CIA-RDP96-00788R001400190001-7

Approved For Release 2001/03/07 : CIA-RDP96-00788R001400190001-7
SECRET
INSCOM
GRILL FLAME
PROGRAM
SESSION REPORT
CLASSIFIED BY: MSG, DAMI-ISH
051630Z JUL78
REVIEW ON:
mar 2002
NOT RELEASABLE TO FOREIGN NATIONALS
GRILL FLAME
ORCON
SECRET
Approved For Release 2001/03/07 : CIA-RDP96-00788R001400190001-7

Approved For Release 2001/03/07 CIA-RDP96-00788R001400190001-7
SUMMARY
ANALYSIS
REMOTE VIEWING SESSION 867
1.
( S/NOFORN )
This report provides documentation of a remote
viewing session conducted for training purposes only.
2. (S/NOFORN )
The protocol used for this session is detailed
in document GRILL FLAME Protocol, AMSAA Applied Remote Viewing
Protocol (S), undated.
3.
(S/NOFORN) Post session analysis on target viewing indicates
the viewer had a considerable amount of correlation. Attention
is invited to Report #868 on the same target.
The viewer's
attitude was positive.
4. (S/NOFORN) Following is a transcript of the viewer's
impressions during the remote viewing session. At TAB A are
drawings and narrative made by the viewer. At TAB B is target
cuing information. Also included is available target data.
SFODET
NOT RELEASABLE TO FOREIGN NATIONALS
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ORCON

