CIA-RDP96-00788R000600450001-7

Approved For Release 2000/08/07 : CIA-RDP96-00788R000600450001-7
INSCOM
GRILL FLAME
PROGRAM
SESSION REPORT
CLASSIFIED BY:MSG,DAMI-ISH
DATED:
051630ZJUL78
april 2001
GF-036-81
NOT RELEASABLE TO FOREIGN NATIONALS REVIEW ON:
SCORET
GRILL FLAME
Copy 1 of 2 capus
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RDP96-00788R000600450001-7
OCONLT
SUMMARY ANALYSIS
REMOTE VIEWING (RV) SESSION DCC-28
1. (S/NOFORN) This remote documents a remote viewing session conducted in
compliance with a request for information.
2. (S/NOFORN) The remote viewer's impressions of the target are provided
as raw intelligence data, and as such, have not been subjected to any
intermediate analysis, evaluation or collation. Interpretation and use of
the information provided is the responsibility of the requestor.
3. (S/NOFORN)
The protocol used for this session is detailed in the document
Grill Flame Protocol, AMSAA Applied Remote Viewing Protocol (S), undated.
4. (S/NOFORN) Following is a transcript of the viewer's impressions during
the remote viewing session. At TAB A are drawings made by the remote viewer
reference his impressions of the target site. At TAB B is target cuing
information provided the remote viewer.
5. (S/NOFORN) This remote viewer has worked against this target in the
past (see DCC-16).
NOT RELEASABLE.
QUANTTREIGN NATIONALS
SEURET
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KOLUALT
AFT
TRANSCRIPT
REMOTE VIEWING (RV) SESSION DCC-28
TIME
#14:
This will be a remote viewing session for 21 April 1981;
mission time is 900 hours.
PAUSE
SG1A
All right #31 the time is now 9 o'clock. Your mission for
today is to locate
I want you to focus
SG1Aon
at his work. Focus on
at his work.
SG1A
Relax, concentrate, focus on
and describe his
SG1A
surroundings.
PAUSE
U
+04
#31:
Hmmm.ah.
I, ah .... built, milti-story building
about .... three or four stories, and, ah, it got an "L" in it
and ... interior corner.
Somewhere ..... somewhere in the "L"
interior "L" was this feeling of a angled railing from left
and to the bottom right .... the ribs or (mumble) .... in the
foreground. Then I was in a wooded hillside up above and
behind a building. As though I was looking down the .....
forested
hillside on to the back of this building ....
seeing it's a roof. A lot of it I couldn't see though,
because of the hill .... being in the way. It's as though the ...
building is set at the bottom of a hill. Let me clear and
then give me a ..... target me again.
#14:
Okay.
#31:
Give me about a minute.
PAUSE
#31:
Okay .
SG1A
#14:
I want you now to focus on
Focus on
SG1A
and describe his job. Describe the type of work
this man does.
PAUSE
+10
#31:
I keep getting this amphitheater feeling ... an audience ...
and he's in the audience. The, that; slightly up on ... up in
back away from something that's happening, but he's not
interested. He's ... like .... a person wholistlistening to a
... speech would be. He's not really interested. He's sort
of ... mind is wandering as he sits in a row seat, and that's
one impression. Only one impression.
SECRET
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ULOALT
#31:
Just a minute.
PAUSE
#31:
I .... said show me some action regarding his work.
Down
a street and ...... in a ...... up a little stairwell, and into
a ..... side of a building to the left of ..... some pillars ..
I keep seeing him sitting with his arms crossed across his
stomach upright in a chair with his legs crossed.
and usually musingly uninterested.
PAUSE
#31:
I .... looking at his hands. I'm not getting much interior
type office place at all. I'm getting a lot of movement.
Like the guy gi' ..... has a base of operations ..... that really
much of his employment is done at other peoples offices ....
doing other things. You know. Like ..... I watched his hands.
..
.. He ..... seems to carry a briefcase. I'm watching his
hands.
I'm like walking along next to him down a street.
He's wearing a coat. A dark full-length coat, like a raincoat.
It's a little cool yet, still he's got gloves on, I think.
But, he doesn't have a hat on. I'm trying to get him to show
me where he works.
PAUSE
+15
#31:
I keep seeing him walking down a sidewalk.
This feeling of
big city ..... buildings, cemented block building on my left.
