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GRILL FLAME
PROGRAM
SESSION REPORT
Copy 2 62
CLASSIFIED BY: MSG, DAMI-ISH
051630Z JUL 78
REVIEW ON:
april 2000
GRILL FLAME
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OLUNL
SUMMARY ANALYSIS
REMOTE VIEWING (RV) SESSION CCC54
16 Apr 1980
1. (S) This report documents a Remote Viewing (RV) session conducted
in compliance with a request from SOD, J3, OJCS, Pentagon, Washington,
DC. The purpose of the session was to provide information relevant to
the hostage situation in the US Embassy compound in Teheran, Iran.
2. (S) The remote viewer's impressions of the target are provided as
raw intelligence data and as such have not been subjected to any
intermediate analysis, evaluation or collation. Interpretation and
use of the information provided is the responsibility of the requestor.
3. (S) The protocol used for this session is detailed in the document,
Grill Flame Protocol, AMSAA Applied Remote Viewing Protocol (S), undated.
4. (S) Following is a transcript of the viewer's impressions during the
remote viewing session. At TAB A are drawings made by the remote viewer
reference his impressions of the target site. At TAB B is target cuing
information provided the remote viewer.
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5. (S) The remote viewer was asked to locate Malcolm K. Kalp and describe
his surroundings. The viewer described an official type building with a
French atmosphere. He did not feel that he was on the US Embassy compound
during this session.
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TRANSCRIPT
REMOTE VIEWING (RV) SESSION CCC-54
TIME
#14:
This will be a remote viewing session for 10 April 1980.
Mission time is 1030 hours.
PAUSE
All right #32 the time is now 1030. Your mission for today
is to locate Malcolm Kalp. I want you now to relax, focus
your attention. I want you to project to Kalp's location,
and describe your surroundings.
PAUSE
+01
#32:
There are two very wide flights of cement steps that lead
to a spacious landing. There's a ... a building with several
columns that hold a sort of a overhang. It reminds me of
a, of a, of a French official building. In fact, I, I keep
getting the impression of a, the long driveway, asphalt
driveway with French DS cars, leaving off visitors and
taking off.
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+05
+07
+10
I saw him with a brown briefcase talking to a very tall
bald headed man sitting at a desk. Had a very official,
almost palatial room. Whole atmosphere is French. I get
the impression there are some type of negotiation going
on. I also get the impression they're both intermediaries.
There's a huge picture or mirror that's reflecting dark
colors ...... behind the bald headed man. There's a chandelier
type fixtures on the ceiling. Very, very tall like golden
drapes ... I can't think of the word ... like curtains hanging
from very swanky, very, very plush.
The predominant
..... the predominant impression is a theme of the negotiations,
and .. ah ... this guy acting as intermediary and the bald
headed man acting as intermediary. It's got a whole theme.
Very, very French in flavor ... like that they were in Paris.
I'm not sure. This building is part of a big city. Would
be in the right-handed corner, right where they grid off
the city ... be in the right somewhat lower corner.
#14:
I want you now to look at the outside of this building and
the surrounding area, and describe that to me.
#32:
Streets with trees, like the Champs Elysee ... uh ... bustling
city .. ah .. a wide boulevard with ... the significant thing
there, is that there are ... there are trees along these wide
boulevards, not quite common to all cities. I want to say
Paris, but I may be misinterpreting, but, it's definitely
got a French flavor or influence or something.
+13
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#32:
There are .. ah .. dark blackish/greenish ... green with a
blackish ... with a, like green mold on, on the street post.
It's just not ordinary street posts there. Like metal.
Reason I say that is because it looks more sophisticated c
than the normal street post. There are benches, wooden
green benches along the streets. Reminds me very much of
Paris.
PAUSE
+15
I want to say that ... I think there's a river to the left.
I'm not sure. There's water to the left. Frome there ...
It's from an overview. One little item. It's very cloudy
and sunny at the same time. Like you have patches of sun-
light, and then you got. . ah. . clouds that hide the sun and
patches of sunlight.
PAUSE
#14:
Focus on the building that Malcolm is located in and
describe the building from the outside.
PAUSE
#32:
Ok, ok. Let me get him. All right. Well, you know what
the front looks like. This looks like a big, like a big
"I" with the top and the bottom portion of the "I" ....
the forward section being shorter than it is in the other
section going beyond, which is longer, and it's not ...
