CIA-RDP96-00788R001900570001-0

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SEGRET.
-RDP96-00788R001900570001-0
IAGPA-F-SD
06 July 1984
MEMORANDUM FOR RECORD
SUBJECT:
CENTER LANE Interview Summary - HU-1072/8404/63 (U)
1.
(S/CL-3/NOFORN)
On 290810 March 1984, source #63
was
interviewed by monitor #66 in an attempt to verify the suspected
location of an individual identified as William F. Buckley. The
project 8404 sponsor had provided an overhead photograph of the
suspected building, a map of the area, and a photograph of
Buckley (see Incl 1).
2.
(S/CL-3/NOFORN)
For
this interview source was initially
shown the photograph of
Buckley and asked to describe his
perceptions of Buckley's location.
No other identifying data
was provided to source at the time of the interview.
After the
interview, source was shown the overhead photograph.
All other
intelligence information was withheld for use as feedback and
cuing for possible subsequent interviews.
3.
(U)
A transcript of the interview was prepared (see Incl 2).
4.
(U)
A DA Form 341 (Agent Report) was prepared for the
sponsor.
This report
related the salient points of the
interview.
Attached to the report was a drawing provided by
source and
an overhead photograph depicting the suspected
location of Buckley and an area of interest to source (see Incl
3 ).
Association with the
below named
individual and Military
Intelligence is CONFIDENTIAL.
SG11
3 Incl
as
NOTE :
Information of immediate operational value was provided
immediately, or as soon as possible, after the interview.
sponsor
to
CLASSIFIED BY:
DECL:
OADR
CDR, INSCOM
Center Lane
WARNING NOTICE !
SPECIAL ACCESS PROGRAM
RESTRICT DISSEMINATION TO THOSE
WITH VERIFIED ACCESS
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INCL 1

