CIA-RDP96-00788R000800580001-1

=
Approved For Release 2000/08/07 : CIA-RDP96-00788R000800580001-1
CPORET
ORCON/NOT RELEASABLE TO FOREIGN NATIONALS
GRILL FLAME
PROGRAM
SESSION REPORT
:
Copy 2 of 2
CLASSIFIED BY: DIRECTOR, DIA
REVIEW ON: JAN 2000
EXTENDED BY :
DIRECTOR, DIA
REASON:
2-301c (3 & 6)
ITTLAME
SECRET
Approved For Release 2000/08/07 : CIA-RDP96-00788R000800580001-1
.....

. .
Approved For Release 2000/09107 / CIA-RDP96-00788R000800580001-1
1
23 99
8.8
SUMMARY ANALYSIS
REMOTE VIEWING (RV) SESSION CC70
1. (S)
This report documents a Remote Viewing (RV) session
conducted in compliance with a request from SOD, J3, OJCS,
Pentagon, Washington, D.C. The purpose of the session was
to provide information relevant to the hostage situation in
the U.S. Embassy compound in Teheran, Iran.
2.
(S) The remote viewer's impressions of the target are
provided as raw intelligence data and as such have not been
subjected to any intermediate analysis, evaluation or collation.
Interpretation and use of the information provided is the
responsibility of the requestor.
3.
(S) The protocol used for this session is detailed in the
document, Grill Flame Protocol, AMSAA Applied Remote Viewing
Protocol (S), undated.
-
4.
(S) Following is a transcript of the viewer's impressions
during the remote viewing session.
At TAB A are drawings made
by the remote viewer reference his impressions of the target
site.
At TAB B is target cueing information provided the
remote viewer.
Approved For Release 2000/08/07 : CIA-RDP96-00788R000800580001-1
.

--
Approved For Release 2000/08/07 : CIA-RDP96-00788R000800580001-1
TRANSCRIPT
REMOTE VIEWING (RV) SESSION CC70
TIME
#14
This will be a remote viewing session (edited for
security).
PAUSE
Rasid
Alright #10.5, the time now is 9:00 o'clock. For
the past few minutes you've been looking at a
overhead photo of the embassy compound in Iran.
I
want you now to concentrate and focus on the area
identified as Area "J."
When you feel that you are
at Area "J," describe your location and surrounding
to me, and let me know.
PAUSE
-
#10.5
Feel like I'm at the ... ah ... corner of a building
that's several ... ah ... several stories high. Brown-
stone type, (mumble) construction.
I. . . ah .. . I'm on
a path that runs along this wall, the wall is to my
left. A little door ... a little (mumble) overhang
(mumble), inset wooden door with several little
glasses in it and a small simple ... simple stoop ...
small little porch up there. It seems it's roughly
in the middle of this wall.
#14
What's beyond this door?
#10.5
The ... going on down the walk ... ah ... ends in ...
ah ... no, it goes around what I think is a low white
wall.
It comes away from the building.
#14
I want you to go to the main entrance of this
building, go into the building, and describe what
you see.
1
+07
#10.5
(Mumble) I'm ... ah ... in a veranda porch with a front
facing wall, low that Is ... ah ... it looks like
ornamental brick. It has holes in it and I can look
out through it off this porch. Several. . . I feel
like there are several. .. an. . . round, while pillars
in this porch, which is ... looks like it's cut into
the building rather than projecting off of the
building. Have the flavor of . .. ah. . . sitting chairs
on the porch, like wrought iron or rattan, but they
11
-
Approved For Release 2000/08/07 : CIA-RDP96-00788R000800580001-1
+05

