CIA-RDP96-00788R002100190001-9

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NOT RELEASABLE TO FOREIGN NATIONALS
ORCON
GRILL. FLAME
PROGRAM
SESSION REPORT
CLASSIFIED BY: MSG, DAMI-ISH
051630Z JUL 78
REVIEW ON:
June 2010
GRILL FLAME
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88R002100190001-9
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SUMMARY ANALYSIS
REMOTE VIEWING(RV) SESSION CD-37
1. (S) This report documents a remote viewing session conducted in
compliance with a request from SOD, J3, OJCS, Pentagon, Washington, DC.
The purpose of the session was to provide information relevant to the
hostage situation in Iran.
2. (S) The remote viewer's impressions of the target are provided as raw
intelligence data, and as such have not been subjected to any intermediate
analysis, evaluation or collation. Interpretation and use of the informa-
tion provided is the responsibility of the requestor.
3. (S) The protocol used for this session is detailed in the document,
Grill Flame Protocol, AMSAA Applied Remote Viewing Protocol (S), undated.
4.
(S) Following is a transcript of the viewer's impressions during the
remote viewing session. At TAB A are drawings made by the remote viewer
reference his impressions of the target site. At. TAB B is target cuing
information provided the remote viewer.
5. (S) The remote viewer was asked to find Ann Swift and describe the
surroundings of her location. The viewer described an isolated building with
sand nearby, as if it were near a seashore. He described another female at
this location, whom he felt was a hostage. The viewer also had a very hazy
impression of three male hostages. He described security as being scattered
in a wide circle, forming a perimeter around the house.
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VALT
TRANSCRIPT
REMOTE VIEWING (RV) SESSION CD-37
TIME
#14:
This will be a remote viewing session 5 June 1980.
Mission time is 0830.
PAUSE
All right #46 the time is now 0830; your mission for
today is to find Ann Swift. Focus your attention on
Ann Swift. Relax, concentrate. When you find Ann Swift
describe her surroundings.
PAUSE
+01
#46:
Okay ......... Sand, like on a beach. ..... couple of Palm
trees at the bottom.
Next to that is a road, cement,
and up above that is the gate with pipes and cement columns,
and beyond that is a building. It's like it was on a
seashore villa of some sort.
PAUSE
There's something about cement, cement lattice work in
front of ..... cement lines crisscross and forms little
holes.
That's supposed to be something there. A sense
of isolation there surrounding this building. Doesn't
seem to be anything around it, except for a few talls
trees.
There's no branches on it. Feels like ..
like Palm trees with no branches, just green tusks .....
at the top.
PAUSE
+05
She's, she's ... there's another woman. Much shorter with
black hair. They are sharing the quarters together or
the room.
#14:
Who is this other woman?
#46:
Something that sounds like Rachael ... Ray .. . something.
I don't know.
#14:
Is she a hostage?
#46:
Oh, yeah. She's in the same boat as the one we're looking
for.
PAUSE
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+10
#46:
I would say she's in her mid-30s. Just maybe ... yeah,
someplace around there, She's got more of a .........
something about a black dress .... something. Dressed
in dark clothes ... or was, and glasses which she used to
wear to work. I think she was a secretary ... not to the
highest rank man, but maybe the number 3 man, whoever
he is.
#14:
Are there any other American hostages at this location?
PAUSE
#46:
I get a very ..
There's a very hazy
composite pictures of 3 people. Males older.
These are very spacious rooms they gcoupy: Not, not
the cubicles. Not the small bedroom types that we've seen
before.
#14:
Tell me about the security of this location.
#46:
Most of it is distan, is distant from the house like
they were ..... scattered in a wide circle andperforming
some kind of perimeter around the house, but there's no
fences, or anything. The emphasis is on theperimeter.
PAUSE
Impression of 5 or 6 inside someplace.
....
The 2 women are pretty clear. I see the 3 men, the 4 men
there too, but it's not as clear. There is a persistent
image of a .... involving tall man with gray hair. Seems
to be the more important one for whatever reason.
PAUSE
Anything else you want there?
PAUSE
#14:
No. I have no further questions at this time. I just
want you to relax. . Remain in your state of focus.
#46:
At that place?
#14:
That's right. And, you just kind of see if you can pick
up on anything that would be of importance.
PAUSE
2
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+15
#46:
Yeah. The residence has something to do with the
Ayotolak. Very persistent there. Got to get rid of
that
I don't have anything else.
PAUSE
#14:
Okay. I have no further questions at this time.
Anything else you can add?
PAUSE
#46:
No. Except the sense of isolation of that house is
quite pronounced.
That's all.
#14:
We're now ready for debrief at this time.
#46:
Yeah. On this chart 1 I'm going to give you sort of
an overview as things happened here. In the lower portion,
these kind of wavey lines is where I found myself, and it
was very sandy. It was like a beach. Okay. Right above ...
the ... this was sloping upwards from here going out, and
then, right above the sandy area was a road. Cement road.
That was kind of funny, too. It didn't look like a dark
road at all. Like macadam or something. It looked like
a cement road. .. a two-lane road. And, right beyond that
I .. were columns with a wall which were very yellow stone
like, brick like, okay. And, right on top of that wall
were two series of. . like they were pipes or something
and so on. That was predominant from the road. That's
the best I can describe them. They looked like pipes.
Beyond that was the house. I'm just going to give you
the impression of the front of the house, and I don't
know exactly where this was, but it looked like a two-
storey building. Somewhere here there was ... the impression
of some cement lattice work like that. So that you got
the impression it was just little (mumbling) and, I don't
know if it covered the entire front or if it was just a
portion, but it seemed very significant at the time.
There were porches. I don't know about the (mumbling), but
there's definitely a porch upstairs. Where I thought she
was, was around here with this other lady. That portion
of the building. This just went on and on, but I don't
know if it covered the entire thing or not. It's a
predominant feathre. Recognizable feature. And, there
were just a few trees. They were Palm like trees. There
wasn't any branches around here. There's a few here.
One
or two next to the sand, and next to the road, and there
were some around here. But they just had this toughie top
and very few branches on the bottom. There were some
3
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#46:
isolated ones all around the house; and there was a
very keen sense that this entire affair was very
isolated from anything else. There were no houses in
the immediate area. In fact, not much traffic or
anything. Very isolated. That was ..... these were the
overall first impressions as I moved up from the sand.
#46:
Anything else you want? He was in a cloud of his own.
I had him sitting down, crossed legged with a light all
around him, if you want.
#14:
I have no further questions at this time. I guess that
about covers everything we can drawn. End of session.
#46:
Okay .
4.
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TAB
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Parles
21one
yellow wall
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TAB
1
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TARGET CUING INFORMATION
REMOTE VIEWING (RV) SESSION CD-37
1. (S) The viewer has been exposed to open source news media information
as well as classified overhead imagery and numerous photographs of hostage
personnel. He knew he would be working against the hostage situation in
Iran.
2. (S) At the time of the session the remote viewer was shown the attached
photographs and was asked to find Ann Swift. He was asked to describe Swift's
location, describe any other U.S. hostage personnel, and security measures
at this location.
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SGFOIA3
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