..
ahm .... it has gardens in the back; and has trees and flowers
and, and gravel, gravel walkways. Yeah. I get.
.
a picture of a dome ... ah ... has been bugging me.
#14:
Tell me about it.
#32:
Initially, the ... the very first impression at the very
beginning was of a dome shape, like an hour glass on top of
the whole dumb thing. Then, the last impression is of a
.... kind of a fat dome like we have on ... in DC. The first
looked eastern, Arabic or something, while the second one
was .... just had a big dome ... all white dome ..... got that
impression of the dome.
It come back twice.
PAUSE
I ... the overall impression is the strong mixture of Arabic
and French.
I can't describe it any clearer. Anything else?
#14:
I have no further questions. Is there anything else you can
add that you feel is important?
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#32:
Yeah. The .. ah .. the Arabic and French mixture are
confusing, but it's definitely there. I don't have anything
else.
#14:
ok. We're now ready for debrief.
#32:
Ok. I'll address to you the dome later, but.
#14:
Ok.
#32:
I didn't mention it at the beginning of the session, but I
had it and it didn't ... it just stood there like a ... just
like that. Just like a dome, but it was like an inverted
hour glass. I'll draw it later because it changed on me
later on, but it's as if because I hadn't mentioned it, it
came back again at the end of the session and.
#14:
It slapped you up side the head like.
#32:
Yeah. Like, you know, like I gave it to you, and you never
said anything. Now say it. So .. ah .. I'll bring it up later
on, but right after the dome impression though .... I'll mark
this number 1.
#14:
Let's see. That pencil looks kind of dry. Try another one.
#32:
Yeah. I'll give you my, my first impressions that lead to
the building that I spotted, ok. There were two flight,
two flights rather that were quite ... I guess it went some-
thing like this ... very wide cement stairs, and there was a
landing here, and then there was another flight of cement
stairs going here. There were more than this, but I'm gonna
run out of room, if I don't do .... which lead to a space which
..... patio type space into the front of the building, and
was .. ah .. kind of a predominance of columns. There were many
of them, but they were far.
there was plenty of space
in between, ok, so we're talking about a very broad, wide area,
ok. And, in here, this served as an overhang. There was a
space here. The walls of the building started here ... say
on plain ... and, there were very, very tall windows, which I
later described from the inside of the room. There were
several of those. They went something like this, With a
curve at the end, kind of cementy looking things. Very tall.
And, they were flush with the ..... I don't have room. So,
I'll just fake it here ... this ... let's say that this is the
building which was kind of whitish, not completely white.
Maybe brownish white, yellowish white. Ok. In front here,
was ... ah .. this, this driveway and cars would come up here,
and deposit the visitor who would walk up these flights of
stairs to the ... to this building. This is how I picked
it up. Ok.
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#14:
Ah ... ahaa
#32:
Then I ... you had to point me, I think I was inside the
room after that.
#14:
Ahh ... you ... well from ... you described ... ah ... an official
building, French atmosphere, long asphalt driveway with
French
#32:
DS is a type of a.
...
#14:
Diplomatic service.
#32:
Yeah. It's the plush, plush car that diplomats use in,
in France.
#14:
Ahhaaa.
#32:
Front wheel drive and sort of a, anybody's been in France
#14:
Ok.
You described the cars, and then you evidently went
inside and described Kapl ... ah ... with briefcase talking to
a tall
#32:
Yeah.
Who was sitting down by the way ...... a bald headed
man behind a chair behind a desk ... in a very, very plush
room with the same type of very tall windows with the
golden ... I'll call them curtains, but they were drapes.
I
couldn't think of the word ... golden and yellow drapes,
velvety. Like they had a little tassel fringe all around it.
Very, very plush, and I was trying to identify some
recognizable ... something in the room that someone might
recognize, and these ... the thing that came to mind was a very
huge rectangular picture or mirror that reflected ... ah ...
not darkness, but something .. ah .. ah .. very .. something dark.
Either the reflection of the room or a portrait, and it was
very, very tall, and it was a very spacious, palatial room.
Ah .. Do you want me to draw anything like that?
#14:
No. I don't think that's necessary. Ahh. Then, you went
outside to describe the surrounding area, and you. . ah ..
started your description with streets with trees, bustling
city, wide boulevard.
#32:
Yes, yes. Perhaps, the ... ah ... I should jump into this now,
that when you wanted me to try to get an idea of what the
building looked like. Ok. I can draw that.
