CIA-RDP96-00788R000800740001-3

-
.
Approved For Release 2000/08/07 : CIA-RDP96-00788R000800740001-3
CEORET
ORCON/NOT RELEASABLE TO FOREIGN NATIONALS
GRILL FLAME
PROGRAM
SESSION REPORT
---
Copy 2.82
CLASSIFIED BY: DIRECTOR, DIA
REVIEW ON: 28 February 2000
EXTENDED BY :
DIRECTOR, DIA
REASON:
2-301c (3 & 6)
GRILL FLAME
SECRET
Approved For Release 2000/08/07 : CIA-RDP96-00788R000800740001-3

-
Approved For Release 3000/08/07 : CIA-RDP96-00788R0008007400018
27/28180
SUMMARY ANALYSIS
REMOTE VIEWING (RV) SESSION CCC6
1. (S) This report documents a Remote Viewing (RV) session
conducted in compliance with a request from SOD, J3, OJCS, Pentagon,
Washington, D.C. The purpose of the session was to provide informa-
tion relevant to the hostage situation in the U.S. Embassy
compound in Teheran, Iran.
2. (S) The remote viewer's impressions of the target are provided
as raw intelligence data and as such have not been subjected to any
intermediate analysis, evaluation or collation. Interpretation and
use of the information provided is the responsibility of the requestor.
3. (S) The protocol used for this session is detailed in the document
Grill Flame Protocol, AMSAA Applied Remote Viewing Protocol (S), undated.
4. (S) Following is a transcript of the viewer's impressions during
the remote viewing session. At TAB A are drawings made by the remote
viewer reference his impressions of the target site. At TAB B is
target cuing information provided the remote viewer.
5. (S) The viewer was targeted against any activity taking place in
the U.S. Embassy compound in Teheran, Iran. He did not see or describe
any hostage personnel, but did state that there were some on the
compound. The remote viewer was also asked to describe activity taking
place on the mornings of 5 March and 12 March 1980.
Approved For Release 2000/08/07 . CTA-RDP96-00788R000800740001-3
-
...

-
1
.
Approved For Release 2000/08/07 : CIA-RDP96-00788R000800740001-3
SEGRET
TRANSCRIPT
REMOTE VIEWING (RV) SESSION CCC6
TIME
#14
This will be a remote viewing session for 27 February
1980, with an on-target time of 1400 hours.
PAUSE
All right #31 the time is now 1400 hours. I want you
now to relax, concentrate and focus your attention on
the U.S. Embassy compound in Teheran, Iran. Project
yourself to that compound and position yourself in such
a way as to observe the entire compound. Describe any
activity taking place.
-
PAUSE
#31
I'm.
. first I ... uh .. saw a very peculiar "Z" shape
metal frame which is a stand.
It was as though this
thing was large and was outside in a parking area, and,
as though on top of this stand is a large propellor,
propellor or something.
I'm on a building top looking
down at it in the long parking lot parked against, in
between some vehicles. I think that the building I am
on is possibly 2 or 3 stories high. It has an awning
overlooking a simple modern door in one corner. I was
first over that corner, and now by looking past the
funny metal frame I was able to observe an open field.
Now I am standing on a ground level outside this corner
and I see merely a modern blank wall building.
It has
simple entrance way at this end of it.
PAUSE
+12
I'm over the trees, I think, into a parade field
slightly forward of a parking lot.
Where to?
#14
Do you feel the presence of the hostages anywhere on
the compound?
#31
Yeah.
PAUSE
-
SECRET
Approved For Release 2000/08/07 : CIA-RDP96-00788R000800740001-3
---