Approved For Release 2000/08/07 : CIA-RDP96-00788R000800580001-1
look while.
#14
OK. I want you to take a good look around you, and
remember outlooks and how it's arranged, so we can
draw it latter.
Now I want you to move on into the
main building.
Describe what you see inside the main
building.
PAUSE
+13
#10.5
I am at a place (mumble) which I ... ah ... see a ...
the room feels offset to the right behind the porch.
I ... ah ... feel that along the left is a. . . ah ... up
stair case to an upper level.
+15
#10.5
For some reason the ... ah ... stair case is offset along
side the entrance so that unless ... go way up in a
corner to get on the stairs. I'm on the stair case
of ... ah ... halfway ... I'll try to get a feeling of the ...
I will (mumble) up the stairs. Behind me is a window
that must be on the front of the building at the foot
of the stairs. I am ... ah ... at the top ... of the
stairs ... I am at the top of the stairs.
I got a ...
ah ...
PAUSE
+19
I am down from the stairs, a short distance ... ah ...
to the right as though I walked off and gone right.
There ... I'm standing in a hall of ... ah ... looks
hardwood floor. For some reason ... ah ... the hall to
the right does not want to go as far as the hall to
the left. Appears as though it ends closer to the
stair well than the other side.
.
#14
OK.
Go to your left then, and as you go down the
hall ..
+20
#10.5
Voll, there are several things there such as rooms,
it is a ways but not a far aways to the left.
#14
Are there any people on the second level?
(
2
Approved For Release 2000/08/07 : CIA-RDP9600788R000800580001-1
-
#14
Go to this stair case on your left and go up to the
other level describing your surroundings as you go
along, and let me know when you're on the upper level.
-

1
Approved For Release 2000/08/07 : CIA-RDP96-00788R000800580001-1
#10.5
I'm looking for them now.
PAUSE
+22
Left and right side; I'm being drawn there, attracted
to it.
I've a feeling it's at the very end of the
hall on the right side.
PAUSE
I have the feeling there's an outside exit off this
hall, at the end of it, fire escape type thing. Not
a room but a door at the end of this hall, second
level or something. I'm trying to get into this
room, but I ... I lost my focus ... so give me a couple
of minutes.
-
#14
OK.
PAUSE
#10.5
+28
I have a room I would almost make a kitchenette.
Appear to be several stainless steel sinks in a
h
L-unit in a corner, cabinet, table in the middle,
very peculiar. I am getting feelings of occupancy,
but I cannot get the people, as though that are
eating something there, talking or reading or ... a
window in the back over looks some trees. It's
very peculiar, illogical, but it's there, I felt
a ... ah ... white porclain refrigerator inside the
door, anyway, I'll work on it. Anything goes.
#14
OK. Are you still on the second floor?
#10.5
think I am.
I still have a feeling of height,
looking out the windows I see the upper parts of
trees and not the lower parts. It's as though it's!
a secondard kitchenette in a guest wing of some-
thing or guest rooms or something up in the second
floor, but I might very well have lost myself to
the ... I don't know.
1
#14
OK.
The ...
+30
#10.5
I have a man who is reading, I looked ... I'm getting
the feeling this is not being used to read so much
as it is _ common area where people can go to read
and a change of scenery, maybe a man at the end of
-
the table appears to be reading, not eating and. ..
ah ... I'm sure not getting any better in this session.
3
Approved For Release 2000/08/07 : CIA-RDP96-00788R000800580001-1

Approved For Release 2000/08/07 : CIA-RDP96-00788R000800580001-1
#14
OK. Ah ... I want you to forget the second level,
I want you to move down to the first level.
There's
a room down on the first level I'm very interested
in. When you get down to the first level, let me
know.
PAUSE
#10.5
Yes.
#14
Alright.
#10.5
I'm getting a feeling of some ... ah ... of a real
living room type of place, warm Persian rugs and
nice chairs and things. I'm standing right off the
foot of the stairs.
-
-
+34
#14
The room in this building that I am interested in
is the main kitchen. I want you to find the main
kitchen and describe what you see, especially the
number of doors and description of doors leading
into and out of this kitchen and what's beyond them.
PAUSE
#10.5
I ... ah ...
PAUSE
+37
I feel that I am in the same quadrant of the building
I was before, but it looks much larger. Under the
stair well, make a left, down the hall.
As you make
your left, I feel the dining area would be straight
ahead.
Down the hall to the .. . nearly the end there
is a double door on the right, you go through the
double swinging door, you're in the kitchen.
-
Standing inside that door, you look to your right,
there is another double door which services the
dining room outside that way. There, on the left,
-
are a series of large aluminum refrigerators or ice
boxes, or things like that, it's a relatively large
bank of them. Cutting tables and things in the
middle of the room and I would want to say a single
exit in the back left corner exits onto a small stoop
for two or three steps down to ground level. That is
the outside arca.
There is a ... to the garbage bins
and things, I think, out there. It's a little white
door, single white door with a single glass pane in
the top and you can't see it from the back because
it exits from the end. You'ld have to be standing
right in the back corner to see it. (Mumble) and ...
4
+40
-
Approved For Release 2000/08/07 : CIA-RDP96-00788R000800580001-1

