CIA-RDP96-00788R000600260001-8

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SEGRET
INSCOM
GRILL FLAME
PROGRAM
SESSION REPORT
CLASSIFIED BY:MSG, DAMI-ISH
DATED:
051630ZJUL78
NOT RELEASABLE TO FOREIGN NATIONALS
REVIEW ON:
Mar 2001
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SUMMARY ANALYSIS
REMOTE VIEWING (RV) SESSION DCC-08
1. (S/NOFORN) This report documents a remote viewing session conducted in
compliance with a request for information concerning an Army UHIH, tail
number 73-21711.
2. (S/NOFORN) The remote viewer's impressions of the target are provided as
raw intelligence data, and as such have not been subjected to any intermediate
analysis, evaluation or collation. Interpretation and use of the information
provided is the responsibility of the requestor.
3. (S/NOFORN)
The protocol used for this session is detailed in the document
Grill Flame Protocol, AMSAA Applied Remote Viewing Protocol (S), undated.
4. (S/NOFORN) Following is a transcript of the viewer's impressions during
the remote viewing session. At TAB A are drawings made by the remote viewer
reference his impressions of the target site. At TAB B is target cuing
information provided the remote viewer.
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TRANSCRIPT
REMOTE VIEWING (RV) SESSION DCC-08
TIME
-
#66:
This will be a remote viewing session for 1130 hours,
27 March 1981.
This is a pre-session briefing to the remote viewer.
Today we will be conducting your second attempt to locate
a missing helicopter known as Army 711. Army 711 is believed
to be down southwest of the town of Yangana in the vicinity
of the coordinates:
04 degrees, 28 minutes South
79 degrees, 15 minutes West
Army 711 is believed to be within 15 miles of this coordinate.
This coordinate represents the best intelligence on the last
known radio contact with Army 711. It will be your task to
locate 711 and describe the location to me so that we might
find Army 711. Do you have any questions about your task today?
#31:
Umm ... how are we going to run. the session? Are we going to go
to those coordinates or do you want me to go to my previous
session imagery first? Which one?
#66:
I wish you NOT to go to your previous session imagery. I wish
you to go to the coordinates; at the beginning of the session
I will read the coordinates to you, and refresh your memory
by asking you to find Army 711.
#31:
Okay .
#66:
You now have 20 minutes to prepare for this session.
PAUSE
#66:
It's time now to relax, relax and concentrate, focus, focus
04 degrees, 28 minutes South
79 degrees, 15 minutes West
Find Army 711 and describe its location to me.
PAUSE
+05
#31:
Keep getting feeling of a "L" ..... an old street ... a, ah,
a buildingwith like a cowboy type town, unpaved street ...
umm boardwalk like in front of some stores or buildings, and
ah, elevated up a little bit, a little, small place.
PAUSE
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+07
#31:
Ah ... the feeling is that the ... with the direction is a.
if this road is straight in the little town the end of the
main road here is a trail or path that leads off at abouta
curving arc about 1:30, 2 o'clock on a clock ... it leads in
direction of a line of mountains. I seem to be out in a
.
... piedmont area. There's one particular mountain that
sticks up outside of town. It's sort of a .... abruptly
steep on the right end which is near 2 o'clock and tapers
off to the left gradually through 12 to 11, and 10 o'clock
The feeling is. that's ... like I go over that steep part,
and I'm more .... in the background is some heavier mountains
and that where I'm going is in between those two mountains.
Like I didn't make it over the rear set, and I did go
past to the right of this steep flank.
+10
PAUSE
#66:
Go on.
PAUSE
+14
#31:
I'm like up on a mountainside, ah, I think I can see the ...
village over the low hill. Keep getting this feeling of a
valley "Y" ... It's split by this funny hill. It's off
to my right now, and I'm up on this mountainside or a
hillside that's sort of steep. It's about 30 percent ....
I can like see a village over on the other side of the
other hill. It's, I think it's farther than
18 miles.
Tell me about Army 711.
+16
#66:
What is it that makes you say funny hill?
