CIA-RDP96-00788R000800140001-9

Approved For Release 2000 08/07 [6 [A-RDP96-00788R000800140001-9
1
ORCON/NOFORN
GRILL FLAME
PROJECT
SESSION REPORT
Copy 2 of 2 capas
CLASSIFIED BY: Director, DIA
DECLASSIFY ON: 5 Dec 1999
EXTENDED BY: Director, DIA
REASON: 2-301 C (3)
(6)
GRILL FLAME
SEGRET
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SUMMARY ANALYSIS
REMOTE VIEWING (RV) SESSION CC20
.
1.
(S)
This report documents a Remote Viewing (RV) session
conducted in compliance with a request from SOD, J3, OJCS,
Pentagon, Washington, D. C. The purpose of the session was
to provide information relevant to the hostage situation in
the U. S. Embassy compound in Teheran, Iran.
2.
(S) The remote viewer's impressions of the target are
provided as raw intelligence data and as such have not been
subjected to any intermediate analysis, evaluation or collation.
Interpretation and use of the information provided is the
responsibility of the requestor.
3.
(S) The protocol used for this session is detailed in the
document, Grill Flame Protocol, AMSAA Applied Remote Viewing
Protocol (S), undated.
4. (S) Following is a transcript of the viewer's impressions
during the remote viewing session.
At TAB A are drawings made
by the remote viewer reference his impressions of the target
site.
At TAB B is target cueing information provided the
remote viewer.
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TRANSCRIPT
STARKE
COTTAGE
REMOTE VIEWING (RV) SESSION CC20
#66
This will be a remote viewing session (edited for
security) .
PAUSE
#66
For the past few minutes you have been studying a
photograph. Focus your attention now on the area
designated to you on the photograph as area C. Move
now to area C focusing your attention.
Relax and
concentrate and describe the area to me.
PAUSE
#3]
I am feeling some kind of overhang that has a walk and
a drive that comes out to it. Feel a long (mumbling) in
front ... a long front face of this structure. . . narrow three
wor four feet wide walk. It goes up to a main door.
I
think I'm on the other side of the thing from the yard.
I entered the house to the right. There is a. . . several
poles along that thing too. Give it the looks of a house
or a ... something like that. Perceive a step up to get
on that thing. I think I'm in like a carport or a. .. a
something like that. It seems open on the front side
but seems black in the back and there's a funny peculiar
jog in it. Like a box sticks out into it. I'll go
inside.
#66
Alright.
Fine.
Relax and concentrate.
PAUSE
#31
I feel that I'm in a center portion going along the
wall. I passed jallouse windows. I think the entrance
to this place seems to be a wooden door with small
glass jallouse panes in it. I think I'm in the main
area now. Something is looking back towards the door
I came through. There appears to be some wooden
counter, or something to my right. There appears to
be essentially empty area between me and the windows.
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#31
I think that's a hall down by that wooden thing.
#66
Tell me what's going on there now in these early
morning hours, between one and two in the morning.
#31
I have not picked up any happenings yet in the
central area here ..
.
# 66
Ok. Just relax.
..
#31
...... or on approach.
#66
Doing very good. Just relax and concentrate and
focus on the target area.
PAUSE
#31
I .. . something.
Bathroom on the left (mumbling) might
be two story.
I had a shot of a. .. I had been standing
with my back to a staircase out in the main area there.
But I'm down the hallway now.
I'm looking around.
Passed the bathroom there seems to be a. . . think it's
a bathroom anyway. It's a small room. Cubby-hole
type room. I'm getting more and more of a house flavor,
here.
I really am.
... I don't know.
#66
Tell me what makes you say house flavor. .
#3.1
I have the feeling of looking in the ..... well somewhere
I think it was the end of this hall, looking in this
rather large room I had the sudden impression that I was
looking at a bed. Something big and rectangular and
soft.
#66
Ok.
#3].
Also out in the big area there, I had the feeling I was
on carpeting, back in the beginning. But I still haven't
picked up any people.
#66
Ok.
Search the rest of area C for people.
Search the
rest of this area for people.
#31
Feel that. . . hall is not in there ... goes around the
corner .
.90 degrees.
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#31
I keep getting somewhere this big open area feeling
... like ... I keep getting this feeling like a place
under construction. It's hard. I'll explain it later.
I get this feeling I'm looking through rafters. . . through
wood.