#14:
Ok.
#32:
It was like a big "I", and ... ah ...
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#14:
Is this from an overhead?
#32:
Yeah. This is definitely overhead, overhead view, an
overhead. Ok. Got to be careful here because it extended
ok, like this, like this, like this, this, this. I'm
drawing a little bit more, but it extended ... the back side
of the building was more extensive than the front side.
Ok. It was ... this is not quite accurate. It was wider than
this. Then, your columns would've been here, ok, and here
were .. ah .. very plush beautiful gardens with fountains, and
flowers, beautiful flower beds and assorted paths with a rock
base. A gravel base. I'm gonna label this garden; this
gravel paths; a couple of fountains and flower beds.
#14:
Is there anything identifiable or unusual about these
fountains, or.
....?
#32:
No. They were just, you know
...
#14:
What shape?
#32:
Ahhh ... circular with a bronze black, now that you mention it,
bronze, black tinged with green, like the, the lamp post
that I was describing to you. Only, because they weren't
ordinary lamp posts. They were ... you could tell they were of
some metal that had been tinged green through the years of
erosion or corrosion, but they weren't your regular posts
and, yeah, they had some of these ... ah ... mounted, and this
was very plush scene. In fact, from where you, from where
he was, you could see this stuff. Think he was around here
someplace.
#14:
Ok. You put an "X" where you thought Kalp's location was in
this building?
#32:
What's his name. .. Kalps or whatever. So, we had, he had a,
he had a view of the dumb garden, I think, ok. And this ...
I've already described the front.
#14:
Right.
#32:
Ahhh ... Now, when I tried very hard to get to the top of the
building to give you an impression from a side view, to get
a distinctive shape ... right on top of the "I" and, I'll label
this 3. This is when this.
..
So this, this first dome
came back to haunt me. So to speak. Ok. And, I saw two
domes, and I'll put 'em 1 and 2 or Roman numeral I and II.
#32:
Enough of that?
#14:
I've got time.
5
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#32:
Ok. The first one went something like this. It was, it wasn't
a complete ... that's not true either ... it was just whirly,
more squirrelly than whirly ... ah ... something like that. That's
a very poor representation, but it wasn't an oval dome. It
was ... it came down and sort of came in and then went out
again, and I'm not sure .... like something you'd see there in
an Arab country. I guess we will have to change that there.
Ok. In the ... the number 2 dome ... maybe I should show you a
side view ... say that this is the side of the building, this
had a huge dome, something like this. But, that was definitely
a dome on that building. So, this was, in the sketch 3 and 4,
was the very first dome that I saw at the very beginning.
It's poorly sketched. But, it ... rather than just being
completely oval, it, it went out on either side and , and
came back in, while this other impression was of a completely
oval dome on, on top of the building.
#14:
Ok. Did you have ... I want to word this carefully
At any time during the session, did you feel you were on the
compound?
#32:
No. Oh! No. No. The strongest impression that I got of
this guy here, Kalp, was one, I said it a couple of times on
the tape because it was pretty strong, one of these two
persons acting as intermediaries in some type of negotiation.
And, I don't believe it was on the compound, at all. It was
definitely in some other area. My impression was that :
distinctly it was in some area. Like I say, there was a
mingling of French influence which probably gave me the Paris
deal, but there was also some Arab feelings in maybe the dome,
or something that .... like there was a mixture of both there.
And, that was equally strong, but, the diplomatic type of
mission with these two acting as intermediaries was strong.
#14:
All right. I have no further questions. Anything else you
can think of?
#32:
No. No.
#14:
All right. We'll call this end of session.
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TAB
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1
envioit
ush
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colum.
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t
fail
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yellowun

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2.
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garden
w/ gravel paths
+ flowerbed
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X + location
of Kalp
1
1
overhead- over
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£
I
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Conce
VI #
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SECRET
TARGET CUING INFORMATION
REMOTE VIEWING (RV) SESSION CCC54
1. (S) The viewer has been exposed to open source news media
information as well as classified overhead imagery. He knew he
would be working against the hostage situation in Iran.
2. (S) At the time of the session, the viewer was told that he
would be trying to locate Malcolm K. Kalp. The viewer was shown
the attached photograph and asked to locate and describe the
surroundings of the individual in the photo.
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Accor
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SGFOIA3
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