#31:
The one that's, ah, steep on the one side, and little gently
s --- going away on the other side. It's lower than the
mountain in the background, and it's like I'm on the
mountainside in the background. It's higher.
#66:
Describe how I can best locate this area.
PAUSE
2
OPPRET
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..
#66:
#31:
Umm .... I have this feeling of it's in ... crashed on this other
mountainside ... the opposite mountainside from this funny hill.
Seems to be lying aside ... I can't tell if I'm looking over
the hill or if I'm looking around the hill, but it seems
to be pretty much straight shot, and

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#31:
The, ah, draw a line between the village and the ... to the
little creek that goes off to the right of the mountain
around the steep side ..... and. like, ah ...... , draw a line
across the top ..... of that mountain, at the very top of it
.from the village ...
. and that's the line of flight
I guess, across the top ..... and, it just seems to be on
the other side of another creek.
+20
It's down. in the valley ... the ... left to right valley
before you get to the mountain in the background .... right
above the crash site .... if I go up far enough up above the
crash site I'm .... I can see the village over tip of the,
over top of that lower mountain. And, then I drop back down,
looking down at it I got a ..... the creeks that make a
backwards "Y" ..... the one runs in from the village into the
valley.
. And, then ..
.. it runs into one in the valley
that goes on off.
#66:
Describe the present condition of Army 711.
PAUSE
#31:
Well, it's ..... seems to be laying on its right side. Some
big roundness on its ...... laying on its right side.
..
..
Then, I get a feeling of ..... all sorts of jaggered irregular-
ities along the side of it. Looks like sheet metal bent all
up into the .... very tight angles and protruding up ..
It looks strange, very un .... geometrical ..... looks like
its tail bloom is growing out of its upper back. Something
sticking up there.
+24
It does seem to be in some sort of a clearing area.
Something strangely cleared and red clay like around it,
and there is a lip with trees on it above it ...... it looks
like a bank of some kind ..... again, I'm getting this bank
feeling ...... with raw cutout, and classic characture of a
creek bank or a ..... where the water is eroded away and
you can see the bare soil, and the upper lip of it curving
around like a ...... like a wave ....
...
The upper lip of the
soil bank ..... feeling of trees up above it.
#66:
And the crew?
PAUSE
+25
#31:
Just a second. I'm working on it.
PAUSE
3
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+28
#31:
SG1A
I have another question for you.
+32
#66:
#31:
I keep getting this ....
... gloved, melmac gloved hand
pointing at a place on a map ..
..
I'm trying very hard to
read ...... finding it up place on a map.
1
#66:
I'd like to help you with that.
#31:
One minute.
PAUSE
SHOULD HAVE
PEROVED THE MAP IMAGE
#66:
Move the perception up over, up over the target area.
Comfortably over the target area. Now, you are an observer.
Simply an observer. Now ...... move through time to the
discovery of Army 711, and ask yourself "what is the
distinguishing element that allowed them to discover Army 711."
What is the distinguishing element that allowed them to
discover ..
.. now that they have discovered Army 711?
PAUSE
#31:
A feeling I'm getting is a ...... it's almost visible ...
...
+37
...
to go right at this hill like almost from the village you
could see it ..... 'cause it's high enough up that you can
almost see it from the village, and there's a "Y" there.
The "Y" is important, and, of course, I kept seeing just
the wreck ..... the idea of wreck and sheet metal and
everything being visible. So, I don't know if it is visible
from the air or from the ground. It seems to be on the hill
at the opposite hillside though.
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+35

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#66:
Let's take some time now to draw that which you've seen
and you might explain to me again from your drawing the
perceptions that you have had.
PAUSE
#31:
Okay. In sketch 1.
..
There is a high place in the
town.
Some sort of a high place like a tower associated
with the mission ...... a Spanish, old Spanish mission type
thing. I had the feeling that if someone climbed in the
.... to the highest point possible in this town, little
village, crummy old village, and took a set of binoculars
or a telescope and looked towards the mountains on the
horizon, and looked just to the right of the low shaped
hill in the foreground that they would damn well be able
to see the crash site, just about, but that down at ground
level.