Anyway let me go on.
I'll try to get upstairs,
if there is one.
99#
Ok.
We have plenty of time.
#31
I'm still not coming up with any folks.
#66
Alright.
That's fine. We have plenty of time. Just
relax and concentrate on the target area now. Go
ahead and move through area C. Move through arca C
and tell me more of the area.
PAUSE
#3]
Staircase is. .. I hate to say this ... I don't know.
I
do want to say there's staircase in the back of the
living room, and go upstairs ... or whatever the living
room thing is there. Go upstairs, comfortably wide
staircase. Then you enter the second floor level and
the hallway runs from that. . . as you come up there
on your left side. Very uninhabited, quiet feeling
about the whole place.
PAUSE ..
#31
Now I am getting a den or a library ... empty.
(mumbling)
a lot of book racks or something around the walls.
I
got all the way to the end with no other door on that
side. I find the place to be empty.
I really got
no feeling for anybody in there.
#66
Ok.
At this time, at this time focus your attention
now, outside this area. Focus your attention outside
this area and move to area D. Focus your attention
to outside and move to area D and describe this area to
me.
PAUSE
#3]
Ok.
I hope I'm in front of the right one.
#66
Describe it to me.
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#31
(Mumbling) trees is a beacon but it appears
... I think I'm still on the other side from the
big open area because I feel that on my right ...
I feel that in front of me is a (mumbling) long
skinny porch on my right is a ... a ... hodge that
seems to come back to behind me ... like hedge of a
yard or something.
I feel like I'm in those trees
or something. Like I'm looking at the back end of
the house or the building. I've got a good feeling
that it's two in one ... one end of the place is too
high ... that's the left end ... and the right end of
the place is one high.
I really feel these are the
business ends of the buildings. .. out here, on this
side that I am.
(mumbling) ... don't see how you
can get in to them from this side.
#66
Alright.
PAUSE
#31
Ok. I'll try to get in the central area. . . funny ...
this doesn't seem to have a jallouse door on it ...
seems to be a solid door. I'm inside trying to focus
on the main area.
#66
Ok.
PAUSE
I just had a thought of somebody moving outside
#31
#66
Focus on him.
#31
I had the idea of making rounds, type of thing.
Seems to be ..... sentry type of work. He's outside.
He's got a ... some sort of a weapon strung over his
shoulder, and he's walking in under those trees,
that I saw earlier .... they're the ones out front.
I don't know if there's a little path there or not.
A path or a strip or something.
... seems to be walking
along a tour ... and I had the ... the thought of seeing
him turn like his tour is about 300 feet or so from
about ... in front of this place. .. looking out ... 300 feet
to the right or so. Like he just strolls along
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#31
Back inside.
-
#66
Move back now and focus on D, area D. Tell me more
about this area D.
PAUSE
#31
I got a good shot of. .
. like round leather stuff ...
like bean bag chairs. Right before, I had a feeling
there was a. .. that I was at the hallway entrance and
that there was a sofa type thing, black, under the
main front window, and along that other wall.
I had a feeling of someone walking upstairs ..... not
upstairs, upstairs. I'm up there now.
(mumbling)
save time and go through the ceiling second floor
when I came u . I had the feeling there was someone
walking down the hallway, right at me. My first
impression was it was a woman. Long skirt down to
mid-calf, dark skirt and wearing some kind of cloggs
or something.
I had her turned into. .. down the end
of the hall. .. describe it ..... the other end of the
building and I saw her go into ... like she made a right
turn, went inside, sat down and crossed her legs.
It was all one sweeping motion of feeling, you know.
But, now I'm down there and trying to find out what
is happening.
She didn't ..... she was not carrying
anything ..... she was empty handed when she came
over me.
.she. . . uh
PAUSE
#31
I'll describe it as though it was a room built like a
... the feeling I have is it's built like a restaurant
booth. My feeling the woman moved through the door,
shifted to her left, began to turn and sit down at the
same time and avoided a table edge, seated herself on
a bench next to a wall, with this low thing in front
of her which occupies much of the room area and cross
her legs, and God knows what she's doing, or when she
was over there.
#66
(turned tape over)
Tell me a little bit more about area D, here,
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#31
I'm afraid I can't. I don't know. I'm just not
getting anything.
#66
Ok.
That's fine. Let's stop now and do some drawing.