Approved For Release 2008/08/07 61A-RDP96-00788R000800740001-3
#14
I want you now to locate the hostages and describe
their locations to me.
PAUSE
+16
#31
Have a light building and seems to be "L" shaped my
end ... several stories. At the far end there appears
to be some low awning work of some kind around the
edge of the building ... around the corner or something.
Kind of .. uh. . awning work.
PAUSE
+18
I'm getting an idea of a funny place I've never seen
before.
They seem to be hovering around outside it.
It has an awning roof with (phonetic) these temporary
awnings covers the sidewalk.
It comes out from its
front. The building's several stories high. It seems
"L" shaped though and the awing seems to be at this
end of it. Not end of it, but in this side of the "L.
-
.
PAUSE
For some reason I'm being drawn to this building.
I
can't ... don't think I've ever seen this building before.
PAUSE
+21
-
I'm going in but (phonetic) is a funny curved archway
for an entrance.
A very old style ho ... old style
hotel flavor, almost. Plenty of curves, front no door,
PAUSE
+
And the porch is a "L" shape ... it's a porch.
It's "L"
shaped off to the left but at the T, at the elbow of
the "L" shaped thing.
I get the feeling this thing is
just .. uh .. it's like somebody carved the foyer out of a
sand castle. There's glass windows at the ... head of
the L at the 90 degree angle to these. . uh. . windows.
I can (phonetic) see like a lobby or a larger area,
and this is how people come in. There's a counter of
sorts. Something low and wooden but, it's opened
behind it. Around the windows and to the right there
are seats there or chairs.
PAUSE
Light carpeted floor. Have all quiet feeling like
people talk in whispers here. It's almost like a
SECRET
Approved For Release 2000/08/07 : CIA-RDP96-00788R000800740001-3
.

1.
Approved For Release 2000/08/07 : CIA-RDP96-00788R000800740001-3
SECRET
CODET
hotel lobby. Like an old hotel.
PAUSE
#31
Leaning with my back on the counter. There's a
pillar on my right. Looking back at this door, the
whole face of this thing here seems to be glassed,
but, it has a symbol single door. Around on my right
then the room goes a little farther to the right and
then goes out away from me to the front wall. Now;
I'm saying that for some reason looking out through
that right corner, I can see outside passed the
blockage of the porch. It's. . uh. . like I can see out
the open end of a tunnel there which is the end of
the porch and I can see light outside.
If it was day
I would see an open parked like area. If it was open
there would be a circular driveway .. just on the edge
of my vision and I would see buildings on the far side
of the drive.
So now I beat the hell out of this lobby and I haven't
seen one person yet.
#14
All right. I want you now to leave this building.
I
want you to go back outside. I want you to s-l-o-w-1-y
drift up over the compound until you get a very good
view entire compound. Once you do that, I want you to
close your eyes and retain that vision. Retain your
position. When I ask you to open your eyes again, you
will have moved forward in time to 27 February 1980.
PAUSE
(?
Ok. It's now 11:00 a.m. in the morning, Iran time on
27 February 1980.
One week from today.
Open your
eyes.
#31
Wrong.
#14
... describe generally the activity.
PAUSE
#31
Today's the 27th #14.
#14
I thank you. You still with it?
#31
Uhmmm ... let me go back. Today's the 27th.
Ahhh. . .
-
Hummm. See now, what you had to do was move me back
and then move me back .. ha, ha, ha. You should 'o had
me go back to the 21st. Ha, ha, ha.
.
SECRET
Approved For Release 2000/08/07 : CIA-RDP96-00788R000800740001-3
-