..
.... in the town. It was just obscured by the
jungle on that low shaped hill. But, like if they got up a
little bit higher, and looked that they would be able to see
the crash site or see the vicinity of the crash site, which
is up on the mountainside in the background. Okay? Uh, the
other thing is, the important aspect, two important aspects
of it ..... in the town looking in the view of sketch. 1, there
is something that I've called a creek. I don't know if
it's a creek, It might be a trail feature. But, there is
some feature at the end of the town that curves off to the
right. And, if that feature was followed like a creek or
a trail it would lead around the hill to the crash site.
I mean, you have to go a long way, but still it would meet ::
around the hill, 18 miles or so to the crash site. And,
that ........ taking that curving feature out of town is the
important aspect of it to follow that curving feature.
#66:
Okay. Now, let us make a comment here about drawing number
1 and the town. There is no north, south, east or west to
your perceptions. We are strictly dealing with in your
description here during the session was with a clock thing,
but you could be facing any direction in dealing with that
clock.
#31:
Yes, yes. To find ...... you'd have to go to this town.
You'd have to put the Spanish mission looking place on
your right and you'd have to put the low shaped hill in
front of you, and then the crash is at about 2 o'clock
off of the main street.
#66:
Okay. And, no north, south, east or west or anything.
5
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#31:
Let me write that in. This is 2 o'clock. Okay.
This
sketch is a little bass-ackwards, but when I was there in
the session I called. it 2 o'clock. So ........ the important
feature is the "Y".
..... that ...... the "Y" which is ......
you follow this curvey feature around to the right side of
the low shaped hill in between these two hills you get into
a valley into the background, there's a "Y" there.
I called it melmac gloved hand ..... that's wrong .....
It's
the mel- something or other which is the flight togs that
you wear ....... the flame retard flight togs ..... it was this
hand wearing a kacki colored cloth glove that was pointing
to the left of this. "Y" and a little ways away from it, which
I show in a later.
.. later in sketch 2. That was the
feature there.
I don't know if that is a creek, and I don't know which way
they flow, but the "Y" thing is the important aspect of it.
The junction of a creek or maybe two trails in that direction.
I don't know.
#66:
Okay. Good.
. Then, taking that same concept, moving to
drawing 2 now
#31:
Is as though I was up in the air over top of the town,
and the melmack, mel-, I call it melmack, the gloved
finger hand was pointing in this area.
#66:
Of the "X."
#31:
The area of the "X" in sketch 2. The "Y" being the main
feature.
#66:
Okay. And you .....
#31:
The two low hills in the foreground, and then the two
higher mountains in the background.
#66:
Okay.
#31:
The town is a very frontierish .... ramshackled, dirt street,
crappy type of town. You know. Proverty stricken town ...
way in the out-, back. Anyway, so, sketch 2 is my best shot
at an overview. Okay?
#66:
Okay. Good.
#31:
This is 18 miles, and the distance in that is 18 miles.
I did that using a ... a measuring bar.
#66:
Let's go ahead and turn the tape over now before we go
to the description of drawing number 3.
PARET
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#31:
Okay. Drawing 3 is at the site. That's interesting
that my, my imagery differs a little bit from the earlier
session, but I still have the hillside or side feeling, side
of something. This time though ..... and a jungle ..... but,
it's as though I'm in a place where the ..... there isn't
any water. I didn't have the feeling that the crash site
was under water like I had earlier ... which is interesting.
But in-, the thing I have is like a gouged gully along the,
this steep hillside, steep mountainside or hillside where
the humus and soil has been like gouged away, and you can
see ..... in the bottom it's like a culvert, like somebody cut
a culvert in half ... and the bottom side is all this raw,
red clay, uh, gully .... and then up above it there's this
lip that overhangs that I show in sketch 4.
The lip overhangs and you can see this humus and the soil
tropical soil there .... and then above that, up the hillside
is like this lush forest or jungle. Okay?
