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SUMMARY ANALYSIS
REMOTE VIEWING (RV) SESSION CCC12
1. (S) This report documents a Remote Viewing (RV) session
conducted in compliance with a request from SOD, J3, OJCS, Pentagon,
Washington, D.C. The purpose of the session was to provide informa-
tion relevant to the hostage situation in the U.S. Embassy compound
in Teheran, Iran.
2.
(S)
The remote viewer's impressions of the target are provided
as raw intelligence data and as such have not been subjected to any
intermediate analysis, evaluation or collation.
Interpretation and
use of the information provided is the responsibility of the requestor.
3. (S) The protocol used for this session is detailed in the
document Grill Flame Protocol, AMSAA Applied Remote Viewing Protocol
(S), Undated.
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4. (S) Following is a transcript of the viewer's impressions during
the remote viewing session. At TAB A are drawings made by the remote
viewer reference his impressions of the target site. At TAB B is target
cuing information provided the remote viewer.
5. (S) The remote viewer was asked to locate and describe the
surroundings of Joseph Hall. The viewer did not describe any other
hdividuals on the compound during this session. The remote viewer
was then moved forward in time to 22 March 1980.
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TRANSCRIPT
REMOTE VIEWING (RV) SESSION CCC12
TIME
#14
This will be a remote viewing session for
5 March 1980. The on-target time is 1400 hours.
PAUSE
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All right #07 the time is now 1400 hours. Your
mission for today is to locate Joseph Hall, Joseph Hall.
I want you to locate him and describe his surroundings.
Relax, relax, focus your attention on Joseph Hall.
PAUSE
+08
+10
#07
Ummm ... I think I got a guy. There's some guy, there's
some guy sitting here, s-s-s-slouched down in a chair.
H-head slumped forward. Shorts. . uh. . sitting in ...
sitting ... sitting in shorts. Left knee, left knee
.. uh .. looks like elastic bandage left knee. Uh ..
kind 'o, kind 'o unkept. Needs, needs shave. Can't,
can't see, can't see the dimple in his chin. Uh, uh,
I think this is him.
#14
Describe his surroundings now.
+13
#07
I se ... that very gentleman .. uh .. vague. I keep seeing
him head on and over his left shoulder. I, I don't
know if it's. . uh. . I can't ... uh. .. oh, dam. I was. . uh. .
I was .. uh .. looking for somebody else ... see if he's,
see if anybody else is here.
I don't know if it's
important but I, I saw a big block letter .. uh .. big
block letter "E". I don't know if that's the shape
of the building or a designated. . uh. . I don't even
know if it's significant. I feel nauseous.
+16
I, I, I, I lost him. I .. uh .. I saw a, a number 3
about the time I saw that "S" shape. This guy's not
in such a good shape. This guy's. .. looks like ...
I don't know whether he's asleep or what the hell
doing. He won't, he won't move.
There's some, some, some kind of light coming through
that window over there.
Thick walls
PAUSE
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#14
Tell me about this man's situation. Tell me how
he feels about it.
+18
#07
Try to get his attention ... He looks very depressed.
But, that,that does) surprise me.
I can't figure out dosn't
what he's ... why he's sitting here.
1
PAUSE
Stacks, stacks, stacks of papers associated with this
guy. I saw him at another point in time with ... all
the fingers of his right hand separating lots of
sheets of paper.
PAUSE
+22
He seems ... it seems as ... he's, he's very intelligent
individual, but he apparently let his imagination run
wild with negative speculation based on his knowledge
of some situation. I'm trying to figure out if he
just fell asleep in this position or whether he find
it necessary to sleep in this position for some reason.
PAUSE
r
+25
I, I don't, I don't know why ... I get a sudden flash
. . uh. . awareness.
Apparently .... I don't know. I thought
he was associated with, with .. uh .. with some kind of
code or something. Maybe crypto. I, I feel very
badly for this individual, and I, I think it's
Hall, but he, he looks thinner than I, looks thinner
than I thought he would, but his legs look stocky and
powerful for a man of his stature.
r
PAUSE
Now, I have a feeling at this moment that he is alone
in this space.
#14
Before we move on is there anything else you can add?
#07
Yes, for some reason I feel unusually upset when I'm
around this individual. I've tried to figure out why.
I, I, never got him to move.
#14
Did you try talking with him?
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#07
I, I tried to communicate, but I got absolutely
zero response. I, I, feel he needs to talk to
someone. He seems very depressed and negative. It,
it's, it's so dim in here. I, I'm not even sure where
I'm looking.
#14
I want you now to move outside this room; outside this
building. I want you to take up an aerial perspective
and describe this building. Tell me about its location.