-
Approved For Release 2000/08/07 : CIA-RDP96-00788R000800580001-1
+42
ah ... back in the kitchen to original place. From
the double doors on the right to the dining room
I've got ... those double doors have now become saloon
doors.
To the left of that is cubbard space and
sink space. The layout is different than the other
place. In here, a ... ah ... window in the back, and a,
oh God, I can only get the first (mumble) proportion.
Ah ... sitting on the window ledge to try to look back
at this (mumble).
F
PAUSE
+45
Ah ... this place is a (mumble) between a small,
private kitchen and a bigger, industrial kitchen.
It ... the thing that's confusing is I'm getting a
mish-mash of ... of appliances. I have huge stainless
steel refrigerators and a breakfast nook side-by-
side and they're not computing. I've a feeling that
there is a small breakfast table in the back and
under the back window and it runs lengthwise, it's
small, but it's lengthwise, and I've gotton a
feeling that the bench seat ... it's bench seat type
of arrangement and ... ah ... bench seat lays against the
wall ... back against the wall, but exits, throughout
it all they all remain the same. Ah ... the swinger
door ... the hallway door has changed its nature, it
appears a single, but large door swinger. The door
to the dining area is a saloon door, and then there
is the back entrance door in the corner of the
building. That's all I'm getting.
#14
OK. Before we end the session, I want to ... ah ... I
want you to scope out the building one more time and
try to pick up on any occupants of the building, and
when you felt you've satisfied. .. ah ... the requirement
on that, it's time to end the session.
PAUSE
+48
#10.5
I have ... ah ... one non-friendly in the living room.
Appears to be standing in the middle of the floor.
Appears to have a weapon over his right shoulder and
appears to be talking to another individual who is
seated in a chair along the wall and under the
Stair case side.
I'm still getting imagery of a man
sitting at a table reading and it still bus the
feeling it's an upstairs area.
#14
-
I want you to take a good look at the man who's
upstairs in the reading area. What I want you to do
5
Approved For Release 2000/08/07 : CIA-RDP96-00788R000800580001-1

.
,
Approved For Release 2000/08/07 : CIA-RDP96-00788R000800580001-1
is take a good look at him and try to identify him
after the session in subsequent photography.
PAUSE
+50
#10.5
Ah ... I think it's the guy with the beard. (Mumble)
fly away (mumble) ... he's the guy that popped into
my head when I started to look at him. OK, looks
like Abraham Lincoln.
L
PAUSE
#14
Got it on?
#10.5
Yea. OK, there's a window in here somewhere. OK,
I had the feeling that the ... first of all, the
first image I had was sitting by, as I usually do,
I always end up on a corner to start with, I must
have a fettish for corners.
#14
Well, it gives you an option of going either way.
#10.5
If you ever need anybody to work on a corner, I'm
the guy. OK, anyway, looking along the back of
the ... of a brown stone structure of several stories,
the knobby lines that outline the building are to
reflect the type of brick, it's like a rough cut
stone is my feeling. Ah ... and it's got, you know,
like an old mansion type structure, not ... not
straight brick, but like brick stones, stone bricks,
that have been hewn out of stone, and they're
rough, they're bumpy, they have knobs on them, but
they're flat on the top and the bottom, but the ...
the sides of em, when you run you hand down the
wall it's just bump, bump, bump, bump, bump.
#14
OK.
#10.5
Alright, somewhere in the ... roughly the center of
this is a little peaked roof, back stoop type of all
=
feeling, OK. Sidewalk in front of it goes to the
other end of the building, some sort of a low,
white wall that squares off here, in the distance,
and the ... the walk goes around it like that; that's
not a structure, that's just a wall of some kind,
that was my first imagey, and of course that was,
you know, just trying to get in on the target.
#14
Right.
6
Approved For Release 2000/08/07 : CIA-RDP96-00788R000800580001-1
-