I keep getting this big federal office building feeling ....
type of situation. I'm going to get in the hip pocket and
let him take me to work, and then, ah ...
#14:
Okay. Very good.
PAUSE
+20
#31:
I'm in a hallway now .... outside a door .... I still have office
type feeling .... having place type feeling .... just get
the feeling of a ... desk ... umm ... desk opposite the door
and some sort of a high ceiling room .... some sort of .... not
tables and formally (phonetic) set chairs on the left and the
right .... like he sits at this table, his desk in the front of
the room. It's not very long. It's only about 20 feet long.
He seems to sit up straight in a chair and he crosses his hands
in his lap and he listens to people, and two which he looks
at which are back sitting in the other chairs, and he looks
at them ..... like they are giving tests and giving testimony, or
like they're asking a favor or like they are explaining a problem
and he sits and listens. He's sort of one step up above them,
you know. He's like.
Now, I'm sitting on his shoulder
2
OLUNLT
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#31:
.... and I look down at what he's reading, and it's a document
... I could have sworn when I looked at it, it had .. like a
book and ... like document that had pullout. maps on the right
side .... something to do with Balkans, Balkans something or
other.
PAUSE
+25
#31:
I see ah ..... hings again (phonetic) punching ... and carefully
moving keys on some sort of a machine that sits to the left,
small, little machine about the size of a typewriter. (Mumble)
is on the (mumble) .
PAUSE
#31:
Feeling earlier that he was .... had something to do with
translations.
That he .... seemed to have read these documents
... like this document on the Balkans and that he would read
them and translate them, and that he would type them, and
both a translator as well as a writer. He writes documents
and works on some sort of a machine like a typewriter. I don't
know. It's very, very difficult. It's a very difficult, non-
action job, and it's difficult to discern the data within the
non-activity. I mean, as if he was a jack hammer operator
....... it would be easy, but this is a non-activity thing.
Because it is, it resembles conditions ... so many others, it's
difficult to find out what it is.
#14:
Okay. I have no further questions at this time.
#31:
Well, let me spend a couple of more minutes and see what I
get.
#14:
Okay.
PAUSE
+30
#31:
Ummm the ima' imagery I'm gettin' is some sort of a youngish
woman, maybe ... 30 who has close bobbed hair, and it's sort
of brown hair, page boy like, sort of a .... stocky, solid body.
Fleeting moment I saw the .... jail bars in the foreground.
As though this woman was in jail, and that he had had something
to do with it or with her .....
..
That's all I'm getting.
I don't know. I'm not getting anything.
#14:
Okay.
#31:
Well, sketch 1 is my opening imagery in this session.
Some
sort of a building in the background ... I had the feeling
I was outside this building on the edge of the sidewalk
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GranrT
#31:
... and there was some funny slanted feature there. Slanted
likes which ... are in the foreground of sketch 1. And, these
things ..... I don't know what they are. But, they were slanted
lines like a set of hand rails would look like for escalators
or staircases or something like that. And, that's just a
possibility. I'm not saying that that's what it was. Because
I didn't see any steps or anything.
Then sketch 2, I believe were I was, was on the hills behind
the building in sketch one. On the hillside up there. And,
that the same structure nestles back into thehillside and
there's a forest of trees in the foreground, and everything else,
you know. Feeling like I'm on the edge of the city. You know.
Sketch 3 we got our guy is not at a concert, but some sort of a
public discussion. He's sitting in one of the seats; there are
people all around him, and it's like in a small shallow amphi-
theater. Like you might find in, well, now that I think about
it, like you might find in a college, classroom type of thing.
A very small thing, and like all the professors might get together
and have an administrative discussion using one of the samphitheaters,
uh ..... something like that. He's there sitting, he's sort of
board, you know. It's a boring speech or discussion. You know
how people put their head in their hand, and just sort of ...
you know like we are around here all of the time (ha, ha, ha, ha).
Uh .. . 4.
God knows.
I don't know what it is. Four is the guy,
and I had the feeling I was looking over his shoulder reading
a .... he was reading a book which appeared to be .... some sort
of a pamphlet. Like an official pamphlet. Like a trave log
or like a DA ... it was in format like one of our DA pamphlets
you know, stapled thick, heavy, heavy bound staples, and there's
a pullout map in this thing, which I thought had to do with
the Balkans, was the word that came to me. And, he's sitting
at a desk, and then in the foreground in front of him, which is
the background of the picture there are like row like seats.