.
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OLUNET
TRANSCRIPT
HU-1072/8404/63
# 66:
This will be a CENTER LANE Interview 0810 hours 29
March 1984.
I've provided you with a photograph of
an individual which you located yesterday.
Today,
using this photograph to focus your attention on
his location and describe his location to me.
# 63 :
. Miss break, ... A is flat, solid, man made, B
is, no B.
Miss break, ..... A is flat, solid, man
made, B is building.
Stage 2 --- gray, block shaped,
large.
# 66 :
Be careful
of your
structure, there (mumble)
dimensions.
# 63:
Um, um.
# 66:
Build in stage 2.
# 63:
Patterned, square pattern, ..
.A is rising, man
made,
B is building, stage 2 --- square, .... AI
break -- I don't know what it was.
Stage 2 --- dimensional, AI, EI, T, I, AOL, AOL/SIG.
Dimensional --- squarish, dimensional is large, AI
break --- strange.
. Sketch, .... tangible --- is
building, dimensional --- is large, stage 2 -- is gray,
.
. intangibles --- confusion
break,
AOL
break -- atrium.
# 66:
Describe, before you go on, describe to me what
atrium means to you.
# 63:
A hole in the middle of a building.
# 66:
All right.
#63:
And again, as yesterday, it's a sort of a strange
thing, I don't know whether it's a hole
from
looking down on it or from underneath of it.
# 66:
AOL break that reminds me of atrium concept?
# 63:
Um, um.
# 66:
Need
to
reacquire in stage 4,
location of
individual in photograph.
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# 63:
Tangible --- is
room, .... tangible --- is
partition, AOL break --- like a counter, like when
you walk into the principal's office, they've
always got a big counter that you walk up to, to
talk to the secretaries and stuff, that sort of
thing.
# 66:
Something in this place where he is, is like that.
# 63:
Um, um.
# 66:
That's about all you know.
# 63:
Um, um. Sketch
#66:
(mumble) been able to sketch.
# 63:
Um, um.
Okay. Tangible -- is room,
# 66:
This becomes a sketch. of the room.
# 63:
Tangible --- is petition, and I've labeled counter on
the sketch.
# 66:
This becomes the room within the building.
# 63:
Um, um.
# 66:
All right, fine.
Working
on a stage (mumble)
matrix of the room within the building.
#63:
Stage 2 --- is patterned wall, square pattern.
#66:
That would be stage 2, patterns, tangibles, wall?
# 63:
Um, um.
(mumble) wall, gray, stage 2 -- is gray,
stage 2 -- is blue, stage 2 --- is white. Sketch --- AOL
break -- piano, that's a sketch of this object here.
#66:
The object in the room not labeled in the building?
#63:
Yes. Stage 2, Dimensional, AI, EI, T, I, AOL,
AOL/SIG.
Sketch- - - - - AOL
break --- row
of
drawers, ....
sketch-
AI break -- strange
piece of equipment.
# 66:
Okay, if I understanding that AOL break now, my
understanding that sketches on page 4 represent
objects and things in the room?
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#63:
Yes, this is still that object behind the counter
and I will label that object. And this is the room
where I place him.
# 66:
Okay, something strange, like you've drawn there is
in the room.
# 63:
Um, um
#66:
Okay.
# 63:
A console or desk of some kind, AOL break --- console
or desk of some kind.
# 66:
Seems ornate or having unusual curves or patterns
(mumbles) on this thing.
# 63:
It's modern, intangible -- is modern, stage 2 --- is
gray,
brown,
stage
2 -- is
flat,
dimensional -- tangibles -- is
top,
dimensional
is
raised, tangible -- is top,
.....
.tangible -- is knobs,
S2, D, AI, EI, T, I, AOL, AOL/SIG.
Dimensional -- is
large
hallways,
tangibles -- hallways,
... intangibles -- classroom
type
environment, .
dimensional --- is
large,
stage
2 - - - squarish,
.
tangible -- building.
# 66:
Okay.
# 63:
Dimensional -- it's
surrounded, ... tangible --- are
trees,
...
. intangible --- is park like environment.
#66:
Okay .
# 63:
Dimensional --- is multi floors, dimensional --- multi,
tangible -- is floors, ..... AOL break --- He's not on
the ground floor.
It's an AOL because it's not on
the ground floor, as opposed to saying what floor
he is on.
.
# 66:
Um, um. Okay, I want to hold on to the break for a
minute, because I have a question.
# 63:
Okay.
# 66:
Looking at, spread your sheets out here, is this
multi story building the same as you have sketched
on page 2 with atrium like view?
#63:
Um, um.
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# 66:
You feel like you're in the same place?
#63:
Um, um.
# 66:
You haven't changed, okay, good.
Now at this
point, holding on the break, I would like you to
summarize the building as you see it now.
#63:
All right.
# 66:
Poor choice of words, as you know it now.
# 63:
.
. Large, square shaped, atrium of some sort.
# 66:
Okay, in a summary, the AOL concepts would go with
conditional words, right?
# 63:
Um, um