Approved For Release 2000/08/07 : CIA-RDP96-00788R000800740001-3
SECRET
PAUSE
#31
Give me about 5 minutes and I'll try again.
#14
It's ... I'm having a difficult time too, fighting to
keep from sneezing and coughing and blowing my nose.
1
PAUSE
#31
Ok.
#14
All right #31.
It's now 11:00 a.m., Iran time.
It's
5 March 1980.
Describe the activity taking place in
the compound.
1
PAUSE
+38
#31
Had a. . uh .. image of a routine type of activity.
Some
people walking out in front of this building.
I think
my first building some people who were guards sitting
on haunches (phonetic) scratching head ... . have a picture
of a black, dark car coming through a gate ... it being/
allowed to pass through a gate ... a limo (phonetic) .. type
of car ... (mumbling) gate. A picture of people in a
serving line. Like in a cafeteria holding of plates
PAUSE
Uh .. the limo (phongtic) picture has a ... tall, slender,
elderly and caucasian man .. . hawk/bill, sharp features
arriving and getting out as though to have a conference.
He is all that is located .. uh. . appears to be in an
area of all asphalts. I all cobblestone ... my feeling
of cobblestone everywhere,
Reddish cobblestone. For
some peculiar reason the feeling I have is that the
red of the cobblestone matches that of the basic steps
that he must go up. The steps are not wide.
They are
not excessively wide. There are very few of them. It's
as though he is to enter a side door to a building.
Rather than a front door. I am getting vertical light
lines around it.
Some look as though there are a few
columns here.
+43
#14
I want you to leave this place now, and resume your
position over the compound. I want you to again close
your eyes and relax, and when I ask you to open your
eyes again, it will be 11:00 a.m., Iran time. The date
will be 12 March 1980. I want you to relax, concentrate.
"I'm going to have to stop the tape and change sides. I
just want you to relax and maintain your attitude.
--
SEGRET
4
L
Approved For Release 2000/08/07 : CIA-RDP96-00788R000800740001-3
-

L
Approved For Release 2000/08/07 : CIA RDP96-00788R000800740001-3
SECRET
#14
All right #31. It's 11:00 a.m., 12 March 1980. Open
your eyes and describe the activity on the compound.
PAUSE
..
#31
I. . uh. . have feeling of'ting, chanting people, mobs
of people chanting in unison. . uh. . along a. . . line./
An invisible line. At first I thought they were
looking through a gate. Then, I felt they were lining
either side of a street and that automobiles were
passing through the street in front of them. I'm not
doing too good here.
#14
All right. Why don't you ...
.
#31
I'm going to take a little walk and get back in the
saddle, I guess.
#14
Take your time. Come back. The date is now 27 February
1980.
PAUSE
#31
I had a real ... car, right. Doesn't look like one, but,
anyway, there's one. Well, maybe I'll darken it up a
bit.
#14
I know you prefer pencil, but it doesn't show up too
well.
#31
No. That's all right. I forgot. I'm out of training.
This was the funniest dam thing.
I can't ... it was as
though parked with these automobiles ... right and here's
another one. This was the first thing I saw which was
really peculiar. It was as though ... it was a open metal
stand parked here.
It was really wild. ... imagine a
metal stand that went back ... it was like crossed over
like that ... ok, and it came up ... I'll draw .. . I'll have
to draw a side profile of it. Anyway, somewhere on
sticking up on this thing, was as though it was a large
fan structure.
This is it on the side. The feeling
was that it was like this with a large fan structure
on the bloody thing.
I have no idea what it is but,
it was parked .... I had the definite feeling that the
dam thing was parked in bleeding parking lot and it's
got something up top. Can't figure it out but it's
like ... a front view would be like this with these
taper back down and then these come out in the front
again. There's a cross piece back there. This comes
up, and there are a couple cross pieces here, couple
cross pieces there, see. It's like this thing is a
side view and this is a front view, and It's like there
SEGRET
Approved For Release 2000/08/07 : CIA-RDP96-00788R000800740001-3
---