.
Approved For Release 2000/08/07 : CIA-RDP96-00788R000800580001-1
.
--
#10.5
OK. Then you had me go to ... this is the garbage
here, this was a bad first attempt at it. Then you
had me go to. . . ah ... look ... well ... then I looked at
the back stoop as I was going down that way. Forget
that way. A little indentation there for a simple
back door and it was wood and I ... I had the feeling
it had random windows in it like that, OK, and then
here is the stoop, out like that, you know, there's
several steps down. OK, and that's just ... that's
just a ... a simple peak there, it's just that thing,
that's all that is, and I'll call it back door with
a question mark, cause of course I don't really know
where I was, but the back, Scene 1, resembles what
would be the rear of the structure ... what I would
refer to as the rear of the structure.
OK. Then
-
you had me go to ... the main entrance, OK, I had a ...
ah ... how do I describe this now, I'll just start
with what the main entrance looks like, as far as I
know.
OK, this is somewhat elevated; here is ground
level, OK. It's got ornamental brick on a wall of a
facing wall of a veranda. Coming down here to the
left is a stair case, OK, and there ... there ... OK,
it's not very far offset on the left side, possibly
just a little bit, like this. Alright, now this
thing is in ... cut in, carved out of the face of the
building like, and that would go down there, and here,
offset on the ... what would be the right, I had the
feeling that there were two pillars, OK, and then you
could see the other one behind it, OK, like that. You
know, in a row. OK, like this, and that the door was
here and possibly a window there, OK, it makes like a
little veranda type of a shape. Looks pretty, doesn't
it; I wouldn't mind living in a place like that. OK,
standing at the door, it looks like this. Some sort
of footing on this. Let's see, those come out just
about in a straight line. Here is the veranda wall
and there are, I don't want to do that yet cause I
need to draw ... I have a hard time remembering what I
need to draw so I don't draw lines in when I need to
draw other things, and you can see through this wall
on the right, which is that wall there. There. OK,
now, to the baseline, there are some veranda type
chairs out here ... ahm ... not really nice stuff like ...
ah ... wrought iron, and ... ah ... or rattan type of
thing; what you'ld expect in an outdoor patio chair,
you know, that type. OK, now that I've got that
drawn in, there are several of them out there, I'm
only gonna draw one; hell, I'll draw another one,
what the heck. OK. Alright, inside, 5. When I
7
Approved For Release 2000/08/07 : CIA-RDP96-00788R000800580001-1

Approved For Release 2000/08/07 : CIA-RDP96-00788R000800580001-1
went inside, the first thing that I saw was a stair
well, but as I went ahead and investigated ... a
stair case ... as I went ahead and investigated the
stair case, then I ended up with a layout concept
that looks like this overhead in 5. Stair case comes
downs, there is a window here.
#14
Why don't you label it?
#10.5
That's what I'm talking about. When I said it's
like being in a little corner of the room to go up-
stairs, you have to walk and there's this damn wall
there, something, which all ... the only thing that I
might, if I was to apply some logic to it, I would
say that this is the porch area and here is the
front door and this cutout thing is the thing that
makes this little cubicle here cause that's where
Sketch 4 might fit in, right there. But I don't
know, I wasn't looking through walls, I was just
inside by that time.
#14
OK. Why don't you label that window so we don't
confuse it with the door.
#10.5
OK. And I had ... these are the steps down, I had the
feeling that there was several more steps down going
around the corner and then you would go out and this
is like ... living room, I guess. Living type room,
OK, and this is stair well, stair case, upstairs.
Right in here, possibly front porch indentation.
Alright, that's the up stair case. 6, OK, you walk
around that corner and around that corner is the up
stair case, OK, and the banister. Actually, it should
go up farther to get to the cefling line, oh, that
doesn't matter, the hell with it, I don't give a
shit. OK, and back and under that thing is ... is the
wall, OK, and this is ... the feeling that there's a
door here, but I didn't really see a door, I think.
I really don't think I did. There, like that, OK.
This continues on up in the foreground and then
about ... that's this little bump here looking down
in there. OK, make that a little bit higher, and
it just disappears to the roof, through the ceiling.
OK, feeling that there were ... now, .OK, I'll compile,
because when I came back down stairs I got these
Nibs; I got a rug area, mellow brown and very nice
Louis XVI type of furniture in here, you know, really
nice, club footed nice chairs and all that kind of
stuff with a big Persian rug on the floor, all nice
8
Approved For Release 2000/08/07 : CIA-RDP96-00788R000800580001-1
-

