CIA-RDP96-00788R000800350001-6

Approved For Release 2000/09/07 . CIA-RDP96-00788R000800350001-6
ORCON/NOFORN
GRILL FLAME
PROJECT
SESSION REPORT
CLASSIFIED BY: Director, DIA
DECLASSIFY ON :
31 Dec 99
EXTENDED BY: Director, DIA
REASON: 2-301-C (3) (6)
GRILL FLAME
Approved For Release 2000/08/07 + CIA-RDP96-00788R000800350001-6

Approved For Release 2000/08/07
nP96-00788R000800350001-61
26 Dec?
SUMMARY ANALYSIS
REMOTE VIEWING (RV) SESSION
CC43
1. (S) This report documents a Remote Viewing (RV) session
conducted in compliance with a request from SOD, J3, OJCS,
Pentagon, Washington, D.C. The purpose of the session was
to provide information relevant to the hostage situation in
the U.S. Embassy compound in Teheran, Iran.
2. (S) The remote viewer's impressions of the target are
provided as raw intelligence data and as such have not been
subjected to any intermediate analysis, evaluation or collation.
Interpretation and use of the information provided is the
responsibility of the requestor.
3. (S) The protocol used for this session is detailed in the
document, Grill Flame Protocol, AMSAA Applied Remote Viewing
Protocol (S), undated.
4. (S)
Following is a transcript of the viewer's impressions
during the remote viewing session.
At TAB A are drawings made
by the remote viewer reference his impressions of the target
site. At TAB B is target cueing information provided the
remote viewer.
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TRANSCRIPT
REMOTE VIEWING (RV) SESSION CC43
#6.5
This will be a remote viewing session (edited
for security).
For the past few minutes you have been concentrating
on a photograph of an individual. I want you to relax
and concentrate on that individual and describe his
surroundings to me. Relax and focus your attention on
him. Tell me about him.
PAUSE
#19.5
I get the distinct impression of a .. of a small bedroom
or (mumbling) something like that ... smaller room without
windows. (Mumbling) some kind of a ... some kind of a
bedroom, guest room, or something. Some kind of a rust
colored carpet. Rusty color in carpeting. Very dark,
very dark room. It's only .. uh .. it's only another
person. Only one other person there. They're in a
room next to a ..
#6.5
#19.5
+05
Good. Tell me how I can find this room?
Its. . guarded ... (mumbling) guard in there. See a garden
some kind .. some kind of plants with .. uh .. with vines ..
or something (mumbling) thorny plants. They're. . uh ..
they're not growing anything (mumbling) dormant plants
(mumbling) with .. uh .. with thorns .. and there's. . uh ..
there's a wall .. wall building or something (mumbling)
It's a tan building ... it's a tan colored building and
there's no windows on this wall, and there's a ... kind of
a small court yard on inside. It's .. uh .. it's like wing
of this building .. shape of an L ... the building is shaped
like an L fastened to an L.
Tell me how to get into this building.
+08
#6.5
#19.5
There's .. uh .. there's like. . uh .. there's like a recessed
door. It's a double glass door. That's on the far side
... far away side by some big trees. There's .. uh .. uh ..
there's a library or something next to ::. (mumbling)
rooms. Such a big room with books very close. Strong
impression of a library or something. Reading room.
There is. . uh .. this is like a. . maybe some kind of guest//
quarters or something.
#6.5
Tell me in what perspective you're seeing this nov.
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#19.5
Standing .... standing in a garden by ... uh ....
#6.5
Ok. Focus your attention on the double glass doors
you told me about. Go down to the doors, walk inside
and tell me what you see.
PAUSE
#19.5
I see .. uh .. a row of .. row of double wooden doors ..
and there's. . uh .. there's a hallway on the left .. uh ..
it goes a short way and goes to the right. The hall-
way goes to the rooms.
#6.5
Goes to the rooms. What rooms?
#19.5
It goes to the second shape L hallway, where the
rooms are.
#6.5
Does this hallway lead to the room where the target
is?
#19.5
No. But .. uh .. it goes to the hallway where the
target is. Where the .. uh .. where the hallways meet
there's .. uh .. it's like .. uh .. locked door ... a fire
escape door with a push bar. I don't know ... I don't
know how to explain what it is.
#6.5
Don't worry. Relax. Now go down the hallway and
go in the room where the target individual is and tell
me about him, and tell me about his surroundings.
#19.5
It looks like a darn bedroom. He's .. uh .. he's got a
very, very thick beard. I don't .. I don't think he's
.. uh .. shaved. He's got a thick beard, and. . uh. . there'
one of their hostages with him. . and. . uh. . the other
hostage is .. uh .. a smaller man.