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TRANSCRIPT
REMOTE VIEWING SESSION 867
#66:
This will be a remote viewing session for
0900 hours, 25 February 1982.
PAUSE
Relax now, relax, relax relax, relax and focus
your attention on today's target. Focus on today's
target :
62 degrees, 00 seconds, 00 minutes North
127 degrees, 15 minutes, 30 seconds West
Focus solely and completely on the target area.
62 degrees, 00 minutes, 00 seconds North
127 degrees, 15 minutes, 30 seconds West
Perceive the target now and describe the target
to me.
PAUSE
I got an aerial view of
#25:
#66:
You don't have to tell me what it is. Just describe
in the one, two or three.
#25:
Giant island, continent, five .... like an island but
it's not an island .... snow, cold, shack.
Shack is
like a border checkpoint.
#66:
Describe the raw perceptions that you had that lead
you to this conclusion. Don't tell me your conclusions.
Just tell me the raw perceptions.
#25:
White, impression of a road in the snow, snow covered,
tons of snow on the side ... impression of the shack ..
impression of a rod coming up from the shack across
the road. Small shack with an overhang
#66 :
Describe the terrain to me.
#25:
Flat, snow ... never saw
brilliant white, one aerial brilliant white
#66 :
Describe the principal terrain feature in the target
area.
PAUSE
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ULUM+
#25:
I just get a road.
#66:
Describe the road to me.
#25:
Snow packed ... like ice ....
#66 :
Describe the activity.
#25:
Small .building. Keep wanting to put mountains
in that place, but ... snow on the mountains
with
Spruce like trees, Pine trees.
#66:
All right. Let's change your perspective.
Position yourself so that you can observe
the
target, and tell me when you've done so.
PAUSE
#25:
I got a small lake, log cabin, not at this shack ....
#66:
Okay .. Position yourself 100 feet above the target
..... looking down at the target. I want you to
fix yourself in a point of observation and tell me
when you've done so.
PAUSE
# 25 :
Roof tops, snow, heap snow
#66:
Are you positioned?
#25:
Yeah.
#66 :
All right.
Now, maintain a fixed position, maintain
that position. Orient yourself to the target, see
where you are, and maintain that position. Now,
close your eyes, close your eyes now and think for
a moment. You know you are at the target. You
know where your perspective is. If you were to open
your eyes you know what you would see.
Keep your
eyes closed and listen to the sound of my voice.
We're going to move now through time so that we
might better perceive this target. Keeping your
eyes closed you know you are at the target. You're
holding fast to the target, but you can't see anything
right now. Now, when I count to three you are going
to open your eyes. I will count from one to three
and you will open your eyes. But, this time when
you open your eyes it will be the summer of 1982.
It will be the summer of 1982, and you will describe
the target to me. Keep your eyes closed now and listen.
One, two, three. Open your eyes and describe the
target to me.
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#25 :
Wooden buildings, tin. roofs, boats on the water,
fishing, small boat ... packed with people ...
#66:
Describe the surrounding to me.
#25:
I get lots of. tall trees ... green, Pine trees.
lots of Pine ... mostly Pine ..
...
high up ... above
sea level.
#66 :
Tell me the raw perception that gives you this
conclusion.
I want only the raw perception.
#25:
Air is thinner.
#66:
Tell me about your road now.
#25:
Dirt ... cut out of ... dirt ... sides are a little higher
than the road in places.
#66:
Follow the road to the target, and tell me what it
looks like as you approach. . Describe the target as
you approach it from the road.
#25:
There's a lake, small Take .... areas are flat ....
part of them mountains ... see a peak behind it ...
no snow ... tons of people on the water with boats,
fisherman and stuff.
#66:
Position yourself above the target now.
Just tell
me when you're ready.
#25:
Okay.
#66:
All right. The summer of '82 move up now, up, up,
higher, even. higher, and higher, 50 thousand,
100 thousand.
#25:
Stop.
#66:
Describe
#25:
I
get
a coast and a.
..... coastline to the right.
I
get
Canada impression of Canada North America
. .
East ..
Atlantic Ocean ... State of Main keeps coming
up.
#66:
Okay.
Now go ..... wait just a minute. Those are
conclusions. Tell me about the raw description.
The raw description.
Not the conclusion ... the raw
data.
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#25:
I'm going to have to draw that.
#66:
All right. Fine. Continue.
#25:
Coastline in the right side.
#66:
Where's the sun?
#25:
It's in front of me.
#66:
All right. If the sun is in front of you, and
the coastline is on your then you are facing
south.
Put your back to the sun.
#25:
Screwed up. Okay.
#66 :
All right.
Now, you have a little chance to
reorient.
Now, look down and describe.
#25:
Coastline is still on the right.
#66:
Where is the sun?
#25:
In front.
#66:
All right. That's fine. Now, down, look down.
Describe your altitude to me as you look down,
and then proceed with the area description.
#25:
A 100, 100 miles. I don't know.
I have no
idea ....
#66:
Fine.
Go on.
#25:
I see a coastline that goes for miles, thousands
of miles.
#66 :
Point to the target.
Tell me where the target is
in relation to other things.
#25:
Uh .. I'm upside down .. screwed up.
The target's
just below me. The target's in the north end of
the hemisphere which is behind me.
#66:
All right. I think I understand the descriptive
problem here. Move down. Knowing with your
perspective now move down, further, further, further,
down, down, down, 10,000 feet.
#25:
Okay.
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#66:
Now.
#25:
I get a lake with mountains .around it .. I.can't
see much close to
.. I can't tell
.... near
the ocean.
#66:
Describe the word near to me.
#25:
Two to five hundred miles.
#66:
Now, I would like to ask some other questions
about this target. Is this a place you would like
to visit?
#25:
Too many people.
Crowded, and I don't want to go
there.
#66:
Good, good. Very good descriptives .. That's the
kind of thing I wanted you to answer. That's good.
You didn't give me a yes or no. You gave me all
your impressions about that. That's very good.
All right.
Now, I have no further questions about
the target, but before we prepare to draw it's
necessary to come back to present time. So, close
your eyes at the target now, close your eyes at
the target, and when I count to three it will be
February again, February 1982. One, two, three.
Open your eyes and now it's February.
#25:
Okay.
#66 :
Now, I have no further questions about the target,
but I would like to allow you the opportunity to
comment as you see fit.
#25:
I get an impression of recreation and research
#66 :
Describe the raw impressions that lead you to that
conclusion.
#25:
I can't describe that.
I don't know I can't describe
that .: Recreation may be analysis.
Research is.
no.
..
#66:
Okay.
I can tell from the inflection in your voice
and your means of communication that you are no longer
on the target. But, before we get up to draw go ahead
and continue your statement.
5
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#25:
All the buildings had something to do with research.
I don't know what it was.
#66 :
All right.
Fine.
Very good.
#25:
That's it.
#66:
Let's prepare to draw now, the perceptions that you
have had.
Da lab A for drawing narrations)
6
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TAB
-
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REMOTE VIEWING SESSION 867
(DRAWING NARRATIVE)
#25:
Okay. We're going to describe the drawings now.
Drawing 1 is an aerial view with a coastline
with the direction of the sun ... part of the coast
that I thought was like Greenland, and ocean and in-
land which is a big mass ....
This is what I
first thought was an island ... a huge island. Like
a continent.
#66:
You're pointing to the upper right of drawing
number 1?
#25:
Yeah.
This Greenland area up here became more
towards on the land ...... ah ...... part of the continent,
rather than an island ... a continent by itself.
#25:
Drawing 2 is the drawing of a lake that I thought I
saw.
I'm not sure this is the shape of the lake,
but I know it was long and skinny. There is a
building up here above the lake that sits on higher
elevation, and these dark lines that are drawn in
here are elevation lines.
#66
#25:
Contour
Contour lines, yeah ..
It has something to do with
the lake and recreation, I believe. The Pinetrees
I tried to just give you an idea of where they were
in relation to the lake. And, the small buildings
over here to the left of the page, labeled small
buildings, had something to do with research. But,
I-could not find out why I believe that.
#66:
So, to reiterate, in asking for the raw impression
that says research to you, you simply cannot answer
that question.
# 25 :
Right. I do not know. There was nothing that I.
I didn't even get a good, as you will see. later, a
good idea of what the buildings look like .. Except
that they were small and had grooves on them and
they were made out of wood. But, I did know that they
were involved somehow with research.
#66:
And that was where you said recreation and research
or something.
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#25:
Yeah.
It was kind of like I was in this, this
area between the small buildings of the lake
and I'm looking to my right and this recreation,
and looking to my left to see what's over there
and I was thinking it's research. But, I don't
know.
Drawing 3 is the shack, a poor attempt with the
shack with the snow on the roof and the log design.
I've drawn this like a log cabin, but, it was more
like a log shack. It was much smaller than it
appears in my drawing, I think. And, it had an
overhang in front of it that I can't draw in because
I'm just not that, not an artist.
#66:
At one time you said this was a guard shack, and
I was concerned that that was a conclusion on your
part.
-
#25:
Yeah. Well, it had this long, that I've labeled
now pole in pencil, sticking out from it. Like
that across a road which gave me the impression that
it was a guard shack, a check point like.
#66:
So, it could be for a toll road or what else.
#25:
Yeah.
If it's to a park or something like that
anything that will cause you to stop and be
controlled. I guess I did ..... description.
that would be some sort of control point, I think.
Drawing 4 is a drawing of the small buildings and
it's very vague but it's just the impression that
I had of the small building.
The wood sides, and
the wood going long ways instead of flat ... ah ..
horizontal, vertically instead of horizontally ...
You can see there is no detail in this, and these
buildings had something to do with research.
I
don't know.
Drawing 5 is the road just beyond the guard shack
and I've drawn it from a different perspective
across the street
#66:
Is this summer time or winter time?
#25:
Well, I don't know.
#66 :
As I look at your drawing, suddenly it looks like
snow on the side of the road, but you said it was
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#25:
It's dirt and snow.
What I thought was piles
of snow from the winter time, I think, was actually
a dirt.
#66:
Embankment or something?
#25:
Yeah, yeah. And, it was just covered with snow.
So, there may not be that much snow. But, this
drawing is of the same perspective that I saw the
guard shack. So, that if you laid this out something
like this.
#66 :
Okay. You could put drawing three and drawing five
together and the road that you mentioned in drawing
three is the road you've done in five.
#25:
Yeah, yeah. That's how it works. Something like
that. That's all I have.
# 66 :
Okay.
Now, give me those four or five broad
descriptor things of what you've got here.
# 25:
I have a lake on a continent.
Surrounding terrain
is mountainous, I'm going to say, but that they're
not really high mountains
#66 :
Okay ..
One time you thought you were above sea
level
#25:
Yeah.
I know that I was above sea level. That's
why ..... I was trying to get that impression of
not being ...... of being in the mountains, but not
being super high .... like the mountains.
in the north, here in Pennsylvania ..... they're not
that high. Maybe two, two, three thousand feet
above sea level, but. still mountains.
.... are
considered mountains.
#66:
You didn't feel you were on a Mt Everest type
situation. Extremely high peaks or Afghanistan
passes ..... that are, you know, really high passes.
#25:
No.
I didn't have any feel for that at all. I was
not connected ... I'm not even sure I ever connected
with the ground. I thought I tried to to get that
impression. But, I'm not sure now that I did since
I did so much zipping around in the aerial shots
and stuff that I don't know
You know it could
be, but I don't know that.
#66:
You were high anyways.
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#25:
Yeah.
(Laugh ) In altitude.
#66:
Okay.
What kind of confidence level do you have
in the session?
#25:
I don't know.
It feels good today. I don't
... you know, I tried to draw as much as I could
.. I don't know why, maybe to get more
correlation for myself. Because, I really needed
it after the last couple of sessions. But, I have
a good feeling about this one as before I hadn't
had ... the last two I hadn't had.
#66:
#25:
Okay.
Anything else you would like to add?
Nope.
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SUN
GREENLANDO
OCEAN
INLAND
TEST
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1