Approved For Release 2000/08/07 : CIA-RDP96-00788R000800580001-1
and warm, OK. OK, rug. Nice ... ah ... you know, really
nice ornate, luxurious type of furniture, club
footed ... ah ... French Renascence type of stuff, nice
deep, lush Persian rug, and that type of thing.
Ah .. . OK, anyway, I didn't ... I wasn't paying that much
attention to furniture, you know, the where positioning
of furniture ... OK, upstairs to No. 7. I went up the up
stair case, or maybe it was up the down stair case, and
the view then I ... when I came out I was not at the head
of the stair case, I was a little bit offset to it. I
had the feeling that this was the stair case landing
there, and there was a hall that went down, like this.
OK, and at that time, I already had felt that there was
a door at the end of this hall, OK, like that. OK,
this is where the stair case comes up, OK. Now, about
that time you started me working on people, and I was
attracted to where the "X" is right at the beginning
and then I sort of stopped and I sort of looked around
a little bit more and this feeling to go to the end of
that hallway down there was the strongest so that's
where I went, OK, but in No. 8 what'll I'll do is I'll
do you a little overhead ... at that time I think I
mentioned the fact that the hallway to the right was
not as long ... didn't seem to be as long as the hallway
to the left, it was as though it was blocked off or was
different somehow, so what I end up with is a feeling
of hallway that is maybe that long there but much
longer down here, OK, and that there are rooms here,
OK, but that the end ... what would be the end of the
hallway is actually ... is a room in itself, OK, and
that's why it makes the hallway, you know, shorter on
that end, cause the hallway's part of the room, where
as down at this end I have the feeling ... this is second
floor ... second ... I'guess I'll call it second floor, I
don't know. This is the stairs, OK, down here it's as
though there are rooms all along the hallway, OK, and ...
and you just. . . you can walk, spit right out the end of
it, and that's why the hallway appears shorter on the
right than on the left, OK, and don't put any ... the
numbers of rooms here are just a shag, I did not
actually count or talk numbers, but it's as though
there are a number of rooms on each side of the hall
to the left, OK, alright, 8. Alright, 9 will get to
the end room where the "X" is. I'll put the "X" in 8
as well to show continuity here, Alright, in this
place, and it was ... I really, I got the flavor right
off the bat that it was a kitchen, is. .. ahm ... how am
. I gonna draw it, OK, I'll draw it as though I'm from ...
I'm looking through the door, OK.
9
Approved For Release 2000/08/07 : CIA-RDP96-00788R000800580001-1
T

-
Approved For Release 2000/08/07 : CIA-RDP96-00788R000800580001-1
#14
Or would it be easier to draw it as an overhead?
#10.5
Uh ha.
#14
You know, and ...
#10.5
It probably would be, I think I can get everything
in that way better.
#14
Yea.
#10.5
OK.
Windows there, door, alright, now, walking
right inside I had the feeling of a refrigerator
size thing, white porcelain, OK, and that to the
left of that then was counter space that had
stainless steel sinks in it, OK, and then that
there was ... the counter continued on with overhead
cabinets hanging over it, OK, and I don't know
where it went from there, OK. Alright, the
dominant thing in the room in this layout, though,
was that there was a table, rather long table, and
I had my man ... I ... I don't know where he was ... it
was as though when I was standing in the room I
could look across this table at him, like he was on
the other side of the room, and there was at least
one, and ... hard to ... hard to say if there were any
more than one in there. Ah. .. at first I thought it
was like a breakfast or a snacky scene, but as I
worked on the rest of the kitchen to get the layout
it ... it just sort of naturally fell into being a
reading type of thing, OK, that's the layout there.
I guess that's pretty obvious that that square is a
table ... rectangle is a table
#14
Yea.
#10.5
What's down the left side?
I didn't really pick up
anything except on the right side, looking around
the room this way. Refrigerator right by the door,
sink space under, you know, bencath, cubbards
beneath, typical kitchen type layout. Overhead
stuff. I didn't get any other really important
facet; I didn't get a stove or anything like that
either, which is sort of surprising. It could be
anywhere if it's in there. OK, going to 10. About
that time, you told me to go to the main kitchen,
and ... ah ... (laughter) ... that was ... that sort of
brought a little comical ... chuckle from me, you know,
- like, hmmm what do ya know, that's what the special
10
-
Approved For Release 2000/08/07 : CIA-RDP96-00788R000800580001-1
.....
--

