CIA-RDP96-00788R000600030001-3

Approved For Release 2000/08/07 : CIA-RDP96-00788R000600030001-3
-SEGRET
INSCOM
GRILL FLAME
PROGRAM
SESSION REPORT
NOT RELEASABLE TO FOREIGN NATIONALS
CLASSIFIED BY:MSG, DAMI-ISH
DATED:
051630ZJUL78
SEGRET
REVIEW ON: Mar 2001
GF-025-81
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6 RabbabooFLAME
Copy 1 of 2 copus

Approved For Release 2000/08/07 : CIA-RDP96-00788R000600030001-3
SECRET
SUMMARY ANALYSIS
REMOTE VIEWING (RV) SESSION DC-93
1. (S/NOFORN) This report documents a remote viewing session conducted
in compliance with a request for information concerning an individual
identified as
SG1B
2. (S/NOFORN) The remote viewer's impressions of the target are provided
as raw intelligence data, and as such, have not been subjected to any
intermediate analysis, evaluation or collation. Interpretation and use
of the information provided is the responsibility of the requestor.
3. (S/NOFORN) The protocol used for this session is detailed in the document
Grill Flame Protocol, AMSAA Applied Remote Viewing Protocol (S), undated.
4. (S/NOFORN) Following is a transcript of the viewer's impressions during
the remote viewing session. At TAB A are drawings made by the remote viewer
reference his impressions of the target site. At TAB B is target cuing
information provided the remote viewer.
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Approved For Release 2060100107 : 00 101 56-00788R000600030001-3
TRANSCRIPT
REMOTE VIEWING (RV) SESSION DC-93
TIME
#66:
This will be. a remote viewing session for 0900 hours,
5 March 1981.
SG1B
This will be a pre-session briefing to the remote viewer.
This morning we are going to be looking for a gentleman
whose name is
SG1B
is a very high official in the
SG1B
SG1B
He is a chief of one of their
He is about 53
years old; 6 feet tall, weight about 170 pounds. His most
distinguishing characteristic is that he is very stooped
shouldered. He has light hair, smoothly combed back and a
receding hairline. A beak-like nose and is known to wear
reading glasses.
SG1B
Your task is to locate a
at the
time of the session. At the time of the session, 9 o'clock
here, Eastern Standard Time, it will be 5 p.m. in the evening,
5 p.m. early evening hours in
We have every reason to
SG1B
SG1B
believe that at the present time he is in
but we are
interested in his particular location. The description of
his particular location at the time of the session. And, I
will have some further questions about
SG1B
SG1B
at the time.
SG1B
Again,
Do you have any questions?
#08:
No.
#66:
You now have twenty-five minutes to prepare yourself for this
session.
PAUSE
#66:
Relax and concentrate now, and focus your attention on
who I have
SG1B.
previously described to you. Locate
SG1B
, and describe his present location on 5 March,
SG1B
5 o'clock in the evening. Describe his location to me.
PAUSE
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#08:
There's something about a .... a white building with domes.
The principal feature of the building is a ... the dome.
And, then small .... it's like a layered cake or the.
SG1B
#66:
You're bound to see many buildings with domes in
+03
SG1B
so
let's start with his immediate surroundings.
Seek out
and start with solely his
immediate surroundings.
PAUSE
+05
#08:
The only thing I see is a man in a ........ almost conspicuous
gray flannel jacket .... alone in an office.
#66:
Tell me about what's going on here.
PAUSE
#08:
All I can see is office work, and he's by himself.
+07
#66:
Move closer to him now, and describe him to me.
PAUSE
#08:
You want his description?
#66:
Yes. As you perceive him at the present time.
PAUSE
#08:
This, this, this, th -.... this impression of that gray flannel
jacket, and though I mentioned it, it keeps coming back.
...
in this matter of, this manner of ... it's not a dark conserva-
tive suit or something. It's just a
#66:
Tell me more about his clothing.
+10
#08:
Like he were, like he were dressed informally. Like working
after hours or something ... handling.
I'm trying
to get a flavor for what he doing.
It has something to do
with a ... Something about a ... candidates for political nomin-
ations .. two people ... not much he has a hand in. More of
deferring or eliminating.
... these two persons as candidates
for something.
...
It's political.
PAUSE
#66:
Tell me the experience that you went through .... (difficult to
understand) conclusions.
Tell me about the experience.
#08:
I'm trying to get impressions of what he is doing. What he's
studying. What he's concentrating. It's as if something
official had taken place. It's as if he's spending extra
time, almost non-officially, informally ... considering some
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#08:
nominations for some that are important for the political
post ...... and he appears to have a great deal of.
. .
.
Looks like he's either given support or not given support
to the nomination.
#66:
Describe the criteria on which you make this decision.
PAUSE
#08:
There is a ..... this is a position even above his ... he's doing
this quite unselfishly ..... as if it had to do with the leader-
ship of the country itself, but he's not considering it. It's
not a question of fostering his own progresses.
I don't think
he has ambitions along these lines.
SG1B
#66:
Okay.
Turn away from
now, and tell me about
the room in which this is taking place. Describe the room to
me.
#08:
The room is, it's very, very plush ... a huge room. His desk
is surrounded by windows and draperies and there's a out of
(phonetic) mantel which looks like a fireplace on the right
center from where he's standing with various ..... bench or
(mumble) chairs to the right .... doors ah .. opposite his desk.
#66:
Look out the window and tell me
+16
#08:
Oh, yeah! He's ah ... he's ah .. it's as if he were able (mumble)
like he had a front room where he can hold a (mumble) oversee
ah, not entire city but oversee quite aways. It's very scenic.
Very pretty.
#66:
Okay. Standing at the window looking out on what floor are we?
#08:
(Mumble) phew
It's either third or fourth.
#66:
All right.
And put your back to the window.
#08:
Yeah.
#66:
Now, push yourself through the window and out away from the
building and describe the building to me.
#08:
Yeah.
Still comes out to that, almost L shaped dome then
there's a rectangular layer, and underneath that are the floors
and he's right underneath the rectangular layer
.. to the
roof .. It's .... if you were coming up the entrance you would
have to look up about three stories and you'd see his window
