CIA-RDP96-00789R000300660001-6

Approved For Release 2000/08/08 : CIA-RDP96-00789R000300660001-6
Ho ground twee
SECRET/NOFORN-SKEET CHANNELS ONLY
PROJECT SUN STREAK (U)
WARNING NOTICES
INTELLIGENCE SOURCES AND METHODS INVOLVED
13amg 81
A.
Session Procedures Report (S/NF/SK)
PROJECT NUMBER:
8709
SESSION NUMBER:
2
DATE OF SESSION:
12 AUG 87
TARGET COUNTRY:
REFERENCE:
MISSION STATUS:
TECHNIQUE UTILIZED:
CRV
SOURCE IDENTIFIER:
018
1. (S/NF/SK)
Monitor Tasking:
(Refer to tasking packet 8709)
2. (S/NF/SK)
Source Tasking:
Begin session in Stage 6 with a time line
and search for significant (past) events or persons associated with the
target.
3. (S/NF/SK)
Summary: Source summary attached.
There is the
possibility that a Soviet design bureau worker has been acquired. (This
will be used as a jump-off point for the next session).
4. (S/NF/SK) Comments: Source required quite a bit of steering by the
monitor.
Consequently, the data produced in this session should not
"stand alone" (the possibility of AOL is too high), but be used only to
support or corroborate information provided by other sources.
SG1J
1
contacten mate.d
SECRET/NOFORN-SKEET CHANNELS ONLY
CLASSIFIED BY: DIA-DT
DECLASSIFY
OADR
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Approved For Release 2000/08/0B> CIA-RDP96-00789R000300660001-6
UNITED STATES GOVERNMENT
memorandum
DATE:
12 August, 1987
REPLY TO
ATTN OF:
DT-S
SUBJECT:
SESSION SUMMARY, PROJECT 8709 (C-SS)
TO:
DT-S
( ATTN:
SG1J
1.
(S-SS) Statistics:
Project #:
Viewer:
Session date:
Filename:
8709
018
12 AUG 87
8709.L02
-
2.
(S-SS) Impressions gained from the session include:
a.
When asked to describe a "counterpart" for the previously
viewed jet plane, another plane was viewed.
A
description of the differences showed a different angle
inthe wings.
b.
An attempt to describe "the arrival of both on the
scene" led to a rather long time-line, presumably showing
the entire history of manned flight. A closer look at
the last part of the time line showed the arrival "on the
scene" of the two planes. The #counterpart" arrived
shortly before the one previously viewed.
0
c.
At this point, I become confused as to whether or not
there are actually two planes, or if the two are perhaps
different versions of the same plane. The time-line in
this part of the session seemed to perform double duty;
in addition to being a regular time-line, it seemed to
also display an allegorical set of circumstances.
These
circumstances involved:
1)
The main "object" of the session being "dragged off"
progressively, along an early part of the time-line.
This dragging-off was due to another "object"
proceeding very quickly along a path of its own.
path of the "fast-moving other" crosses the main
object's time-line. There is an almost gravitational
pull of the main object off-course, as the 2nd object
approaches. Then, the 2nd object flies past the
time-line, jerking the main object back on-course
(with a near miss), but leaving it somehow changed.
The
2)
Trying to determine what this allegorical crossing of
the time lines meant, a person was located.
This
person, a man, is evidently a designer of the plane.
He carries a strong set of emotions, all centered
around the fact that his superior (seen as a female) ,
CL
OPTIONAL FORM NO. 10
(REV. 1-80)
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6010-114
1084 0 - 461-275
-275 (272)
-

