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SUMMARY ANALYSIS
REMOTE VIEWING (RV) SESSION DCC-16
1. (S/NOFORN) This report documents a remote viewing session conducted in
compliance with a request for information.
2. (S/NOFORN) The remote viewer's impressions of the target are provided
as raw intelligence data, and as such, have not been subjected to any
intermediate analysis, evaluation or collation. Interpretation and use of
the information provided is the responsibility of the requestor.
3. (S/NOFORN) The protocol used for this session is detailed. in the document
Grill Flame Protocol, AMSAA Applied Remote Viewing Protocol (S), undated.
4. (S/NOFORN) Following is a transcript of the viewer's impressions during
the remote viewing session. At TAB A are drawings made by theeremote viewer
reference his impressions of the target site. At TAB B is target cuing
information provided the remote viewer.
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TRANSCRIPT
REMOTE VIEWING (RV) SESSION DCC-16
TIME
#14:
This will be a remote viewing session for 1 April 1981.
Mission time is 0900 hours.
SG1A
All right #31 the time is now 0900 hours. Your mission for
today is to find
I want you to focus on
SG1A
at his job. I want you to focus on
at his
SG1A
job and describe his work to me.
PAUSE
+05
#31:
Just like he, ah .... impression is he's .... something to do with
law, barrister ... magistrate. Have a high wall ... someone sits
up behind this wall. Along the edge of the wall it's carpeted.
It's a petty wall .... It's paper and wood shavings made from
pencils. Very, very strong impression of wood pencil shavings,
pencil sharpener, curly, kinky .... Legal briefs, or legal papers
have been written .... That's the work .. is writing them like
that. Let me, ah, give me the guy's name again. Let me, ah ..
in about a minute.
#14:
Okay. Why don't you relax and in a minute or so I'll give you
his name. Would you like his address also?
#31:
No. Just the name again.
#14:
Okay. Just relax.
While you're relaxing I want you
SG1A to focus on
. Focus on
at his job and describe his work.
SG1A
PAUSE
+10
#31:
I still keep getting feeling of a ..... public audience .....
This is, I'm in like a larger room ..... . In the one ... in the
one area is like a ..... series of desks and table where people
would sit who were watching ..... and there's a large center area
which is clear, and which the action and the movement takes
place here in the center area ...
Just can't shake the
idea of people's court. I just absolutely cannot shake it.
I had a pi- shot of .... a guy being a minor judge or officiary
of some kind. When I saw him he was sitting up high, higher
than the surrounding area ..... in a large. o erstuffed chair ....
that had big shoulders on the chair that ... blended into him.
And, so he had these big shoulders, but really they were the
chair shoulders.
PAUSE
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SEGRET
SG1A
#14:
.
What does
do? How does he fit into all of this?
PAUSE
#31:
I, ah ... had the feeling of, ah ... him being on the level down
and in the center area, walking from a desk with chairs up
and standing before the, the wall ... and then retreating and
carrying somethin gand then ..... retreating and going back
and sitting down as though he's a ..... some sort of a lawyer or
a ..... I don't think they really have lawyers so much as they
have state appointed representatives or something like that.
They're not very highly paid people. They're ........ really
considered to be minor officiaries of the state. Like we would
consider a court recorder ..
. I'm gonna clear and go in again.
#14:
Okay .
PAUSE
+15
#31:
I'm outside the long room ..... like a 4 or 5 storey brownstone
building. Well, (mumble) a center piece that's .. protrudes
out into the sidewalk and .... looks state-like ...... it looks
governmental like .....
PAUSE
#31:
I, ah, said show me a picture of another ..... show me
another picture of your work, and I had a feeling of a small
office or room that has a few like waiting seats in it that
had many people sitting in the pews. And, they're like not
dressed well. They're like people who have a grievance and
are dressed poorly, and he isn't there. He's like. . he
interviews these people .. some sort of program or some sort of
claimant or something like that. There's a single window in
this room. Sort of austerely furnished .....
What else do
you want to try?
#14:
SG1A
Okay ._
I just want you to .. . relax.
Relax and just kind of think
about
for a while, maintaining your focus on him.
... All right, I want you to go to
place
SG1A
of work and describe some of the things that go on in other
parts of this, this work place, and some of the other co-
workers that are there, if any.
#31:
(Mumble) appears to be on a side street ..... up a flight of steps
and like he enters the, this building that I saw ..... Ah, back
entrance and he's ... because of the slope of the ground he must
climb more steps than usual to get to the entrance door .....
because his, the basement is exposed because of the slope.
2
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#31;
He's like going in a back door or side door. I think it's
a side door ....... and a round portcullis that he goes through.
And a single door at entrance. It too is rounded at the
top and it has panes of, small panes of glass and .....
There
are other people in the building. He walks through a hallway
which I think penetrates to the main front of the building where
there's .. like a coming and going area. He seems to go to the
right and then as I look at the right there's a booth like
area like a ..... a directory ..... and then there's like a
long hall, which is a funny place 'cause there's some sort of
a ..... dividing here, like a guard rail .... and a line of
clerks, clerk like places that are there.
They're like the
public service. Oh! I'm reminded of like a line of ... ticket
agents at an airport. That's what I'm talking about. That
type of a physical arrangement. But, it's not an airport.
Of course, it's not. It's older and it's all wood and it's
all well-used and well-worn, sort of venerable in its own
right.
And I think that these people are like the people who
would give licenses out, where you would go for your minor stuff,
minor, public, front, public ..... routine public actions. I'm
trying to follow it. There are many people here. This is a
public place. It's open for business. There are no crowds,
but there is a constant coming and going and people coming
and going and people standing in cues and, short cues. I'm
getting a ..... entrance. Feel that my man goes through a. . some
sort of a big tall doorway in the right. But, I'm not in
area anymore. I'm past it. I'm past the agent area, the public
area, and I'm like back in one of the offices. And, it's sort
of an oversighted door that's like maybe 10 feet high, big
heavy dark wood, and when I peeked through the door I see ......
not what I thought. When I peek through the door I see a
couple steps down and a long, wide, marble floor, shiny floor.
And ...... some sort of funny inner courtyard ..... It's weird
architecture. Really all screwed up. Like a sunken floor.
It's almost as though I'm in a church. You know. I got the
feeling of pillars around the side, yet I'm in a closed room.
And, I feel a lot of light banging off the floor ...... like
there's a hole in the roof. But, then in around the pillars
I get this feeling of sitting area, like pews. And, then
there's something at the far end of it which is alos ..
which is big and raised and attracts attention like ..
..
No. I think it's a courtroom, meeting ... public discussion
area, courtroom ..... small claims ..... small claims and bitches
and gripes ...... court. It. must be that .... no flavor of God
here ...... no presence here. No reverence here of that type.
+30
3
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+25