#66:
Fine.
So you might say like an atrium, or remind
me of
an atrium, you wouldn't want that in a
written summary the AOL gets written in terms of - -
# 63:
-- Something an analyst would understand.
# 66:
Right, conditional (mumble).
What else- -
#63:
We put in ( ) maybe a covered atrium, maybe that's
why it's so confusing to me.
#66:
Okay .
# 63:
Gray, (dark gray) in color, surrounded by a park
like environment, trees, roads.
Intangibles -- is
official.
Building is official feeling.
# 66:
A school like feeling or was that (mumble ) - - -
# 63:
Um, um, no that's inside.
#66:
That's intangible?
# 63:
Yeah.
# 66:
Okay .
# 63:
Building is official feeling and has a classroom
type feeling inside.
#66:
Let's see if we can describe the inside a little
bit more, describe the patterned walls, the colors
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in the patterned walls. Look back at your sheet,
(mumble) access in your mind.
#63:
Okay, let's see.
Inside, large hallway, steps in
hallways.
#66:
Do we still have the open in the center feeling
here, when we talk about the inside?
# 63:
... I don't know.
# 66:
Okay .
# 63:
I'm inside and
# 66:
Fine, I understand.
You're kind of too narrow
focussed in hallway to wonder what else is around
you .
Okay .
# 63:
Okay. Inside the room has a square patterned wall,
like this.
# 66:
Do you associate any colors?
# 63:
Hm ?
#66:
Do you associate any colors with the patterns?
Look back up here.
#63:
Yeah, I got, went up
to
the (mumble) square
patterned wall like acoustic tile sort of.
# 66:
Is that a conditional AOL?
It seems to me you've
listed a lot of colors for those patterns.
# 63 :
Yeah, well, the, from about half way up is acoustic
tile like substance, white in color. And then from
half way down the wall is blue, gray or blue or
gray.
This room has a partition like a counter top
as you enter the room.
Behind this is the desk or
console like object.
# 66:
Okay.
Now, have we got our pages numbered so we
know where we are.
#63:
Yes.
# 66:
Okay.
Okay, let's move to a clean sheet of paper
now, where we are 1,2,3, 4.5,6.
# 63:
6.
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# 66:
On page 7, using the photograph as cuing, give me a
stage 3 sketch of the building in the center of the
page.
# 63:
Doesn't make much sense, but that's what keeps
coming back.
# 66:
All right, fine.
£
Now on ---- okay, fine, picture the
idea here, sketch an idea, that's good. Now, at
the top of page 7, put N for north. Now you have a
feeling then for North is kind of to your upper
left.
# 63 :
Um, um.
# 66:
Okay, that's fine. So go ahead and
label the
pages, objectify on the page, North is that way,
south is that way, and east and west.
# 63:
Okay.
# 66:
Just put little letters. Okay, now page 8.
And
you can work your from stage 1 on. We'll go first
north of the building, your cuing is north of the
building.
# 63:
Okay, just a second.
There's a big road up here.
# 66:
Big road north of building.
# 63:
And another road's running down here, smaller road.
# 66:
Smaller road --
# 63:
East of building.
#66:
-- east of building.
# 63:
West of building. Sorry.
# 66:
A smaller road west of building, all right.
#63:
A "w" sideways looks like an E.
# 66:
All right.
# 63:
Underline it so it doesn't it get confused there.
# 66:
Okay, are we ready to move in another direction,
you're are declared with that way or do you want to
to on.
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# 63:
Yeah, let's go ahead and leave with that.
# 66:
All right.
# 63:
Let's say we go to east now.
# 66:
All right.
# 63:
Sketch --- to
the building,
building.
It's
lower area, (mumble)
low ground .
There's
several buildings, seem to build on one another.
There are trees here too.
# 66:
Okay.
# 63:
So now we need to go south.
# 66:
go south.
#63:
..
. . Wooded area, ..... flat wooded area, ... This is
our building, label it site and south is this way
and you got a flat wooded area here, and there's
something long.
.
..
I'm unsure what that is.
# 66:
Square object?
# 63:
Yeah, it could be a road or a ... long building.
#66:
Some squarish type object?
# 63:
Um, um.
# 66:
Not sure what it is, okay.
That's the other side
of the forest?
# 63:
Um, um.
#66:
All right.
We will have one more task then.
# 63 :
All right.
# 66:
We'll go on to page 9 where cuing.
Now using the
photograph I've shown you of this individual and
you've now described his physical location, the
building and this room, now describe to me other
people in and around the person in the photograph.
# 63:
Okay .
#66:
And we can just call that significant others.
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# 63:
Okay.
. People, ...... official
person,
AOL
break -- I'm almost ashamed to declare this -- like COL
Klink in Hogan's Heros.
