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NOT RELEASABLE TO FOREIGN NATIONALS
ORCON
GRILL FLAME
PROGRAM
.
SESSION
REPORT
CLASSIFIED BY: MSG, DAMI-ISH
051630Z JUL 78
REVIEW ON:
May 2000
Capy 2 of 2
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SUMMARY ANALYSIS
REMOTE VIEWING (RV) SESSION CCC-90
1.
(S)
This report documents a Remote Viewing (RV) session conducted
in compliance with a request from SOD, J3, OJCS, Pentagon, Washington,
D.C. The purpose of the session was to provide information relevant to
the hostage situation in the U.S. Embassy compound in Teheran, Iran.
2. (S)
The remote viewer's impressions of the target are provided as
raw intelligence data and as such have not been subjected to any
intermediate analysis, evaluation or collation. Interpretation and use
of the information provided is the responsibility of the requestor.
3. (S)
The protocol used for this session is detialed in the document,
Grill Flame Protocol, AMSAA Applied Remote Viewing Protocol (S), undated.
4. (S) Following is a transcript of the viewer's impressions during
the remote viewing session. At TAB A are drawings made by the remote viewer
reference his impressions of the target site. At TAB B is target cuing
information provided the remote viewer.
5. (S)
The remote viewer was asked to locate an individual identified
as Mr. Daugherty who is being held hostage in Iran. The viewer described
a two-story "L" shaped building in what he felt was a rather exclusive
suburban area.
The viewer felt that there were other hostage personnel
kept at this site, but that at the time of the session they were temporarily
elsewhere, location unknown.
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TRANSCRIPT
REMOTE VIEWING (RV) SESSION CCC-90
TIME
#66:
This will be a remote viewing session for 0830 hours,
1 May 1980.
PAUSE
Relax and concentrate now.
Relax and concentrate.
Focus
your attention, and your observations solely on
Mr. Daugherty whose picture I have shown you. Focus your
attention; locate Mr. Daugherty and describe your per-
ceptions to me.
PAUSE
+02
#08:
He's in an "L" shaped building. It's a two-story building.
Right at the "L" is ... kind of a tree there.
There's
something circular in the corner. Like a ... like a statue.
The round (phonetic) ... looks like (not audible-mumbling)
Small courtyard ... in front of that is a wall. Wall is
capped (phonetic) like ... light tile ..... this is just something
that caps off the wall.
#66:
And, as you look at this building, indicate to me this
specific area in the building where Daugherty is located.
PAUSE
#08:
All right. I ain't done that yet.
#66:
Just look at the building from the outside and see if there's
a point in the building you could see where Daugherty is
located.
PAUSE
#08
My attention is brought upon ..... behind the tree at the
"L" shaped in that area.
#66:
And, which floor?
: #08:
Second.
PAUSE
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#08:
There are thin ... . again they ....
There are thin poles
at the bottom of the arch. .. boxes that ..... in the front
of the building there's sort of a balcony all the way
to the road ..... all the way 'cross the front.
....
#66:
Ok
#08:
There's another. ..... there's a wall on the right of the
building ... it looks brick ... say ,same continuation of that
same wall on the right side, and beyond that point there
are other similar structures.
The "L" shape seems to be
important, and on the other side there seems to be a
continuation of a wall, but ..... there's a street there.
It's not a four-way intersection.
It comes to. ......
a dead end so that you have to make a right or a left
+08
I got the impression of.
.. not a very big city at all.
..
a distinct impression of a suburbia somewhat, I guess ...
exclusive where you would have better than upper middle-
class people who are there ..... that's kind of an exclusive
suburb or something .. The street in front of it ... of that
building seems to round off and curve so that this entire
set-up ... uh ... very large curve ..... keep getting a need
to look for the ocean.
+09
Like somehow this entire area faces distant body of water.
Like this were on the outskirts, or something, and beyond
this area is very deserted land. Beyond that is a body of
water.
#66:
Ok. Focus now down, very narrow focusing your field right
down to Daugherty. Focus down.
#08:
Can I go up for a second?
#66:
Certainly!
