CIA-RDP96-00788R000800470001-3

Approved For Release 2000/08/07: CTA-KDP96-00788R000800470001-3
ORCON/NOFORN
Not Relengable to
Foreign Nationals
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GRILL FLAME
PROJECT
0
SESSION REPORT
€
Copy 2 of 2
CLASSIFIED BY: Director, DIA
DECLASSIFY ON :
31 Dec 99
EXTENDED BY: Director, DIA
REASON: 2-301-C (3) (6)
GRILL FLAME
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8 JAN 80
SUMMARY ANALYSIS
REMOTE VIEWING (RV) SESSION
1. (S) This report documents a Remote Viewing (RV) session
conducted in compliance with a request from SOD, J3, OJCS,
Pentagon, Washington, D.C. The purpose of the session was
to provide information relevant to the hostage situation in
the U.S. Embassy compound in Teheran, Iran.
2. (S) The remote viewer's impressions of the target are
provided as raw intelligence data and as such have not been
subjected to any intermediate analysis, evaluation or collation.
Interpretation and use of the information provided is the
responsibility of the requestor.
3. (S) The protocol used for this session is detailed in the
document, Grill Flame Protocol, AMSAA Applied Remote Viewing
Protocol (S), undated.
4. (S) Following is a transcript of the viewer's impressions
during the remote viewing session. At TAB A are drawings made
by the remote viewer reference his impressions of the target
site. At TAB B is target cueing information provided the
remote viewer.
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TRANSCRIPT
REMOTE VIEWING (RV) SESSION CC56
TIME
#66
This will be a remote viewing session (edited
for security).
PAUSE
For the past few minutes now you've been
studying a photograph. On that photograph
there was an area designated to you as Area I.
Relax and concentrate now; focus your attention
on Area I. Relax and concentrate and describe
the area to me.
.
PAUSE
+07
#14
I've had two images that are separate.
One is a ...
a wall; I'm not sure whether it's a wall in a ...
a large hall way or it's a wall of a room. There
were many, many long, narrow divisions to this
wall. Ahm ... ah ... not ... could be rows of wall
lockers ... ah ... it could be long, skinny, narrow
door ... doors or it could be some type of interior
decorating, whatever, Another image that came
across very strong and I was, at the same time
flooded with an atmosphere of the environment; I
first pictured a large, comfortable wooden chair,
then I perceived that this was only one of many
chairs in this particular area. I had the
atmosphere that ... ah ... this may have been. .. this
particular area may have been a conference area ...
ah ... a planning area. I ... I felt as if there
were a ... a long, large wooden table; dark wood
with chairs all around. I (mumble) feeling the
conference .. the conference room ... the area or
something.
+11
#66
Search the area now for people.
PAUSE
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SEGRET
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#14
The ... the two locals that ... that I visited were
definitely empty. I pictured the entire complex
or that building or area and concentrated on if
there was ... if there were any people around. I ...
I didn't get any feeling for anybody. I'll ...
ah ... I'll keep that tucked away though (mumble),
wandering around.
11
:
+15
#66
OK. Move inside the building and search the
inside of the building.
PAUSE
:
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#66
OK. You seem to be having a difficult time
today getting any focus; is there anything that you
want to try?
PAUSE
#14
Well, perhaps I could just try to relax a little
more and just see what ... what pops in.
#66
OK.
I will wait.
PAUSE
4
Do you have any other perceptions to report?
+23
#14
Yea.
There ... I had one of an entrance way to a
building.
Ah. . . I seem to ... when I focus on it,
went inside this building; I'm not sure it's the
same one, but if it is I went to a different"
location than the other two that I already
described.
Well perhaps not; may it's ... got some
connection to the conference area.
:
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SECRET
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+20
#14
I can't find any people in the building.
One
unusual thing that ... that struck me though is
that I don't know where I was in the building,
but somewhere I ran into a profusion of ... of
draperies ... ahm ... and it was most unusual ... ah ..