# 66:
You're reminded of a COL Klink type person in the
military or something.
# 63:
Whatever his name was, Klinger or something.
# 66:
Klink (mumble). Okay, I suggest you put your stage
4 matrix across your paper so that you have some
structure in which you may work.
# 63:
Okay. S2, D, AI, EI, T, I, AOL, AOL/SIG.
# 66:
Looking for significant others at that location of
interest.
# 63:
Our guy's anxious, .... butterflies in the stomach
type anxious, ..... (gurgle in #63's stomach said
"come up", jean's note)
........ Tangible --- people,
stage 2 --- is in dark color, clothes.
# 66:
Clothes is a tangible?
# 63:
Tangible, right.
In the same room, tangible --- is
in the room, dimensional --- is near door,
dimensional --- is many people, tangible --- is people,
. dimensional --- 10 to 12 people,
.... coming and
going ......
tangible --- is clothes, stage 2 --- is
similar, dark,.
.
intangible --- is foreign, ...
Stage 2 --- is fair complected.
Stage 2 --- is dark,
tangible --- is hair, dimensional --- is short hair,
tangible --- is
hair.
.. (mumble)
um. .
confusion break --- okay, I feel like he, our man, is
on north side of building,
. .
# 66:
Declare the confusion.
#63:
Uh ?
# 66:
Declare the confusion.
# 63:
Yes, I'm doing, well, the confusion is, really not
where to put it and why it came in now, other than
EI --- are very people related and if he were going
to try to talk to me and tell me where he was, I
think it would come through on the EIs and that's
what I was prompting for at the time I got the and
I feel like he's on the north side of the building,
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not on the ground floor, like 2nd floor maybe.
Okay, this is north face of building, like he's
right about there (x).
#66:
Okay .
# 63:
And that means this is north.
# 66:
We'll worry about that later.
Your north versus
compass north is not relevant, as long as north is
separate from (mumble)
# 63:
Yeah.
Okay, I have an AOL break --- of German, World
War II uniforms.
#66:
Just about ready to end now, so I would like you to
kind of open yourself up to the signal line and see
what comes in here as we rap this up.
# 63:
That's about it, I've drawn a little sketch here
again trying to show where I keep feeling where he
is.
# 66:
Within in the building?
# 63:
Um, um.
# 66:
Okay.
#63:
You got that?
# 66:
Okay, we'll do an end there. At this time, I'm
going to show you some overhead imagery of a
general location. I'd like to now get your opinion
and discussion and your
feelings about this
overhead imagery.
# 63:
All right.
# 66:
Now,
I have to caution you that there are some
arrows and things on this which may or may not
apply, so I don't want you to be prejudged by the
arrows on the map. Because they have the words
"suspected building" on here, but as we learned
late yesterday, this is more like a suspected
neighborhood or area versus any one particular
building.
# 63:
That feels good.
# 66:
Right, I have the exact (mumble)
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#63:
Wooded area and
a
strange building with things
jutting out from it like that, the funny pointed
roof on that.
# 66:
Let the tape reflect that the source indicated,
without orienting now, has indicated the area of
interest yesterday, which I don't feel at liberty
to say what it is now, but it's the area of
interest yesterday with the, what he described as
the Washington Monument like tower next to it which
you didn't happen to mention today.
Now,
yesterday, the photograph you were shown did not
show this, it was like that.
# 63:
Um, um.
# 66:
All right.
Source has indicated his feeling about
the square
shaped with the open center.
Okay,
let's, I'll let you look through the rest of these
and we have some different angles here, you can see
we're in the same neighborhood.
# 63:
And it's also open from underneath.
# 66:
Okay.
source also notes that the square shaped
thing is opened from underneath as he sees from
this different angle here.
# 63 :
Is that a cemetery or something?
# 66:
Yes.
Now, we're going to look at another angle
here which is about the same.
# 63:
That doesn't look, the straight (mumble) it doesn't
look like place they could hold anybody though, it
looks like a big open walkway area or something.
#66:
Okay.
I know what it is, so don't worry about it.
Now, at this time, using these photographs, let's
take your stage 3 sketch and see if we can't orient
anything with your stage 3 sketch. The first thing
thing we'll do is orient your north with map north.
# 63:
Okay.
#66:
Okay, now let's orient the word "big road" with big
road. Okay, where we orient "big road" we get the
big road here and the smaller road to the left,
that seems to orient.
Now, opposite labeled big
