CIA-RDP96-00788R001400230001-2

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*
INSCOM
GRILL
FLAME
PROGRAM
SESSION REPORT
2
CLASSIFIED BY: MSG, DAMI-ISH
051630Z JUL78
REVIEW ON:
March 2002
NOT RELEASABLE TO FOREIGN NATIONALS
ORCON
GRILL FLAME
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SUMMARY
ANALYSIS
REMOTE VIEWING SESSION 873
1.
(S/NOFORN )
This report provides documentation of a remote
viewing session conducted for training purposes only.
2. (S/NOFORN )
The protocol used for this session is detailed
in document GRILL FLAME Protocol, AMSAA Applied Remote Viewing
Protocol (S), undated.
3. (S/NOFORN )
Post session analysis on target viewing
indicates the viewer had little or no correlation. The
viewer's attitude was poor. He was disappointed at his
performance.
4. (S/NOFORN) Following is a transcript of the viewer's
impressions during the remote viewing session. At TAB A are
drawings and narrative by the remote viewer. At TAB B is the
target cuing information. Also included is available target
data.
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TRANSCRIPT
REMOTE VIEWING SESSION 873
#66:
This will be a remote viewing session for
1400 hours, 10 March 1982.
PAUSE
1
Relax now, relax, relax, relax, relax and
concentrate, concentrate solely and completely on
the target for this afternoon 1400 hours, 10 March
1982. Focus now
48 degrees, 08 minutes, 20 seconds North
122 degrees, 46 minutes, 00 seconds West
Focus now, focus and concentrate, focus on the
target :
48 degrees, 08 minutes, 20 seconds North
122 degrees, 46 minutes, 00 seconds West
Scan the target now and describe your perceptions
to me.
PAUSE
#25:
Land mass .. . aerial view .. . mountain range ...
giant mountain range ... it's huge ... as far as I
can see ... either side.
# 66:
Face the target and describe it to me.
#25:
Intersection T shaped .. small town ... cluttered feeling.
#66:
And now the target in particular.
# 25:
Huge .. antenna, mass, metal ..
#66:
Go on.
PAUSE
#25:
Signals .. out ... space ... flats .. almost center of
continent, North America.
#66:
Say again.
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#25:
Location center of North America.
#66:
Describe your position of observation.
#25:
Giant ... aerial ... (mumble)
#66:
Move down to the target, move right down to the
target now.
Stand on the ground and describe
surrounding to me.
PAUSE
#25:
Sand ... scrub brush ... valleys, bridge line ..
#66:
And, now standing on the ground describe the target
to me once again. Describe the target now, while
standing on the ground.
PAUSE
#25:
Lace, metal, metal lace, sphere
1
#66:
Go on.
PAUSE
#25:
Fence, chain fence.
#66:
Describe the activity at the target.
#25 :
Rich (mumble)
#66:
Continue.
#25:
Men, suits and ties.
# 66:
Activity of men ..
#25:
Working at metal, talking and meetings, and .... in a
building.
#66:
Describe building.
#25:
Concrete, cinder block ... white, metal.
structure ... on the top ridge.
.....
#66:
Describe the target odor.
#25:
Angelic (phonetic) fluid.
2
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#66:
Describe the target sounds.
#25:
Air. air (mumble)
#66:
Move over the target, slightly over the target
200 feet and describe it to me. Describe the target
from 200 feet.
PAUSE
#25:
Nothing.
#66:
Move to 500 feet. Describe the target from 500 feet
up; look down and describe the target to me.
#25:
Rectangle, fence, metal, lace inside the fence ...
concrete slab, cinder block building, outside the
fence (mumble) fence.
#66:
Stop. Describe the climate in the target area to me.
# 25:
Clear, sunny, windy, warm, except for the wind ..
dry . . sunny,
function has to do with fishing.
#66 :
Describe the raw impression by which you form this
conclusion. Only the raw impression.
#25:
(Mumble) . . to your question about function.
#66:
Describe the response to me.
#25:
Impression, formung, art fishing ... no more imagery ..
#66 :
You're free now, free to explore, free to move, free
to examine. Examine the target now, on your own, and
report when you are ready.
