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OLI
ORCON/NOFORN
GRILL FLAME
PROJECT
SESSION REPORT
Copy 2 of 2 copies
CLASSIFIED BY: DIRECTOR, DIA
DECLASSIFY ON: 11 Dec 1999
EXTENDED BY: DIRECTOR, DIA
REASON: 2-301-C (3) (6)
GRILL FLAME
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SUMMARY ANALYSIS
REMOTE VIEWING (RV) SESSION CC26
1. (S) This report documents a Remote Viewing (RV) session
conducted in compliance with a request from SOD, J3, OJCS,
Pentagon, Washington, D.C. The purpose of the session was
to provide information relevant to the hostage situation in
the U.S. Embassy compound in Teheran, Iran.
2. (S) The remote viewer's impressions of the target are
provided as raw intelligence data and as such have not been
subjected to any intermediate analysis, evaluation or collation.
Interpretation and use of the information provided is the
responsibility of the requestor.
3. (S) The protocol used for this session is detailed in the
document, Grill Flame Protocol, AMSAA Applied Remote Viewing
Protocol (S), undated.
C
4. (S) Following is a transcript of the viewer's impressions
during the remote viewing session. At TAB A are drawings made
by the remote viewer reference his impressions of the target
site. At TAB B is target cueing information provided the
remote viewer.
C
CEODET
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TRANSCRIPT
Ble 5
ConSULATE
REMOTE VIEWING (RV) SESSION CC26
#66
This will be a remote viewing session (edited
for security).
PAUSE
For the past few minutes now, you've been studying a
photograph. Focus your attention now on the area
designated as area G. Relax and concentrate solely
on area G. Focus your attention now. Relax and
concentrate, and describe the area to me.
PAUSE
#10.5
Outside a window ..... third floor. .. looking down on a
small steps ... outside steps ... level ... wall on each
side of the steps.
Ok.
#66
#10.5
I think I got ... I have feeling of ... small ... outside ...
step and a feeling of. . look through doors ... feeling
of double latch doors ... like panic bar type ... bars
push on to open the door up. In the foyer ... going
in .. feel pillar ... something right inside the door
in the middle of the terrazzo type foyer ... maybe
20 x 20 glass faced bulletin board on the wall ..
like a display box ... like a 4x8 laying along side
going in farther ... I think there might be another
set of doors in the back of the foyer.
#66
Focusing your attention now, on the fact that it's
between one and two in the morning for target, describe
the activity in this area.
PAUSE
#10.5 .
Working.
PAUSE
C
Feeling of ... black, dark, modern naugahide (phonetic)
type plastic sofa ... around the walls some sort of a
large inner room like a middle room ... I'm looking for
people. I think there are some random people here.
I have a feeling of a man and .. a light short sheeve
shirt ... knees on ... elbows on knees sitting on a black
sofa .. head in the hands ... hiding face ... tired and dejected
(mumbling) groggy :. handcuffs ... I see them clearly.
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The white shirt is speckled with some kind of circle
(mumbling) just like print .. .. feeling of tan slacks
... feeling, a beard ... a beard, I think. IHe looked
up .... he looked up ..... (mumbling)walking .. . somebody
motioned to him and he is walking away from me. He
is walking across a room ... the room ... I have the
feeling of someone coming up and taking his right
arm and escorting him across catty-corner across the
room to a hallway. He had a ... I had a feeling he
is wearing sandles. I'm looking for more people.
Let me get into this place.
PAUSE
#10.5
OK.I think there is a hallway going each way. At
first I thought I was in a large (mumbling) but I
don't perceive that. I perceive a closed ceiling
over my head. I feel there is a series of stairs.
(mumbling) in the center and there are stairs at each
end of the hall ... I tried.
I have ... a corner wall ... going down the first hall
to see the table set back from the mouth of the hall.
With two guards on it looking in the hall. They can
see the entire hall ... the man was ..... I think ...
I'm going down the hall. Let me focus on it.
PAUSE
I am trying to focus ... two men at the desk are armed ...
see a at least one automatic rifle sitting on top of
the table, lying on its side at an angle pointing
down this hall
Move down the hall.