road would be the south area, and what do we have
in south declaration?
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#63:
Wooded, flat wooded area.
# 66:
Okay, let me see, where's your piece here.
# 63:
Let's see, number 8.
#66:
Page 8.
# 63:
There it is.
# 66:
Page 8, south we should see wooded area and then- -
# 63:
-- It comes to an abrupt halt down here on something.
# 66:
-
-Unsure road or long building. Okay, if we look
to the opposite we see a wooded area, followed by a
cemetery
here and I can't
tell from this
photograph, let's look back at something here,
. ... All we can see is a wooded area and the flat
cemetery here and we can't tell what your strange
object
is.
Now
all
these
things
are
headstones, .. is this funny thing, funny squarish
things is headstones.
# 63:
I would tend to believe it's something like this, I
had the feeling of something long and that it ended
the wooded area.
# 66:
Oh, so the wooded area was bounded by something,
okay.
# 63 :
Um, um
# 66:
Maybe road, maybe something long, okay. And the
woods and this.
# 63:
The fenced in area, here.
# 66:
Right.
# 63:
It's long or something.
# 66:
It definitely has a deliberate stop to it though?
# 63:
Yes.
# 66:
Okay, now, so ,if we, we're going back now to the
map orientation, big road matches, small road
matches, wooded area matches, let's see what we can
find opposite small road, what was supposed to be
there?
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# 63:
East on mine, well we should be south on the actual
map, I said there was a tall building that has
protrusions jutting out from it and it's got sort
of a peaked roof on it.
# 66:
We do have a funny shaped building with a very
strange roof on it and little strange things on the
side and of course we're not concerned with
distance, because you're not addressing yourself to
distance.
# 63:
Um, um.
# 66:
So we do have what looks like maybe a match in
terms of orientation, if we match big road, we get
little road, and we get forest and we get funny
building with striations, this one here. Let's
look at some different angles and see if we can't
get size. I can't see from the angles we have how
many floors that might be.
Now our angles just
don't show it.
# 63:
But, (mumble) 2 inches along the side here, I mean
it's very definitely like that.
# 66:
Okay.
Yesterday, of note is yesterday when I told
you to go to the place, I think you wound up here,
if you remember yesterday, you're drawings look a
lot like that too,
maybe you don't remember
yesterday's drawings. And when I asked you to look
across the way or across the street, you started
talking about the Washington Monument building,
which is not more than 50 feet away.
I thought
was asking you to do this, but you insisted on
talking about this. Now notice when you said
surrounded, not only did it have forest surrounding
it but it has very deliberate wall around it here.
Um, um
# 63:
# 66:
This whole thing can be considered one unit, I know
what this is and this is one function, like Ft
Meade is one function, this is one functional
entity here.
# 63:
Let's see ... now this is what I had as north.
#66:
North means road to us?
# 63:
Um, um, okay so, north should be big road, right,
so the location I have him in is here.
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# 66:
Um, um. The question is that he might be over in
this one too.
singular unit
through the day time, you may go all through this
area.
# 63:
Um, um.
# 66:
So, I guess we can say, we can end by saying then
that you find him on the big road side of the
building somehow.
The room in which he's located
is on the big road side of the building.
# 63:
Let me think, okay.
#66:
All right.
# 63:
Okay.
. (mumble) here, there .... yes big
road side.
# 66:
Okay, big road side of the building.
Now, let's
rap it up then. Thank you very much.
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M Break
A flat solid
manade
BB-
M Break
A Heat solid
momamado
13 Building
5-2 gray
block shaped
large
Pattern
square patterned
.
A Risugus
mammade
B Building
5-2
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5-2
D
AI
EI
T
I
AOL
AOUISIG
agrarisch
large
AI Beck
strange
.
SK
Building
large
gray
Location of person
alcon Break
Al Brech
atrium
Room
Partition
Aol Breck
like a contr
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SK
OBJECT
1
+
COUNTER
5-2
D
AI
EI
T
I
AOL
AOL/SIG
Room
Partition
patterned
wall
square
pattern
wall
gray
blue
white
SK
1
Aal Break
Piano
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4
I
AOL
AOL/SIG
5-2
D
AI
EI
SK
·
T
.
1
T
Aol Brech
Pour of Drawers
SK
1.1.1.7
,
.
AI Buch
Strange
Price of
Equipment
Aal Brech
Consola
Desk of
Demekund
modem
gray
flat
raised
top
top
Probs
Approved For Release 2000/08/08 : CIA-RDP96-00788R001 100570001-0-T

