Some-
where in between gray and green.
#66:
Put your hands on his shoulders, and ask him why he's reviewing
the histories of these documents of these people ..
.
.
#01:
I get a ... sudden ... feeling.
Get a strong
sense of power.
Uh. .. people are, uh, very ... very powerful
people in folders. Uh .... some advisory committee he's on is,
uh ... forced for some reason to make a selection of some ...
one or group from these .. possibilities.
#66:
And ask him what criterion will he base his recommendation.
On what criterion will he base his recommendation?
#01:
This is very com- just a minute.
PAUSE
On criterion .... seems to be a, accumulated, uh, accumulated
experience, balanced against young mind. Most experienced in
least amount of time, without detrimental factors, uh, without
lack of experience in the key area. Uh ... youth, youth, but
not at the expense of the experience. Second .. two,
two primary reason. That's one.
Second primary reason, uh ..... stu -....
I get feeling of econ-
omic stability, but based on a welding or two internal powers
as a result of selection. But I don't get a clear feeling
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#01:
for powers. I think one is, one power is military. But I
don't get a clear idea of the second ... second section. Uh ...
uh, maybe ... degree of orthodoxy, uh, political orthodoxy.
#66:
Okay .
#01:
I, it's difficult, second part. I wanna say ... that the person
would dare to be original, but that would be more than what's
there. It's very subtle ... Small group, it seems ..
Selection
criteria applies to choice among maybe 8 people maximum ...
5 people maximum, 5 ... Cer- uh, there's certainly, uh, other
elements in the decision, but they generally fit most of the
group. Uh, predominant element is, uh, ruthlessness .... absolutely
ruthless, all, all people.
.. That's all I got.
SG1B
#66:
All right. I have no further questions about the
Like to provide you this opportunity to
SG1B
comment as you see fit.
#01:
I get a sense ... get a feeling he's ... like a special advisor to
some form of central committee or, uh, some politically tuned
type agency that's, uh ... required for some reason to make, uh,
political decision or s- uh, political line for, or boundaries
for some reason and he sort of does their leg, leg work, so to
speak and evaluating ... their, uh, political candidacy or some-
thing. I'm not sure what I'm saying. That's all I get.
#66:
Okay, fine. Return your attention now to my voice, focus in
on my voice here in the room in the present time. Focus here
on my voice in the room and move your arms and move your legs,
take a few deep breaths and let's prepare to draw the percep-
tions that you've had.
#01:
Okay, page. 1. What this is is a drawing of the exterior wall of
the area ... with the auto entrance gate, or door, the personnel
entrance to the left. This is the zig-zag, what appeared to
be a zig-zag.
I know it doesn't look much like a zig-zag, but
that's what it is. Following the dotted line would be the path
you would use to enter the building.
There's sort of like a
false roof line ... there. Makes it look like part of the build-
ing. What it is, it's like a facade in front of the building.
And this a big like guard check point in here, and there's a
lot of glass and everything. You would walk through here and
across this road and down to a, an arched overhang that would
lead eventually to the center of the building where you make a
left and go down into the center of the building ...
Uh, page 2 is a brief, uh, layout of the interior of the building
on the ground floor as you walk down through this approach path
under this arched overhang, hang a left and walk down under this
big covering. And you go through this large glass front.
I saw
a whole bunch of glass doors in a row. And there's a U shaped
area that's a restricted area directly in front of a guard oval,
what I call a big oval area of counter with guards behind it.
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#01:
And like checking gates on both sides that you have to go
through. To the left and right front as you're going through
these checking gates are like a large sweeping staircase just
on the ground level of second floor that sweeps around left
and right. Now it's sorta like they have all their adminis-
trative type offices on the ground floor, and the second floor
they provide these real decorative ornate wide stairway.
Directly behind that's a little alcove with the elevators, and
a glass wall with the rear. You take one of these elevators
to go up to the fourth floor, which is on page 3.
Fourth floor when you get off the elevator and you make a left
there's four doors immediately to your left. And I got a feeling
like there was an open bay, lot of file cabinets, bright lights,
that sort of thing, behind the four doors. Then you could have
a choice of going two doors to the right or two doors to the
left. And if you went left on those two doors you were in what
I call an outside hallway. Went down, took the first door on
the left- there's somethin' I'll add here, too. Took the first
door to the left you would be on an inside hallway. Then the
first door left is a receptionist, with the secretary's office
directly behind, and then the General's office. And if you kept
going straight you come to the end of the little inside hallway
and there'd be a conference room. And the bust that I described,
you know, like the, uh, cameos of people, are along that right
hand wall goin' down that inside hallway. Now there is another
door to the General's office, like a private entrance ...
#66:
Okay.
#01:
And that's about it.
#66:
Okay, is there anything more you want to tell me about what
you found the General doing and what he seems to be up to?
#01:
No, it'd just be speculation on my point now.
#66:
Okay, fine.
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BLDG
UNDER
ARCHED
OVERHANG
PARKING AREA
A
IT
SIDEWALK
1
PATH.
ENTRY
ROAD
1
FALSE.
ROOF LINE
SIDEWALK
-- ---- +-+-+ ---
LOTS OF GLAS
IN THIS
ARGH.
7
1
GUARDS
COUNTER
AUTO ENTRANCE DOOR
-
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PERSONNEL
ENTRANCE
DOOR
--
I
EXTERIOR
WALL

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(
MAMMAS PATH .
COVERED
ARCHED
WALKWAY
SIDEN
CLASS
FRONT
---
GLASS
FRONT
GROUND
FLOOR
LAYOUT
CHECK GATE
CUARO
OVAL
CHECK GATE
2
SECOND
FLOOR
- STAIRS
ELEVATORS
CLASS BACK .
WALL+
BUDE
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2

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(
4TH FLOOR
LAYOUT
PRIVATE
OPEN BAY
BRICHT
LIGHTS
4/ door.
OUTSIDE
"HALLWAY
BUSTS
WITH
WALL
INSIDE HALLWAY
See ..
GEN.V
OFFICE
GEVATOR
RECEPTIONS
CONF.
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3
ENTRANCE

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-SECRET
UnCT
TARGET CUING INFORMATION
REMOTE VIEWING (RV) SESSION DC-94
1.
(S/NOFORN) Information provided the remote viewer prior to the session
is documented as a pre-session briefing and is included in the transcript.
2. (S/NOFORN) During the session the viewer was asked to elaborate on those
aspects of his imagery which seemed to be relevant to the intelligence task
at hand.
NOT RELEASABLE TO FOREIGN NATIONALS
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SG1B
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NAJE
-
1
TARGET :
SG1B
SG1B
NICKNAME :
to close friends )
Background :
SG1B
SG1B
- Very high official in
SG1B
of one
of Their
-
born - CIRCA 1928
$ 53
- height - 6 feet
weight -175 l65
- build - very Strop . Shouldered *
-
HAIR : light smoothly combed back, receding
LAIRline
1
- NOSE : beAk.like
- WEARS READING GLASSES
8 He time diference
( 9 AM (here) - 5 PM ( Time)
1
SG1B
-
Destructions
--
Locate
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HE is A chief