#66
#10.5
I feel there are a number of people in this area.
... I feel ... two and three people per room ... maybe ...
small rooms .. I think ... I'm going down the hall
backwards ..
.. I feel that the first room, on my right,
has two or three men in it ... let's see ... rumbled bed
sheets ... across the hall (mumbling) in sleeping ...
going across the hall ... still going backwards .... I
feel these doors are ... I feel these doors are not
directly opposite. They are jig-sawed back and
forth. : offset.
I feel that the room opposite is larger
than the first. I see three beds there. The one before
I saw only two .... three beds ... two inside the door on
the right .... a box of some kind .... a square and
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another one at the far end of the room with a
... its foot toward the door ... it's in line toward
the door and then the far right corner of this
room there's appears only a living area ....
I would fill it with a small writing table and a
lamp of some kind ...
I feel there are people in the room.
Who are these people?
#66
#10.5
I feel these people are my friende.
They're not
like the other. These people are prisoners being
held against their will
Move on down the hallway.
#66
#10.5
The doors are all opened. I feel ... I was standing
in that room ... doorway and the doors are all opened.
I'm going down the hall.
PAUSE
#66
Locate the gentleman you saw before, being led down
this hall.
PAUSE
#10.5
This is ... uh ...
PAUSE
Go on.
#66
#10.5
I ... uh ... have him sitting on a chair ... have him sitting
on a chair with his hands behind his back ... I have him
sitting facing some sort of a office room ... it's not
a sleeping it's a office room ..... at first I had him
standing. Then I had him being seated in a chair
without arms and looking at a man and a woman ... a man
and a woman.two persons sitting behind a dark table.
Ubr.a desk ... uh ... when he was standing ... I had a
feeling of papers and pointing and that ... uh ... pointing
at the papers .... and he sat down and now he's being
talked to by the people. At first I thought he was
blindfolded. We had something they around his forehead
which is different than the way I saw him before.
I don't know if I am in the same place. This room
is really ..... he is like istting in .... not the center
of the room but ..... I'm starting to lose my focus ...
C
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#66
Focus solely on him now. Focus solely on him.
Look at him directly, so that you might be able to
recognize a picture of him later. Focus solely
on him.
PAUSE
Describe him to me.
#66
#10.5
He has a wide brow ... a high brow ... dark ... dark
color ... straight hair ... wavy not curly. He has
full beard and mustache he has a ..... I keep seeing
raspberry or strawberry shirt print on a white
shirt. His beard is about 2 inches long and is
curlier than his hair.
#66
All right. Remember that face. Remember that face
in detail. I have no further questions about the
target area at this time. It is now the opportunity
for you to add anything you would like to add before
we draw.
#10.5
There are chairs around this room and it appears
wider than it is deep and it appears wider than it
is deep. The man is looking at the floor at my feet
He has dark circles in his eyes ... he is ... uh ... doleful
... is a word that pops in my mind. It's as though he
is being(mumbling) and he's just staring blankly at
the floor.
#66
Ok. Return your attention now to this room with
me ... take a deep breath ... move your arms, move your
legs and prepare to draw those images that you have
seen.
Booker ... booker.
Just before we stopped there, you mentioned a name
or
C
#10.5
#66
#10.5
Yes. I was trying to .... I asked who is this ...
who is this man and I got the word Marian.
Then I imagined myself in the back of his head
back in his hair and trying to get close to him
and the word booker came to mind and it was after
Marian. It was two different actions. Away from
him I asked who is this man and I got the word Marian
and then I went into the back of his hair like this
and I imagined myself up close to his head and the
word booker came into my mind.
All right where do we start? When I first ...
just before tape went on I had an image of two men
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sitting on a black sofa. I'll draw this as
number one, but it is not on the tape. The man next
to him was sitting at attention like. The guy next
to him was sitting with his legs crossed .... not
crossed ... drapped and the other one down on the floor
like this.
#66
What were the roles of these two men?