--
--
Approved For Release 2000/08/07 : CIA RDP96-00788R000800740001-3
OLURLT
was something on it like that. Like a big fan.
Ok.
And that is 8 feet, say, ok ... and I had the
feeling that where I was, was ... this is a parking
curb here ... and then there was a ... right in amongst
... that was stuck in amongst automobiles. I have
no idea what the hell the dam thing is. Ok.
That's this fan structure, fan, like a open, metal,
open metal fan, blades. It's like a thing ... the
structure of the thing ... the best way I can describe
it is you know these, you know. . uh .. aircraft jack stand
to use to work aircraft maintenance ... how it will
expand up and ... could be long, it could take on different
shapes when you move it up and down, and everything.
It's like that. It's, in essence, like that and then
when you look at it, it's open. You look right through
the thing ... somebody standing on the other side .. . you
can see right ... see 'em, except where the pipes come
across ... and it's like that. And, where I was ... this
is the open field spelled correctly, ok ... which is the
first open field ... and I was sitting up here on the
edge of a building.
..
So the whole thing turned out to be like this. And this
building had just a raw overhang over it. A cement
overhang over the door, like that.
Ok. Off into the
distance ... it was maybe several ... let me say ... it was
several feet, several stories, but, that's all ... had
the feeling that there was. . uh. . cement stoop here,
and there was a ..... it was gra .... a walk came out a
little ways. It was grass around like this, ok ... and
along the edge of the building. And, that here was a
parking area and here was one car. Here was the other
car. Here was the other car. Ok. And, then here was
this funny contraption. And here was another car here.
Ok. Car. And, this is the contraption and this is a
driveway and this is the curb with grass. There's grass
here as well. This goes along here. I don't know
where that goes. And, ...... there's some bushes along
here.
Just some low bushes. And this is the open
field.
The first open field.
That was my first image.
I have no idea what the hell that thing is.
Ok.
That was first. What did I get second. Second ..
it looked like ... what I thought I was doing ... was just
hopping and skipping all around the whole compound
because then I had a idea of standing on a veranda
just a fleeting thought. I didn't even talk about it
. on the tape. .. I thought. .. then I thought I was over
at the big building that I worked last.
Bile
SEGRET
AMB Rasid
Approved For Release 2000/08/07 : CIA-RDP96-00788R000800740001-3
------

1
Approved For Release 2000/08/07 : CIA-RDP96-00788R000800740001-3
SECRET
-
he one that's got those 2 out houses on it and
everybody was telling us that they thought they
were-maids quarters and that what the other guy
and I came up with was that they weren't maids
quarters but like storage sheds, and stuff.
Remember I said ... it was the one I sa
was in, ok.
It was that one .... it was either that
one or it was the one up front at the other end
of the thing.
said the boat
Trotty
It was ... it was this thing looking out. You know.
Trees out here. Ok
Nothing was there. I ditmi
what did I talk about. Then I talked about this
really weird shaped building. It was really odd to
me that I'd never been there before. I had the
feeling of a building with a peaked roof ... ok ... sort
of tall and skinny, but not, not really super tall and
skinny. Ok. With somewhat of an overhang over the
roof, ok ... down here like this ... and that around this
corner of the building is some sort of a funny awning
ok ... and then this building is "L" shaped and in the
background you see the peak here come out and it goes
down like that. It's got windows in it. Ok. And
from the .... from the top what I got out of it the
building would look like this ... and here would be
this little awning. Something like that. Ok ... and
here would be the other awning.
I didn't see it at
first when I first looked.
Ok.
So I'll do the front
of this building for 5.
Uh ... it was really ..... it was really weird.
It was as
though ... this thing has a carved out .... you know how
when you ... you know when you build a sand castle at the
beach ..... you make a door for the sand castle ... well
you got your castle there. The way you make a door
is you dig into the sand with your hand and you just
scoop out some door, like that. It's not a real door.
It's just a tunnel that goes into the side, ok. That's
the idea I was trying to get across.
And, that this
door was like a tunnel here and that coming out from
1
1
-
SECRET
7
Approved For Release 2000/08/07 : CIA-RDP96-00788R000800740001-3
chef
this idea here.
Anyway, it was this idea of ... it was