Approved For Release 2000/08/07 : CIA-RDP96-00788R000800580001-1
room is (laughter).
#14
Right, except you were in the wrong kitchen.
.
#10.5
Huh?
#14
You found the kitchen, but the wrong one.
-
.
-
#10.5
Yea. And that was interesting too that I was
attracted to a kitchen upstairs and then turns out
I was supposed to be in a kitchen all along, OK,
well anyway, let me see, I went back out, I'm
trying to keep continuity instead of, you know,
not knowing where the other main kitchen would be,
I had to go back to the start point and try again,
at least that's what I felt I otta do. I went
back down the hallway, hung a right, and went down
stairs, swung around the stair case, all this
happened really instantaneously, I got to the head
of the stairs and I was immediately down in the
middle of the living room floor and that's when I
picked ... OK ... that is when I picked up the idea of
rugs and Louis the XV chairs, and everything. OK,
I was sort of lollying around in the middle of the ...
middle of the living room trying to figure out
which ... where, you know, where a main ... where a
main kitchen is, you know, and I was attracted
right back, only on ground floor, I was attracted
right back on the same azimuth that I had been
before. Back into what I said on tape, I'm In ...
I'm in the same quardon of the building, OK. So
I ended up on a ground floor situation ah. . . and
I'll draw an over head for this. I'll call
this ... No. 9, I'll call this second floor, OK.
No. 10 I'll call ground floor - kitchen. OK, as
I swung around the corner to go on under the
stairs on my path, I had the feeling that on the
right was dining area, and a large dining area, an
entertaining dining area, you know, like a ... not
just a regular old dining room that ... that I would/
have, you know, family type, but a big place,
right. Not a. .. not a cafateria size, but a ...
where one could entertain well, if you follow what
I mean, you know, OK.
#14
Rather large place.
11
..... ..
Approved For Release 2000/08/07 : CIA-RDP96-00788R000800580001-1
-
-

Approved For Release 2000/08/07 : CIA-RDP96-00788R000800580001-1
#10.5
So I'll put this thing in. .. in, OK, here's stairs,
alright. Stairs go upstairs, here's the hallway.
OK, I had the feeling that the dining area was
offset ... offset. There really was no hall here and
that the hall began somewhere down here. There is
the feeling of ... there, like this. OK, this is
dining, this is swinging doors, this ... I had the
feeling coming back that this was one swinging door,
OK, and this is a standard door. Let me get through
this thing here real fast; this is window. Alright,
ow, to the left I had the feeling of several large
refrigerators, OK. A feeling of a. .. this is a bench
Here; I was sitting on the windowsill at one time
trying to figure out what in the hell all this stuff
was (laughter); like a little gnome peeping in thel
window, you know, what in the hell is this, and. . .
ah ... sort of a longish breakfast ... it was a weird
composite of ... like I said on the tape, industrial
and home type thing, you know. OK, like a breakfast
table, benches; bench, bench. Ahm ... and ... and ...
all ... and then I had the ... because it was this other
idea of it, this industrial, this big entertainment,
a big, big, place, bigger place, you know, much more
potential to serve many more people here than an
average kitchen, I had this continued feeling of an
alongated cutting table with all sorts of paraphernalia
hand ... paraphernalia hanging down, you know, like a
chef would have, a big stainless steel table with an
overhead rack with his knives, and his forks, and his
spatulas, and his pots, and his pans hanging down over
top of this cutting table.
#14
Right.
#10.5
OK. These swinging doors ... when I saw the swinging
doors on the right I checked to see if there was ...
like this might be out and there mgith be an in down
here off this dining room, but there wasn't.
I. . . I
kept only coming up with the one door here in this
right ... far right corner. OK, and. .. ahm .. . alright ...
ah ... I ... the ... I was down here sitting on the window
sill looking at the standard door feeling and I said
to myself, now that's a very weird place to have your ...
your cooking area. I had the cooking area ... the rats
are getting bigger.
#14
Speaking of gnomes.
12
Approved For Release 2000/08/07 : CIA-RDP96-00788R000800580001-1
.....