#10.5
That's just an image. I didn't want to try to do
anything, because, like I said before ... it was before
it 45 seconds before target time. The theme is this
man was waiting,and this man was watching him wait.
All right. So here we go. I had my target and I felt
I was drifting along the wall, outside, about a third
story window looking down on an uncovered entrance
way. With steps, not with many steps, not with big
steps, but with some steps. I didn't detect any type
of a cover over it .... like a third story window sill
like this ... looking down. Of course, the distance
down to the next window looks greater, and the distance
down to the window at the very bottom looks much narrower.
And I'll write looking down an exterior wall.
#66
#10.5
Ok. Did you look in the windows?
No. I did not look in the windows.
Moving on to three. I had the feeling of a very plain
modern inset ... with a slight ... double wall .. I can't get
away from these double walls. What I'm saying is that
there isn't much inset to this thing. It's like only
a couple feet max set in. Not like some of the things
that we ended up with with some really bizarre insets.
It's a modern frontage ... Modern and aluminum and glass
doors with full panes so in order to get in and get-
out the inside door pushes out. It's got a bar across
it. You push on that aluminum bar to push the whole
door open. It is attached to the frame. They were
dam near plush. There was so much aluminum in there
it was nard for me to tell what was the door frame and
what wasn't .. I'll draw a little check marks in it
to detect glass .... I get the feeling of a government
type thing, with a a push shield there, and a push shield
there and behind the shield, inside would be this
aluminum bar ..
That's not what I wanted to draw. No. I just realize
there's one difference. Notice how I have these
things coming down ... they're not down. That's the thing
I wanted to remember. They do not come down. They're
flush ... like that ... they're flush with the top level.
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See what I mean. I had them tapered down. I distinctly
remember that. These are double, glass .. (mumbling)
Inside is some sort of terrazzo, small terrazzo ...
Inside this place, of course here are the aluminum
door frames with the full glass in them ... the break
or bar type of aparatus there ... there's a large
approximately 4x8 bulletin board, glassed in type
of thing. It's a glass frame of some kind that ...
extraordinary large that you would find in a public
office ... vacancy announcements stuck behind it ...
this is like a terrazzo or something. It's reflective .:
terrazzo type ... light shinny ...
#66
#10.5
The bulletin board thing is here on page four.
Yes. This is like an interios little buffer area
and I could not figure out ... I mention that there may
be another set of double doors here, on the left
side of it. I'll draw those in with dotted lines.
I couldn't determine whether there was another divider
there or not. I got in here and I saw the frame and
the next thing I knew I was inside the main building.
I had already gone through it. _
C
But you had a perception that there was another entrance
as well after you popped through this entrance.
#66
#10.5
Yes. It's hard to tell when you go through things that
have a similar pattern you seem to lose individual
recognition of them. If there are a set of doors here,
I'd say it is another set of glass with aluminum frame
doors. Just like the front and that is why I couldn't
make them out. This is a small foyer ... possible double
doors here ... same as the ones on the right side of the
picture, on four.
There was also a feeling that in the middle of this
foyer there was something standing there. I couldn't
make out if it was a pillar or a large box. I feel
there was something in the middle of that foyer ...
maybe 20 x 20 that went from floor to ceiling. On
the tape I said that there was something there that I
felt but I am not sure what it was. There was some
sort of a vertical structure somewhere in there.
All right. Going on to page five. I encountered
a problem here and the reason is because of a prior
target and I wanted to make certain that I did not
get any overlay ... residual overlay from a preceding
target.
C
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Essentially, what I ended up with .... how am I going
to do this ....... there's the double doors ...
An overhead is the best way, I think, to do this.
Here's the double doors .... ok .... not a very large
room ... hall off to the right ... geometrically
styled ... central area again ... I felt that there were
stairs on the right side, but that it was a low ceiling
room. Not like a large anti room three stories or
two stories high or anything like that. ... but the
stairs on the right side went up through the hallway
monthly on
Text
I Mean ors
floor ... or whatever. On this hallway, I had the
feeling that the guy that I was talking about ..
First of all, I had the feeling of black naugahyde type
shinny leather couch ... plastic couches around this place.