PAUSE
+30
N
#07
I can only see part of the building, but it appears
similar to one I think I've seen before. It looks
like. . uh. . looks like it's long. A couple stories high
with a parapit, slight parapit on the top. This
surprised me because I felt I might be in the small
private dwelling type structure. I, I feel.
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PAUSE
#14
Is this building on the U.S. Embassy compound?
PAUSE
#07
I, I think so.
It looks similar to one that I think
I saw in the vicinity before. For some reason, I, I
keep looking at the top floor .... right front corner,
if I were standing facing the building from the outside.
PAUSE
#14
I want you now to close your eyes, relax, relax. I'm
going to move you forward in time Relax, focus your
attention on 11 a.m. on Iranian time, 22 March 1980.
Relax, 22 March 1980.
When I ask you to open your
eyes again it will be 11:00 a.m., 22 March . I want
you to describe generally the activity taking place
on the compound. Relax. Open your eyes now. The
date is 22 March 1980.
Describe what you see.
+38
PAUSE
#07
Somewhere in open space I saw luna, luna crescent,
white. . uh. . I don't know what it is or what it means,
but, it's between the two big, big buildings.
I
then saw hands, many hands, holding what appeared to
be a rope. I immediately thought these people were
„climbing down a rope but I really saw no movement in
the direction that would substantiate this. I ...
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I just saw many, many human hands holding a rope
which, I think is vertical position.
PAUSE
+42
I, I would like to see alot of commotion, but I
don't see it. I just saw golden head and spread
shoulders of an eagle. Must be, it must be overlay.
#14
I want you now to close your eyes, relax, maintain
your position in time and space. I'm going to have
to change the tape. Relax.
PAUSE
#14
I have changed the tape. We are now ready to
continue. I want you to remain relaxed. The time
11:00 a.m, 22 March 1980. I'm going to ask you to
open your eyes. I want you to focus on Joseph Hall.
I want you to describe his surroundings and his
situation at that time.
PAUSE
Open your eyes now and focus on Joe Hall.
#07
+45
I, I see alot of people lined up form a straight row,
but, but their not, their not strak (phonetic) . . uh. .
dress right (phonetic) dress. They are ... some of
'em are touching each other holding on to each other.
Joseph Hall. When I tried to look for him .....
appeared in front of this group and then emerged with
the group. I'm confused. I can't tell whether the
line of people is friendly or hostile. There's
something back over there. .. ought to be interested
in.
PAUSE
+49
I saw some kind of strange oval tubes. Look around
where I .. would expect to see commotion for some reason.
I find, I find it very calm and passive.
I don't know
what to make of that. So illogical.
#14
Is there anything else you would like to add before
I bring you back?
4
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OLDALT
+51
#07
Only that there's some people who are over near
that corner that seemed to be quietly standing by.
I, I don't see them. I just have a feeling.
Some,
some kind of support ... secure feeling is coming
from that Corner.
#14
Go to that corner.
Take a look and report back.
22 MAR
PAUSE
+53
#07
Friendly feeling just over the wall near the building.
I, I, I, I think this corner is, is near the long
building ... goddam ... it, it's near the long building
that used to have SIGINT equipment in it ... top floor.
It, over the wall there. The end of the building is
closest to the wall. I don't even know if there is
a building on the other side of the wall but I
very strong feeling about it. I have very mixed
feelings about Joseph Hall. When, whenever he seems
very powerful, but, when I saw bim coated he looked
vony vulnerable, vulnerable. Had feeling of "can do"
... feeling of "can do" active excitement about, about
now, today. Different, different, different person.
+55
1
#14
Is there anything more you wish to add?
+58
PAUSE
#07
Except I'm seeing an awful lot of s-s-symbol, symbology,
symbology ... uh ... saw string of people almost as though
in mid-air over the compound, single file, extending
as far as I could see. They seem to glow white. I
felt they were friendly, but I don't know what it means!
PAUSE
#14
I want you now again to close your eyes, relax, relax.
I want you to focus your attention on 5 March, today's
date. It's now 1500 hours, 5 March 1980. I want you
now to open your eyes, stretch your arms, your legs.
I have no further questions. We can start drawing any
time you're ready.
#14
All right we're ready to draw now. Uh ... you described
this individual when you first saw him as being in a
slouched sitting position, head slumped forward, and
described him sitting in his shorts with something on
his left knee.
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OLDALT
#14
I'm going to take all the pencils out of here.
#07
You don't like pencil, huh?
#14
No. It has a tendency not to show up on the
reproduction machine. For office copy it's fine,
but.
It really doesn't matter how crude the drawing is.
