CIA-RDP96-00788R000900320001-8

SECRET
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INSCOM
GRILL FLAME
PROJECT
SESSION REPORT
CLASSIFIED BY: Director, DIA
REVIEW ON: 31 May 99
EXTENDED BY: Director, DIA
REASON: 2-301-C (3) (6)
GRILL FLAME
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CLUTILT
SUMMARY ANALYSIS
REMOTE VIEWING (RV) SESSION XXXVII
1.
(S)
This report documents a remote viewing session
conducted for the purpose of orienting a remote viewer to
an applied remote viewing protocol.
2. (S)
The remote viewer's impressions show no target
correlation at all. It has been one month since this remote
viewer has done a session. The session appears to be valid
remote viewing as opposed to fantasy. The problem was in
locating the designated target. The remote viewer was some-
what anxious and was unable to relax adequately during the
session. More practice is required.
3.
(S) The protocol used for this session was modified
from that which will be used in later training. The
protocol to be used in later training is detailed in the
document, Standard Remote-Viewing Protocol (Local Targets)
by Harold E. Puthoff and Russell Targ, November 1978. This
session's protocol was modified in that a randomly generated,
preselected target was not used due to the unavailability of
the target pool. In lieu of a randomly generated, pre-
selected target the "outbounder" or "beacon" simply chose a
site which, in his opinion, was unique and identifiable.
4. (S) Following is a transcript of the remote viewer's
impressions of the target site. At TAB A are drawings made
by the remote viewer reference his target impressions. At
TAB B is a sketch of the target site (room) provided by the
"beacon". At TAB C is a post-session interview.
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TRANSCRIPT
REMOTE VIEWING (RV) SESSION XXXVII
TIME
#66:
This will be a remote viewing session.
(Edited for security. )
PAUSE
#66:
#20.5 is out at the target location now. .
He is looking around the area. . . Relax and
concentrate. . . Be with #20.5. Look at the
target with him.
Look around the target area
and describe the target to me.
PAUSE
+05
#66:
Describe the images that you get about the
target.
PAUSE
+07
#66:
Describe the target to me.
PAUSE
+09
#66:
Tell me about the target.
PAUSE
# 31:
Hmmm.
PAUSE
+11
#66:
Tell me what you see.
#31:
Hmmm.
PAUSE
#31:
I saw two peaks.
PAUSE
+13
#66:
Describe the target.
PAUSE
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+15
#66:
Tell me about the target.
PAUSE
#31:
(Not audible) . .
PAUSE
#31:
Ah.
.
PAUSE
#31:
Ah. . I keep. . getting.
.
.
#66:
Go on.
#31:
I keep getting (not audible) .
PAUSE
#31:
Ah, I see #20.5.
. . eating.
Standing in
the open.
#66:
Eating, standing in the open?
PAUSE
#31:
Ah. . Something in his left hand. . He's
on. . squares.
He's on squares.
PAUSE
Paper in his hand.
Looks as .
Looking
like a. . building.
#66:
Describe the building.
PAUSE
# 31:
I. . I. . (not audible) . . overhang.
#66:
Colors?
# 31:
Dark. . Above overhang and dark. . and a little
square.
PAUSE
+21
# 31:
Twin peaks. . still there.
. White.
PAUSE
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#31:
The top is slanted.
Sloped.
PAUSE
#66:
Describe your location.
PAUSE
#31:
I'm on squares. .
where #20.5 is.
PAUSE
#66:
What color are the squares?
#31:
Hmm.
Sandy. . No. . Um.
.
#66:
Are you alone on the squares?
PAUSE
+24
#31:
#20.5 is. . . I don't think #20.5 is there.
Someone else is there though.
Sitting.
Sitting in the . . . right seat. . of a .
There doesn't appear to be anybody else.
#66:
Is this inside or outside?
#31:
Outside.
PAUSE
#66:
Describe the area where this person is sitting.
PAUSE
#31:
Next to the wall.
away from the place. .
on the far side.
He's sitting on the wall.
A low wall.
#66:
Describe the wall.
PAUSE
#31:
Red squares.
White top.
He's not high.
Not
high.
#66:
If you face away from the building, standing
on the. .
#31:
You see the wall.
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+26
#66:
See the wall.
And what's on the other side
of the wall?
PAUSE
#31:
Grass.
#66:
How much grass?
PAUSE
#31:
Short.
#66:
Describe your location.
#31:
I don't know. . where. . Looking down. . out.
The edge. . The edge.
and dark.
#66:
Okay. Now, turn around again and face the
building.
Stand on the wall and face the
building.
How far is the building from you?
#31:
Thirty feet. .
thirty feet.
#66:
Describe the shape of the building.
PAUSE
#31:
Square.
PAUSE
# 31 :
Right side.
.
Black.
Brown.
PAUSE
#66:
Describe your position.
#31:
Going away from the corner.
Right. . Two
red things. . on the left.
#66:
Describe them to me.
#31:
They're. . . (not audible) in the black.
#66:
Big things in the black.
PAUSE
#31:
They're on the side of the building and. .
(not audible) .
PAUSE
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#31:
I'm. . . I'm on the right side.
#66:
Go to the back now. Describe the back to me.
#31:
Right side. . has.
.
. is square. Yeah. . and
black.
PAUSE
#66:
Right side is squares and blacks.
#31:
Squares on the right.
#66:
Squares on the right.
#31:
Glass on the left.
#66:
Fine.
PAUSE
TURN OVER TAPE
#31:
The back is .
. Could be yellow. . and brown.
and it feels.
.
. red squares and black. .
PAUSE
#66:
Describe your location.
#31:
Behind. . in the back of the building.
ing in the dark.
PAUSE
Stand-
#66:
Move back around the building. . back around
the same way you came. . .
back out. . to the
wall.
# 31:
Um hm.
PAUSE
#66:
Describe the entrance to this building.
PAUSE
#66:
Tell me your location.
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#31:
I'm out front.
. left and front.
PAUSE
#66:
Look at the entrance and tell me about it.
PAUSE
#31:
Brick.
. reddish brick. . . Hmmm. . The
color.
.
.
glass.
door.
PAUSE
+35
#66:
Look in through the glass. . . Look inside.
Look in through the glass. Now, move inside.
Inside the door. .
. Door behind you. In
front of you. . .
describe the inside to me.
#31:
They. . were open.
.
. floor (not audible) .
.
square. . counter.
.
.
left to right.
#66:
Are you alone inside?
#31:
No.
PAUSE
#66:
What's happening here?
PAUSE
#31:
(Not audible)
PAUSE
#66:
(Not audible)
#31:
Oh sure. . (not audible) .
PAUSE
.
#66:
You don't think this is true (not audible) ?
#31:
Ahh.
#66:
Okay.
#31:
Too much.
PAUSE
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#66:
Would you like to draw some now?
PAUSE
#31:
Ah.
Okay.
PAUSE
I get flash and get one. . (not audible) . .
playing tricks on me.
PAUSE
£
The most real image that I had. . I had two
of them.
One is twin peaks, I said. White.
