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SLUNCI
GRILL FLAME
PROGRAM
SESSION REPORT
CLASSIFIED BY:MSG,DAMI-ISH
DATED:051630ZJUL78
REVIEW ON: JULY 2000
Capy 2 of 2 capire
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LOROWRITE
GRILL FLAME
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SUMMARY ANALYSIS
REMOTE VIEWING (RV) SESSION CD-81
1. (S/NOFORN)
This report documents a remote viewing session conducted in
compliance with a request from SOD, J3, OJCS, Pentagon, Washington, DC.
The purpose of the session was to provide information relevant to the
hostage situation in Iran.
2. (S/NOFORN) The remote viewer's impressions of the target are provided as
raw intelligence data and as such have not been subjected to any intermediate
analysis, evaluation or collation. Interpretation and use of the information
provided is the responsibility of the requestor.
3. (S/NOFORN) The protocol used for this session is detailed in the document,
Grill Flame Protocol, AMSAA Applied Remote Viewing Protocol (S), undated.
4. (S/NOFORN) Following is a transcript of the viewer's impressions during
the remote viewing session. At TAB A are drawings made by the remote viewer
reference his impressions of the target site. At TAB B is target cuing
information provided the remote viewer.
5. (S/NOFORN) The remote viewer was asked to find Bruce German and describe
his location. He described German as being on the top floor of a multi-story,
W-shaped building. He stated that there were 23-25 other U.S. hostages at
This same location. The viewer felt that there were 8-10 guards active in
This area. He also mentioned two other locations within close proximity
Where other hostages were being held. He described a female with a veil
that visits these three locations on a daily basis.
.
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OLUALT
ORCON
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OLUNCT
TRANSCRIPT
REMOTE VIEWING (RV) SESSION CD-81
TIME
#14:
This will be a remote viewing
session for 10 July 1980.
Mission time is 1030 hours.
PAUSE
#14:
All right, #08, the time is now 10:30. Your mission for
today is to find Bruce German. I want you to describe his
location, any other hostages at this location, and the physical
security of this location. I want you now to relax, concen-
trate Focus your attention on Bruce German.
PAUSE
+02
#08:
Comin' over here (mumbling). . . top floor. . . of what
looks like the big "E" building. . . on the right. . . side,
front. . . the first room wall by the first room. . . in that
corridor, which apparently served as offices of some kind. . .
Got the impression this is a three-story building, and he's up
on the third floor.
PAUSE
+05
#08:
I see him with a couple other people. . . pretty bigroom.
-
Wish he would associate with the VIP officers. This is a
-
recurring image of a tall man with grey hair and balding,
probably in there with him. . . get a real quick impression
of a (mumble). . . Eight to twelve, nat twelve, yeah ten,
guards are more or less active in the area. . . of that floor.
There's a feel for about. . . 23-25 of the hostages there.
PAUSE
+10
#03:
here's a. . . recurring image of the, the lady with the veil,
covering, in that area right now. . . I think if you could
follow her you could find out where, where the other two spots
are where they've got the people. . . 'cause she seems to have
a. . . habit of visiting each place, almost on a daily basis
PAUSE
#08:
Her image seems to be dominating the scene. . . It's almost
as if she had the function of keeping tabs on the guards and. . .
their alertness. . . She reports this to some intermediary,
some higher authority, I think. (mumbling)
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+15
#14:
I want you to focus your attention again on this building.
Where is this building located?
#08:
I can only give you a frame of reference, and that's if. . .
(mumble) in a rectangular. . . a rectangle. This would be the
biggest building in the upper center of the rectangle, next to
that leg. And again, the other two groups, one would be to the
lower left leg, and not quite to the bottom, and the other would
be touching the bottom of the rectangle, and somewhat to the
right. It comes up in red dots. . . There's a lot of space
between these buildings. . . like fields, maybe it's like fields
separating the top of the rectangle and the bottom of the rec-
tangle, the treelines would kind of border on the edge, partic-
ularly to the left it's heavier and the bottom. At the upper
portion there's a small treeline, I think in front of the build-
ing, light treeline to the right, and the real heavy trecline
is to the left.