Is there anything you can remember about the room
and its surroundings, or.
...
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#07
Over his shoulder behind him there was a, I .. uh ..
(mumbling) should be night but there was light coming
through the window.
And, I remember thinking this
window was barred. I think you said something ..
(mumbling) and I remember looking back and thinking
the walls were thick and trying to remember what it
was I was going to check out that I .... but I think
it might have been the. . uh. . felt one of his legs ...
I think his left was .. uh. . was .. uh. . bandaged. Elastic
bandage or something. But, just the way he was
sitting, head down, slouched, stomach protruding.
Either tremendous exhaustion or depression. I, I
just don't know. I made no attempt to draw the man.
Just the feeling of the way he was slouched. His
legs are too long.
#14
All right. Then I had you move outside of the room
and the building.
#07
Oh, yeah!
Things started going dim off in the
distance ..... recognized enough of it to ... I thought
that it was one of the long buildings.
#14
Do you, do you feel that you can identify it from
overhead?
#07
I think I know what building it was. Yes. Just
assuming on the shape of it (mumbling). The shape
of it ..... I'm assuming it was one of the long, the
long buildings near one end of the compound. I'm
not sure just which one, but I
#14
Ok. Let me go even further.
#07
Ok. What do you want to do?
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#14
Let me go and get some photography.
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SLUTET
#07
Something shaped like a letter "E". Maybe it was
a letter "E" and . . uh. . 3. ...
#14
All right. I've got some overhead coverage here that
I would like you to look at.
I would like you to point
out where you felt where this building was.
L
#07
I don't think it was this building here. That's funny.
You know I'd say that the roof isn't. . uh. . the way I
drew it, but I don't think it was in this position here.
The roof was more like what this looks like. The
oh, there is a, there is a, the end of that building
does stick up like a peripit, but I ... (mumbling) to the
shadow.But ... it looked like this right ..... see the
center portion here, it looked like that. You know.
That's got a, you know a wall extending up from
around.
anyway I,
.
I saw just a corner of it. 'It could have been a corner
here,it could have been a corner there (mumbling) but
I felt I was over in this area somewhere. Where in the
devil .... let me see. Yeah, ok.
#14
The building you are identifying is the Chaongery
building identified as building, building A and then
of course you mentioned symbolic letter E and the
number 3. You did say that he was alone and that you
didn't have no impression of others in the area.
#07
Not in the, not in the room.
#14
Ok. Then you described.wh. .. it was at that time that
I moved you forward to a point in time. . un. . 11:00 a.m,
Iranian time, 22 March 1980 and you described a white
lunar crescent.
#07
Oh, yeah. That was down between those two big long
buildings
(mumbling) one third of the way down, I
think.
I don't know what the heck it meant, but,
along in here somewhere ... I don't remember seeing
those dam trees there, but I thought it was about this
far down along in here.
#14
Ok. And that is located between A is K and area L.
#07
I don't know one area from the other. I'd say about
a third down from what you call a chancery (phonetic)
,
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#14
And you went on to describe.
.
#07
Oh !
I saw some hands, rope or something in a
wertical position. Found myself wrestling whether
people were climbing the upper rope or climbing
down a rope. All I could see when I got back to it
were just the hands gripping the rope as though it
wore fixed photograph, of something. I could only
see it from just short of the elbows up to the hand
#14
Ok. You feel that this was more symbology or was
it more an act ... an actual impression?
#07
felt through this whole thing that there was alot
of symbology ... uh. .. no cause of me fighting it.
I felt. .. uh .. . if I couldn't understand it, it would
be hard for anyone else to handle.
An example, when I saw this eagle with this. . . uh ...
facing to the right, and I could see part of the
wings out to the, where I would call shoulders of
the open winds, I thought, gee, this has got to be
symbology, and I almost said screaming eagle.
I
don't know if it was reference to money, or
whether it was reference to some unit, or .....
I thought, nee, you know, don't get carried away,
man. Why did you almost do that? I was fighting
that sort of thing. Maybe, I shouldn't have.
I don't know. Then it suddenly occurred to me,
hey, didn't you see an eagle somewhere sometime
recently somewhere?
#14
Yes. You did have a golden eagle, but not too far.
#07
But, the wings were folded. In this they were opened.
₱
#14
That's interesting.
#07
I don't know what the heck it means.
I don't have
any idea.
#14
I'm not sure of all these, you know, the airborne
units and everything. Screaming eagles and all that
stuff. But, I know there is a ... some outfit that
has the motto "can do," and you mentioned that later
on.
#07
I don't know.
I don't know of any unit that has.
. Can do is just a saying that, you know, a can do
type of guy .