PAUSE
+11
#08:
This place ... this area. .. this is as a central building ....
there's something about columns and a tower that predominates
the entire building. That entire area ..... there's ... uh ...
like an exterior boulevard that goes all the way around
this thing. That center ... building ... main attraction ....
it's a predominant feature ..... and south of what I see is
where he is. .... on the outskirts ........... and beyond, to
the north are mountains or hills. Beyond where he is, I
just got an impression of a vast expanse.
PAUSE
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#08:
Ok. I'm waiting.
#66:
Focus now, narrowly down on this building closer and closer
..
and closer. Move inside the building, and as you approach
the area where he's located describe as you go.
PAUSE
+14
#08:
The first impression is of a very quiet, wide room for
such a small building.
PAUSE
Extremely weird, but on one wall seems to be a place for
a fireplace to ..... I don't know ..... a very .... in proportion
to the size of the room is alot of light in the back of
the room with a main window.
PAUSE
+15
I don't see any indication of physical abuse.
#66:
Tell me what makes you say that.
#08:
I just ..... got him in open white shirt and jeans
.
....
PAUSE
+16
I keep ...
.. this is like a conference room.
There's no
table there, but there should be one.
PAUSE
+17
There's a cot in the right corner of the room. He reads
alot. Then there's a feeling of relief.
#66:
Explain this to me.
+18
#08:
It's just a raw impression of relief .... contentment. He
reads alot and, I guess, he's made up his mind, and ... uh//.
no apprehension ...... there's no sense of apprehension.
#66:
All right. Turn your attention now to determining whether
or not there is anybody with him.
#08:
Nobody in that room, except him.
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#66:
Ok. Look around the area for other personnel, and
identify them for me.
PAUSE
#08:
Got a hard time moving (mumbling).
PAUSE
+20
#08:
There's one more guy in the left part of the wing, and
next to that guy there should be somebody there. But,
he's not physically present.
Then, there's the guy ...
just described, I guess.
PAUSE
And, to the right of that or the other "L" there seems
to be two more places where people should be. .... they are,
but, they're not physically present .... just a white
accent (phonetic) .....
PAUSE
+22
Our guy.
the weird thing about this thing is that
the second floor is that I seem to have to go through
the room to get to the other, I think. Can't find any
dumb corridors. I get the impression downstairs is all
for ........ around here. I'm under the impression of
5 people responsible to oversee this thing. I'm having
a hard time with the inside of this building.
#66:
Ok. I have no further questions about the target area.
Now, if there is anything that you think you would like to
add, do so now.
#08:
No, no. That's it.
#66:
Ok. Fine. Let's draw the impressions that you had.
PAUSE
#08:
Ok. I'm going to indicate in sketch 1 where I picked
this up here, at the very beginning. And, I'll try and
give you a view of what I saw from the front. In fact,
that's where I was when you said you wanted a view.
#66:
Ok.
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#08:
And, what I got the impression was ..
.I'm going to
make this small because there's alot of garbage to put
in here ..... of an "L" shaped type building ... came like
this ..... this is not quite right but, what the hell.
Predominant features .... there was a huge tree here.
something here, ok ..... and there was like there were
arches .... huge arches which looked like poles because
they seemed to meet, and this went all the way around(
It continued .... what I thought were poles turned out to be
arches.
And, here there seemed to be a balcony .... it was like there
were two floors ... and this was all ... uh ... white, yellowish
cement sort of .
.In the front of the yard, or in the
center of this courtyard there is something circular ......
like this was a ..... a fountain or a statue of something.
It was dry. Had like a white cement or something. Like
a sculpture. I don't know what to. .. call it. And, then
beyond here was the wall. I got the impression it was
somewhat circular here, and there was a .... what I thought
was a red brick wall ... and the weird thing about this is
that it was capped. As if ... you know ... the old European
roof tiles where it's kind of circle like.
Got the
impression these were more or less at 90 degrees. The
wall was capped off with something.
This wall extended
here, and extended here, but somewhere around here it
stopped, or it continued this way ...... and this way here.
And there was foliage here, and beyond the wall was street.
And, the weird thing about this was street that goes to
the right and to the left, but it was definitely a dead end
here.