Approved For Release 2000/08/07 : CIA-RDP96-00788R000800580001-1
10.5
Yea. The cooking here is like a grill, it's not a
stove, it's a grill. I had the feeling, you know,
the regular old dining room of lunchinetto grill,
you know the kind, you have to scrape it off with
pumice. It's just actually a flat metal sheet type
of grill. Next to these big stainless steel things
that I called refrigerators or ice boxes, there's
these big ... the feeling was these big resturant ice
boxes, you know. Alright, and on the right side,
here, was ... ah ... I'd ... I'd have to say that it was ...
all I can tell ya is that it was a low counter of
some kind with overhead stuff. And that's the
layout. That's all I got. Now, this door is in ...
if everything goes right, this door is in the back
left corner. As when I was talking about the door,
I made some comment that you could not see it from
the back of the house, you'ld actually have to come
down to the ... well, from my Sketch 1 ... OK ... in my
Sketch 1, you would have to go all the way to the
other end, down here near this wall, and then if
you looked around the corner of the house, then
you'ld see the door right there, OK, but you can't
see it if you're just in the middle of the house,
you have to go down there and look. I didn't have
any feeling for any kind of an overhang or little
roof or anything like that, it was just sort of like
a take out the garbage door and load in the goodies
door.
-
#14
Service door.
#10.5
Service door, yea, right, right. Alright ... ah ...
You asked me to look for other people in the house,
and the only other people I got before going back
upstairs to check out the guy that I had seen, was
the living room scene again, OK. OK, here's a
window, and here's this banister that comes up.
there's the banister, OK, and then there's the
stair way coming in this way, alright. Was a big
Persian rug and a guy with a weapon that was pretty
much hidden by his arm.
-
#14
Did you have any preconceived ideas or ... of the ...
this building, its function or ...?
#10.5
-
No, I ... I don't even know what the building is, I
don't recall, it's been so long ... we've been working
on this thing so long, I don't know what I may have
-
13
Approved For Release 2000/08/07 : CIA-RDP96-00788R000800580001-1

Approved For Release 2000/08/07 : CIA-RDP96-00788R000800580001-1
heard in the past.
#14
Do you have any ... any ideas. .. ah ... what type of
building or what it might function as now, after
viewing it?
#10 5
(Mumble) with a weapon and this guy is ... ah ... it
is a curious cross between a public place an a
residence.
I have the feeling it is a residence,
but it's some high muckity-mucks residence, and so
its got all these ... and its got all this extra ...
these extra accoutrements that you would not find
in a standard residence. Other than that, I don't
know. It looks like a place built for affairs,
you know, not sexual, but party affairs.
And ...
ah ... OK, here is this thing, I had the feeling that
there was a person sitting over here in one of these
really nice Louis XVI jobbers, right, and he was
talking, OK. That's it, that's all I got.
#14
OK.
#6.5
OK. I asked you to look at some photos, and you
picked out the photo of Gary E. Lee. You want yo
tell me why?
#10.5
When I came through the upstairs kitchen door, I
asked who the man was, and the photo itself, which
I had seen in passing before.
14
Approved For Release 2000/08/07 : CIA-RDP96-00788R000800580001-1

Approved For Release 2000/08/07 : CIA-RDP96-00788R000800580001-1
-
TAB
Approved For Release 2000/08/07 : CIA-RDP96-00788R000800580001-1

-
Approved For Release 2000/08/07 : CIA-RDP96-00788R000800580001-1
-
1
-
-
....
im
-
Approved For Release 2000/08/07 : CIA-RDP96-00788R000800580001-1