SG1
A
SG1A
#66:
Okay. The distinguishing characteristic about the actual site
then is-, you have explained several times is this, it is a
visible characteristic to see this raw soil, not brush
covered?
#31:
Yeah.
#66:
Okay. Fine.
#31:
It should be-, the feeling is like it would be, you might
not be able to see it directly down from directly overhead
of it, but if you were down at the level of it and were peeking
in amongst these high tropical trees you would see it.
#66:
Okay.
#31:
You know, because this, there's probably, there are
certainly tall trees above it, up the hillside and there are
tall trees below it, down the hillside. So, I don't know how
you'd see it or if you would see it.
#66:
Oh! You're saying that there might be a canopy problem of
seeing it from a high altitude?
#31:
Yes, yes, yeah. I, I don't know where the other trees are.
In the one sense I felt that I was higher up off the valley
floor than the creek was, but I think there might be the
canopy problem.
#66:
Okay.
7
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#31:
Okay? This is in, in the, in at the crash. site. This
isn't looking at the crash site from a thousand feet away.
#66:
I understand. You're right there.
#31:
I'm right there. I'm standing in the muck, in the clay.
#66:
Okay .
#31:
Okay. And 4 is just a. .. 4 is just a side view, ca cutaway,
side, okay, to show the idea of this mountainside, hillside.
#66:
Okay.
#31:
Okay. And 5 is up above the crash site on the mountainside,
looking back towards what I think is the town of whatever
the hell it is. The mountainside descends in the foreground
down to the creek in the valley. The crash site is at the
"X" down below .. uh, and .. just going off towards the horizon,
just missing the side of the low shaped hill is ... in the
distance is the town.
#66:
Okay. . I have one question here on drawing number 3. I
don't understand the horseshoe shape.
SG1
A
#31:
#66:
#31:
#66:
#31:
#66:
Okay .
#31:
And, that's where the little arrow goes that they're in the
front still.
#66:
Okay
#31:
There. Helmets represent crew.
#66:
Okay.
How do you feel about the session?
8J
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#31:
Feel about it. The thing that's interesting to me is that
it is different in sense from, it does have certain
significant differences from my preceding session.
I
don't have the thing under water amymore. But, it's
funny. I have it in. this gouged out place that may, at
one time, have been under water. I don't know. It's
really weird. But, then I have it higher on the hillside than
before. I don't know. It's just ... it's curiously different.
#66:
Okay. Do you have any other comments?
#31:
Nope.
#66:
Okay. Fine.
9
2
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TAB
-
--
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HighER
MOUNTAINS
L
GENTLE
' LOAF shaped hill
CRASH SITE
18 mi on
FAR SIDE
VALLEY
0
CREEK RISING
WOODEN
RAMSHAkle
blogs with
?
2 o'clock
----
NONDESKI
MILLON
2
R
FACAdes
20 - 25'
DIRT
STREET
old spanish
mission
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.
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SLOPE
STEEP

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2
n/H
LOW
NMOL
1
IM 81
1
.
HIGHER MOUNTAINS
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31
314
SI
115
e
ROPICAL
LUSH
FOREST/
7/05/snunA
SubSTRATE
FORMS
JUNGLE
abart to
A"LIP
D
helmets
mes
RAW GouGED
like
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RED
CLAY
gulch OR
gulley
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K
represent
Crew

-
1
1
2 7
CUTAWAY
OK
Gulch
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4
r
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I
TOWN IN
DISTANCE
HILL
LoAf shaped
hill
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SAUW 81
14 VALLEY Below
MOUNTAIN
SIDe

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TAB
-
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TARGET CUING INFORMATION
REMOTE VIEWING (RV) SESSION DCC-08
1. (S/NOFORN) Information provided the remote viewer prior to the session
is documented as a pre-session briefing and is included in the transcript.
2. (S/NOFORN) During the session the viewer was asked to elaborate on his
descriptions which seemed relevant to the task at hand.
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