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PINE TREES
Building
LAKE
2
Tall Buildings
is
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SNOW
< Shack
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F POLE
ROAD
3

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4
SMALL Buildings
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DIRT / SNOW :
SIDES
ROAD
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S

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TAB
1
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CPYRGHT
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Nahanni
CANADA'S
WILDERNESS
PARK
Forces of nature consort
to create masterworks
along the gallery of
the South Nahanni,
the Nahadeh or Powerful
River of Indian lore,
now lifeline of a
national park in the
Northwest Territories.
Roaring cataract at the heart of the
park, 294-foot Virginia Falls splits
against a limestone steeple. Once
considered for hydroelectric development,
the falls remains the only unharnessed
Canadian chute of its height-more
than one and a half times Niagara's.
1
...
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CPYRGHT
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Flood Cr.
Nahannis
Rat
kettle
Cathedral Cr.
9
sunblood"
Mountain
₹ Hole-in-the-
La
ne Creek
Nahanni
treated Cuiyan)
Flat
National
Flat
Wildmite
Hotsprings
Park
PORTAGE Seaplane
La
Hoodoos, limestone-
pillars ton to fitty feet high,
cover the metintainside (3
Cone pile.
Gariboì
KILOMETERS
15
STATUTE MILES
15
ŁALASKA
UNITED STATES
Mackenzie R.
Nahanni
CANADA
National
.Yellowknife
YUKON
TERRITORY
-
Park
Fort
Simpson
Lake
· , Watson Lake
Peace
HWY ...
..
ALBERTA
-------
.. .
Pacific
BRITISH
COLUMBIA.
TRANS-CANADA HWY.
-
CANADA
0 KM
300
Vancouver
UNITED STATES
O MILES
300
Seattle
1400
Only river highways cross Nahannt
National Park, 1,840 square miles set
aside in 1972 to mark varied chapters in
Canada's geologic history. The park
harbors 240 miles of the southeast-
`flowing South Nahanni and much of its
major tributary, the Flat River.
Few but Indian hunters knew the area
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adventurers described a land where
"rivers all min God knows where"
VIRGINIA
FALLS
F
Roarin!
Clearwater.C
NORTHWEST
TERRITORIES
Great Slave
Anchorage
Fort Liard
ALASKA -
Juneau.
CONTINENTAL
DIVIDE
Edmontone
Ocean
Taile Canyon

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TARGET ALO
..
.-
62° 00'00 NORTH .
127º 15'30" WEST
-
...
----
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