Project Interloper

CIA STARGATE release

CIA-RDP96-00788R000800530001-6

Opens with: SESSION REPORT

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15 pages, machine transcribed from the CIA’s released scan.

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Approved For Release 2000/00/07 : CIA PDP96-00788R000800530001-6
ORCON /NOFORN
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GRILL FLAME
PROJECT
SESSION REPORT
Copy 2 of2
CLASSIFIED BY: Director, DIA
DECLASSIFY ON :
31 Dec 99
EXTENDED BY: Director, DIA
REASON: 2-301-C (3) (6)
GRILL FLAME
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LECTAFRDP96-00788R000800530002-0
11 JAN
SUMMARY ANALYSIS
REMOTE VIEWING (RV) SESSION CC 6 2
1.
(S)
This report documents a Remote Viewing ( RV) session
conducted in compliance with a request from SOD, J3, OJCS,
Pentagon, Washington, D.C. The purpose of the session was
to provide information relevant to the hostage situation in
the U. S. Embassy compound in Teheran, Iran.
2. (S) The remote viewer's impressions of the target are
provided as raw intelligence data and as such have not been
subjected to any intermediate analysis, evaluation or collation.
Interpretation and use of the information provided is the
responsibility of the requestor.
3. (S) The protocol used for this session is detailed in the
document, Grill Flame Protocol, AMSAA Applied Remote Viewing
Protocol (S), undated.
4.
(S) Following is a transcript of the viewer's impressions
during the remote viewing session.
At TAB A are drawings made
by the remote viewer reference his impressions of the target
site. At TAB B is target cueing information provided the
remote viewer.
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TRANSCRIPT
REMOVE VIEWING (RV) SESSION CC62
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TIME
#66
This will be a remote viewing session (edited
for security).
PAUSE
I have shown you a picture of Alan Golacinski.
Focus your attention now on Alan.
Relax and
concentrate. Focus your attention on the area
surrounding Alan. Relax and concentrate and
describe the area to me.
PAUSE
#1
Ah ... see a large room with ... ah ... (mumble) or
something.
Tell me about this room.
.
#66
#1
It's ... ah ... so large room, only one door coming
into it and there's. .. ah ... (mumble) thirds of
room is ... ah ... hostages. (Mumble)
Abeing used by
NEW
#66
Tell me what makes you say it's being used by the
hostages. Tell me what your images are.
#1
+03
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See a group of ... ah ... a six ... six people and
they're. .. ah .. . sharing this area. They're just ...
ah ... sharing this area. They're all ... ah ...
sleeping in the same area. I see dividers,
ah ... section this area off, and ... ah ... they're
all sleeping there.
#66
#1
OK
There's no windows on the side that they're at.
There's ... ahm ... another door here that goes to
the ... ah ... goes to the bathroom. .. there's two
bathrooms. Some part of a ... some part of la
general access area ... ah ... large processing area,
something.
There is windows on two sides of this
room.
**
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What floor is this room on?
+05
#66
#1
It's on the first floor. Ah. .. it's a split level
building. There's ... ah ... there's windows all
around, and it's got a ... an overhang roof on one
side. It's a ... a white ... white building. It's A
plain entrance door. Was a ... some kind of a
processing ... ah ... processing office.
#66
Describe the location of the processing office.
PAUSE
#1
Emm ... they go in this door that's on the right.
It's the right hand. .. ah. .. right hand half of the
building, so, the right hand half is only one
floor, and there's ... ah ... the left hand half is
two floors. I see ... ah ... see part of the fence.
It's ... ah. .. close to a fence. It's close to the
wall and the fence of the compound. It's towards
the rear.
#66
#1
#66
#1
#66
+10
What is your position of observation now?
PAUSE
I'm seeing ... looks like the side entrance. It's
a patio or something.
Any personnel outside?
PAUSE
Two ... two guard people outside with guns.
Describe them to me.
#1
Wearing ... ah ... wearing heavy ... ah ... coats. One's ...
ah ... wearing a ... ah ... stocking hat and (mumble).
He's holding some ... ah ... just a minute ...
PAUSE
Ah ... so ah ... one of the guards is ... ahm ... got a ...
(mumble) American made weapon. The other guard has
a different kind. Doesn't look American.
#66
Describe the activity of the guard personnel.
SEGRET
2
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#1
They're talking ... standing and talking by the
door. Maybe ... ah ... 25 feet out from the door.
Curious, there's. . . ah ... I see only guards. . . ah ...
let me see ... all around this building there's no
more guards.
I sense there's some inside.
1
.
don't know how many.
#66
Describe the size of this building.
PAUSE
#1
It's ... ah ... (mumble) 70 by 50 feet ... 70 by 40
feet.
#66
And it's shape?
-
+14
#1
It's ... ah ... rectangular and ... ah ... two stories
on end, no basement. No trees by the courtyard
side. It's in ... ah ... clear ... ah ... it's in a
opening.
#66
Move back inside now to the area where Alan is
located and search the area for other personnel.
PAUSE
#1
There's ... ah ... it's ... there's ... ah ... five or six
or more people. One person has ... ah ... real long
black hair, is a very heavy person ... it's a very
round face. That's the only one I can see.
#66
OK. Now move away from that immediate area to
other areas of the building, searching for people.
PAUSE
1
#1
There's ... ah ... (mumble) ... hang on a second.
PAUSE
Get the impression there's. .. ah. .. there's two or
three guard people in the same room and. .. ah ...
in the access coridor there's another guard, but ...
ah ... I don't know. I had a strong impression
there's ... ah ... there's more hostages somewhere
else in the building, but ... ah ... I. .. ah ... I can't
find them now, I think I lost my. . . ah ... my. . . ah ...
concentration here.
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Consulate
MusulAt
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#66
#1
OK. Let's draw the images you have had.
Mumble. Sorry that I lost my concentration.
Well there's a great deal of noise outside the
room here.
#66
#1
Page 1, I'm going to. .. ah ... see if I can
I
reconstruct the view I had of this building.
felt like I was standing 80 feet away to the
side right of the building, and the perspective
is going to be a little funny on this, but this is
the true way that it looked to me for some reason.
PAUSE