Approved For Release 20.00/08/08 : CIA-RDP96-00788R001900870001QU
5-2
5
6-078901903105
DET
AOI/SIG
D
AI
hallways
large
classroom
tupe
environment
large
Building
Squarish
surrounded
trees
Park like
environment
multi
Aal Brech
not on ground
floor
Summary :
official
Building - large, square shape, atrium of some sort (maybe a
covered atrium) - gray (dark gray) in color, surrounded by a park
like emurament, trees, roads. Building is official feeling
and has a classroom type feeling inside.
Inside - large halways, steps in hallways. hade
white in color. 1/2 down wall in blue gray a
ILVILT
we o gray .
floors

t
Hercom.
OLURET
Behind this is the desk or consal like object.
.
Approved For Release 2000/08/08 : CIA-RDP96 00788R001890570001-0
SECRET

7
,
Approved For Release 2000/08/08 : CIA-RDP96-042050604600570001-0
BIG ROAD
4
1
2-
LA
SMALLER
W
5
Approved For Release 2000/08/08 : CIA-RDP
ET-20001-0
TTLT

»
Approved For Release 2000/08/08 : CIA-RDP96-00785-001000-4
8
E of Building
SK
Building
E of an Bulding
£
lower area
several building
seem to build on
one another
tres here too.
S of Building
.
wood area
flat wooded area
ESITE
FLAT
WOODED
AREA
JEUNSURE
ROAD OR
LONGISH
BUILDING
Approved For Release 2000/08/08 - CIA RDP96-00788R001900570001-0
"SECRET

9
Approved For Release 2000/08/08 : CIA-RDP96-00788R001900570001-01
other people in and around the person in photograph
significant others-
People
official person
Aol Break
like Col. Klink
in Hogans Heros
5-2
D
AI
EI
T
I
A02
AO2/SIG
anxious
butterflies
in the stomach
People
dark
color
clothes
in room
near
door
people
many ?
10-12 people
coming and
going
clothes
amila
dank
foreign
Approved For Release 2000008/08 CIDEOBCE2 00788R001900570001-0
fair completed

Approved For Release 2000/08/08 : CIA-RDP96-00FOUROUTSOUDY YOU TFO
AOL
AOLSIG
.
5-2
D
AI
EI
T
I
hair
danke
short
hair
Can Break
Feel like the (omman)
is an N side of
bildung
not on ground
floor
2Nd floormayer
X
Bulding
Aol Break
German
Approved For Release 2000/08/08 [ e] ARBRO6-90788R00190057000 geld war II
Uniforms

.
11
Approved For Release 2000/08/08 : CIA-RDP96-66700/100 1300youT-0
I
AOL
AOLSIG
5-2
D
AI
EI
T
S
X
LOCATION
11
3
N
End
Approved For Release 2000/08/08 : CIA-RDP96-00788R001900570001-0