Approved For Release 2000/08/08 : CIA-RDP96-00789R000300660001-6
SECRET
has made some change to his designs for reasons which
he feels are not valid. He feels that the
"improvement" which has been made to his design will
actually Tower its quality, and suspects that it will
cause a catastrophic difference in the end. He is
personally involved in this whole situation. His
inability to do anything about the change interacts
with his self-esteem.
1
lig N plasti
Anatorial
3)
When accessing this man's feelings, I once again
begin to get strong feelings of the same cheap
plastic" (as opposed to solidity) that the (AOL:
pilot) felt in the previous session, when sitting in
the plane.
4 )
There is the lingering feeling (post-session) that
the designer is right; that not only could something
catastrophic result from the change in design, but I
also get the feeling that, if someone knew more about
the change, the catastrophic result could be made to
happen on purpose.
CÍ
2.
Viewer's critique: (S/SS)
I am not at all certain that any
part of this session should be considered as valid. I began
the session with very little ability to access the target,
and at all times throughout the session had trouble holding
on to it, once it was accessed.
While the personal emotional
information seems like it could be very valuable, if
correctly utilized, the session contains virtually no
quite
wwwression + formation, which is what I was wanting from
session to begin with.
need perceptions
SECRET
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12 AUG 87
FT. MEADE
1004 HRS
ED
A.V. NONE
P. 1. HUNGRY.
S6: DESCRIBE SIGNIFICANT EVENT(S) PORTAINONT TO 8709.
NOWO
1
SU: DESCRIBE
-
52
D
AZ
57
T
~
-
1
Als.
7
A: ALKO $
Drwal
B. STRUCTURE
LT- GROON
WHITE
LOW
FLAS
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2
DESCHIDE RELATED PERSON
Als.
m
02
PERSON
1
52
0
SHORT
STOCKET
An ARK.
LIKE MONSTER
IN comic strip.
rols.
52
DA
57
T
PERSON
1
DANIIL
WIDE
Stocky
500 10
MUSCULAR
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3
DESCRIBE
COUNTRYANT TO
AIRCRAFT.
Als.
52
COUNTERPART.
52
BLACK
SIMNON
LONG
SIEER
SHINEY
ROUNDED
ELEVATED
LT. BROWN
-
COUNTOn PART.
1
BIG.
DIFFERENCES.
ANGLES.
For MIK
WING ANGLES.
OF SACH
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.
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SR
D
m
T
1
AOL
Als.
DIFFERENIST
PLANE FM
LAST , SESSION
WINKS
COUNTER PART.
BROWN
.
STOOP SLOPE
Brownish wines
HAS A VSWY
THIS
is
THE ONE WITH THE
STOOP SCOPE .
1-BELIEVE
THE ONE CALLED "COUNTER PART.
2.
1
-
1
00
5
1
56:
1
LOCATO
DESCRIBE
ARRIVALS OF BOTH PLANES.
1
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5 4 /2:
1
FOOLIle OF
CONSTRUCTION
PLANE HANGING FROM
SMITHSONIAN)
2
COILING
CAOLIS
SUDDEN FJOLIch
OF
APPEARANCE Of " COUNTERPART"E
APPEARANCE OF PLANS FM LAST SESSION.
1027 KMS.
BREAK
RESUME
1033 ANS.
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3
4
Impression
OF
25
LICO IN
LONG DURATION IMPRESSION OF SLOW
RISE.
" FALL " SUD " " STOP "

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6
S6:
LOCATE RELATIONSHIP BETWEEN TWO PARTS.
A
Now
Als.
52
D
m
5
T
1
0
CUTTING ACROSS
CHANGE
Of ONE THING Con PERSON -
ITS PATH ACROSS
TIME LINE. THE
54 /2: Impression
CAN'T TELL WHICH)
CUTTING
THE ONE ON
THE MAIN
MAIN ONE IS
is some news
PSFLECTOR IN
CHANGED
AS IT
ITS
PATH, BUT
4005
ON.
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ANGLE
vony
SLIGHTLY

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1
NOW
-
2
NOCOUT PAST
3
per A/S.
T
57
17
52
D
DRAWN AWAY
PULLED OFF
PULLED UP
DIVERTED
ATTRACTED
2
DOWN
SUDDEN
OF
SMITH TRAVELING
ATTRACTED AWAY
BEING
ALONG THE TIME LINE,
ABOUT THE
(ASC )
BY "OTHER" THING FOR
CONTINUES TO DRIFT OFF THE
SPEEDS BY ON
ITS
7 MG LINE).
~ Approved ForRelease 2006/08/08 : CIA-RDP96-007898000300660005-6
THE MAIN OBJECT
15
SUDDENLY
PULLED
B1
LINE
ALMOST LIKE
A GRAVITATIONAL PULL, UNTIL THE "OTHER" SOMETHING
COURSE ( WHICH CUTS AF ON
LINS.
IT
5 4 /2:
Impression
1

