CIA-RDP96-00788R000900200001-1

SE CHE:P96-00788R000900200001-1
Approved For Release 2003/
ORCON/NOFORN
INSCOM
GRILL FLAME
PROJECT
SESSION REPORT
CLASSIFIED BY: Director, DIA
REVIEW ON: 30 Jun 99
EXTENDED BY: Director, DIA
REASON: 2-301-C (3) (6)
DET
GRILL FLAME
Approved For Release 20031 711HA-RDP96-00788R000900200001-1

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SECRET
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SUMMARY ANALYSIS
REMOTE VIEWING (RV) SESSION LXIX
1.
(S)
This report provides documentation of a remote
viewing session conducted for training purposes to enhance
a remote viewer's demonstrated ability.
2. (S) The remote viewer's impressions during this session
correlated very well with the target area. This was the
viewer's first attempt to identify areas using only geographic
coordinates as a focus tool. The viewer became quite agitated
during the session. He became scared when he realized that he
was on the edge of a high precipice looking down. The viewer
relaxed somewhat after the interviewer made some light comments
about some ducks outside making a lot of noise. The viewer
also stated that he felt very cold during this session. A
telephonic interview with Crater Lake residence indicated that
there was snow on the ground on the peaks around the lake and
the average daily temperature for this time of the year at the
lake is 50 to 60 degrees farenheit.
3. (S)
The protocol used for this session is detailed in
the document, Grill Flame Protocol, AMSAA Applied Remote
Viewing Protocol (S), undated.
4. (S)
Following is a transcript of the viewer's impressions
during the remote viewing session. At TAB A are drawings
made by the viewer reference his impressions of the target
site. At TAB B are descriptions and map of the target area.
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TRANSCRIPT
REMOTE VIEWING (RV) SESSION LXIX
TIME
#7.5:
This will be a remote viewing session (edited
for security) .
PAUSE
#14:
We're going to do grid coordinates today and
although I have selected these targets I do
not know what's in the envelope marked number
15. (Not audible). Its a double sealed envelope
and when I open the outer seal there's an inner
envelope and the only thing on the inner envelope
is number 15 and also the coordinate. I have no
idea where they are. The important thing to
remember is that don't try to get the coordinates
or anything because it doesn't matter. We could
break it down into any type of primary code or
whatever or even say, tell me what the envelope
contains. Somehow your mind will grasp the
coordinates and should locate you there and as
you begin, as in all of our remote viewing, tell
me what you see. And once we go through that
exercise then we'll open up the inner sealed
envelope and our area should be . . we should be
able to identify it. Do you feel comfortable
with that?
#29:
Um hm.
#14:
Do you want any timeto relax and
#29:
I'll tell you. Go ahead and open the envelope
but don't tell me the coordinates yet.
#14:
Okay .
And again I reiterate.
I don't . . I have
no idea where this is located.
Everything is
random.
PAUSE
I'll turn the tape off here until you're ready
to
.
praner
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#29:
Don't turn the tape off.
#14:
Okay .
# 29:
That's not authorized because that would imply
#14:
Okay, that would imply some collusion or some-
thing.
Okay .
I agree with that.
That's good.
PAUSE
When you're ready to start (not audible) .
PAUSE
# 29:
Let it rip.
PAUSE
# 14:
Okay.
I'm going to read you some numbers in
degrees, minutes and seconds. Don't worry about
what they mean.
Listen to them and let your
subconscious mind worry about where it is and
what it is and tell me your impressions as they
come. If you want me to
.
Oh, you want me
to shut up, huh?
#29:
I just want you to give me the numbers.
#14:
42 degrees, 56 minutes, 30 seconds north.
122 degrees, 10 minutes, 20 seconds west.
PAUSE
#29:
Can I see the sheet?
I'm having trouble holding
it.
#14:
Okay.
PAUSE
+11
#29:
The first sensation I got when #14 was reading
the numbers . . and I don't know whether this is
valid, but I haven't played this game before, of
cold. . . of being cold.
PAUSE
How in the heck (not audible) Ha ha ha.
2
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ULUILT
#14:
Well, these could be some weird things, so
just go ahead and just tell me anything that
comes into your mind.
PAUSE
#29:
I'm cold.
I don't know
. .
.
(not audible) .
This is different.
I don't know what direction
+13
I'm looking.
I kept. . ah.
. . I don't know how
to describe this but all of a sudden I'm very
scared. I don't. . . I'm not afraid of very
many things. Not sure whether it is because I'm
way up in the air looking down. I don't know
what there is to be afraid of down there.
That's the next nearest thing to a nightmare
I've ever seen.
PAUSE
+14
I'm getting paranoid! I'm almost tempted to
to . . to stop this game because I'm just, I'm
just getting really scared.
# 14 :
You are free to stop any time you want.
You
know we have absolutely no time constraints
on this.
#29:
All right. But.
PAUSE
Leave the tape running and just be quiet until
I get myself calmed down.
#14:
Okay. I just want to say one thing.
#29:
Just, please #14, please, I'm sorry, I've got
to get myself back into control here.
# 14:
Its up to you.