Oh yes. There was a gate, but it had an arch on the gate.
But, that looked like cement of some kind ..... and this was
a grated gate. That's about the perspective. Over here
were other buildings along the street, and down here too.
And, this entire ...... I should draw my street ..... parti-
cularly here where this curved ..... which is little unlike
what I saw in the overview shot ..... that was separate.
But, here, I got the impression the street was curving
away from the house. Particularly on this right side.
#66:
Ok. And, you say further down the street there were
also buildings .... there were also buildings further down
the street.
#08:
Yeah.
It's like there were series of building along this
boulevard type road ............ and it just continued as
if it were on, on a beach or something. ... that was weird too.
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#66:
Ok.
Now, can you tell me something about the styling
of these continuing buildings?
#08:
No .... they seemed .... well, they seemed in a style, but
they weren't as elaborate as this one. They were more
rectangular ..... more simpler.
#66:
No. Let me see if I can rephrase my question.
#08:
Go ahead.
#66:
Are they residential buildings; are they business
buildings; offices.
#08:
Yeah .... no, no, residential with small shops.
most of the small shops were to the right.
I think
#66:
Ok. As opposed to office buildings.
#08:
Yeah.
No. They were nothing beyond two stories, it
seemed. That's why I said it looked like suburbia or
suburban setting ... not a very busy setting .... or not a
metropolis.
#66:
More residential than ....
...
#08:
Very residential. Uh ... maybe I should jump to the overview.
#66:
Ok.
#08:
I don't want to lose that.
#66:
Ok.
Why don't you go ahead and do that now.
#08:
I felt ..... what I was trying to figure out is give you
some type of geographical feature that would help to maybe
pinpoint where this thing was. I just felt before going
inside since I was ... wherever I was ... I thought it was
time to go for the overview shot. And, what I got .... the
impression was .... almost a square like ..... busy area ...
was alot of houses and streets. They weren't completely
square.
They all kind of spoked into the middle, ok.
In here was the distinctive feature where everything seemed
to lead ... like the Champs d'e Lesai (phonetic) or something.
There was, what I think, was a building. Some kind of
official or religious building, and on top of this building
was a huge spire and It predominated the entire view of the
city .. And then I got the distinct impression ..... no, this
is much, much smaller ..... that this entire thing was
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surrounded by .. . like you would in the European cities .....
by an exterior boulevard that gave access to the interior
of the city. Where he was in relation to this feature,
as I understood it, was around here someplace. I'll call
it Daugherty building, ok. That's the overall impression
that I got.
Then I got lost in directions here.
I wanted to
say there's a vast expanse here ...... that it was sort of
desert like ..... going towards the ocean ...... and one side.
#66:
Ok. Towards the bottom of the page ... then you feel that :
it's a.
#08:
Yeah. ... this would be south ....... to me it was south.
....
#66:
Ok.
Towards the bottom of the page you seemed to thing
there was a vastness and maybe some water beyond the vastness.
#08:
Yes.
In here
.......
#66:
Which would be to the right of your page.
#08:
Yes ..... would be a mountaineous or hilly area. This thing
about the ocean kept coming back, but I had a hard time
pinpointing it in terms of distance, but there was a
nearness of it. But, not in terms of 10 miles, 6 miles; but
'in terms of maybe ..... I don't know ..... 300, 500 miles, or
something like that. Somewhere in here .... or someplace.
the ocean was there someplace.
#66:
I can understand from your altitude how simply changing
your focus would bring many things ....
#08:
Yeah .... it .just .... was there ... and it came back three times.
But, it was there, and it was from the overview, view of
the damn thing. some place in there was the ocean in some
proximity. I'm going to draw that spire on 2 here.
It
was just so, so blatently high and huge. .. and had ... I think,
some religious or official significance.It just powered over
the entire area.
And underneath ... this is the building
huge .... huge building. Maybe I'd better redraw this to
try and give you some ....... no, I'll just draw the overview.
of the L shaped building.
#66:
Ok. So we're moving to page 3 then.
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#08:
Ok. This will be a third attempt at a sketch.