Approved For Release 200 670 In
DP96-00788R000800740001-3
OLVIVE
1
....
. it's a tunnel shape thing. Ok. It goes down
like that and then it goes across like this ..
and that's outside, ok. See what I mean. That's
outside the glass. I'm looking through the glass,
here.
Ok.
What I was trying to get across is.
there's the awning thing sticking ..... sticking out
into the light .... if there was light outside what I
would see here is ..... what would I see again .... ok ...
I'd see a curved road going by as though there's a
road there round a curve and in the distance on the
other side of the road I'd see buildings, ok. So
much for that garbage. Ok. Where was I?
Nine. Nine sketches for just tripe .... ok .... uh ....
you got me back on the compound .... told me to go
outside, go up and check out what was happening ..... all
I had was the feeling of .... that I was back at sketch
.. uh. . back at sketch number 2 .... somewhere associated
out front of sketch number 2 the building side of
sketch number 2 here that there were a group of people.
I took them to be guard type people that were sitting
hunkered down on the curb waiting for something .....
loitering around ... little bit of feeling people once
in awhile .... an occasional individual walking through
this driveway .... but nothing steady, or anything.
Uh ... what was the other one?
About that time I.
I had people in a line, a mess line ... I don't know
where it is.
... to 5 March and you described routine activity,
a black car ...... coming through the gate, people in
a serving line. . uh .. it ..... a tall slender, elderly
caucasion man.
#14
#31
#14
#31
Yeah. Had a real limo feeling for this thing. How
do you draw a long black car. Think an American would
know how ..... shit ... anyhow, he ... I had this sort of a
feeling, you know ..... gate posts .... gate posts type
thing and the gate being open ..... you know. Swung open
like that. And, here being the other one ... the other
gate being swung open like that ... ok. Guy standing
here holding it, right; guy standing here, holding
this one and that a big car going through this gate.
Going in, ok. That's the idea. Had the feeling it
was going in the gate. Oops .... in the gate ..... and
8
SECRET
Approved For Release 2000/08/07 : CIA-RDP96-00788R000800740001-3

-
Approved For Release 2000/08/07 - CIA-RDP96-00788R000800740001-3
SECRET
it ... ok ... was ... we would know as being like a
covered walk for sidewalk, you know. You know the
type like a marque of a theater has or of a posh
restaurant has this umbrella cover that sticks out
to the street. Something like that, ok ..... and
back in here is just dark. Ok ... and the building ...
this was the "L" shape of the building, ok.
That
should actually come down like this, I guess. There
that's more like it.
Now .... so I check the action
out there (sigh) ..... ok .... here is the outside.
How do I get this straight. The inside of this place
is curved and arched. Just like somebody had reached
in the sand and just dug out curved and arches and
it's dark and it's .... ok ... curved arches, curved
arches, ok ..... and here is the awning. Outside
awning, all right. And this is the walkway. Do you
get that ... and this is all .... this is all dark and
shady in there, ok. Standing there and looking this
way ... I know this is .... none of this is what you want
to hear .... standing this way is ..... simple door and
here is all the arching affect. And here is sta ...
window, regular window, goes down a little bit farther.
All right. This is glass. Here in the background is
this counter I was talking about and here, along the
window are chairs with their backs to me. Ok.
I am
looking through the glass ok, and somewhat of a low
thing there cutting that off ..... carpeted interior ..
all right ..... inside there's a pillarett there which
you would see sort of through the door and this goes
back here ..... there's the other part of it .... that goes
up like that as though you were looking through a ....
through the glass, ok. I'm going to make that bigger.
Here are the chairs, like this. Looking away. Here's
pillar and this is a glass door. Had a very hotelish
type of feeling to it .... and right here .... in my fore-
ground left is this corner which comes down like that.
Very weird feeling and standing inside .... real
quick sketch here ..... standing inside looking out to
my right would be the pillar, ok, blocking my view and
there would be a dome there that I could look katty-
corner out of, ok. Probably find out this is where
Valdheim : (phonetic) stays .... shit I don't know. And
the chairs are here, like that.
Here's the other dome
far in the distance .... I mean not ..... it's not a dome
.
9
SECRET
Approved For Release 2000/08/07 : CIA-RDP96-00788R000800740001-3
:
L