Looked like a big "M". That's what I went
back to find. Believe I mentioned that.
And
the other one was #20.5 standing out front
eating a hamburger. . in his left hand and
the paper was wrapped down around his hand.
# 31:
You know.
#66:
You are telling me you don't know?
#31:
And. . from (not audible) it was McDonalds.
Ha ha.
#66:
Okay.
#31:
I know.
that's, you know, .
#66:
An awful lot of imagination maybe?
#31:
That's the point. Where am I getting anything
new when I am just going over a place that I
subconsciously, or consciously, have been to
and consciously know to be a target. . in the
target pool, because I've done it before.
#66:
We pull all our targets from the target pool
and they are not used again. But that's okay.
We can do. . we can validate all that stuff
when we go out to look at the target here in a
few minutes. What I'd like to have you do is
to draw some of the pictures that you have.
sometimes the spontaneous act of drawing will
bring out some things.
PAUSE
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#31:
Okay, the first thing I said. Like I said, I
had twin peaks. They were like, off in the
distance. And that was the first thing I got.
And they were outlined, like that. And they
were white.
At first, I thought that that was like the
outline of a building roof or something that
I could grab onto. That wasn't it.
PAUSE
And the next. . thing was a . . #20.5, right.
Surprisingly, he had it in his left hand.
NOW,
I remember that his left arm is the one that's
bothering him.
But,
. and the paper was
wrapped back around his hand, like that.
PAUSE
And these were pink.
PAUSE
See, I'm afraid that . . Ummm. . Okay.
Another
experience. . maybe I spent too much time bull-
shitting before hand.
PAUSE
All right.
Then the
PAUSE
That was the front.
That was going.
. Four
was when you had me turn around.
PAUSE
When I looked . . When you said was I alone,
there was somebody. . sitting there, okay.
#66:
Could that have been #20.5 sitting there?
#31:
It could have been. I didn't think it was.
I got the impression that by the time he had
left.
And these are the reds and pink squares. Okay?
#66:
Um hm.
PAUSE
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#31:
My left brain wants me to say, there's some-
thing big and yellow right here. Ha ha.
Right?
PAUSE
Keep on truckin'.
PAUSE
That's the line I was talking about.
#66:
Okay.
PAUSE
#31:
The interesting thing was that . . The only
interesting that happened is . . you moved
me to the right and this would be right side
of the building. I had . . (not audible) . .
of what I had, right? But. . . But that time,
I only had windows. . here. You know, on the
left hand. . left side. But then over here,
was brick. And there's windows.
Which is
peculiar.
When I looked at the back. . I said that. .
that's what I had. I said yellow. And then
I wanted to say, then, see here I wanted to
. . this was dark, shingle. Dark squares is
what I called them.
PAUSE
This is when I wanted to say it was yellow.
The back wall. . was on brick. . Like . . no
windows.
PAUSE
#66:
I'm trying to find the door.
#31:
Well, there was something here. I'm trying to
remember what. . how I looked at it. Its like
a recess, like an elbow.
#66:
Um hm.
#31:
I'm not going to say there was a door there.
But there's something like that. But see, all
this while, I'm sitting there saying, Well shit,
why go back and look at it, I know what it looks
like; I've been there before, you know, so. .
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but I. . But the thng was, when I got back
to the back of it, it was all blank. . and
this is . . this is black top. . This is a
white walk.
When I got the yellow flash
then that was peculiar. Then I was saying
to myself, all you're doing is you're just
wishing that it wasn't McDonald's and you're
making it something else, you know, the same
basic. . same basic structure. But there's
an identation here of some kind.
PAUSE
We'll probably find out he was at the Capitol
Building or something.
I didn't get around to the other side.
I just
got the three sides.
#66:
Yeah. Well, why don't you just go back out
front then . . I wanted you to look at the
entrance more closely and. .
# 31:
Yes.
#66:
And draw the inside.
#31:
Okay. Eight. . was. . I wanted to say looking
. . well, I won't do that.
What I wanted to
say was that the side, this is the entrance
view. . . I'll draw it in perspective as the
way I was looking at it. Let me see, it should
get bigger.
This is brick. Corner (not audible)
.
. corner.
PAUSE
#66:
Okay.
#31:
Glass door with push bar across it.
#66:
Um hm.
#31:
But when I went through, I went through here.
I went through this glass. . and then I'll
call that.
.
10
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#66:
(Not audible)
#31:
Right. Just what I was thinking. View nine.
Okay. I'm going to put this thing in. . I'm
really sort of disappointed with myself. I
thought I was done with this kind of stuff.
You know.
#66:
Could that be imagination?
#31:
Yes.
That is really.
PAUSE
In here, above here is . .
PAUSE
Okay, I wanted to say there were two people
in line. Ha ha.
PAUSE
#66:
Okay.
PAUSE
#66:
Okay, is there anything else you want to add
then?
#31:
No. That's. . . that's. . Oh, didn't I say
there were two big things?
Yeah, I said there
were two big things here. But I couldn't see
them from the side. I saw them sort of peaking
around the edge of the building.
Anyway, what I was trying to say was two cars.
Without saying two cars, you know. I'm going
to draw them the way I saw them which is over
here on this one. Okay?
#66:
To the right hand side of that
#31:
To the right hand side, yeah. But they are back.
#66:
Um hm.
#31:
Okay?
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#66:
Um hm. Did they look like cars to you or did
they look like big objects? In your head you
called them cars?
# 31:
In my head, I was trying to keep from calling
them cars. You're right. Let's just call them
what the hell they are -- that's right. Left
brain there. This one is actually closer in
because in the perspective it protrudes almost.
#66:
I was just trying to clear up whether you saw
them as cars or not.
PAUSE
#31:
Okay, on this one, I wanted to make. . that's
the walk there.
END OF TAPE
12
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TAB A
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--------...
white
5
TO
BLOG
To
WALL
2
i
Pink
SquARES
SIDE
WACK
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BARK
SQUARES
----
.
1
2
.
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:

