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ORCON/NOT RELEASABLE TO FOREIGN NATIONALS
GRILL FLAME
PROGRAM
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SESSION REPORT
1
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Copy 2082
CLASSIFIED BY: DIRECTOR, DIA
REVIEW ON: MARCH 2000
EXTENDED BY: DIRECTOR, DIA
REASON:
2-301c (3 & 6)
FLAME
CEORET
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SUMMARY ANALYSIS
REMOTE VIEWING (RV) SESSION CCC-27
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1. (S) This report documents a Remote Viewing (RV) session conducted
in compliance with a request from SOD, J3, OJCS, Pentagon, Washington,
D.C. The purpose of the session was to provide information relevant to the
hostage situation in the U.S. Embassy compound in Teheran, Iran.
2. (S) The remote viewer's impressions of the target are provided as
raw intelligence data and as such have not been subjected to any
intermediate analysis, evaluation or collation. Interpretation and
use of the information provided is the responsibility of the requestor.
3. (S)
The protocol used for this session is detailed in the document,
Grill Flame Protocol, AMSAA Applied Remote Viewing Protocol (S), undated.
4. (S) Following is a transcript of the viewer's impressions during
the remote viewing session. At TAB A is a drawing made by the remote
viewer reference his impressions of the target site. At TAB B is
target cuing information provided the remote viewer.
5. (S) The remote viewer was asked to locate and describe the
surroundings of Elizabeth Ann Swift. The viewer was aware of several
other personnel at this location. One was described as being a female
terrorist. There seemed to be some confusion as to the identity of the
other person. The viewer was unsure whether this individual was male or
female, but had the feeling that the person could possibly be a hostage.
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TRANSCRIPT
REMOTE VIEWING (RV) SESSION CCC-27
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TIME
#14:
This is a remote viewing session for 18 March 1980
mission time is 1830.
All right #24 the time now is 1830. Mission for
today is to locate Elizabeth Ann Swift. I want you
to describe her surroundings and tell me about any
other personnel that you picture being there.
PAUSE
#24:
I see a room but it's not ... the room has ... it has
some kind of wood. It's wood, maybe 2 or 3 feet high
and then plaster above that, whatever you call that
design. It's a very dark wood. She seems to be
sitting on a floor. Everything I see is kind of
like eye level, if you were sitting on the floor looking
around. I see Persian rugs. These are white Persian
rugs with ... some kind of design ... red/green design.
I sense some apprehension in her. It's like a house.
I think I'm going from room to room. I just was
in a room that had a large area rug. Big rug. The
room that she's in has small throw rugs. Like 3 by 6
what I saw. It looked like two or three of them next
to each other. They were white background. Whatever
good that does ... and ... design. Then I was in a large
room. Like a dining room with a big red Persian rug,
and there seemed to be a heavy table sitting on top
of that. Heavy wood table. Maybe a dining table, or
something ... uh ... something large, it seemed. Couple
chairs around it.
This place seems furnished like a house would be.
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Uh ... I'm sort of like flitting from room to room, I
think.
PAUSE
She most definitely is apprehensive.
PAUSE
#24:
She may be forced to sit on the floor. That's all
I'm getting when I'm in the room that I think she's
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in. Everything I see is, you know, like you're
sitting on the floor. Uh ... I don't see anybody else,
so far. I didn't get the feeling of anybody else
around.
PAUSE
+10
#24:
There is somebody else there, yes.
Somebody's like
sitting, sitting on the floor leaning against the
wall or a chest of some kind. Looks like that
person's asleep. I can't tell whether it's a woman
or a man. Uh ... on the floor, doesn't look very
comfortable. It doesn't even look like there's a
mat. Just kind of, you know, fell asleep against
leaning against the wall, or something. This person
had dark hair. It might have been the other woman.
It had short dark hair, but ... I couldn't really tell
beyond that.
PAUSE
There seems to be alot of furniture in this room.
I don't think it's a bedroom or anything.
It's a
sitting room or something like that.
PAUSE
Looks like there's ... looks like a little dog in the
room.
PAUSE
+13
I just ... I got a very quick glimpse of a woman; I
thought it was a num, but I wonder if it's one of
those gales with the scarf affair, you know. Uh ..
possibly in the room. At least in the building,
somewhere. Yeah. I really think there is another
woman, but not a hostage. One of the students.
I'm trying to get outside to see where it is.
PAUSE
This woman, I think, is assigned to take care of,
at least Ann ... sort of ... whatever they do, I ... you
know.
PAUSE
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+15
#24:
It appears, if I'm at the outside, I think I am,
there is ... the doorway is arched. It appears to
be a wooden door set into a cement wall kind of
... like a high fence, maybe. It's inset into this.
It's a very thick wall. Very high. It's probably
8 feet high. It's a wide door. Very wide. Maybe
half again as wide as a normal door. I can't tell
if.it's a door to a building or whether it's a fence.
PAUSE
There seems to be in the vicinity of where I think
she is ... like a squared-off area that's surrounded
by ... uh ... it looks like a picket fence, but that
might be an overlay ... there's some kind of a fence
around a squared-off area. I don't think it's too
big, like a garden plot ... I don't see anything
growing. It's just a squared-off area. That, that
kind of idea. It might even be a grave yard. I ...