PAUSE
#25:
Dry, (mumble) bed nearby (mumble) name John Rathon
(phonetic) ... observatory. . that's it.
#66:
Let's prepare now to draw those perceptions of the
target that you have had ... remembering clearly,
precisely, and detail all the perceptions that you
have had. Let us draw.
(SEE TAB A FOR DRAWING NARRATIVE)
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TAB
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REMOTE VIEWING SESSION 873
(DRAWING NARRATIVE)
#25:
Before we get to the drawings I want to say I
can't draw the mountains that I saw.
They were
too big. It would be two lines on the paper one
indicating flat ground and one squiggly line
across the top indicating ground the mountain range.
It was from a great distance so it wouldn't be
effective to draw it.
What I have drawn is an overhead view of what I
feel was an area that I went to in the target area.
I don't believe there was a specific target in the
area. So, I chose something to go to. I tried
to get something that would be in the feedback.
So, I could have an idea of how far wrong I was
or ..
.right.
Drawing here is a picture of the rectangle that I
saw from about 500 feet.
I also saw. it from about
200 feet, but I kept fighting with overlay.
When I realized that I couldn't fight it off any
longer, I decided to report it. There's a tangle
of metal like lace work looking at it in this metal
area.
The (mumble) tangle is the fence with a
smaller rectangle attached to labeled B is the
building attached to the fence that becomes part of
the fence.
There's no fence here.
I should dash
those lines. A is the fence.
There's a road going down the bottom of the page ....
across the bottom of the page. This fence and the
line immediately to the left of it indicates. a plateau
like or ridge line line area that it sat on ..
Going down to the left hand side of the page it gets
lower and lower and lower.
I'd say it drops a good
200 feet down to a river bed which is a dry river bed.
It has a very small river, but the .... it's like the
valley that the river bed is in this plateauxwas
carved out by the river ... over here to the left.
Any questions on that drawing?
#66 :
No.
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#25:
Yeab. I forgot all about that ... a little small
intersection that formed a. T and around it was
some shabby buildings like ... I have no idea what
-
they were. I saw one roof ... I saw the road, and
one has a stop sign into the other thoroughfare,
and I don't know where it goes and what it is.
It was not part of a huge town though. It was a
very, very small ... not even a town ... probably,
but just a ... (mumble) in rural area. The area
was isolated
#66:
Okay. Review it. for me again. We got a continental
area, isolated,
#25:
arid, and the climate is sandy soil. texture
windy, warm and cold when the wind blows ... foliage
sparce ... shrub like vegetation, not much grass.
#66:
And, we have some sort of man-made object in the
area that you picked out.
#25:
Yeah. . It has some sort of scientific purpose to
it ..... fishing
#66:
Okay.
Anything else you want to add?
#25:
No.
#66:
Tell me about your confidence level and your opinion,
your feelings about this session.
#25:
Well, I just realized that I have much more confidence
in the intersection which I didn't draw, than I do
in anything else, and I'd forgotten about that at
the end of the session.
#66:
Would you like to draw it now for me in drawing
number 4?
#25:
Yeah. I guess. I'll do that now. We've just
decided to do another drawing which we will label
drawing number 4 ... and it's simply an intersection
... that I saw earlier in the session that I forgot
about during the latter part of the session. And,
it's in a rural area. It's probably a distance from
the target --- 20 miles or so.
I don't know
Distance,
I guess is sort of ... not able to have a good feel
for that. But, it was a T intersection in a rural
area with some buildings around it, and the buildings
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#25:
This
ing as far as the function goes, I don't
know where that came from. I asked for a function
of the target and the thought fishing came to mind.
I do not know if it was a word or an impression
of fishing. I didn't see anybody in a little boat
sitting there fishing or on the side of the river
fishing or something like that ... the word fishing
came up. So, I don't think it has to do with
actually with fishing for fish ... it might be fishing.
Some sort of symbolism
#66:
#25:
Yeah. It might be symbolic. I did get the impression
that ..... this might be some of my own creation here,
my overlay ...... that the metal lace was an antenna
that was somehow used to send signals out to space
and received them coming back for some scientific
purpose.
I don't know what.