The guy ... when I saw him, was sitting here ... no not
there ..... there or on the next wall neighboring it.
No. I was right the first time. ... I'll stay with the
first thing anyway. I felt that this inside here was
carpeted and it was a gray carpeting and these are
four to five black naugahyde sofas without arms. Like
plain. . . like you would find in a waiting room.
..
this guy was alone sitting with his legs .. . you know ...
anybody sits on a sofa ..... I had him hunched over with
his arms on his knees like with his ... uh ... you could see
the top of his bood and just a little bit of his face and
with his hands he is cupping his face in his hands ...
like this ... white short sleeved shirt, brown pants
I don't know. I thought he might have had sandles and
#66
#10.5
Ok. Is this the same gentleman.
and which we later
This is the man I managed to get back to ... but he was alone
when I saw him here.
#66
Ok. And the shirt that he was wearing is the same one
that you described later.
#10.5
Right. That is what I was using ... the idea of a full-
faced beard and that this white and polka dotted shirt
somekind ... anyway ... he was like sitting there and he
was definitely manacled ... was the idea I had.
#66
On the tape you called them handcuffs.
#10.5
Ok. , Manacled. handcuffs.
..
#66
Ok.
I wanted to check your imagery on that and I wanted
to make sure because we have all seen the pictures on
TV and they're obviously like. .. what we've seen is white
tape or something like rags.
10.5
I haven't seen anything like that ... I haven't seen
any pictures
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But you called them handcuffs.
#66
#10.5
I called them definitely manacles ... handcuffs is
what I called them. What I mean is they are metal
wrist cuffs. I had a definite feeling of that.
The polka dots on the man's shirt are not polka dots.
They are like little raspberries or little strawberries.
They're some sort of a fruit pattern on the guys shirt.
White with a reddish something that contrasting
.... white with contrasting raspberry/strawberry print
shirt , short sleeved. OK. He is waiting alone.
He was here where the X is on the bottom of five.
As I moved over to his right side to start to look
at him real close he like looked up and I got this
other image of somebody saying like this ..... and he
stood up and he walked across the room.
Ok. You got an image of someone.
#66
#10.5
Someone saying with a wave "come here ... let's go"
I'm sorry ... we're not on video tape ... are we ...
When summoned he walked in this direction. At about
this point here, the second X on sketch five he was
joined on his right side by another man ... I don't think
it was the motioning man. Took him by his right elbow
stirred him around this table which sits there and
looks down the hall and he walked down the hall, I
think. I lost them when they were on that side of the
room. . They could have gone down the hall ... they might
have gore upstairs ..... I had the feeling that he was
taken back to his room, or something
I'll go on to six. Six is the hallway entrance, as
I saw it .. that fades in the darkness there .... there
is a table that sits pignt at the mouth ... about 10 feet
back at that table are two men. ... and one of them ....
I can recognize the weapon,, if I have to ... oh! what
is it .... it's laying at an angle like this .... it's an
automatic weapon .... got a clip on it ..... shoulder
fired weapon ... it's got a stock on it ... it's a British
weapon ... it's like a British
.automatic rifle
... the FAL ... FAN ... FAL styling. The clastic type
stock comes nearly all the way down to the tip of
the rifle. I did not recognize it as being a Soviet
made rifle. I recognized it as being a western NATO
type rifle. The barrel hangs over th end of the dam
thing. It's much too small for this. And there are
two guys sitting here and they look down the hall.
From my earlier shot the staircase would be here on
the left.
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#10.5
That's six.
Now I'm in the hall, I guess. OK. Here is table ...
two guys sitting at the table ... the thing ... it seemed
like I had to back down to the hall ... I didn't want to
turn my back on the guys at the end of the hall.
It seemed like I had to go down the hall a pretty good
length before I got to the first room .... maybe 25 or 30
feet ... and I had the feeling like I was in the area where
the prisoners were being maintained because inside this
door ... uh ... on the right side I felt were two beds ...
small room with two beds ... I got the feeling of rumpled
sheets .... sheets piled up on the bottom .... foot of the -
bed and everything .... I didn't get the impression ...
of people huddling ... I got the impression of people
sleeping in a normal temperature. I didn't see bodies
covered up with blankets or bunks covered up with
blankets. I saw rather stuff rumpled up at the foot
of beds, and when I did get an impression of anyone
sleeping they were sleeping, essentially, uncovered.
