CIA-RDP96-00788R001400220001-3

Approved For Release 2001/03/07 : CIA-RDP96-00788R001400220001-3
SECRET
INSCOM
GRILL
FLAME
PROGRAM
SESSION REPORT
2
CLASSIFIED BY: MSG, DAMI-ISH
051630Z JUL78
REVIEW ON:
March 2002
NOT RELEASABLE TO FOREIGN NATIONALS
ORCON
GRILL FLAME
Approved For Release 2001/03/
SECRET
DP96-00788R001400220001-3
NOT RELEASABLE TO FOREIGN NATI

Approved For Release 2001/03/07 : CIA-RDP96-00788R001400220001-3
SECRET
SUMMARY ANALYSIS
REMOTE VIEWING SESSION 872
1. ( S/NOFORN )
This report provides documentation of a
remote viewing session conducted for training purposes only.
2. (S/NOFORN) The protocol used for this session is detailed
in document GRILL FLAME Protocol, AMSAA Applied Remote Viewing
Protocol (S), undated.
3. (S/NOFORN). Post session analysis on target viewing
indicates the viewer had a considerable amount of correlation.
Attention is invited to Report 871 on the same target.
The
viewer's attitude was positive.
4. (S/NOFORN) Following is a transcript of the viewer's
impressions during the remote viewing session. At TAB A
are drawings and narrative made by the viewer. At TAB B is target
cuing information. Also included is available target data.
SECRET-
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ULUALT
TRANSCRIPT
REMOTE VIEWING SESSION 872
#66:
This will be a remote viewing session for 1400
hours, 9 March 1982.
Relax now, relax, relax and concentrate solely
and completely on the target for this afternoon:
35 degrees, 50 minutes, 15 seconds South
151 degrees, 10 minutes, 30 seconds East
Focus solely, accurately, completely on today's
target ... focus on the target, concentrate now
and describe the target to me.
PAUSE
#25:
See island, circle ..... Palm trees.
(
.cove ...
aerial view ... bunch of small islands
Caribbean
(mumble )
#66:
Focus now on the target in question.
Move closer
now, focusing-
closer
and describe the selected
target to me.
#25:
A pole ... it's a Palm tree or a pole ... telephone
pole. See a (mumble) shape, reach.
cove
Corregated ... metal shack up here.
#66:
Describe your position of observation.
#25:
(Mumble) .. . sand on the beach.
#66:
Are you alone?
#25:
Someone behind me.
#66:
Describe the activity around you.
#25:
Road .... drain, drain pipe.
#66:
Describe the activity around you.
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:
#25:
I'm getting a vague impression of soldier.
#66:
Describe impression to me.
#25:
Small ... man, boy ... Spanish ... linguist
(mumble )uniform, green fatigues
#66:
Move up over the target 100 feet, 200 feet and look
down and describe the area to me.
#25:
Road ... overhead to the north ... water on my right
land on my left (mumble)
#66:
I have no further questions about this target.
However, I would like to allow you some time to
explore and comment as you find necessary .. Proceed.
PAUSE
#25:
I wonder if it's a small strip of land and part of
a bigger piece
(mumble) That's it.
#66:
Okay. Remembering now everything that you have
perceived let's prepare now to draw the images you
have had.
See Tab A for drawing narrative)
ULUAL
2
HET
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TAB
-
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..........