What is this other small man doing?
They're. . uh .. they're both sleeping.
#6.5
#19.5
#6.5
Walk up to the small man .... go up to him .. look at him
carefully and describe him to me.
PAUSE
#19.5
(Mumbling) very, very slightly receding hairline,
sandy colored hair, and there's .. uh. . his eyes are
funny .... his eyes are slightly protruding .. and he has
a well defined cheek bone. Very high, well defined
cheek bones, and he's got .. uh .. sort of a well defined
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chin. Pointed chin. He's .. uh .. also got a .. about
4 days growth of beard, but, not as heavy as. . uh ..
the darker ... (mumbling) sandy colored hair. There's
.. uh. . I don't sense any guards. Very strange.
#6.5
I want you to tell me some more about this man.
Tell me more about his face.
#19.5
There's .. uh. . side burns. . side burns got a small flare ..
they come to points. His ears are round or flat.
against his head and, .. uh .. well defined throat. Maybe
.. uh. . 150 pounds.
#6.5
Tell me about his mouth and his nose.
#19.5
There's .. uh. . there's a very, very small bend to the
nose. Not overly large. Upper and bottom lips are .. uh ..
about the same thickness. Slightly .. slightly down
turned at the edges. Very tired expression.
#6.5
Is that him sleeping?
#19.5
Yes.
#6.5
Is he covered up?
#19.5
Yes. Wearing some kind of a ..... some kind of a heavy
coat, and there's .... it's like. . uh .. dark colored
blanket .. dark brown or something.
#6.5
Describe his hands to me.
+19
#19.5
He has long fingers .. long hands. They look like. . uh ..
piano player hands. Long and thin.
#6.5
Is there a ring on them?
#19.5
Uh ..... (mumbling) just a smooth ..... smooth wedding
band. It's on the left ring finger. No, no watch.
I don't think he wears a watch anyway.
#6.5
Why did you say that?
#19.5
Just 'cause I don't think he wears a watch.
#6.5
Ok. Now, I want you to relax ... relax look around the
room again and tell me if these are the only two
people in the room.
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+29
#19.5
Feel like there's .. uh .. there's .. uh ... feel like
there's a long (mumbling). There's only two people.
Uh ... as if somebody's been moved .... moved from the
room in the past two three .... past two days, I think.
-
#6.5
Why do you say that?
PAUSE
#19.5
Strong feeling that there was .. there was three people
here. I don't know. (Mumbling)
Something shared.
These two people .. uh .. the (mumbling)
... third person.
#6.5
Tell me how you get into this room.
#19.5
From the (mumbling) the hallway.
#6.5
Go out into the hallway. Go out into the hallway
and look into these other rooms and tell me if you
see any other people.
#19.5
No. Don't, don't see anymore. Feel like there should
be a guard or something. I don't know. I don't see
a guard. Some other room looks like it. . the hallway ...
but it has. . uh .. just furniture thrown in it. Just
thrown (mumbling) door.
#6.5
And, that's the only other room on this hallway?
Yes.
#19.5
#6.5
Go back down the hallway. . Relax. Go back down the
hallway to the opening as if you were going back to
the front doors and if you go by any rooms, peak in
and tell me what you see.
#19.5
There's. . uh .. fire door, and there is. . uh .. looks like ..
uh .. some kind of a partition. It's a fake wall and,
there's .. uh .. an open area on the other side and it's
dark and it's quiet. Looks like there's .. uh. . small,
small reception area, or something, on the right hand
side, and there's the ... left end turn in the hall.
And double doors on the right.
#6.5
You're back to the double doors now?
#19.5
Yeah. Wooden doors on the left.
#6.5
Go outside the double doors now. Go outside this
structure that you have been in and tell me what
you see.
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#19.5
I see .. uh. . brick design that looks like a number on
a number symbol .... symbol
. shape like a number ..
#6.5
You remember that.
Remember that symbol so that you
can draw it later.
#19.5
It's .. uh .. it's. . uh .. flat roof. There's a lot of
trees to the right and to the left.
IL
#6.5
Tell me how tall this building is ... how many stories.
#19.5
It looks large enough to be two, but, I don't, I don't
think it is. It looks like one story with a high
ceiling. One and a .... one and a half stories, maybe.
And, you can't ... you can't drive to it. You have to
walk.
#6.5
Relax now. Relax (not audible) front of this
building. Walk around (not audible) walk around the
whole building and back to the double doors. Walk
all around the building and come back to the double
doors and let me know when you get back.
PAUSE
#19.5
OK.
#6.5
OK. Did you see anybody when you went around the
building?