I saw him .... and this was the tree ..... in here someplace.
It doesn't make sense, but this room was much more spacious
than anything in there. I had a hard time inside.
I.
couldn't, I couldn't ... seemed when I changed rooms I was
going from one wall to the next, to the next, to the next
and there was no corridor.
..
#66:
You didn't go in and out of doors and down hallways, but
you .....
#08:
There were no hallways. I couldn't see any hallways.
I
just went through the doors ..... through the doors. I got
the impression there's a bearded man here.
#66:
Not Daugherty, but another.
#08:
Not Daugherty. But, somebody else, smaller. And, these
other two impressions of whiteness which gave the impression
that these other guys should have been there, but they
weren't. And, yet they physically should be there, wherein,
around here .... I'll just put that whiteness ..... people
should have been ..... I don't know how to describe that.
#66:
Do you get a feeling for.
...
#08:
I don't know who they were.
#66:
Oh. How about ... I realize you have told me now you don't
know where they were. Do have any kind of feeling about
why they weren't there?
Had they been gone a long time?
#08:
It was just a feeling that ... something that they were doing
in connection with being held, but it wasn't a .. . you know ...
not a bad feeling that they were being used or abused Of .....
#66:
Ok. Is it a temporary absence or a permanent absence.
#08:
Yes.
N was a temporary. Very temporary absence.
#66:
The impression is that of a temporary absence rather.
than a permanent absence.
...
#08:
And, I had two more of those which I'll label with a circle
and an X. And, I think there's somebody else here, but I'm
not sure. That was very dim and very dark. I had these
3 white spaces which would indicate temporary ........
Th
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#66:
Am I correct in assuming this is all on the upper
floors?
#08:
All the upper floor. The bootom floor was all devoted to
.. uh .. caretaking andliving quarters for the four or five
people that were responsible for that entire area.
#66:
Did you see any of the four or five ...
#08:
Just an impression of 4 or 5 bodies.
#66:
Responsible people.
#08:
Yes. Uh ..... dressed in revolutionary type gear.
Khaki or .... what do you call those ............ not utility
jackets, but .....
#66:
Fatigues!
#08:
Fatigue jacket type thing. But, I didn't dwell on those
guys .... found them where they were ..... and kind of left
'em alone.
#66:
Ok. To go back to the bearded man down there, did you have
a chance to look at him?
#08:
I didn't dwell on him. I thought he might be one that
I worked on before ... the 5 foot 7, 5 foot 8 that I described
before with the beard and the glasses. But, I didn't dwell
too much on him. Uh .... the inside of the room ... I described
..... do you want a sketch of that.
#66:
I don't think the inside of the room is necessary.
It's
kind of a bare room with fireplace.
#08:
Yeah. But, the weird thing about this was that he was in
a bigger room than any of these other guys, And, there
was .... I don't know if it was because of the location .....
and there was a huge window to the rear which doesn't make
sense either because it's a corner. But, there was alot
of light coming over there ... and that thing about the
fireplace and stuff .... I, I got the impression there should
have been a long table .... conference type table or huge
dining room type thing ..... and his cot was on to the right
of the window. And that's about it.
#66:
Anything else you want to add?
#08:
No.
#66:
How do you feel about the session?
#08:
Uh ... good, very good.
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delle
white
coment
factura
Lontani
Osculplan
wall
->
-direct
Von
Boulevard type Road.
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1
17
bouldery
domination
1
L
1
1
-Mire
Sweet
L
vastuppene
Daugherty
building
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Dangling
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00
funded
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TARGET CUING INFORMATION
REMOTE VIEWING (RV) SESSION CCC-90
1. (S) The remote viewer has been exposed to open source news media
information as well as classified overhead imagery and photographs of
many of the hostages. He was briefed on the current status of the
hostage situation and told that the whereabouts of the hostages was
not known.
2. (S) At the time of the session the viewer was asked to locate
Mr. Daugherty. The viewer was asked to describe Daugherty's location, and
determine if there were other hostage personnel in the area. The viewer
was shown the attached photo so that he might be able to "beacon" on
Mr. Daugherty.
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SG1A
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