On the left side of the room ... left side of the hall
rather ... the idea I was trying to get across is that
these doors are catty-cornered and these doors are open.
I put my back to this doorway and looked across the wall.
There was no doorway across the wall. The doorway was
10 feet down and across on the other side of the hallway.
That's seven.
And seven A. I'll do a room sketch and in seven B I'll
do a room sketch.
Seven A. There was a sleeper in front of me ... there
was a sleeper to the left of me ... and it is a small
room. The best thing for me is to do an overhead.
I had the feeling that was a door and there was a bed
here and there was a bed here. With rumpled bedclothes
at the foot. . I had the feeling there was someone sleeping
in it.
#66
#10.5
You called them men.
C
Yes.
All right. That's seven A. Seven B was two
in one Now seven B is across the hall and down. I
walked in ... it was a longer room ... here I will put
dotted lines because I don't know what is there. There
is something here blocking"
my wicion on the right side
of the room Here is the hallway. Here is where the
door was." I felt two sleepers here. What Ver it is
that is on the right ... the bed there
bed there ...
and a bed hore. You can can the proportion of the
room makes the one on the other side of the hallway
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a larger room. A table there with a lamp on it.
Sort of a ... very small living area .. . probably
two-thirds the size of just the square made by this
pattern here of this furniture ... then there is something
here ... what it is ... I don't know ..... it is like a jog
in ..... I had to sort of lean over and look and then I
would see the foot of one bed and then I felt there was
another bed sitting right outboard from it ... side by side.
And then there was one going that way at this end of
the room.
I had to sort of peer around this ... whatever
it is ... That is seven B.
#6.5
What did you feel about the people in seven A and
seven B.
#10.5
I thought they were our prisoners.
#66
Ok. Now at this point it was getting late and you
were having some trouble moving down the hall and I
wanted to take advantage of the time we had and refocus
on the individual that you had seen out in the larger
area and that you perceived was moved . So at this point
then you refocused on this individual.
#10.5
Right. The interesting thing about it is up until
now I had said he has been out in the anti room for
some reason and now they are going to put him back in
his room. And I dismissed when I saw him walk away
with the guard. When I refocused on the cat.
I got him in a room ... what is this ... this is eight
... ok ... in a room more long than it was wide.
#66
OK. As you said before, you really don't know where
this other room is.
#10.5
No. I don't. I didn't get any feeling that I was flitting
: :
across the country side. So it may be a place in the
same structure, but, where in the same structure, I have
no idea.
There is a desk here ... two people sitting behind it ...
there are papers scattered out on the desk ... first I
had him standing in front of the desk and the feeling
that someone was standing here in the corner behind them.
Looking down at the desk and people at the desk jesturing
to these papers and things that were out on this dark
desk. There was a chair behind him and he sat in the
chair that was right behind him as he was standing.
So then he ended up sitting in a chair which was a straight
backed armless type chair
There are some kind of
sofas ... like sort of conglomerate furniture ... nice
furniture ... it was like an office arca ... he wasn't in
any living quarters. It was as though he was in an office
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area and there was an assortment of office type
tables around .... furniture ... not tables sitting around
the room ... sofa, chair, furniture ... that type of stuff
around the room.
At this time, however, the guy had his hands behind
him whereas before he had his hands in front of him.
This time I am pretty sure that I had the impression
he was sitting with his hands behind him like this and
he was sitting enough off the edge of his chair so that
he could lean back against the back of the chair without
#66
It was at this point that I asked you to look at him
... carefully so that you might be able to recognize
him from a picture later.
Right.
#10.5
#66
You proceeded then to look at him closely then you were
asked to consider anything else you might like to say
before we ended the session and you tried moving closer
to this gentleman at this time.
#10.5
C
Right. Some sort of a modern desk. Here's our guy.