PAUSE
+15
#29:
I get points. I get very sharp double image
points. That's what's spooking me. They're
very. . . If I draw it on top of this pen,
its going to go right through, so let's get that
out of the way.
(DRAWING)
3
oronrr
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prenez
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#29:
Like teeth. Much denser! Much more dense than
any of these images, than any of the rest of
these. The rest of these images have been friendly
and. . . you know, there's been a good feeling
about.
. in doing those things.
PAUSE
Damn !
I don't know if I've gotten rid of that
one.
PAUSE
+18
I'm trying to find a secure space from which to
look down.
That doesn't make any sense, but it
does to me.
PAUSE
Humph !
My heart rate is way up. Very interest-
ing phenomena, and I'm not sure I like it. Ha ha.
#14:
Ha ha. Well, its your show, you can call it
quits any time you want.
#29:
Okay.
#14:
I want you to know that.
PAUSE
#29:
Hmmm .
PAUSE
+19
#29:
Okay.
Two I would describe as a "T" shaped
road intersection seen from afar (DRAWING) .
But that, I could be on plane with that.
PAUSE
I don't know; if you like paranoid shapes, this
is the way to get them.
PAUSE
I don't have any understanding of what that
shape is. I don't understand what plane its
in.
I think its in the horizontal plane.
4
ULUIILT
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#29:
I'm not sure what significance the arrow is.
#14:
Well, don't worry about it.
£
Don't try to figure
it out.
Go ahead and create the images that you
see.
PAUSE
# 14:
I don't believe it either.
PAUSE
#14:
I'm referring to a duck that's outside (not
audible) .
+23
#29:
Then, what the hell, that's a damn duck.
#14:
Sitting outside the window.
#29:
And talking.
PAUSE
#29:
Well, we did it again.
Until you moved, I wasn't
aware of the sound. When you moved, I thought
you were creating the sound over by the duck
pond. Trying to get back to the - I think all
of this nonsense should be deleted from the tape -
I can't see reporting that on ducks. Ha ha ha.
Let me get back to my assigned task or #6.5's
going to be mad.
(Ducks - outside - quacking.)
Those ducks, how in the hell is she going to
put that on the tape?
#14:
Quack, Quack, Quack, Quack, Quack.
#29:
Well, she's got to now since.
# 14:
Ha ha ha. Okay.
PAUSE
+24
#29:
That one was rendered with that comment and
I just have an overhang in my mind. So I just
drew it to get rid of it. Just for instance,
its described as a large. . Its numbered "X" and
its described as a large oval rather regular in
shape. Light in color.
PAUSE
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+26
#29:
Whatever I'm up to (DRAWING). Five is a large
structure with a diagonal pole. Could be some-
thing like a factory with a smokestack.
That
size. Order of magnitude relationship.
But I
have no real feeling for what the thing is.
I
have no idea how big a minute is. I have no
idea how big a target is. So I have no idea
how big the things that I'm drawing are.
AOL
PAUSE
# 14:
(Not audible) .
#29:
Um hm.
PAUSE
That's not right.
PAUSE
+27
Points again.
But not as paranoid as the first
set.
PAUSE
They're going to get tired of this.
#14:
Well, like I said, one or more times (not audible) .
#29:
No.
I said they are because they're the same.
#14:
Well, if you keep getting the same, go ahead
and
.
#29:
(Not audible) .
#14:
Well, as you know, whenever you're tired of it
then its time to quit.
# 29:
I stopped being quite so paranoid.
#14:
Good.
#29:
Which is nice. I do not like (not audible)
Excuse me, typist.
(Not audible) .
# 14:
(Not audible) .
PAUSE
#29:
I seem to be going back over those same
perceptions.
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PAUSE
+32
#29:
Everything I'm drawing has a point to it.
PAUSE
- ACL
Okay, whatever this one is you can make either
a marker, a monument, or a steeple out of it.
PAUSE
That was Number 9.
+33
I'm going to label that analytical. At this
point, I may be trying to make something out
of the point. I have the feeling that I'm
up in the air and I don't like it! I have the
feeling that I'm, you know, doing my own balloon
routine over these things. Ordinarily, I'm not
afraid of height. But I seem to have really
been bothered by this and I need to find a way
around. I'm still cold! !
PAUSE
+34
The next time I do this I want to wear a winter
jacket. I don't know where the area is, but it
feels quite cold there. It feels as if
Well, this is the middle of summer, in the northern
hemisphere and that's ridiculous, but it feels like
there's, you know, I want to say snow.
#14:
Well then, say it.
#29:
Boy, I had to choke that one out of myself.
#14:
Ha ha ha.
#29:
I quit.
Is there any questions that you wish
to shove at me?
#14:
Not really. Because I cannot . . don't know
what's there.
#29:
No.
I know that.
#14:
So, I have no questions to ask. Do you want to
open up the envelope and see where we've been.
#29:
No.
Not yet.
# 14:
Not yet.
When would you like to do it?
7
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#29:
I want to go back over these things and see
if I can make any more sense out of them.
#14:
Okay .
#29:
Number 7 is a bar that I saw down close to me
and under as if it is south of the target area.