+33
#19.5
I saw two people. They were walking in the garden
and I ... I think they were guards.
#6.5
OK. Tell me about them.
#19.5
They (mumbling) thick things on their heads and they
are wearing heavy coats. Somehow :... I get the impression
that it's almost bitter cold outside. Very, very cold.
#6.5
As you walked around this building #19.5 did you see
anyone around this building?
#19.5
Just .. uh .. impression other doors were fire doors ..
can't go in (mumbling) One on the right rear corner
#6.5
As you were walking around did you notice anything else?
#19.5
There's .. uh .. there's like an indentation of the building
on the right side ..... uh ..... There's a barrier for me
there. I had to walk around it for some reason (mumbling)
a hole or something.
Bert
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#6.5
OK. Now, you're still standing at the front of the
double doors, right.
#19.5
Right.
#6.5
Now, turn around and look out away from the door
and describe what you see now.
PAUSE
+36
#19.5
I see a gravel walk going around the trees with
flower (mumbling) in the center but there's no flowers.
Just place for flowers.
#6.5
Relax and concentrate. Focus now (not audible)
#19.5
There's another building at the end of the path and
there's four guards (mumbling)
#6.5
Walk over to those four guys and tell me about them.
#19.5
Uh ... they are just sitting there.
#6.5
Not audible.
#19.5
No.
Just. . uh. . appears to be. . uh .. (mumbling)
#6.5
Not audible about the building you want to tell
#19.5
It's a block on side of a block (mumbling) looks
like it was (mumbling) sit down on the ground.
#6.5
Are these four guards standing at the entrance?
#19.5
Across the front.
#6.5
Not audible.
#19.5
Four, four steps ..... ornate double doors of carved
wood. Some ... some kind of decorative panels on both
sides of the doors.
-
#6.5
Anything else you want to add.
You have been going
at this for quite a long time.
#19.5
I get a strong impression that the guy with the
target is a .. may be dealing in some kind of economics.
of some sort,
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#6.5
Tell me what makes you say that.
#19.5
I don't know. Strong feeling .... a gut feeling ..
#6.5
Ok. Why don't you just relax now .... relax .... sit
up and draw . (not audible)
#19.5
I got a tremendous feeling it's very cold this night
in Teheran.
(Drawing)
#19.5
The image I'm getting in this room is a brick wall
on this side with no windows. It's not a very good
brick wall but ...... with this in wall being like a
tan wall and this wall having a door down at the other
end .... this being like a heavy wooden door. Back
here is like a cot type a very low cot type thing. And
there's one person sleeping on this cot. How do you
like that for sleeping person. And then there's another
cot type .. this is a very fancy drawing .... sleeping
there. I get a real strong impression, for some reason,
that there was a third person in this room, up to like
two days ago, three days ago or something. And, they
got moved .... I guess what gives me that feeling .... I
feel like there's been a third person sharing with these
people. I don't know how to explain that. But, it's
like .... uh .... I don't know. Maybe it's the way they're
thinking or something. Strong impression there was a
third person sharing their problem.
As you come out of this room .... Oh, and there's like
.... uh .... there's a brown rug with a print design.
It's not a wall-to-wall rug. It's like ... it fills
most of the room, but, it's. . uh. . you know it's one of
these that goes up to the edge of the walls .... and ..
th .... that's a tan wall. This is sort of a light red
brick.
#6.5
Now, this door over here, is that the only door to that
room?
0
#19.5
Into that room, right. It's the only door into that
room. It's on page one. That room on page one.
I got the feeling like .... ok, I'll draw this room ...
I got the feeling like you came out of the door of
this room and there was a hallway and I went to the
left and there was another room just exactly identical
to the left ... and, we'll call this room page one.
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And this room was the furniture room. Just had a
whole bunch of furniture in there. Now, this is a
difficult part, because I am not entirely sure how
I was seeing this fire door. I got the impression
that this hallway went to the right and there was
like a fire door here or something with a push bar.
This hallway made like an L, and this was part of
another L that went like this. This was outside and
this is inside, and after you made the left in the
hallway, where this arrow is, I went down here. This
wall, for some reason I got the impression the wall's
a divider. You know, like it was a fake wall, you
know, and you went down the end of this hall and
made another left, and on your immediate right was
big glass double doors and on your left was like small
sets of double doors ... went down the front like that.
Like maybe this was an open area inside. Entry doors
right here.
Let's go back here to this turn in here that you ...
#6.5
#19.5
#6.5
#19.5
You see what I'm talking about. It's like an L
fastened to an L with a zig zag.
OK. I just (mumbling) this side like (not audible)
and this is another hallway. You go down ...
.