I had the impression they were red. Somewhere
in the building are a lot of red drapes, or
curtain or something, but I've yet to perceive
any people or any activity.

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#66
Tell me about it.
#14
I appeared to enter a room which seemed to be rather
plush ... ahm ... and it ... it appeared to be deep brown
panelling all around ... wood panellling, and on one
location on the wall was a large picture of some-
body, in a frame, very nice ... ah ... and there
appeared to be a flag on other side of this picture,
two flags, and then I had this ... I seemed step back
and I pictured ... I had the picture ... impression ...
very strong impression of an individual sitting
there but it's ... it ... it's not a present situation.
Ah ... this individual was well groomed, dark hair,
mustache, wearing a gray well tailored suit, very
neat, with a white shirt and red tie. I would say
would appear late 30's - early to middle 40's;
probably much younger looking than his actual age;
very hard to judge the age, but somehow this seemed
to be his office or he was ... ah ... he seemed to be
the dominant figure.
.
#66
#14
You don't feel this is ... ah ... taking place now?
No, no, no. It ... well, if this office or this
conference room or whatever has been normally
dominated by this person, it just may be a very
strong impression of him, but ... ahm ... ah ... the
individual was as I said ... ah ... very fresh,
crisp hair cut, well groomed, the ... you know, his
suit was ... ah ... just like it came back from the
cleaners, you know, pressed and everything, and
he was very. .. ah. .. you know, not. .. he was not what
one would expect from a hostage situation.
Now
perhaps ... ah ... he's not a hostage, I don't know.
If it's ... if it's a present situation, this
individual's probably not a hostage, or what one
would expect, unless they took him down and got a
shave and hair cut and ... and everything, but ...
ah ... at the time this ... this individual is very ...
very well groomed and again I had the feeling that
he was sitting at the head of a long, long table
used for conferences, and there were .. . ah ...
essences of .. . of large conference room, very ...
but very . . . ah. . . elegant. . . elegant area. . . ah ...
rich wood panelling, carpeting on the floor ...
ah. . the conference table itself was long, heavy,
dark wood, the chairs were .. ,had a lot of heavy
in them but they were stuffed very comfortably
Ahm ... seemed to be draperies and whatever, but ...
but when I first entered this area there was a
:
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SECRET
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picture or photograph on the wall; I tried to
focus to see what impressions I got from this
picture or painting but very difficult, but
this one ... this one individual or whatever
dominated the ... this room or this area.
+30
#66
Let's see if you can sketch the impressions that
you've had.
PAUSE
#14
In my first impression, Drawing No. 1, was the
series of panel shapes going down a ... a wall
(mumble), I'm not sure where the wall was;
whether it was in a hall way, or whether it was
a room.
I only saw this one wall with these ...
these shapes that continued down, and again,
I'm not sure whether these were panels, doors,
wall lockers or what, but sitting here drawing ...
drawing them unconsciously, half unconsciously
anyhow, I would describe them more as a ... more
as panels on a. .. a wall of a hall way or a room.
PAUSE
Ah ... in Drawing No. 2 was a very strong
impression; a nice comfortable chair, rather
expensive type, the ... it was very heavy, it was
upholstered very nicely, very comfortable, but
this was very solid wood construction, heavy
type chair, and then the scene turned into one of ...
the chair itself is A ... and appeared to be looking
down a long, heavy table and there were more of
these chairs around this table, and there
appeared to be draperies or curtains or something
nearby on the walls or ... or whatever.
.
PAUSE
#66
#14
Whatelse?
This room with the conference table is the same
ornate room you saw? .
I'm not sure because in Drawing 2, Page 2, all I
perceived was, at first, the chair, and then the
table with these other chairs all around there in
this conference type area; the rest of it was
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SECRET
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entirely out of focus, and then I went back; all of
a sudden I saw a ... kind of like an entrance way ...
oh boy, this is one of these things where I saw
several different angles at the same time; I don't
know to put it - how to draw it. I'll try.