#14:
I have no further questions at this time. Is there anything
else you feel you can add?
#08:
Okay, that. . . Part of entire city of Teheran fit, fits at
rectangular would be slightly below center of that circle.
That's all.
#14:
#14:
Okay. Especially when three of us have black lungs. We're
now ready for debrief?
#08:
Yeah, let me give you a, sketch #1. That's not quite accurate.
Yeah, that's okay, it's just not pressing.
#14:
That one looks like it's kinda dry there.
#08:
Okay. This is a corridor, and this is where I found him in
the first room. I thought this had three floors, but I'm not
sure, three stories. What's his name? Okay.
#14:
Would you say it had more than one story?
#08:
Oh, yes. Yeah, at least two, but I wasn't sure whether it had
three or not. But he was - top floor. Okay. Let me draw this
while I'm - I'll put sketch #2. And what I, I'm trying to
pinpoint things, and I, put in the rectangle form. And this
building is around here, okay, put that building #1, okay.
Okay, red dot here; I think there's another group here, it's
to the bottom left of the tri-, of the rectangle but it doesn't
touch the bottom, and I'll put that building #2, that's the
second time that comes up. And there's a building here - I
don't know why I keep wantin' to do, that - to the right bottom
side of the rectangle, and I'll call that building #3. There's
a heavy treeline here, there's a pretty heavy treeline here,
there's a lighter treeline here. And there was a sort of a
treeline here, light treeline here. And there were fields
2
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#08:
separating this. Okay?
#14:
Uh-huh.
#08:
Now, trying to pinpoint this one, try and tell me, ask me where
they, where I had a feel like, kinda had the city something
like this, in a huge circle, all right, and this being the center
of the city. I'll just put a zero here. That rectangle would
fit someplace around here, maybe a little bit lower. That's
where that was. Something like'that. This just looked like
a big circle, heavy populated, a lot of buildings.
#14:
Let's try #4. Or is that three?
#08:
Three.
#14:
Try number three. Uh, you mentioned you had a feeling of 23-25
hostages, now were they in one building?
#08:
In building #1.
#14:
Building #1.
#08:
Of sketch #2.
#14:
Okay. Uh, I'm also interested this, uh, this female with a
veil.
#08:
Yeah, she looked, you know, like an old biblical type. That
may be overlay from TV where that female interpreter is always
translating the hostages' positions or something.
It's either
her, I think it's her, but I'm not too sure.
#14:
And the -
#08:
And her role was to go around these various, these three points
here.
#14:
Within the triangle - rectangle?
#08:
Sort of keeping tabs on, yeah, the rectangle, keeping tabs on
the guard forces. I didn't see, there's no access, she has no
direct access to the hostages, but she sure has a hell of a lot
of to these, these guard personnel, and she wouldn't go away,
that image stayed with me for some time, till I tried to get
a feel for what the hell she was doing.
#14:
Okay, I have nothing further.
#08:
Okay.
#14:
End of session.
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TAB
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Corredo
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light twee
fields
Building
#1
-..
1
luce
S
5
6
S
un tres
Building 3
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Buildry
#2
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2

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m
1
Rectangle
shetel #2
of
2
1
.
0
5
1
1
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TAB
-
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"SECRET
TARGET CUING INFORMATION
REMOTE VIEWING (RV) SESSION CD-81
1. (S/NOFORN)
The remote viewer has been exposed to open source news
media information as well as classified overhead imagery and numerous
photographs of hostage personnel. He know he would be working against the
hostage situation in Iran.
2. (S/NOFORN) At the time of this session, the remote viewer was shown
the attached photograph, and was asked to find Bruce German. He was asked
to identify German's location, identify any other U.S. hostage personnel,
and to describe physical security at this location.
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SGFOIA3
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