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8
PAST.
THE "OTHER" FLISS PAST TOO FAST
TO
DRAG
IT
PERMANENTLY.
OF TWO :
PATHS
Ski
2
1
POINT
da
An
als.
12
52
T
1.50PLS.
1
52
D
STILL
STRAIGHT
SEVERAL
(MANY)
A/S.
VAGUE VISUAL OF
WIDELY SPACED GROUP OF
PRESSOD ALIKO,
PEOPLE A STANDING
STILL
+ STRAIGHT,
ALL FACING
SAME WAY,
580mg
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ROUND
LOOKING SLIGHTLY
LIKS ( AOL) HANGEN.
54!
DESCRIBE
CLOSEST
PEOPLE
PROXIMITY
15

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SINGLE IMPORTANT PERSON,
Az
Als
T
PERSON
1
52
D
M
57
RED
.
ADL Ank
FEMALE.
52
D
AZ
57
T
-
PERSON
1
AR
- Als .
RED
DR. BLUE.
SOFT
noo
PODLE SLIGHTLY
dvou workHT.
An Als.
52
D
A2
T
PsSSN
1
V/I EMOTION
A/S
PUNCHBOWL
.
BURNING FOOLING
TENSONESS
AOL BRK
ALCOHOLIC
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54: LOCATE + DESCRIBE

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10
DESCR , 85
SIGNIFICANCE OF
ponson.
PERSON
1
5L
D
AL
De2 A/s.
IDLE
OBLIGATOD
BUSY
WONDERING
V
DESIGNER
IMPATIENT
V/1 OMOTION
MALE
DESIGNOM
.
CONFE PAK
FEMALE.
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11
Ach Als.
1
52
D
M
52
T
W/1 SMOTion
EMOTION
SOLID
HEAVY
OPPRESSIVE
REAL
5 9 /2:
EMOTION
SEEMS TO DEAL WITH
REALITY IN SPITE OF
AN UNEXCEPTANCE OF
AND CLEAR
AN ACCUTO AWARENESS OF IT.
HAS ***
COMPLEX + INTERWOVEN MIXTURE OF PRIDE,
MANHOOD SOLF RESPECT,
JEALOUSY
DRIVE, DESIRE,
ASSIGNMENT + RESENTMENT.
52
D
m
T1
DOBIGNON.
AT BANK.
THIS GUY CAN'T STAND HAVING
A WOMAN WHO'S
BETTER THAN
BOSS.
15
FOR
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Approved For Release 2000/08/08 : CIA-RDP96-00789R000300660001-6
12
LOCATE
6
52
1
SL
D
M
T
Event.
POSION
REDESIGN
CHANGE
IMPROVEMENT
CHEAPONING
Al Ank:
PLASTIC" FOOL AGAIN,
DESIGN BOING
5 4 1/2:
REDONE ( CHANGED) FOR WHAT OTHERS CALL
IMPROVEMENT POT
WHAT HE LOSSIGNOR) 5005
HE is HELPLESS
OF QUALITY,
ABOUT THE
CHANGE. HE
TO DO ANYTHING
CHANGE
WORRIED THAT
A
CATISTROPHIC
DIFFERENCE.
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IMPRESSION
of
A
AS
A
LOWERING
WILL MAKE
DESCRIBE TIENE SIGNIFICANT JUINT.
A/s.

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(13
DESCRIBE
"DESIGNOM'S"
SURROUNDINGS.
82
D
52
T
Aar
ils.
LOCATION
1
SLAVIC FEEL
GREY
SUNNY
OPEN
WIDE
£
NOR DIK
ROD SQUARE-
TYPE OF BLOG
Complex,
SMINATIONS OF " CHANGE"
A/s
52
D
AI
T
"CHANGES"
1
PLASTIC
DARK
DULL SOUND
VOICES
PEOPLES ARGUING
1
DESCRIDO
ASSOCIATOD
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14
SZ
0
07
T
1
Als.
YELLOW
Ads,
YouLow ROOM.
"CHANGE"
JUNKY
CHANGE
NATURE
DESCRIDO
al
SE
CHANGE
"AW, SHIT ! !
UN FOUS SEEN
IRRELEVANT
SPIRAL
AOL MK
MECHANISM
FROM
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SESSION OND
1102 yrs.
T
1
07
D
SUDDEN
" OUT OF THE BLUE"