CIA-RDP96-00788R000900330001-7

Approved For Release 2000/08/07 : CIA-RDP96-00788R000900330001-7
CEODET
ULUTILT
ORCON/NOFORN
INSCOM
GRILL FLAME
PROJECT
SESSION REPORT
CLASSIFIED BY: Director, DIA
REVIEW ON: 31 May 99
EXTENDED BY: Director, DIA
REASON :
2-301-C (3) (6)
GRILL FLAME
Approved For Release 20berland7 : CIA-RDP96-00788R000900330001-7

Approved For Release 2000/08/07". CTA-RDP96-00788R000900330001-7
SUMMARY ANALYSIS
REMOTE VIEWING (RV) SESSION XXXVIII
1.
(S)
This report provides documentation of a remote
viewing session conducted for the purpose of orienting a
remote viewer to an applied remote viewing protocol.
2.
(S)
The remote viewer's impressions show a low to
moderate target correlation in this session. The remote
viewer had some trouble concentrating. He was distracted
by ambient room noise and there were other activities of
the day which influenced his ability to concentrate and
focus his attention.
He was somewhat confident that he
had "hit" the target.
3.
(S) The regular protocol (See GRILL FLAME Protocol,
AMSAA Applied Remote Viewing Protocol (S), undated) was
modified for this session in that the remote viewer was
requested to conduct his viewing precognitively.
4.
(S)
Following is a transcript of the viewer's impres-
sions during the remote viewing session. At TAB A are
drawings made by the viewer reference his impressions of
the target site. At TAB B are photographs of the target
site. At TAB C is a post-session interview.
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TRANSCRIPT
REMOTE VIEWING (RV) SESSION XXXVIII
TIME
#7.5:
This will be a remote viewing session.
(Edited for security. )
PAUSE
#7.5:
We've talked before about doing some precogni-
tive work with you and we told you that this
time we would try to do that. So that's what
we're going to do. So we'd like you to tell
us now before we select a target, before we've
gone to the target what today's target is.
You can start whenever you'd like. The tape
recorder's running. When you are through
describing the target, then we will go generate
our random number and go get the envelope and
then proceed to the target. . . with an idea
of arriving at the target 2 o'clock or at least
2 o'clock being the assigned time, okay?
#19.5:
The three of us are going to travel to the
target?
Okay.
I'm going to do this the way I normally do it.
It just amounts to closing my eyes for a minute,
and then sketching what I see.
PAUSE
I see something that looks like a ladder type
affair. It's like two double lines. I see
the lines in the center.
PAUSE
And I see what looks like a . . some form of
a wall-like structure that's kind of flat on
the top.
It has things like water running
this way and falling off the other side as if
you can see through it. This is a solid but
you can. . . Its like the water is falling
over this way.
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ULUTILI
#7.5:
Okay .
I want to make sure I understand you.
You say that there's water there or it looks
like water.
#19.5:
It looks. . . It looks like water.
It looks
like water.
It might be some kind of screening
or something, I don't know.
#7.5:
Okay.
#19.5:
But that looks like water.
PAUSE
There's something else there but I'm having
trouble picking out what it is.
Its kind of
complex.
PAUSE
#7.5:
Is it outside or inside?
#19.5:
I'm not sure.
Its a . . I'm not sure.
Let
me see if I can see whether it is outside.
PAUSE
Its outside.
Something like two large openings.
Rounded edge.
And back in here its very dark.
PAUSE
There's a . . a thing that's something like
a. . something like a . . bush bench.
PAUSE
To the front of that,
was like a .
. dark arch.
PAUSE
#7.5:
Describe your location.
#19.5:
I'm all over the place.
These arches are
like in a series. . . with some kind of a
pole type affair.
PAUSE
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#19.5:
I get the feeling of grain. . stranded. .
PAUSE
Ah. . . I'm trying to find something that's
really identifiable. I'm getting like bits
and pieces of different things.
PAUSE
There is a . . . There's like a . .
like
a bunch of triangles. A whole bunch of
triangles all fastened together. I get the
feeling like these are garages for some
reason.
#7.5:
Are you looking at a scene?
#19.5:
Yeah. I'm like in a general area and I'm just