PAUSE
The ... ah ... I had two solid things that came out and
appeared to be ... ah ... concrete or something, and the
steps going up to. .. ahm ... it appeared to be mostly
glass doors through ... two doors that opened like
this and these panels on each side were solid and
there appeared to be one above that.
And then 4 was, once I got inside I was drawn to a
room where I saw a large photograph or painting and
the painting was of an individual or photograph of
an individual. Ah ... mostly the head and shoulders;
bust type. There appeared to be some flags or
something on either side of this and down in front ...
directly in front I'm not sure if there was a desk
or what have you but then I had this long table
again.
In your ... you're questioning whether or not this is
the same long table ... conference table type situation
you had before?
Right, right, right. I don't know, I don't know.
OK.
Analytically it would appear that way, but not
necessarily so.
OK. Now, you mentioned that at no time during the
session did your really ever see any people any-
where, either outside or inside other than in this
room that you've drawn now, No. 4, you did see ...
ah ... concept of a ... ah ... individual sitting at the
end of the table, however, you don't feel that that ...
he was really there?
#14
I think ... ah ... this person's essence is so, perhaps
so strong that it, you know, but. .. ah ... definitely ...
ah ... a light gray suit, red tie, and white shirt.
Individual definitely had a dark mustache ... ah ...
5
SPORET
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#66
#14
#66
#14
#66

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hair might have been graying somewhat but ... ah ...
appeared to have ... ah ... dark hair at one time.
Ahm ... and this individual was sitting at the end of
this table or, if there was a desk behind this
table, he was sitting at the desk or whatever, but
seemed to be ... this seemed to be his. .. he seemed to
be in control of whatever this room was, and again,
there were other ... there were chairs around here, and
this was a place where ... ah ... people, groups of people
came and had meetings ... ah ... definite feeling. It was
almost like a ... a private office but a conference room.
OK
Ah ... and over here I had a feeling that there might
have been some very large windows with some heavy
drape ... very heavy type drapes ... drapery over here.
Ah ... but this is just. . . ah ... you know ... I had a
feeling of it, I didn't see it but I felt it there,
and over here, I don't know what was over here, but
ah.
How do you feel about this session as a whole?
I felt as if I was being drawn like a magnet to ...
to this ... this place right here, especially on the
second leg of the session, but my first impression
and ... and ah ... Drawing No. 2 of this ... this
impression of the chair, I had once prior to the
beginning of the session and when the session
started off, ah ... that immediately came up and
then the rest of ... ah ... the drawing on Page 2 came
into shape, and the general atmosphere and the
feeling.
#66
#14
OK
Ah ... No. 1 came prior to No. 2, but all it was ...
it was a wall of some sort with these series of
long, rectangular shapes going down it, but did
not have any feeling that ... that the ... there any
people occupying that place at this time, be it
hostage or anybody else.
#66
#14
OK. Anything else to add then?
No.
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#66
#14
#66
#14
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ENTRANCE
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TARGET CUING INFORMATION
REMOVE VIEWING (RV) SESSION CC56
Dcm
1. (S)
The viewer has been exposed to open source news media informa-
tion, classified overhead imagery and photographs of many of the
hostage personnel. He knew he would be working against the hostage
situation in Iran.
2. (S) At the time of the session, the viewer was asked to describe
an area referred to as "I.He was shown overhead imagery of the US
Embassy compound in Teheran, Iran. The area designated as Area "I"
was pointed out to the viewer by the interviewer. The imagery is not
included herein due to its classification.
3. (S) The viewer had not worked against this target as a remote
viewer in the past. He had, however, served as an interviewer for
this target. Becuase of this, he felt he had difficulty sorting his
own target impressions from those he remembered from the session in
which he was the interviewer (see Session CC39). At the time of the
session, the viewer was not told anything about the area he was
trying to describe except for its letter designation.
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