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#31:
It's almost as though it's been ....... the similarity
has been purposeful, though ....... purposeful design
similarity to that of a church. That's what I mean to say ..
Now, I see him in a room that's like a library, large table
in the middle, and there's books all over. Very academic.
#14:
Okay. I have no further questions at this time. Is there
anything else you'd like to add?
#31:
My feeling here is that he is ... I was just working on a
tiering of government and .... let us say that Moscow is the seat
of the national government. He has nothing to do with that.
Then there is a ..... local district or province government,
likewise. He has nothing to do with that. In the same city
there is the city government. That is what he's in. And, even
within the city government, he's really ..... minor, minor
bureaucrat. That's all I have.
#14:
Okay. We're now ready for debrief.
#31:
Okay .
....
Definite, strong feelings of some type of public
I don't know ..... the words right at the beginning of this
session ..... Hey! I found myself standing in front of a
magistrate's bar, and on top of this bar were pencil shavings.
Entire atmosphere and words that came to me at that time were
like the man was a minor barrister or magistrate in a people's
court, or as a person who would prepare drafts and briefs for
such a low level, small claims people's court. It's something
to do with a bollixed up legal system. I mean, it's hard
to explain the legal system because I was not, I'm getting
where we have lawyers and judges,' Im getting these little
niches in between and around lawyers and judges that are of
lesser rank, but have the rights and power to make decisions
and levy fines and that kind of stuff, which we have no
equivalent for this in our society ... and he's not like a
big public defender who defends murder trials or defends ...
you know ..... big espionage cases or anything like that.
He's like someone that would be involved with whether
Ivan Ivanovitch really did rip the boards out of Stanaslovsky's
fence, you know, or if the production quota for a certain
pig farm is legally binding. This kind of thing. And, the
flavor is, I've written on sketch one, is that his role is
interchangeable. That on some days he might be the man
sitting behind the, sitting up and passing judgement in
people's court. But, that on other days, for some weird
reason, he might be out in front of the people's court presenting
claims or having prepared briefs and giving them to some else.
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To