Approved For Release 2000/08/07 : CIA-RDP96-00788R000800580001-1
2
BACK door?
-
-
Approved For Release 2000/08/07 : CIA-RDP96-00788R000800580001-1

Approved For Release 2000/08/07 : CIA-RDP96-00788R000800580001-1
3,
and Level
0
a
5
0
&
S
U
S
a
8
8
1
Approved For Release 2000/08/07 : CIA-RDP96-00788R000800580001-1
-
č
3

-
Approved For Release 2000/08/07 ) CIA-RDP96-00788R000800580001-1
4
4
2
1
1
-
-
Approved For Release 2000/08/07 : CIA-RDP96-00788R000800580001-1

T
Approved For Release 2000/08/07 : CIA-RDP96-00788R000800580001-1
-
STAIRCASE
MINSON
-
2
LARGE
Living Type
Room
-
WADIW
-
(POSSIBLY
front porch -
veranDA
INDENTATION )
Approved For Release 2000/08/07 : CIA-RDP96-00788R000800580001-1
1
5

Approved For Release 2000/08/07 : CIA-RDP96-00788R000800580001-1
-
Rug ; nice chairs, etc
Persian
.
-
--
Approved For Release 2000/08/07 : CIA-RDP96-00788R000800580001-1

1
Approved For Release 2000/08/07 : CIA-RDP96-00788R000800580001-1
L
L
-
x
.
L
IIJJ
STAIRCASE
-
Approved For Release 2000/08/07 : CIA-RDP96-00788R000800580001-1
.. . . .........

Approved For Release 2000/08/07 : CIA-RDP96-00788R000800580001-1
8
1
E
1
-
2nd floor
STAIRS
LLLLKI
-
Approved For Release 2000/08/07 : CIA-RDP96-00788R000800580001-1

Approved For Release 2000/08/07 : CIA-RDP96-00788R000800580001-1
.
Approved For Release 2000/08/07 : CIA-RDP96-00788R000800580001-1
WINDOW
7
Sitting
reading
.
overhead
cabinets
V
counTER
sinks
frig
-
door
2nd floor kitchen ?
1
1
--
T

STANDARD
cloor
window
BEACH
Break FAST
TABLE
BEACH
CUTTING TABLE
STAINLESS
with o - head
0
BACK
·
·
almills
area
1. swinging
door
- swinging
T
doors
Approved For Release 2000/08/07 : CIA-RDP96-00788R000800580001-1
Ground floor Kitchen
r
Approved For Release 2000/08/07 : CIA-RDP96-00788R000800580001-1
Large
STAINLESS
STEEL
REFAIS.
FIAT
GRILL
CABINETS
COUNTER

. X
21
Approved For Release 2000/08/07 : CIA-RDP96-00788R000800580001-
MAN
5 1x
87 Ml
Kitchen
.
STAIRS
window
-
-
1
TALKING
Approved For Release 2000/08/07 : CIA-RDP96-00788R000800580001-1
.. ..

Approved For Release 2000/08/07 : CIA-RDP96-00788R000800580001-1
TAB
-
Approved For Release 2000/08/07 : CIA-RDP96-00788R000800580001-1

Approved For Release 2000/08/07 : CIA-RDP96-00788R000800580001-1
·
-
TARGET CUING INFORMATION
REMOTE VIEWING (RV) SESSION CC70
AmB
REINS
F
1. (S)
The viewer has been exposed to open source news media
information as well as classified overhead imagery. He knew he would
be working against the hostage situation in Iran.
2. (S) At the time of the session, the viewer was asked to describe
an area referred to as Area "J."
He was shown overhead imagery of
the US Embassy compound in Teheran, Iran.
The area designated as
Area "J" was point out to the viewer by the interviewer.
The imagery
is not included herein due to its classification.
M3. (S) The viewer had not worked against this target in the past.
The viewer was not told anything about the area he was trying to
describe except for its letter designation.
11
Admin Note: TApe RAN Out And it WAS
decided by project MANAGER Not to use New
one to finish up Interview Since VIEWER
had Nothing of specific Interest to SAY.
-
-
Approved For Release 2000/08/07 : CIA-RDP96-00788R000800580001-1
.. .