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windows
GLASS
WINDOWS
FRANCE
3
Push
BAR
R
far.
corner
IEW
J
BRICK
Brick
POINT OF
ENTRY
VIEW @
MISC EQUIPMENT/shelves
. ..
2
wing
0
. .....
dark
COUNTER TOP
.. .
2 . WALL
dark
9x9
-
TILE
floor
Line
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dark
Space
INTERIOR
---
-
Door

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7
THEE
/
yellow
white top
BLACK TOP
RED.
BRICK
GREEN
PINK
SQUARES
4
(5)
UTELL FRI WALL
)
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BSIDE BLOG
7
-
-
1
-
-
1
1
1
1
1
!
1
1
WHITE WALK
YOULOW
BLACK
TOP
BRICK
BLANK -NO.
WINDOWS
INTEMATION
(7)
)
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BAKK

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TAB B
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1015- DRAWING
1025- stopped
DARK
BROWN
MAP
MAP
BLACK
BLACK
TRIM
DESK
DESK
CARTER
O
WOODEN
BROWN
RED
0
BLACK
7.
SAFES
RADIATOR
GREY
0
DESK
clock
FIELD
L
DESK (GREY)
1. Light-flour - 4 panels
2
Red light , ist filter
( police light)
3.
Pipes ~ 2 walls
FIELD
TABLE
PAPER
(WRAP
TYPE
1
07
Waste
Basket
C
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(
WOODEN
RED CARPET
TRIM
only

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TAB C
£
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POST-SESSION INTERVIEW
REMOTE VIEWING (RV) SESSION XXXVII
1.
(S)
Post-session interviews are conducted after the
completion of a session to provide the selected remote
viewer with the opportunity to express himself concerning
his viewing experience.
2.
(S) #31 felt that his session had been poor throughout.
He wants to do more sessions more frequently. He feels
confident that he can do good remote viewing but he needs
practice.
3.
(S)
#66 and #31 continue to get along well during the
session.
#66 feels that #31 was in fact remote viewing
the wrong target.
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