Like pews there, as though people come in and they're ... it's
open dis' ... not open discussion, but people come in with
complaints or problems like counseling problems .... I have no
idea .... what and it just so happened that there wasn't anybody
there now, and so he was sort of goofing off. He was reading
this brochure waiting for someone to come in. At this point
in time, I thought that maybe his job was translation until
I looked past him into the foreground, I saw these seats looking
the other way. It's not like he's in an office with everybody
with their backs to him; they would look at him. And, there
are no other desks in there. I just can't ... I can't figure
out what the guy does. It's something very low key, very
academic.
#14:
You described a key punch type machine.
4_
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#31:
Oh, yeah! That's something I forgot. When he was reading
this it seemed like he might have been monkeying around
with something with his left hand which looked like a .....
cal' ... not calculator ..... looked like a typewriter, maybe.
Something with keys and things, and he would move and adjust
those things. I don't know what ..... I can draw a sketch
of that, if you want.
#14:
Yes. It might mean something to somebody.
#31:
Yeah. But, as far as I can figure out, the guy's got a non-
active, he's non-active, he's ... as I was trying to describe
in the session, there are probably so many things that people.
do that are like this job anyway, youknow. It's hard for him,
it's hard for me to describe what it is ..... to find out what
it is and describe it. The ..... it's academic, it's quiet,
it's reading and listening and talking to people. He does move
about. He does carry a briefcase to and from work, I presume.
Because, I kept seeing ..... and I had the feeling that some
certain aspect : of his work took him out on the streets.
Like going from place to place, going from person to person or
something, but not like a courier is. He's not like picking
things up that are secret and carrying them. That's only a
miscellaneous part of his job where he has to go somewhere and
talk to somebody. It's about as important as somebody walking
to the library. It's about as important as this job is ... as
that part of a job is ... the walking part of it. And, for the
life of me, I just can't figure out what it is he does.
Okay.
#14:
#31:
Okay. And added sketch 5, which is the typewriter device that
sits on the left. It's operated with both hands. It's a ..
gray, grown (whistle) brown, gray metallic casing and has
push keys and then some sort of a slide thing on the right.
And something that either appeared to be a hole or clear up
top like, like a view port or something. I know that it looks
like an adding machine, but I believe that it's really more like
a typewriter. Okay?
#14:
#31:
Thank you.
Okay. That is all.
SECRET-
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TAB
-
--
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Side of Bedg in background
-
-
1
possibly handrails
for a group of
multiple stancase
1
.
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·
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TREES
3.4 story.
blog at foot
of the
HEAVY
leaf
carpet
down HILL side
TREES
8
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INSET
OVERVIEW
1
.
only about
4 or & Rows of seats
TE-
-
front
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3.
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about
3 rd Row back
from center table or
dans.
Small , very shallow
amptheater fueling - sitting in
" pews" listening to some
boring speech or discussie

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SEVERAL ROWS
of pew like seats
" PULLOUT MAP
OF BALKANS!
0
Book like a TRAVELOgue
feeling of
TRANSLATION as
Job ."
Y
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4

TypeWRITER- like
device which is
OPERATED with both
hAnos
SAME desk as
Room in sketch # 4
Book
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VIEWPORT
OR HOLE
Grey-brown
? SLIDES
METALLIC
CASINIS
Keys
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1. About 30-33 years old.
2. About 5'd
tall.
3. A Stocky but very feminine
build, sort of womans softball
teamish - the short "slugger."
4. About 135-140 lbs.
-
5. BROAD SLAVIC jaw - but Appealing,
much like the prominent jaws on
todays American models.
6. Blue eyes - " hooded" or sad
7. Blond short hair of the "page bay"
Style but with a slight teasing on
the forehead to cause a "puff ".
8. "perkey" hose
9. prominent slavic check bones
10. fair but healthy complexion
Someone he knows/ loves who is in jail
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6

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TAB
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TARGET CUING INFORMATION
REMOTE VIEWING (RV) SESSION DCC-28
1.
(S/NOFORN) At the start of this session the remote viewer was shown the
attached photograph and targeting information.
SG1A
2. (S/NOFORN) During the session the remote viewer was asked to find
at his job and describe his work.
NOT RELEASABLE TO FOREING NATIONALS
OLUNLT
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SG1A
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