kind of, I don't know, its just figure eights
the area, this looking. Getting like
what appears corners of objects or side views
of objects. They are like bits and pieces
that don't make any sense.
PAUSE
Dark windows. Dark squares like windows.
Three across and three down.
They are dark.
They're real dark.
PAUSE
I'm trying to see if its a building.
Its
a building. Its very, very large.
I get
the impression that there's something there
that's very large.
#7.5:
Are you comfortable there?
#19.5:
At the target?
#7.5:
Um hm.
#19.5:
Yes.
Its hot. I see what looks like a .
like a hole with a comb in it.
PAUSE
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#19.5:
Two real. . . large things, like this.
I
don't know if they are buildings are what
they are but there are two very. . . they
are standing side by side, one's shorter
than the other.
PAUSE
I'm trying to go back to this.
That seems
to be something significant.
PAUSE
Its like sweeping a sidewalk.
Damn!
PAUSE
See, this is part of the ladder. These two
items go together.
This has got a . . kind
of a bend to it.
PAUSE
And the ladder is like to the side.
That's
what. . I don't mean to keep saying its a
ladder but that's what it. . most closely
translates to.
PAUSE
Now I see a
. very definite overhang.
Some walls.
#7.5:
(Not audible) to them?
PAUSE
#19.5:
That's a roof that goes back.
PAUSE
And spokes of a wheel. Has something to do
with this. But I . . . like pieces coming
out.
Looks like part of a wheel or a fan
blade or something ..
And that's also like
that.
PAUSE
4
CEODET
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#19.5:
There's a row of something. . that recedes.
They are metal and they recede away, like
this. Somehow. Definitely metal. And
connected with this . . I see a lot of white.
I still see those two big objects. They
appear to be big. I don't know what they are.
#7.5:
You don't have to tell me what they are.
Simply describe them a little bit more
#19.5:
Dark blocks.
These are just dark blocks.
And.
.
PAUSE
#7.5:
What goes on at this area?
#19.5:
Ah.
PAUSE
Some kind of utility. I keep thinking heat
plant. But that doesn't. . . that's not quite
what it is.
Some kind of utility.
PAUSE
(Not audible) repair of some sort.
PAUSE
That's all I can . . all I can get out of it.
#7.5:
Let's go back a minute to the bench and see if
you can't get the bench image again.
PAUSE
#19.5:
Okay.
#7.5:
Okay, now. I want you to tell me where the
bench is located in relationship to the other
objects or where its located in the area.
Perhaps, sit on the bench and tell me what you
see when you sit on the bench.
PAUSE
5
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#19.5:
I . . . a . ..
To my rear right is a building.
To my front I just see a wall.
#7.5:
A bench that faces a wall?
#19.5:
I see concrete.
#7.5:
Okay.
#19.5:
Bright, white concrete.
#7.5:
Okay.
#19.5:
And. .
#7.5:
Describe what's on your left.
#19.5:
Parking lot.
Big open area.
Fence.
I see
fence and. . . I just feel like there's cars
there.
And a blue box.
Blue box and a fence.
PAUSE
#7.5:
From where you are now; stay right where you
are now; and tell me where the ladder object
is.
PAUSE
#19.5:
Up higher.
£
Its to my left and its up higher.
Its up high on my left.
#7.5:
Okay. Fine.
#19.5:
Somehow its fastened to that. . to that circle
and cone.
PAUSE
I can't get any more than that.
#7.5:
Okay.
#19.5:
I'm having a lot of trouble concentrating today.
6
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#7.5:
Okay.
Is there anything you think you want to add?
#19.5:
No.
#7.5:
Do you want to try for an overhead?
#19.5:
Ahh. . .
#7.5:
Think about. . Use the bench as your focal
point. Think about the bench and go up above
the bench, using the bench as the center of
the scene. Up above the bench.
PAUSE
As you back away, let the pieces fall into
their positions.
PAUSE
#19.5:
I'm looking down. . right down on the top of
the cone.
The cone sticks up in the air.
PAUSE
#7.5:
Back away further so you can describe the cone's
position.
PAUSE
#19.5:
Some kind of roof.
But not quite. Its like
its part of the roof but its not really the
roof. To the rear of the bench, the left
rear of the bench.
I sense as part of the
building. . (not audible) . I can't tell if