Sitting here in a straight backed type chair of some kind
..... hands behind his back ... full bearded ..... at this
time I perceived .... that iswhat I couldn't understand ....
about it ... that he had something wrapped around his head.
As though he had had a blindfold on him ... but he did not
have a blindfold on him before. I perceived nothing
around his head before. Here behind him are the sofas
and such along the wall .... that is an arm chair .... here
is the door ...... then there is the paper here .... and
this is dark .... office like desk ... pretty neat desk too ..
and their are two people sitting at it. At first I thought
one was a man and one was a woman, but then I just said
two people and they are pointing at these papers. When
he was standing they were pointing. Towards the end
of this period, I had the feeling that he was sitting
there looking down, almost in front of his feet, like
this, and I came in between the desk and him, and I
tried to put, myself right down there on the floor. I
don't know why. He was staring abjectly ..... vacuously
staring down at the floor ... and I had the feeling he was
being horanged (phonetic) by the people at the desk who
obviously were in charge of the situation and he was
looking down at the carpet .... or whatever .... trying to
ignore them.
C
Don
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I was up to his right
What I did then .... I was off to his right shoulder
and I asked who this man was .... I asked who is this
man, of myself, and in answer to that I had the name
Marion or Marian ... then that was about the end of
the session ..... I had a couple more descriptions
something along that ... I came down and nestled right
up into his scalp behind him and under his hair in
the back of his head and the name or the word booker
came in at that time
.and that's about it ..
OK. Any other comments?
#66
#6.5
I gather then, that you are saying you would not be
able to identify him if you were shown pictures.
#10.5
VI can try. He's got a full beard, he's got a long
forehead, he's got sort of bushy eyebrows. His is
wavy but not curly and his beard is curly and he's
got ... I forget what it is ... dark circles under his
eyes .... I think I might be able to.
#6.5
Did he have any jewelry on him?
#10.5
No. None that I perceived. I wasn't looking for
any ... or anything like that.
#66
OK. In this hallway that you've had earlier in areas
of this building which you explored, seemed to be a
very small portion of this greater building. Can you
tell me on what floor is this hallway in the building?
#10.5
I think it is on the ground floor level. Right. inside
the front door of this thing on the right as you come
in.
#66
And how about the room where the man is.
#10.5
I don't have any feeling where that is.
OH! All right. In the hallways ... have chained ... I
had the feeling that on the end of that hallway on the
ground floor where I was, was the doors were not glassed
paned as though the front doors were ... they were solid
... they had breaker bars, but I had the feeling the
breaker bars were chained together. To the right of
that door is a stairwell at the end of the hall. When
I was in the middle of the lobby I had the feeling there's
a central stairwell that goes up.
C
SECRET 2
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TAB
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-
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C
45 sec before tot
C
C
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2
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C
An
Looking down
EXTERIOR WALL
f
C
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)
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3
)
double
1
glass
alúmina
doors
#
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)
Small
foyer
area
4
(
Some
sort of vertical
Structure
-
4
8
terraço type
floor
light sherry
reflective
4
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para
double
doors
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5
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Managed
man
white w contrasting
raspberry /strau
print shirt
Short slund
1
grey carpeting
4-5 black
naughtyde
Sofas w/o arm
Summoned.
when
0
it
-1 11-1
)
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6
0
C
up stancare
down hall
C
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C
7a
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C
7g
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C
C

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9L
C
J
-
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8
hands behind bach
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-
BOOKER
C
MARION / MARIAN
C
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TAB
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Approved For Release 2600/08/07 > CIA-RDP96-00788R000800200001-2
TARGET CUING INFORMATION
REMOTE VIEWING (RV) SESSION CC26
1. (S) The viewer has been exposed to open source news media
information as well as classified overhead imagery. He knew he
would be working against the hostage situation in IRAN.
2. (S) At the time of the session the viewer was shown overhead
imagery of the US Embassy compound in Teheran, Iran. The imagery
is not included herein due to its classification.
Approved For Release 2008/08/07 / GIA-RDR96-00788R000800200001-2