And this perspective or this ... this sizing here
I think is ... ah ... maybe variable from the way it
actually is but I think the general form of the
building or its shape; its style of construction
is ... ah ... accurate. I don't know why but the
roof ... the over hung roof for some reason appeared
to be very substantial to me for some reason;
grotesque almost, so it may be significant that that
over hang, the flat over hang roof is important or
very significant. I would get that impression that ...
ah ... that may be why I recall it so much, but the ...
an .. . black square on the side is about where the
door was and it was literally a very simple doorway
there with a single stone step. That's how I got
the impression this was a side entrance or some-
thing and there was a guard where the two circles
were and they're talking to one another and I got
the impression of a stone wall on my left with a
gate on top.
1
And which wall ... is this the wall that you thought
might be the compound?
#66
#1
The fence, yea, the compound fence, and back here
I saw a tree, but this is stone out here ... hard
stone or earth. I got the feeling I. .. earth
compound ... no, not compound, what would you call
it ... patio. Ha, patio ... p-a-t-e-o ... you'll have
to tollerate that I'm afraid.
I'll correct that.
But that's. .. that's the view where I ... when I went
outside the building ... that's the view, the
impression I had and I got ... I sensed that going
from the location of the hostages inside this
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building to the exterior of this building is a very
simple, straight forward process. It's like going
through one door making a left, walking 15 feet and
you're outside. Very ... very straight forward area
in that the half of the building with the arrows is
where the hostages are.
I got the feeling like in
this room I was looking down one wall of this room
and there were no windows in this wall ... call this
wall ... and this wall the room went over like this and
there was a dividers going down like this sectioning
this room off, and behind these dividers were cots
or something for these ... ah ... these hostages. And
on this side there was ... ah ... the guards were over
here. And this was ... the black door was the
entrance door, and to the right of it was a. . . like
regular men's room and a women's room.
#66
OK. Is that entrance the outside door or is it a
hallway?
Consulate
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#1
No ... no, that's a hallway ... it goes to a hallway.
sense that were ... there were windows over here on
that wall and windows this way, but no windows that
way; there was no windows on the side the hostages
were against. I also got the feeling like there
might be back up in this area ... was ... ah ... they had
stacked furniture or something back in here and that
this was like ... this room has a function ... had been
some kind of receiving area ... like an area where ...
ah ... a crowd of people could be accommodated for some
form of processing; I don't ... you know. . . I don't know
what that might be, it's just a feeling.
#66
OK. Was there another office area you .. . you
mentioned on your way out of the building or
something was ...
#1
Yea ... going out ... assuming and ... and I can't ... oh,
that's page 2, page 3. Now, I'll tell ya, I'm
assuming that this room is a square; we'll call it
room A, and that ... ah ...
#66
Room A then is the room in 2?
#1
Yea, on page 2. I get the impression that .. . ah ...
there's a hallway ... this being the entire ground
floor ... that there is a hallway that goes like
this ... this being the entrance to this room. Over
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where the bathrooms would be in this hallway are
steps going up and on the inside of this room where
the two arrows are are the bathrooms, but they
might be under the steps or something and that goes
up the second floor, and ... off this hallway are
other offices or something, and there's a second
floor, and the second floor is identical to the B ...
the other half ... what I'll call label B half of this
building, and before I started getting a little
screwed up in my thoughts, I got the distinct
impression like there might be other hostages in
that B half of the building, somewhere. Where, I
don't know, but I also got the impression that there
is a guard somewhere in this corridor.
This is the
entrance door.
No basement ... I didn't sense there
was any basement in this building. That might be
important for singling the building out. The
building was white; most predominant feature was
it looked like a ... ah ... house boat with an over
hang roof; a lot of windows on two sides. That's
essentially it.
#66
#1
OK
(Mumble) I felt like I was back in ... I don't know
what I mean by that ... but back in the compound,
you know, not in a centralized area of the compound
but up against the, you know, maybe it's because I
got the impression of the fence; the compound fence
or something, but I feel like it's off to one side.
OK.
So you think this building is on the compound?
#66
#1
Yea, I ... I just feel like it's on the compound for
some reason. Very strong feeling that this is on
the compound.
#66
OK.
Anything else you want to add?
#1
No.
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TAB
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HARD
STONE n EARTH
... .
1
PATTO
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7 HALLWAY
WALL
WDM
WINDOWS
ON WALL
HOSTAGES
GUARDS
1
WINDOWS
STACKED
FURNITURE.
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2,
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BANKNOW ,
A
ENTRANCE
72
UP
Dow
DOOR.
+
!
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TAB
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TARGET CUING INFORMATION
REMOTE VIEWING (RV) SESSION CC62
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1.
(S)
The viewer has been exposed to open source news media informa-
tion, classified overhead imagery and photographs of many of the
hostage personnel. He knew he would be working against the hostage
situation in Iran.
2. (S) At the time of the session, the viewer was told that he
would be trying to locate Alan B. Golacinski. The viewer was shown
the attached photograph and was asked to locate and describe the
surroundings of the individual in the photo.
Admin Note: See session CC 58. The
Viewer had Never tried to locate
GOLACINSKI before.
Ł
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SGFOIA3
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