As if its. . . (Woman yelling in hall. ) .
Now, that's the first time sound has bothered
me .
#14:
Yeah.
#29:
Okay, #7.5 used a term which he said just try
and draw a map. Well, this was a map that I
was working over. I got an awful lot of points
sticking up at me.
I
1
#14:
The heck with this map thing. We're going to
the location.
#29:
It might be, you know, the points of trees
sticking up or it might be mountains.
#14:
Um hm.
# 29:
If its mountains in the scale order of magnitude
of seven, would be something on the order of
.
a road, main highway. It would be . . all
right. . . I don't know what in the world number
I'm up to. All right. call this 10. If the
target is there, then south and west a quarter
of a mile is something like a main thoroughfare.
#14:
South and west about a quarter of a mile.
that what you said?
Is
#29:
Yeah.
And I've just drawn two arrows on there.
PAUSE
I don't know.
That's . . That's really the
only perception I have of the thing.
It does
look friendlier. I have no sense of scale in
this.
I just suppose its a matter of figuring
it out.
#14:
Well, that would be the analysts job.
#29:
Yes and no.
8
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#14:
Working directly with the viewer.
#29:
(Not audible) .
PAUSE
# 29:
Okay.
#14:
Are you ready?
#29:
Yeah.
#14:
Pencil (not audible) .
#29:
You should have found an easy open envelope.
#14:
Crater Lake.
#29:
Where in the hell is Crater Lake?
PAUSE
#14:
Crater Lake.
Somewhere in the State of Washington.
#29:
(Not audible) .
Well, here it is.
Well, hello
there.
# 14 :
Well, I
#29:
DAMN IT! !!! !! !
The damn it is because that oval that I drew
at, what in the world ever number it was. . .
#14:
View from overhead.
# 29:
Is you know, I was tempted to say, its a lake,
you know, it was just - its a nice oval. . .
#14:
Its there.
Its there.
#29:
And I just didn't want to say its wet, its a
lake. Because that's analytical. I didn't
want to play that. And it appears that there's
a lot of
.
. Humph !
PAUSE
42 - Have we got a picture of this?
#14:
Why don't we call an end to the session and
discuss it.
#29:
Okay.
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# 14 :
Well, we could discuss it here, but
#29:
Okay. I don't give a riff.
But there is a
point that I wish to. . . If Crater Lake is
the lake that a friend of mine went to. . . God,
well he's been dead about five years so its got
to be . . 10 or 12 years ago, the point of the
target is an island called Wizard Island that
rises just like a cone just out of the middle
of the lake.
#14:
I have. . I have no idea what the Wizard Island
looks like. But it may very well be.
#29:
I say thank you and we can research it.
£
10
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TAB A
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£
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2.
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2
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3.
-
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6
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X
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5
(
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1
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8
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?
€
-
5
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-

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-10
-
..
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TAB B
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BEAVER MARSH STATE
4638 L 45 122.8
ISH MOUNTAIN-
Diamond Lake Juponq
$500
6478
403
6285
1000
4500
water.
4.3º0
windmill
`ABBOTT BUT
camp
6.128
8156
Wizard Island
00
C
Lenz
5000
8926
Union Creek
Crater. L
. 5000
5
.3500
5300
.3500
7698
CRATER LAKEV
NATIONAL PARK
KLAM.
300
5284
5738
cabın
hous
Tanche
- farm
quard station
5500
power
2500 L 40 122.8
Fort
5000
sawmill
01
tanch
9000 MSL-V
5200.
1000
DEVILS PEAK
RUSTLERREAKS
6208
Klamath
COPPER KLAMATH- NATIONAL
Hine
WILDLIFE REFUGE
Rido
0009
9000 MSL
Crystal
CHILOQUIN STA
14217 L\37 12.
Buffet
PELICAN BRIXE
MODOCJ
Falls
0
ranch
2000
~~ 3500
300-
3500
CRATER LAKE (VOLCANIC CRATER)
15
Benchmark 8156 located on
the rim of Crater Lake looking
out over Wizard Island. The
benchmark is 2000 feet above water of
lake.
42° 56' 30"N- 122° 10' 20" W
Referral Review by
NIMA/DOD
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4500.
Kirk
PROSPECT STATES
ranch .
Splant
guardsfolien-
Klamath
5953~
-Prospect
50
1000
₹3500 00
42.56 30
1220 10' 20" WI
Yamsa
3500
36783
.6000
000
8000
MSL
.. 6000.
Agency
camp
0

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CRATER LAKE NATIONAL PARK
in SW Oregon, in the Cascade Range, about 52 miles
NNW of Klamath Falls, an area of 160,290 acres.
The chief feature of the park is the lake in the
crater of the extinct volcano, Mount Mazama.
After
the destruction of Mount Mazama in a violent errup-
tion, volcanic activity in the crater created
Wizard Island, a volcanic cinder cone. The lake,
about 6 miles wide and 1996 feet deep, is the second
deepest lake in North America. The deep blue waters
are surrounded by multicolored lava walls, forested
scenic slopes and several peaks rising 9000 feet.
The park, which was established in 1902, is open all
year and is a winter sports area.
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