---
Approved For Release 2000/98/07 :(CIAFRDP96-00788R000800740001-3
OLUTET
I had the feeling this thing was walled. Ok.
Wall and not fence but wall, not posts or pillars, but,
solid wall. Now, I don't know where this car went.
But, I don't have the feeling that it drove far.
I
had the feeling that inside this wall, of course
-
everybody, this is where we get on the ... thanks to ABC
and NBC and everybody else, but, that ...... ok ... what
was that date ..... 5 March ..... I'll write that on here
5 March 1980.
Two men opening gate; big black limo
entering .... ok.
I had the feeling that if I looked
through this gate that it was the gate that has this
funny little thing inside and it seems to be a building
right in the back, OK. Now, there's a capstone for
the gate. There's one on the other side, ok. And,
that the grand automobile was in the process of driving
.. that isn't bad, is it? Dam. Surprise myself
. .
sometimes. Ha .... was in the process of driving in, ok.
There's some sort .... this is an open plaza. It's all
over here. It's just like a big parking area or something.
Drive-in area, or something like that. Open plaza.
It's
all over. Then the last thing I had for this cat was
exiting a car door and there being .... how am I going to
do this ..... some few, very few number of not very large
steps, ok, that are .... the thing I wanted to get across
is they're red brick. I had the feeling of brick that
matched all around, ok. Ok, red brick steps. That's
the thing ..... if anything, it's, here's the side of the
building, but this is all red brick ... is all over on
the ground out here.
It's as though there's no grass
.... it's no ..... as though somebody paved right up to
the side of the building ..... and all around the building
like this. No cir ..... I didn't get any kind of feeling
for any kind of circular drive or any kind of an actual
identifiable drive.
It was just like the yard, no
grass, all bricks. All outside this thing and it was
a. . . not a big grandios entrance but rather was a smaller,
more conservative entrance, you know. Not at all in
keeping with the kind of stuff we pulled out for the
front doors to some of these places. But, that there
might be one column or two on each side as opposed to
six or seven on ea ... you know. All right. And the
car pulls up and I've got this tall, lean guy with a
bill nose, you know ... uh .. what did I call it? A hawk
elderly guy, salt and pepper, slim, 6 foot 4, Father
-
nose, yeah. Yeah, a hawk nose, tall, lean, caucasian
-
impressive build. Daperly dressed suit, 3 piece suit,
dressed, no hat. Kind of reminded me of Valdheim.
. You know, the look Valdheim, you know. He's very
10
SECRET
Approved For Release 2000/08/07 : CIA-RDP96-00788R000800740001-3

.
Approved For Release 2000/08/07 : CIA-RDP96-00788R000800740001-3
SECRET
natty (phonetic) all the time and he's ... ok. And,
slender; you could see his Adam's apple, you know.
... image I had ... ok.
Then, the last image I had was
a series of like 3 automobiles traveling down a street
line with crowds going, you know, ya-ya -.
#14
Ok. That was ... we moved then to 12 March 1980, ok.
Anything else?
#31
No.
That's it for me.
#14
All right. End of session.
-
.
11
SECRET
Approved For Release 2000/08/07 : CIA-RDP96-00788R000800740001-3

Approved For Release 2000/08/07 : CIA-RDP96-00788R000800740001-3
TAB
Approved For Release 2000/08/07 : CIA-RDP96-00788R000800740001-3

1
1
8
8
Bushes
IST
.
open
FIELD
Open FAN/bLADes.
METAL
M
Approved For Release 2000/08/07 : CIA-RDP96-00788R000800740001-3
blog
roof
1
.
,
Approved For Release 2000/08/07 : CIA-RDP96-00788R000800740001-3
1