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"SECRET
#31:
Like it's, you know, days on and days off, you know, whose turn
is it to sit up on the big bench today. Ah, which obviously
connotes to me that it's not some. big important job. Rather
that it's somebody who would be about the level of a notary
public in our society. You know. No t some big important legal
job.
The other feeling is that this is some small city bureaucr-
bureaucratic office, a nook and a cranny in the overall
bureaucracy in Moscow. Like, you know, I mean I knew he
allegedly lived in Moscow. So, it's presumable that he works
there, but that he's not involved in the national government.
He's not involved in the county government. He's involved in
the city government. Like D.C., you know. . Like the D.C.
government as opposed to the state of Maryland or Washington.
the United States Government. He's not involved in the
province level even ... he's really some low level guy. That's
sketch one.
Sketch two ..
I flittered out flit outside the building, and that
is a peripheral shot down the side of what I think is the front
of the building in which he works. It is a rather large, old,
venerable type of public building.
But, it's not monstrous like
the Kremlin. It's someplace off in some back alley ... not back
alley, but off in some minor administrative district inside
Moscow. Okay ... that's the front of it. Sketch 2 ....
.... and sketch 3, if you place them right side-by-side from
left to right you end up with the two perspectives. Sketch
3 is to the right of sketch 2 and down the side of the building,
the end of the building .... and, I don't know for verification
purposes there's some sort of peculiar ... there's a .... that is a
tree-lined street .... and the back of the building .... there's some
sort of peculiar wooden panel or wall that obscures a second
building behind. That might help verify what I've done.
And sketch 4 is really funny ......
Sketch 4 is the ... where he
goes into this building. He doesn't use the front building where
the pillars are and the big steps. He uses a side door exit .....
ntrance/exit ... which is in some other side of the building
because the basement level is exposed. And, my feeling is, is
that from here he walks directly through the building to the
front to go to his offices. He walks through and he'll come
to a lobby and a direction booth, and then there's the, .... on
the right ... and then there's the bank of like minor clerks ....
a counter, service counter type thing. .. long service counter.
And, somewhere down on the right side in sketch. 4 somewhere
to the right is where he, I guess his office is. I don't know.
5
SEGRET
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#31:
And, that's that other weird place I found. That's about it.
Somewhere in here, believe it or not, this is really weird,
but, during the session I had the fleeting thought that a
pregnant woman had something to do with this guy. Like his
wife was pregnant or something. And, I got that thought when
I was standing out on sketch 3. I was out there and I
happened to see a woman walk down the street or imagined that
somebody was coming. to visit him, and she was pregnant. Like
his wife, hopefully. Maybe his sister .. I don't know. All-
in-all, a rather minor ... bureau-petty bureaucrat ..
That's
about all I have to say.
#14:
All right.
#31:
Do you have anything more to add?
#14:
No. I have nothing more to add at this time.
#31:
Well, give me the raw data that makes you say that (Ha, ha, ha)
That's it. That's all I've got.
#14:
End of session.
6
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TAB
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" BARRISTER
"
"MAGISTRATE"
"People's Court"
" SMALL CLAIMS COURT"
PENCIL SHAVINGS
TARGET IS VARIOUSLY A MAN
WHO WOULD HEAR CLAIMS
AND MAKE JUDGEMENT
AND ON
OTHER.
OCCASIONS
WOULD
PRESENT.
THE CLAIMS
V
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MAIN
EXTERIOR
of
workplace
1
BLOGS
ACROSS
X
GRASS
SPACE?
SIDEWALK
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2

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END of
WORKPLACE
Trees
UNK BLDg
?
?
TRE
wooden
Panel or
WALL
Tree
PEDESTRIAN
TRAFFIC
77
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F
TO
Sketch #2
3

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4
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FIRST FLOOR OF
BLOG
BASement
Level
Is
Exposed
1
-
-
1
-
A SMALL
SIDE OR REAR
ENTRANCE THAT
WORKERS Use
1

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TAB
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-SEGRET
TARGET CUING INFORMATION
REMOTE VIEWING (RV) SESSION DCC-16
1. (S/NOFORN) At the start of this session the remote viewer was shown the
attached photograph and targeting information.
SG1A
2. (S/NOFORN) The viewer was asked to find
describe. his work.
at his job and
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SEGRET
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SG1A
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1
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SG1A
TARGET
GIVEN :
MISSION :
Locate him & describe his job.
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