CIA-RDP96-00788R000800620001-6

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Approved For Release 2000/08/07 : CIA-RDP96-00788R000800620001-6
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ORCON/NOT RELEASABLE TO FOREIGN NATIONALS
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GRILL FLAME
PROGRAM
SESSION REPORT
€
Copy 2 12
CLASSIFIED BY:
DIRECTOR, DIA
REVIEW ON: 5 FEB 2000
EXTENDED BY: DIRECTOR, DIA
REASON:
2-301c (3 & 6)
GEIL FLAME
CEORET
Approved For Release 2000/08/07 : CIA-RDP96-00788R000800620001-6

Approved For Release 2000/08/07 : CIA-
LA2006-00788R000800620001-6
31 Jan 80
SUMMARY ANALYSIS
REMOTE VIEWING (RV) SESSION CC78
1. (S) This report documents a Remote Viewing (RV) session
conducted in compliance with a request from SOD, J3, OJCS,
Pentagon, Washington, D.C. The purpose of the session was
to provide information relevant to the hostage situation in
the U.S. Embassy compound in Teheran, Iran.
2. (S) The remote viewer's impressions of the target are
provided as raw intelligence data and as such have not been
subjected to any intermediate analysis, evaluation or collation.
Interpretation and use of the information provided is the
responsibility of the requestor.
3. (S) The protocol used for this session is detailed in the
document, Grill Flame Protocol, AMSAA Applied Remote Viewing
Protocol (S), undated.
4. (S) Following is a transcript of the viewer's impressions
during the remote viewing session.
At TAB A are drawings made
by the remote viewer reference his impressions of the target
site. At TAB B is target cueing information provided the
remote viewer.
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TRANSCRIPT
REMOTE VIEWING (RV) SESSION CC78
Amb
Rasid
TIME
#14
This will be a remote viewing session (edited for security).
PAUSE
Alright #32, the time is 0930. You've been shown an
overhead image of the compound in Teheran. I want you now
to focus on the building in Area J./ Project yourself to
this location and describe for me the roof of this
building.
#32
Flat, with ... with tar and gravel. There's a ... kind of a
rectangular, wooden area raised from the roof in the front
center of the building. Gives access to the building.
It's about .. . ah ... several air vents, small air vents,
but ... ah ... no pipes.
There's. . . ah. . . crome covers.
There's ... ah ... there's a pole on the other side with a
antenna type thing.
There's. . . ah ... wire coming from
the (mumble), down the walls. There's a antenna on the
pole, it's ... looks like a FM type antenna. I see there's
several ... several pipes that's different heights that
protrudes through the roof. They all seem like air vents
or something. Now there's a ... kind of a sky light with
glass on the far wing.
There should be one on the left
wing but I don't see it. Now there's a fine wires
running from one side of the roof to the next. They too
look like ... I don't know ... thin, thin bare antenna wires
of sorts.
That's all.
1
#14
I want you to focus on the raised rectangular structure
in the middle. I want you to go inside and describe what
you see inside this structure.
4
PAUSE
+07
#32
It's a ... it's a low thing, not high enough for someone to
stand up ... looks like about 3 feet high. It's. .. all I scd
is ... ah ... bare, unpainted wood. There's just steep access
to it, I ... ah. .. looks like a slanted opening in the front
portion of it, maybe. I get the impression of a ladder
leading to it, but (mumble). There's something steeply
into it.
I don't see anything inside though. Nothing.
That's all.
(?)
SECRET
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#14
OK. I want you now to move from the roof and focus your
attention on the main entrance of this building. I want
you to go through this entrance into the main room of
the building and describe what you see straight ahead.
+11
#32
A stairwell, a wide stairwell ... ah ... dark (mumble), dark
banister. Seems to be pictures on the wall on the right
side, all the way up, pictures of people, like portraits,
and it comes out on another floor and that's. .. facing
that floor is. . . ah. .. grayish windows allowing a lot of
light, like smoke windows, and then these are long, narrow
windows.
1
#14
Look to your left and tell me what you see.
+14
#32
An empty corridor.
PAUSE
#14
OK. I want you to feel free to wander about this
building and describe any activity you might find taking
place.
PAUSE
+16
#32
God.
There .. . ah. .. there are people on the left wing, the
far wing.
#14
Describe these people.
1
#32
It's very ... ah ... it's a loose atmosphere ... ah ... like
there's a. .. like there's a bond of ... ah ... of friendship
between the people there in the ... the people being kept
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in the (mumble). Games and conversations. They. .. ah ...
they should be two or three in the room, or two in a room,
there are more than that to me. They .. . ah. . . half dozen or//
so, it's a loose, free atmosphere. (Mumble) I'm trying
to latch onto one guy ... ah ...
PAUSE
+22
About 25, he's got a brown-reddish beard and a mustache,
close to 6 feet. Now I'm going personality. He's got a
complicated blace face watch, he's got a wedding band,
he's just gonna give this a try.
PAUSE
1
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He's got about ... ah ... $20 in his billfold, and I ... ah ...
get the impression of a name ... ah ... Jone (Joan), J, Joe,
something Jone. Got a license/registration, it's
(mumble) or yellow. I want to keep saying Missouri and
Texas keeps going though my mind; Missouri and Texas.
.
+28
Got a. . . he's going a mole on the left side of the neck.
I'm gonna stop. That's all.
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#14
OK. I have no further questions. Is there anything
you'ld like to add.
#32
No.
PAUSE
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OK. That's a hell of a way to do that. OK. That's not
really right there, there was 3 coming out, 3 portions.
I'll just draw a big "E," it's a reversed "E." OK.
The ... ah ... the raised box was here, alright. Something
like this here. And that seemed only about 3 feet high,
3 to 4 feet high, and it was wood.
The roof was flat,
it was tar and gravel, OK. I saw ... ah ... (mumble) ... this
seemed to be here, like it should have been a ... a glass.
What the hell did I see? A sky light, something.
#14
A glass sky light.
#32
Yea, a sky light. OK, and here there was ... ah ... short
of a antenna type of pole, alright. I couldn't see this
over here, I thought there should have been one but I
couldn't see it. Then I ... later on I saw small poles on
the roof on this side, I got the impression that you had
very thin wires going the length of the roof, OK. Then
there were various and sundry pipes there, like they were
in clusters, something like this and around here, so I'll
put em in the antenna, around here too, and these ... these
appeared to be air vents. OK, and this was made of wood,
it was white. When you sent me inside, I was looking for
stuff but I couldn't find anything around, it was just
bare wood, unpainted bare wood, just boom.
I don't
remember anything else here.
#14
OK. Then I sent you down to the main entrance.
#32
Yea. You got some more of this?
#14
Yea, I'll got some more paper.
:
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#32
OK. When you sent me to the front of the building, I was
on the first floor. You looked. .. told me to look directly
ahead and what perceived was a wide staircase, OK, with a
wide landing in the middle (mumble) between floors, sort
of, with stairs coming up to the second floor, this way.
Banister here, OK, and ... ah ... the only peculiar oddity
that I got the impression of was there were a number of
paintings hanging on the wall the entire length of this
thing here, and I described them as portraits and so on,
OK. I'm gonna leave that as is cause that was the
impression that I got. When I got upstairs on the second
floor, looking out, I got the impression of these tall,
long windows, something like this, and they were letting
out a lot of light in, OK, filtering a lot of light, and
to the left where you sent me, this would be the walls,
something like that, there's the corridor, that's all I
saw there, OK. Then on the left wing on the second floor
is where I saw those people who I thought were people.
#14
That's No. 4.
#32
Yea.
OK.
In rooms along here, OK, more rooms in back,
something like this. The more I got the impression there
should have been 2 or 3 people in a room, there's was
about a half dozen people in rooms, so I've described it
as the keepers and the keepees, sort to speak. I was
gonna try and find the other one, just to see if I could
correlate my ... I had a hard time, I just couldn't go, so
I tryed to latch on this one guy, and it was just a. .. an
attempt to try and determine something that could identify,
would identify him.
The thing that I got confused on is ...
ah ... I couldn't tell whether his hair was really parted to
right or parted to the left.
It ... it kept changing, that
may or may not be significant, I don't know. And what I
was trying to do is come up with some impression of who
the guy was or where he was from or something of that
nature, and that's ... that's the end of this thing. I
don't have anything further.
r
#14
OK. I don't have anything cither.
4
SECRET
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4
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TAB
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[page is a landscape sketch scanned sideways; the release banners run vertically along both long edges. Transcribed with the sketch upright.]