Approved For Release 2000/08/07 : CIA-RDP96-00788R000800740001-3
-
Low
Bushes
A
Parked
EARS
IST
open
grass
FIELD
-
Contraption
1
0
drive
-
Approved For Release 2000/08/07 : CIA-RDP96-00788R000800740001-3
-
2
1
T
cars

Approved For Release 2000/08/07 : CIA-RDP96-00788R000800740001
3h
-
STAIRS
3
3
CALL
50225
1
-
Approved For Release 2000/08/07 : CIA-RDP96-00788R000800740001-3

Approved For Release 2000/08/07 : CIA-RDP96-00788R000800740001-3
TAwning
Suivant
1
-
AWNING
-
-
-
-
4
Approved For Release 2000/08/07 : CIA-RDP96-00788R000800740001-3
-

Approved For Release 2000/08/07 : CIA-RDP96-00788R000800740001-3
5
.
SP19
"L shape
Approved For Release 2000/08/07 : CIA-RDP96-00788R000800740001-3

1
Approved For Release 2000/08/07 : CIA-RDP96-00788R000800740001-3
9
c
Arches
F
curved
Arches
1
WAY.
WALK
-
Approved For Release 2000/08/07 : CIA-RDP96-00788R000800740001-3
--
.........
.
F
1

Approved For Release 2000/08/07 : CIA-RDP96-00788R000800740001-3
-
SATO
counter
PHIAP.
ser's
-
Approved For Release-2000/08/07 : CIA-RDP96-00788R000800740001-3

Approved For Release
ease 2000/08/07 : CIA-RDP96-00788R000800740001-3
02
1
-
.
f
1
1
1
Approved For Release 2000/08/07 : CIA-RDP96-00788R000800740001-3

Approved For Release 2000/08/07 : CIA-RDP96-00788R000800740001-3
5 MAY80
zmen
7
opening
WALL
gate,
BIG BLACK
LIMO
ENTERING
.
SOLID
WALL
-
Approved For Release 2000/08/07 : CIA-RDP96-00788R000800740001-3
7
-
1

Approved For Release 2000/08/07 : CIA-RDP96-00788R000800740001-3
1
-
PLAZA
nodo
C
.
-
Approved For Release 2000/08/07 : CIA-RDP96-00788R000800740001-3
-

-
.
Approved For Release 2000/08/07 : CIA-RDP96-00788R000800740001-3
1
. ....
--------
HHH
no grass,
ALL
RED
Brick
Like
cobblestones
11
dark
SUIT
64
dapper
HASTILY
dressed
60-65 yrs old
exits black Limo
AND enTers
Door,
·
,
11
Approved For Release 2000/08/07 : CIA-RDP96-00788R080800740 01-3
Greying
SLENDER
hair
"hawk nosed"
Prominent
ADAMS
Apple
.
RED Brick
STEPS
-

-
Approved For Release 2000/08/07 : CIA-RDP96-00788R000800740001-3
TAB
Approved For Release 2000/08/07 : CIA-RDP96-00788R000800740001-3

1
Approved For Release 2000/08/07 : SIA RDP96-00788R000800740001-3
SECRET
TARGET CUING INFORMATION
REMOTE VIEWING (RV) SESSION CCC6
1. (S) The viewer has been exposed to open source news media
information as well as classified overhead imagery. He knew he
would be working against the hostage situation in Iran.
2. (S) At the time of the session, the viewer was shown overhead
imagery of the U.S. Embassy compound in Teheran, Iran. He was asked
to describe any activity taking palce on the compound. The viewer
was also moved forward in time and asked to describe any activity
taking place at 1100 hours, Iran time, on 5 March and 12 March 1980.
1
SECRET,
Approved For Release 2000/08/07 : CIA-RDP96-00788R000800740001-3
......
. ..
..