that's (not audible) .
#7.5:
Tell me about the archways.
PAUSE
#19.5:
I don't know.
I can't find those.
#7.5:
That's fine.
That's fine.
PAUSE
#7.5:
How about the six windows?
Three in a row
by three in a row.
7
OFADET
SLOALT
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#19.5:
Well. . .
#7.5:
Do you see them in your scene now?
#19.5:
I'm not sure those aren't a design.
#7.5:
Okay .
#19.5:
Like.
.
This is definitely a design.
Some
sort.
Just a pattern of triangles.
I'm
not sure if that isn't also a design.
PAUSE
#7.5:
What about this thing?
#19.5:
I see some kind of a . . metal or flat edge.
This part's round. And its connected to
another piece, well, designed the same way
more like a bolt and that's connected to
another piece of metal the same way. Some kind
of a reinforcement type thing. Its all kind of
interconnected.
TURN OVER TAPE
#19.5:
That just has a . . like a mini-line, shimmering
appearance. Although I don't sense that that's
water. Its just like a . . its like thousands
of wires going over something.
#7.5:
Where is it in relationship to the other
objects?
PAUSE
#19.5:
I don't know.
its inside.
PAUSE
Its outside.
But its inside of something.
Its inside of a silver can.
Like a can.
That's like in here.
Silvery water. Something
shimmering like its falling over. . this.
Like a low wall of some sort.
8
SCORET
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#7.5:
Okay. Now there's one last thing.
What about
this thing that you drew that looks like an
overhang.
Is that there at the target?
PAUSE
#19.5:
I don't know now.
Its
. It has something
to do with the target location but I'm not
sure if its part of the target or not. I just
had a strong feeling that you and I and #6.5
were standing right here. Kind of looking out
among the
#7.5:
Okay.
#19.5:
You're not going to get anything else except
long hairs.
#7.5:
Okay.
#19.5:
I'm sorry.
#7.5:
Do you have anything else you want to add at
all?
#19.5:
Ahhh .
.
#7.5:
You didn't give me any colors this time.
you got any feeling for color?
Have
#19.5:
Green and white. These are some kind of metal
objects in a row. They are all identical and
I get the feeling, the strong feeling of white
when I look at them.
#7.5:
Okay.
#19.5:
And. . . green for some reason I associate to
the arch and the bench. And this is silver.
Some kind of silver can. And these are black.
These are dark and these are dark inside but
its like two openings. And I think that this
with the spokes and this with the ladder and
this with the can are significant.
#7.5:
Okay.
9
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#19.5:
That's. . . And this is significant to the
whole (not audible). And then the two patterns
apply. I can't
for some reason the bench
and this and the overhang don't make any sense.
PAUSE
That's about all I can do with it.
#7.5:
Okay .
£
10
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ULUITP 96-00788R000900330001-7
..

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TAB A
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C
(
1
Metal
White
Blocks.
C
1
(
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Green.
C
Green
Schim
Cani
Black
F1
-
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TAB B
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.... ....
....
....

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:
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TAB C
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.
... ..
. ...
...

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POST-SESSION INTERVIEW
REMOTE VIEWING (RV) SESSION XXXVIII
1. (S)
Post-session interviews are conducted after the
completion of a session to provide the selected remote
viewer with the opportunity to express himself concerning
his viewing experience.
2. (S)
#19.5 was pleased with the results of his session.
He was disappointed that he was unable to fit his images
into an overall perspective. He enjoyed working in the
precognitive mode and would like to do more sessions like
this in the future.
3. (S)
#7.5 was happy with the session. #7.5 and #19.5
enjoy working together.
#7.5 felt that #19.5 needed to do
sessions more frequently so that he can learn to fit his
images into perspective.
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