The name on the place John Rothborn or Rothbone.
... I just simply asked for a name ... I really had
no confidence in that at all. I don't think that
is what it is. And, the observatory is analysis
on my part based on what I saw there.
#66:
#25:
Okay. Do you have any other descriptions of the
target?
No.
I think I said it during the session, I felt
like it was in the center of North America ... in
this country, I believe.
#66 :
Give me five descriptors that you tell about the
target.
#25:
It was a continental land mass. It was
arid.
#66:
I'm somewhat confused between your drawing. During
the initial part of your session ...... because I
want to know if we're in. a big city or we're out
in the middle of nowhere.
#25:
Yeah.
We're out in the middle of nowhere.
#66:
Okay.
In the very beginning (talking too fast
can't understand) like inter section and cross
pattern
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#25:
Drawing 2 is an attempt to draw a perspective
of that giving a more.
#66:
You're standing on the ground at the target now?
#25:
No, in the air, but above a river bed.
#66 :
Oh, I see. You're looking up the hill to the
.... to what you think the target is. . or at least
something you thought was in the target area.
As you said before, you didn't think that the target
#25:
It was a general area.
There was no specific thing
identified as the particular target. No building.
No (mumble) or anything identified as the specific
target. Anyway the concrete cinder block ... I mean
the building is indicated by this X pattern on this
building that I've drawn near the fence which I've
drawn in the center of the page. The metal lace
work became like a giant antenna that was like half
a spear which I've tried to draw here in the center
of the page, and I will label metal lace. And, the
Xs all around that, the marks all around it, indicates
there was more to it than just like I've drawn it
here. This doesn't look like it looked to me at
the time. Elevation is indicated on the lower right.
And, this target, building, or the building that I
chose to report on sat on this plateau or ridge ...
right on top of it. And I just realized there's
something else that I want to draw so I'm going to
stop the tape and draw that and we'll continue on.
Back now again on drawing 2 ... the activity was
perceived two ways.
There was a man who was turning
a bolt on a wrench which I've tried to draw in
drawing 3 which is a pretty feeble attempt to draw
a wrench .. That's all I'm going to talk about
drawing 3.
There's also some men in polyester suits who were
... I felt like were scientists.
They were observing
the metal area from the building and they were having
a conference in the building ..... some of them were.
I didn't see 'em as (mumble) guys with white coats
all gathered around something that would really
be the classical sence of the scientist.
I saw
them in polyester suits which I think is strange.
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#25:
. were all shabby ... and not constructed well.
In other words, it was not a planned intersection.
Buildings just came up as they were required.
I tried to draw these little vague shapes here which
I will label as buildings, and I don't know what
they are. I only saw one clear roof top and that
was the one that I tried to draw here that.
looks
# 66:
You're referring to the bottom of the page
#25:
Yeah. I'm referring to the bottom of the page
(mumble) and it sloped on all four sides. Which
means that the bottom of it was longer than the
top of it so it sloped on all four sides. And,
the other buildings are over here. I have much
more confidence in this than I have in anything
in the session. Except for the metal lace work.
I believe will be in the feedback in some way.
Whether it's a antenna' or not, I don't know
#66:
So ..
.
. you feel you have confidence in the T
intersection and not too sure about the rest of it.
#25:
Yeah.
The T intersection and the fact that there's
a metal lace work somewhere in the target. The build-
ing and the fence and the scientific and the fishing and
the scientists and the wrench and all that, I don't
know about.
I don't have any confidence in that.
#66:
Okay. Anything else you want to add?
#25:
No. Except the terrain I feel confident about.
#66:
The type of terrain?
#25:
Yeah.
#66:
Okay. That's it then.
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.

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...
.. .. ..
1
ELENCE
+
Y
RIVER BED
ROAD
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1
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METAL LACE
-
Nite.
TGT Building
V
Ridgeline
Plateau
ELEVATION
1
Higher
Lower
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RIVER
2

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1
1
$
-
-
:
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3
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Bildup
Buidingo
-
-
Building
Roof TOP
Buiding in Drawing 1 $2
3
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4

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TAB
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STAT
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48° 08' 20 " NORTH
122° 46' 00" WEST
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