I got the impression that this is another hallway
and over here, going down this section of hallway
going towards the glass entry doors on this side,
is like a large room. There was a reception area or
something.
#6.5
#19.5
All right. So this area back in here we can describe
as being part of a U. Like a horseshoe.
Yeah. You know there's a horseshoe section of this
building because this is clearly outside and I got
... I came down here. I was given the impression of
some kind of a garden. OK .. and I was trying to go
over the building to see what was on the other side
and I was running into this blank wall. These blank
... this horseshoe blank walls on the inside here,
and I wasn't getting over the building. That clearly
was some kind of a reception or something. The entire
building is very dark except for this back hallway in
the room back here
#6.5
Let's stay on that second page. What do you mean
except for this back hallway as far as lighting goes?
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#19.5
I got the feeling there was subdued lighting in
this back hallway. Furniture room and room that I
drew on page one and that as soon as I made this turn
in the hallway up here, the only thing that were on
were .. uh. . you know these fire emergency light type
things ... that you could walk around this whole building
and everything was very dark.
OK. Then you went outside the building.
#6.5
#19.5
Right. By the glass entry doors ... I got the feeling
that .... ok .... on page three ... now, I don't know if this
is an: . accurate description of the design of the
building but looking at it from the front angle ... I'll
show you the perspective that I was getting. I was
getting a. . uh .. I don't know if I can render this very
wwell. I was getting the impression of a .. uh .. like a
double design in the brick wall in the front this way
with a .. uh ... like design going up that way and that way.
Looked like a big .. uh .. (mumbling) one I (mumbling) call
a number symbol or something with the double glass
doors.
#6.5
#19.5
#6.5
What was this design numbers symbol you were talking
about?
This ... this thing. Like .. I'll do it over here in the
corner.
I was getting that impression number symbol.
Oh, I see what you ... ok .. like a tick-tack-toe pattern.
#19.5
Right. Exactly. That's .. that's the impression I was
getting of the front of this building. And there was
this corner, over here, and I got the impression the
building went back like this and then did a .. uh .. a
nest design.
This is the impression I was getting with
a court yard ... and I ... you know ... I felt more like an
'S then I remember a court yard here ... and I'm not very
clear about the wall I've got the S's on ... and this was
a garden here ... and back here was a hole ... some kind of
a buryier ... I didn't want to go through, for some reason,
... and. . uh .. back here, where the stars are ... those were
the guards. º
1
.
#6.5
Ok. Where was this room that you were talking about
now?
#19.5
Ah.
The room is. . uh. . room page one.
#6.5
Can you tell me anymore about this barrier ... this
hole?
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#19.5
I don't know what that was.
It was just like a
void. I don't ... you know ..... it ... it was just like
there was nothing there. I don't know if I was trying
to bar that out of my mind or.
... I just .... it was like
a void.
#6.5
Where are these fire doors that you saw?
#19.5
Oh. There were trees here. Where I draw in these
two trees ... (mumbling) was a profusion of trees in
both corners .... and ... uh .. this was clearly a garden
back here where the guards were. There appeared to
be some kind of a fire door. I guess I'll mark those
with Xs and circles. There's a fire door here, there's
a fire door here, there's a fire door here, and a fire
door here.
That's the impression that I had. These
were doors ... flat faced .. no exterior hardware and I'm
assuming them to be fire doors. You know, they could
have been ..... I don't know ..
.a place where you pick
up the garbage, or something ..... and ... uh ... I got the
impression this was a walk path. Like you couldn't ..
you couldn't drive up here .... and ... uh ... let's see.
it all ..... oh !.... it's a flat roof. For some reason
that's important. .. flat roof.
#6.5
OK. Then you talked about this path and you said there
was another building at the end of the path.
#19.5
No. Wrong path.
Wrong path. OK.
Am!
#6.5
#19.5
Page four. With my back to the glass doors. If I
was standing in front of the glass doors with my back
flat against them ... what I was looking at was something/
that went away in the distance. It looked like a
planting area for flowers and there was a gravel path
... both sides ... like this and there was .. uh .. real
profusion of trees. You know. Like it's all grown
over .... like that ... that's all these trees grown
back there ....... you're going to have to get me to an
art school, or something.
You know, it's almost
like a tunnel in the trees. They're just all overgrown.
#6.5
Where is this building over here? The building that
you've been in. That's back in here, someplace.
#19.5
No, no. That's with my back flat against these glass
doors of the building on page three looking straight
out ahead over the walk path I see another gravel path
that is like two lanes with a flowers ..... flower area
in the center.
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#6.5
OK. I see what you're saying.
#19.5
You see ..... going away in the distance ....