up to his office.
#66:
Okay. And move back inside and ask him if this is his office.
Ask him if he is now in his office.
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DLUALT
#08:
No.
#66:
Explain the experience which makes you say no.
#08:
Because he's not familiar with everything around it; particularly
the desk. It's as if he were kind of on temporary duty there ...
in the political issue ... do something with the political issue
and the candidates.
Come up with something.
#66:
Tell me again about how he's dressed.
+20
#08:
It's almost as if he were a prof in a, in a university with a ...
gray woollen jacket.
SG1B
#66:
I have no further questions about
However, I'd like to give you the opportunity to comment as
you see fit.
#08:
I'll just take three minutes, see what comes out.
#66:
I will wait.
#08:
I don't have anything.
#66:
Aha. Let's prepare to draw then the images that you have had.
#08:
Okay .
In sketch number one, what I have attempted to do is to
draw impressions that concern the front view of the building.
My immediate attention was centered around the dome which I'll
just label number two is a dome one in number two. The small
dome came on that, came about later on, and it, as I've said
during the session it looked a wedding cake the way it was made.
It was just the impressions. Between dome two and that rectan-
gular piece of building, this seemed hollow here, and I'll put
that as if they were number three, okay. Where I found him
was in. the, what I perceived to be about the third story of
the .... the, let's just call that number five, and I'll call the
other layer number four, so to speak. And, where I've indicated
by X is where I've, the office where I found him to be in.
There were, from the front view when you had me backed up, I
know there are a lot of steps leading to the entrance of this
building, that at the gate there are fluted columns with some
kind of design or thing in here ... gold, something, and the
gate is black wrought iron. Okay. And, this goes on with more
wrought iron gates to the right and left, and with additional
columns just spaced there someplace, but not as pretty as the
initial columns to the entrance.
Okay, and that's the general
physical description of what I saw.
Sketch number 2 is badly, but it is a very plush office. The
reason that I started from the rear of the room to the front
is that, as he turns away from his desk, I'll put an X as to
where he was, there's a beautiful view, a panaramic view from
behind him. I don't know if there's as many windows as there
are indicated there. But, there are arches with, with windows
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"DOLONET
#08:
which he has access to which is very pleasing. The room is
very, very plush with dark brown mahogany type furniture with
chandeliers and everything else. . Some of the distinctive
features, what I perceive to be a mantel piece and fireplace
to the right side with a bench for people. Not necessarily a
wooden bench, but a comfortable bench, and interspersed with
several stuffed chairs, leather though. And, there appeared to
be a library of books on the right side of the room from the
entrance looking in ..... what is, was a very, very pretty room.
But, I had the impression it was almost like a visitors room,
a dignataries room for use for people who, for temporary use
for people who come to this building to do work. Did not seem
at all very, very familiar with the contents of what was in there
at his desk. It didn't seem homey like someone who would use
it every day. So he had very few papers on the desk that he
kept looking at.
#66:
Okay. Before you mentioned what you thought he was doing.
What his activity was about. Do you want to tell me about
that again?
#08:
These were simply impressions that turned out somewhat political.
It had to do with the nomination or the potential nomination of
two people of very important high political positions. Surpris-
ingly enough I'm, the impression that I got from the individual
he was there in a screening capacity. There was no indication
of a personal ambition to jockeying for a position. He seemed
to be like more of a mediator or a judge where his findings or
approval or disapproval of this, these candidacies would affect
the candidacy itselves.
#66:
Now, what criteria does he do this screening?
#08:
I don't know.
Their entire past life and accomplishments.
This is what he has access to.
#66:
All right.
Now, tell me again about how he was dressed.
#08:
That simply never went away. It was this thing that coming
back was this woollen type gray flannel jacket that he seemed
to have on which gave him an air of informality, as if he were
studying the issue or the case at hand, ah, after duty hours.
Like in his spare time. It was part of the job, but he was
not answerable to an official in an official capacity at that
time and place .... It would be like conducting business for
about 8 hours and coming back to a motel or something and
reviewing notes and making preparations to make decisions.
What can I say.
-
#66:
Okay .
Anything else you would like to add?
#08:
No.
CCCDET
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TAB
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Front New-Building
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1
Nege
y
2
3
4
b
L 1
926
L
2
M /M 17 Columns
entrante
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0
General's
+ location
1'
1
w/ calum

entrance
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AM
(
Tereplace
the
ce
-
library
leather
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2

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TAB
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--
TARGET CUING INFORMATION
REMOTE VIEWING (RV) SESSION DC-93
1.
(S/NOFORN)
Information provided the remote viewer prior to the session
is documented as a pre-session briefing and is included in the transcript.
2.
(S/NOFORN) During the session the remote viewer was asked to elaborate
on his images which seemed relevant to the task at hand.
NOT RELEASABLE TO FOREIGN NATIONALS
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1
---
iARGet:
SG1B
SG1B
NICKNAME :
( to lose friends)
Background :
- Very high official in
of one of DeIR
-
born - CIRCA 1978
SG1B
He is Achief
SG1B
------
...
height -
C Fort
-
bold - very Stoop. Shoulder"
HAIR : liskt smoothly combed black riceling
LAplino
- Nose : BRAK. like
WEARS READING CLASSE
She time difference
-
,
1.
Driftructions SG1B
-
--
.
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