I don't know of any
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#14
Ok. You went on to describe alot of people
lined up in a straight row.
#07
Oh, yeah. They were over ... I thought they were ...
they seemed to be superimposed across the front
of what you call a chancellory. . . uh ... I'm trying
to find out .... did they come out of there. .. uh ...
are they going to go in there.and they, they
were not like a strap military unit, disciplined.
They were kind'o sloppy in this straight line
and Ifelt I saw Joseph Hall. He'd be in the line
and then he'd be in front of the line, and I tried
to make something of that. I felt, gee, you know,
I'm just, I'm just knee deep in symbology, and
what the heck does this mean. I was getting pretty
disgusted with myself at that time, and I almost
didn't, didn't say anything about it because it was
so weird ... weird. It was ... I felt it wasn't every
day eyeballs open type of imagery, which was what
I was looking for. Uh ... there was something else
though.
#14
You went on to describe some strange looking tubes.
#07
Oh, yeah. Just oval shaped tubes. I could see about
a foot of the end of them and I didn't know ... foot
... that irrelative ... I could see the length. It was
about the diameter of this oval, and I don't know.
I assumed they were about a foot. I don't know how
big they were. But, I thought there was something
coming out of them. And I had the feeling that ...
this was making everybody calm, and I felt almost
passive, and that's, that's the feeling I almost
never feel is passive, but I felt passive. Uh ...
as, as though something were being done to me, and
I looked around and I found everybody seemed the
same way, and I didn't know what to make of that.
I thought maybe I was halluscinating. I don't know.
It ... uh ... was a very, very weird ... the whole thing
was, I think different than most of my sessions.
#14
And. . . uh ... you went on to describe people near a
corner quietly standing ......
#07
I'm not sure they were standing. I was. . . uh ...
aware of a presence and it felt friendly, and it felt
like hey, everything's ok, 'cause worse comes to worse
it's going to be all right because there's help there ..
back up ... something. I don't know. I felt there was
a security about that cerner and I think you told me-
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OLDALT
go down and look at it or something, and I went down
and I couldn't see a thing.
So I raised up, and
over the wall I thought there was a building, and
I thought it had something to do with the building
over .... and it was near the other building.
#14
Here's the charts, right here.
#07
I'd put it, I'd put it down in this vicinity somewhere.
I don't know where I was looking.
This area right
here or one of these two buildings.
#14
Ummm ... The area that he's describing is over near
area H.
Not being sure whether it is actually in the
compound itself or just the other side of the compound.
.
#07
Yeah.
I think it might of actually been across that
street right there.
#14
And ... uh ... you went on to describe you had a feeling
about ... uh ... can do kind of attitude.
#07
Oh, yes. I saw two, two different personalities
between the individuals I took to be Hall in two
different points in time. I felt the individual I
saw in a room was rather depressed, and upset.
I
couldn't make up my mind whether it was feeling of
hopelessness or fear or just what, but then the
individual for which I thought was Hall later on the
twentieth something of March.
#14
Twenty-second.
#07
Twenty-second. Uh ... I seemed much more secure in
himself and confident.
I don't know.
1
#14
And the last thing you mentioned was seeing a string
of people in mid-air.
#07
Oh, yes. I wouldn't touch that with a ten foot pole.
I ... it was just single file of people with the front
one being somewhere over the center of the compound
of that .. . forty feet up ...
This is weird.
#14
No. Go ahead and describe it.
#07
Uh ...
#14
. It may have something symbolic.
#07
Let me see that photo. Can you hold that down?
Curving off over in that direction.
I have no idea
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what direction it is relative to the compass, and
just clean off into infinity. Uh, and ... the way
quiet, soft glowing I felt that it was some kind of
symbolic overlay of some kind.
I have no idea if
it meant anything. .. uh ... I couldn't make anything
out of it. I tried to shake it, and get rid of it
as noise, and it just wouldn't go ... uh ... just sit
there, and kind 'o ... just pulsated. You know.
I
thought well I'd better dump it, and ... though I
felt embarrassed doing so.
#14
Ok. I have no further questions. Anything else you
can add?
#07
Can't really remember too much about it. I thought
it was much longer than that.
#14
All right. We'll call this end of session.
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TARGET CUING INFORMATION
REMOTE VIEWING (RV) SESSION CCC12
1. (S) The viewer has been exposed to open source news media
information as well as classified overhead imagery. He knew he
would be working against the hostage situation in Iran.
2. (S) At the time of the session, the viewer was told that he
was to locate Joseph Hall.
The viewer was shown the attached
photographs and asked to locate and describe the surroundings
of the individual in the photo.
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SGFOIA3
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