#6.5
Yes. OK. So in other words ..... I'm upside down
here. You're looking.
...
#19.5
Right. I'm looking
I'm looking this way from
the glass doors.
#6.5
OK. That's what I wanted to get on ....
#19.5
Yes. And ... it ... it's like a tunnel affect going
through these trees. At the very end you could see
two of the four guards standing at the face of another
building. You know. With the white steps at the end
and the .. uh .. face of the other building is .. is a real
...
conceptually ..... kind it's like a mind boggler.
I got the impression of a. . uh. . a block in a block.
Like a block laying down on a block laying across the
top. This being supported off the ground and this
being like steps. Two large carved decorative doors
with some kind of a glass ... decorative panel or something
down the side ... and. . uh .. there was like a guard over
here .... and a guard here .... guard here. Almost like
a military formation type guards standing in the
front. And there were .... there were alot of lights in
this building. Windows.
How many stories to this building?
Two. You said all those guards were armed.
#6.5
#19.5
Two.
#6.5
#19.5
These .... for some reason I noticed weapons on these
four in front of this building. I didn't ... I didn't
notice weapons on these guys ... in the garden ... but
maybe .. the guys in the garden were bundled up alot
warmer than these guys are. At least it felt like
it. Appeared to be. But, they're all wearing really
strange .......
#6.5
It was cold, huh.
#19.5
Oh. Very. Freezing. First time I've gotten that
feeling.
It was very cold. Page six.
I decided
that I can't draw this guy #6.5.
#6.5
Well, I don't think we should even worry about doing
that. What we'll do is I'll put this thing on pause,
after you're through and I'll give you a bunch of
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photos and I think, from the description that if I
have a picture of him you would be able to pick him
out. OK.
#19.5
Certainly.
#6.5
Why don't we do it that way and then we'll come
back on, you know, and we'll make it a matter of
record. OK.
You have anything else that you want to add?
#19.5
NO. We'll just stop at page five.
#6.5
All right. We are back on now. . OK. I have shown
you all the photos that I have, ok, and you have
come down and had two possibilities of all them that
you thought might have been, ok. I want you to study
them, now, and see what you think, you know. And, if
you can't make a selection, don't worry about it.
#19.5
One the eyes don't look right, and one the nose don't
look right. But, it could be the photographs.
They both had the same hair line. They both had the
same ears ..... same mouth ... general mouth, you know ...
same throat area. I'd rather not make a decision.
If I had to say, I'd say it was this person before
... I favor that one. But, the other one is also
very close to ...
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#6.5
Ok. For the record, then, I'll say, you know, he's
.. uh .. tentatively identified out of the two. . uh ..
Steven M. Lauterbach as being the most likely of the
two, and the other one being a Mr. William Belk.
Interesting because there is a considerable difference
in their age, too. OK. So one of these two is the
other individual that's in the room with the target
individual.
#19.5
Right.
#6.5
OK. Anything else that you want to add?
#19.5
No.
#6.5
OK.
How do you feel about this session?
#19.5
Good.
#6.5
OK.
That's it.
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TAB
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LIGHT
RED.
BRICK
-
1
-
BROWN RUG
TAN
WALL
W/PRINT.
1
-
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......

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0
FURNITURE
ROOM
ROOM
PACE #1
GARDEN
HALLWAY
FIRE
DOOR
HALLWAY
WALL DEVIDER
OPEN
AREA.
INSIDE
INSIDE
HALLWAY
AS
+
EPTION
AREA.
GLASS
ENTRY
DOORS.
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2
OUTSIDE
T

+
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NUMBERS
SYMBOL
1
(
*
WALI
K
PATH
( GARDEN)
GLASS
DOORS
1
WAT
ROOF
Room
PAGE 1
HOLE
.
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3

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DOORS
1
FLOWER
AREA
GRAVEL PATH
1
GLASS
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-
--------

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V
5
17
1
..
0
11
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. ...

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TAB
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-SEGRET
TARGET CUING INFORMATION
REMOTE VIEWING (RV) SESSION CC43
1. (S) The viewer has been exposed to open source news media
information as well as classified overhead imagery. He knew he would be
working against the hostage situation in Iran.
2. (S) At the time of the session, the viewer was told he would be
trying to locate a certain individual. The viewer was shown the attached
photograph and asked to locate and describe the surroundings of the
individual in the photo.
ADMIN NOTE:
Sessions CC43 and CC44 were conducted at the same time
with different viewers, in separate rooms, targeted against
the same individual.
SEGRET
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SGFOIA3
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Approved For Release 2000/08/07 : CIA-RDP96-00788R000800350001-6