DET
Approved For Release 2008/08/08 . CIA-RDP96-00788R001900570001-0
AGENT REPORT
For use of this form, see FM 30-17(C); AR 381-20; the proponent agency is the Office of the Assistent Chief of Staff for Intelligence.
1. NAME OF SUBJECT OR TITLE OF INCIDENT
2. DATE SUBMITTED.
3. CONTROL SYMBOL OR FILE NUMBER
HU-1072/8404/63
PROJECT FRANCIS
4. REPORT OF FINDINGS
On 29 March 1984, Source IS-63 was interviewed in an
attempt to verify the suspected location of SUBJECT.
stated substantially as follows:
Source
Source was unable to verify the suspected location of
SUBJECT. SUBJECT was in a large square atrium like building
(see EXHIBIT I). The building was dark gray in color and was
surrounded by a. park like environment with trees and roads.
The building had an official/classroom (not further
identified) type appearance inside.
Inside the building were
large hallways with steps in the hallways. At the conclusion
of the interview Source was shown an overhead photograph of
the suspected location. Source indicated SUBJECT was most
likely located in an area similar to the mosque shown in the
upper left of the overhead photograph (see EXHIBIT II) near
the suspect building.
Source provided no further amplifying information on the
location of SUBJECT during this interview.
Attached hereto as EXHIBIT I is a drawing provided by
Source.
EXHIBIT II is an overhead photograph depicting the
suspected location of SUBJECT and an area of interest to
Source.
WARNING NOTICE:
SENSITIVE
INTELLIGENCE SOURCES AND
METHODS INVOLVED
NOT RELEASABLE TO FOREIGN
NATIONALS
CLASSIFIED BY :
CDR, INSCOM
DECL :. OADR
-
5. TYPED NAME AND ORGANIZATION OF SPECIAL AGENT
6. SIGNATURE OF SPECIAL AGENT
*U.S. Government Printing Office: 1982-361-848/8228
DA.
FORMA
REPLACES WD AGO FOR34IET JUN AZ, WHICH MAY BE USED.
341
Approved For Release
ned.HM.RDP96-00788R001900570001-0
INCL 3

SECRET
Approved For Release 2000/08/08 : CIA-RDP96-00788R001900570001-0
US ARMY
INTELLIGENCE AND SECURITY
COMMAND
EXHIBIT
COVER SHEET
SUBJECT:
PROJECT FRANCIS
FILE NUMBER:
HU-1072/8404/65
PREPARING UNIT:
AGENT REPORT DATED:
DESCRIPTION:
Drawings
..
4
SECRET
REGRADED UNCLASSIFIED
Approved For Release 2000/08/08 : EXHIRDP96-00788R001900570001-0SEPARATED FROM
P' * * *** IFD INCLOSURES
IA Label 1
(1 Tan' 78)

7
+
Approved For RE
SECRET
IA-RDP96-00788R001900570001-0
₩
BIG ROAD
N
,
7
.
SMALLER
..
5
Approved For Release 2000/08/10 01\LT
TCP-57OOR001900570001-0

Approved For Release 2000/08/08 : CIA-RDP96-00788R001900570001-0
US ARMY
INTELLIGENCE AND SECURITY
COMMAND
-1
EXHIBIT
COVER SHEET
SUBJECT:P
·PROJECT FRANCIS
FILE NUMBER:
HU-1072/8404/63
PREPARING UNIT:
AGENT REPORT DATED:
DESCRIPTION:
Overhead photograph
Approved For Release 2000/08/08 : EXAIBDP96-00788R001900570001+ED INCLOSURES
IA Label 1
(1 Jan 78)
RIGRADED UNCLASSIFIED
WHEN SEPARATED FROM

SG1C
Approved For Release 2000/08/08 : CIA-RDP96-00788R001900570001-0
Approved For Release 2000/08/08 : CIA-RDP96-00788R001900570001-0