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SEGRET-
REMOTE VIEWING SESSION 872
( DRAWING NARRATIVE)
#25:
The following is a description of the drawings.
Drawing 1 is an overhead view of the ... that I got
earlier in the session and at the end of the
session also. That is, that the target is an:
island or a part of a .. or a peninsula which is
part of another large land mass or a thin strip
of land mass surrounded by water, somewhere in
the Caribbean, area or down south of here.
It
seemed to be directly south of my feet as I use
them as the site for where it was, and water and
land are indicated with an island or peninsula
where the target indicated as a group.
Not. nec-
essarily (noise in tape unable to hear)
one island. Yet, I seem to have drawn it to that
one little bittie island that I've drawn here in
pencil.
I had two problems with overlay that caused me
here. ...... I went to a place I knew. in Florida
that probably looks like the target ... something
like it. Reminded me ... the target reminded me of
Tell me some of those descriptors that make you
say that.
#66:
#25:
Uh, the cove thing which I'll get into in the
next drawings.
Drawing 2 is an overhead shot of the cove or a
small bay, and it had a tropical climate that
was calm.
It was not windy.
It was, there was
very little activity there. This cove that I've
drawn here has some of the characteristics and
shapes to Palm Bay, Florida,
which is near my
home where I grew up ..... which makes me think
that part of it might be overlay.
But it
definitely has to do with water, I think, the
target does.
# 66 :
Again, if I understand this, you see something.
...
and now ... was it during the session that you
recognized that you had a memory problem with
something that you knew or is it now that you're
recognizing it?
-SECRET
ULUMILT
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"SEGRET
#25:
No.
It was during the session. That's why I
didn't report. The road here is definitely there
in Florida in relationship to the cove. I hesitated
to draw it in here, and I hesitated to report it in
the session. I don't know if I did or not. I believe
I did. But, anything else that I could recall from
memory, I knew it was memory, I didn't report. Such
as the store nearby here, another road that comes.
into T at the ... right at the cove. A hill mass over
here and a hill mass over here on either side of the
cove. Those things, I thought were overlay. But, I
did get an impression that looking out through pieces
of land that almost came together but that were not
together that was water separated them.
.and I
looked out through those. I don't think that was
necessarily (mumble) ... The pier and the tin shack
which I've drawn here, and I'M label tin shack.
I don't think that was overlay. Because, I'm trying
my best to remember .... actuality.of Florida, but
they're not there, I don't believe .. And, it's like
a little tin shack corregated ... metal, and I say.tin
shack, but, it's actually corregated metal
out on the pier. In this drawing I've indicated a
pole which I could not distinguish between a telephone
pole and a Palm tree ... and it seemed to have those
spikes, those metal spikes coming up out of it.
like you would use to climb a telephone pole.
But, it also had the texture of a Palm tree which
made me think it was a Palm tree. So, I couldn't
tell. So, I just gave up on trying to distinguish
that.
The star in drawing 2 is where I felt the presence
of the soldier. When you asked me what activity
was going on, I could see nothing but I felt like
something was going on and that someone was behind
me .... something was going on behind me. So, I
kept trying to locate the person that I knew was
behind me that I also knew was a soldier. I finally
saw ... had visual type images ... I think ... I must have
created from impressions that I don't recall ..
of an individual who was young, wore green colored
clothes and had a rifle. And, he had a function there,
and it was not one of pleasure. He was doing it for
fun. He wasn't there for fun. He was working there.
Okay.
#66:
oreATT
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Approved For Release 2001/03/FAIT
CUTTET 96-00788R001400220001-3
#25:
Drawing number 3 is an attempt to draw a perspective
of drawing number 2 with the shack. indicated the
young soldier, the beach, the cove ... I'll label this
funny looking thing here a Palm tree because I saw
sort of a vague tree line, but it was sparce and not
thick, except real near the ground it was thick.
#66 :
Okay.
#25:
And the road is also indicated there which I now
sincerely believe was overlay.
#66:
Okay. So, you. say you had some overlay problems
because in some of the things that you saw you
thought you were seeing a bay that you remember
growing up in Florida.
#25:
Uh-huh.
#66:
How do you feel about this session as far as your
ability to concentrate and the type of imagery
that you have.
What emotional feeling do you have
about this session?
#25:
Well, I had a lot of problems with overlay, but I
felt like I was able to tell what was overlay and
what wasn't overlay today. , And, so, therefore,
I do believe that the target is probably an island
or a peninsula. or ... what do you call a strip of
... continent ... a piece of a continent that goes.
like Central America, Panama type area.
then piece of land with a lot of water around it
so ...
I had some problem concentrating at a couple
of points in the session, but that was noise, I
think that just caught my attention here, and
distracted me to here. I felt like some of the ...
when I was able to concentrate, the quality impressions
seemed clearer today.
#66:
No other comments?
#25:
No other comments.
#66:
Okay. Fine.
ULUILT
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WATER
£
£
Island
TGT
K
Pensula
LAND
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.

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(2
DE POLE
Bar
1
COVE
20
TINShack
ROAD
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** Soldier
Small

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€ Palm
TREF
LOVE
PIER
Shack
KPOLE
0
of young
Solida
BEACH
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ROAD
3

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TAB
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CPYRGHT
1
Sydney
and vicinity
Middle
Harbour
Creek
DAVIDSON
PARK
ARRINGAH-MANLY
R MEMORIAL
Lane Core
Manly
North
Head
Hunters
-Hill
NiSydney
Sydney
Harbour
Port. Jackson
-Middle Harbo
South
Head
Forlage
SYDNEY
Sydneytõ
Parramatta 23km
Paddington
Ultimo
Redfern .
Bondi Junction
CENTENNIAL Bondi
Newtown!
Canterbury
RARK
Sydney International
Airport
SOUTH
PACIFIC
Rockdale
OCEAN
Botany
Bay
Georges River
-Captain Cook
Obelisk
Yellow shows built-up
areas. Open areas in gray.
Bate Bay
O KILOMETERS
5
Port
Hacking
O STATUTE MILES
5
DRAWN BY JANE WOLFE
COMPILED BY GUNARS J. RUTINS
NATIONAL GEOGRAPHIC ART DIVISION
Home to one in five Australians, Sydney-
capital of prosperous New South Wales on the
continent's southeast coast-spills beyond its
five-square-mile limits to encompass a greater
metropolitan area of more than 1,500 square
miles. In 1770 explorer James Cook, sailing
from Botany Bay just to the south, bypassed
Port Jackson. Eighteen years later Capt. Ar-
thur Phillip-after finding Botany Bay un-
healthful-explored the more hospitable Port
Jackson and discovered the magnificent an-
chorage of Sydney Cove. On its shores he
founded the convict colony that would ulti-
mately burst its chains to become Australia's
greatest metropolis.
CAGA
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SYDNEY
HARBOUR
BRIDGE
Narraber
gramati

Wed to the waters of Sydney Cove on the vast bay called Port Jackson,
Sydney crowds the shores of one of the world's most beautiful harbors.
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..

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35 50'15 SOUTH
151º 10'30" EAST
--
F
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