PAUSE
+17
I keep getting images of small cars, you know on the
other side of this plot. Like it's .. like here's the
building and a plot in front of that and then a parking
lot in front of that. At least in that area. And,
I see alot of land, bushes, you know, sculptured area,
or landscaped area. See alot of cars lined up ... parked
rather . Keep getting a Volkswagen. I don't know
what that means.
PAUSE
#14:
I want you to move back from the building, far enough
to describe the building in its entirety.
Its shape
perhaps; its color.
PAUSE
+20
#24:
It's tall, white, 2 story. I think that what I saw
before was a fence ... a concrete wall sort of thing,
and I still see that gate, ok, or that doorway. Maybe
ten feet behind that is ... uh. .. looks like 2 stories.
It's a modern apartment building, I think.
It has
alot of windows.
PAUSE
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+25
#24:
I, I don't know. I don't think it's where she is, but
I'm seeing alot of big old houses. All I got ...
residential area. I don't think that's where she is.
I mean, I don't think she's in any of those houses,
but I keep getting ... images of other homes. It might
be in the same vicinity, but maybe not. I can't tell.
PAUSE
#14:
I have no further questions.
#24:
I don't think I'm going to get anything else.
#14:
Ok.
Is there anything else you can add before you
start drawing?
#24:
Not to what I've said. No.
#14:
Ok.
#24:
(Mumbling) Swift ... is going to be a short story.
and I kept my eye focused. .. I think she's on the
second floor, ok, 'cause my eye kept ... I kept being
drawn to the second floor.
There's a very ... sort
of modest. .. ok ... well the fence ... that's kind of ...
looked like a long wall sort of thing ... and, that
might be exaggerated, well/anyway, the doorway was
like that .. this is wood, Dark wood, or at least,
not a light wood. This is like concrete. Now I
could see over it.
It's only maybe 8 feet high.
And then the house was like behind it. You had to
go through there to get to the house. There was
like a 2 story which is ..... just like a square
home (mumbling). I don't think I add anything to
my drawing. The reason I want to draw it like this
..... yeah ...
... ok .... and there were windows all
along here ... and I kept my eye ... kept being
drawn to this corner right here. The first thing
I saw was the front. This is the ...... oh, I did
it wrong. The front .... let's see .... I drew it
wrong. This, this was the side, but the side was
not facing this way. How can I do that. Front.
All right ..... think that's clear? Ha, ha ... look on
your face. Think I should redraw it?
#14:
Uh. .
..
#24:
I'm going to redraw it.
#14:
Ok.
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#24:
Well you're a pretty good artist.
PAUSE
Ok. That, that's what I saw and it was just sort
of a modern 2 story, I think. Concrete building.
What do you call that stuff? Buildings are made of
concrete.
#14:
Masonry.
#24:
And my eye kept being drawn to to ... like right in here.
I don't know if that's worth putting on (mumbling).
How's that? Is that pretty clear?
#14:
Yes.
#24:
Doesn't really jive with the other. Let's see.
What else.
#14:
I'm really not sure that there's anything else to draw.
#24:
Yeah. The only thing that I could think of was that
plot of land, but that might have been like inside,
oh, yes, house was about probably about 10 feet back.
PAUSE
#14:
Was there anything that you could draw about the
room? Was there anything interesting in there?
#24:
Not that I think would shed any light. It was so
undescript and I didn't get anything definite, you
know, except the rugs and stuff and I don't think it's
worth drawing. Uh ... I am sure they were sitting on
on the floor. I'm sure she was sitting on the floor.
Um ... and I did see that one person leaning up against
the chest that was up against the wall.
#14:
Did you have a feeling for who that person was?
#24:
The only ..... definitely overlay ..... I wouldn't have
gotten it ... I am sure ... I thought it was a hostage.
I didn't get the feeling that it was a guard, or
something, and the view that I had was too general
to distinguish the sex, but it was ... uh ... someone
with hair about here, you know. Short, dark hair.
Asleep through with the head over to one side, like
that ... and just a form, and I couldn't ... it could
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have been other woman, but I didn't really get any
feeling for it, you know. I think she was sitting
in very close proximity to ... she was here.
That is it.
#14:
Ok. We'll call that the end of session.
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TAB
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House w/ ann Swift
Eye drawn to 2d story corner window
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modern
2 -Story
wasong Bed
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Worden
Door
Concrete
wall: 3-4" thick
8' high
House about 10' behind
fence
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TAB
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TARGET CUING INFORMATION
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REMOTE VIEWING (RV) SESSION CCC-27
1. (S) The viewer has been exposed to open source news media
information as well as classified overhead imagery. He knew he would be
working against the hostage situation in Iran.
2. (S) At the time of the session, the viewer was told that he was to
locate Elizabeth Ann Swift. The viewer was shown the attached photographs
and asked to locate and describe the surroundings of the individual in
the photo.
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OPAORT
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SGFOIA3
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