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[handwritten, circled, lower right:] 1

[sketch: plan view of a roof shaped like a letter E with the open side to the right, drawn in heavy pen; a pair of dashed lines runs the full length through the middle; two rectangles (skylights) inside, one on the upper arm and one on the right side; small open circles scattered on the roof; a dot with two short strokes near the top of the dashed lines]

[labels on the sketch:]
[arrow to the upper rectangle:] glass
skylight
[arrow to the dot near the top of the dashed lines:] antenna
F M
on pole.
[left of the sketch:] O = airvents
on roof
[arrow to the right-hand rectangle:] thre(?) ft
high
wood
white
[arrow to the right edge of the roof:] Roof
flat
w/tar &
gravel.
[arrow to the bottom of the dashed lines:] thin wire
antennas
length of Roof
[beneath the sketch, in capitals:] TOP-OF-BUILDING

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2
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1
Portraits
Picture
unde
stairwell
17
1
First Floor
1
J
11/1
1

1
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windows
greyich
corredor
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m
Second Floor.
L

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₣
4,
Second floor
Legi Wing
:
1
half
lex
doyen
people
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TAB
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Approved For Release 2000/08/07 - CH KD1 96-00788R000800620001-6
TARGET CUING INFORMATION
REMOTE VIEWING (RV) SESSION CC78
AMB
Resid
¥
1. (S) The viewer has been exposed to open source news media
information as well as classified overhead imagery.
He knew he would
be working against the hostage situation in Iran.
2. (S) At the time of the session the viewer was asked to describe
an area referred to as Area "J." He was shown overhead imagery of
the US Embassy compound in Teheran, Iran. The area designated as
Area "J" was pointed out to the viewer by the interviewer.
The
imagery is not included herein due to its classification.
3. (S) The viewer has worked against this target twice before.
During this session, the viewer was not told anything about the area
he was trying to describe except for its letter designation.
8
Guards
6
Possible Hostar
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