PAUSE
# 31
Ok.
First ... here we go ... first fleeting impression ..
I was looking at a. ... what do ... want to call. That's
what made me think that I was there, because this was
wall.
#66
Ok.
Make your lines nice and dark there.
#31
Ok.
And it was like ... this has a low tile roof or
something ... and the second thing has a low tile roof.
That was the image I was using the target with but
that's the first thing I saw. For what worth it is.
Then, though, I got this feeling that some sort of a
drive, and here on the right ... there was a big overhang
here ... like I was looking out and under this overhang.
Here on the right side of this drive was a wall.
In
here ... like back in hore I'm in the shade ... and that
this was some kind of a walkway.
That is the hypothetical
end of the inclosure.
like a front porch. ... that went down to this door.
Something in here jogs and I don't know what worth it is,
or what good it is ..
... so much for floor plan.
This is a door ... you know Florida jallouse. . . Panama
jallouse windows ...... you know what I mean ... . jallouse
glass about that thick. Porch overhang ..... long porch ...
that's dark enough. . . that's three. Ok. four.
What did
I find that was of any
interest-nothing.
#66
Inside arda C here.
#3]
I'll draw there smaller; they're not that impressive.
Feeling wooden framed door, wooden framed jallouse window
door, ok,
Like that.
Didn't got any feel for any typo
furniture but that there was something curved here. Like
I almost felt it was a bar, or something, ok.
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#66
This is on the inside.
#31
This is on the inside of the living room .. . something
curved there, and this is the hallway, and to my back
is the stairs, here. Those are stairs up. Just ...
I don't know ..... verify if ... I was there ... didn't see
anything ... this is accurate. I didn't see anybody
(mumbling) ... Ok. Looking in from the door ... it's a
funny layout, that's what I was trying to describe ...
stairs there, ok.
They're comfortably wide stairs
with a banister along them ..... a wall ..... that goes
back in there, , , ok ... there's something back there
is what I mean .... . out here to the edge ..... ok ....
this comes along .... then there's a series of posts here
which are interesting because this is almost as
though I'm looking through them. And, here is the curved
thing, in the foreground. But, it's like looking.
. .
you know how like in a modern kitchen they have posts
holding up .... and there's actually a serving counter
there .... looks like you're looking through posts into
another room ... it was as though this thing was built
in under the stairway and it was room. . . you could sce
into it from the living room and it was like it was ....
I got the feeling, you know, when a house is just being
built and they have all the two by fours standing where
the walls go, it was as though I was looking through
those two by fours into another room. That's the idea
I'm trying to get across.
..
Feeling for white carpet, here in this area. So where
did I go from there. I went down that hallway ...
drawing a floor plan of the place would be sort of like
this ... that's a supposed hallway there .. . stairway .....
the curvy thing ..... had the feeling small bathroom or
something in here .... what did I do then .... then I got
down to the end of the hall. .. I had the feeling that at
the end of the hall there was a door and there was a room
shaped like this ... it was a good size room ... and I really
had the feeling there was a bed in it ... a big wide bed.
I didn't even go down the other side.
That's all I can
tell you.
Here's the main door.
I courn't shake the
feeling that the other place .. . of course/I had seon the
overhead for targeting purposes. .. and. . uh ... no people
in this place.
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#66
In area C.
#31
In area C. Didn't get any feeling at all for anyone
in there. I'll draw a line across here on six and
then what I have is the up staircase for the upstairs.
This is downstairs, I'll draw upstairs. That'll keep
me from having to draw them again when I get to area
D, ok. Conservation of energy.
Rooms, rooms, just about two rooms down to one side.
I can't remember if I went down that. It's so non-
descript and by that time I was ... I was trying to
get up the stairway and what did I get ... I got a feeling
for .... where was I walking .... I was walking down this way
and I got a feeling for a library somewhere along the
right wall, small skinny type library type room, or a
den ..... lot of books on shelves around. I had a very
homey type feeling for the whole thing ... staircase ...
ok .... where did I go ..... then I ended up with .... what
did I end up with ..... ok ... like a hedge line.
.
PAUSE
The door (mumbling) was solid wood .... I'm at area D
now.
It starts with sketch seven. That gives the idea
of the front porch. . . like a car port. . . half car port ..
half rooms in the back of this side, hedge on the right
and the central structure of two peaked roofs, one bigger
than the other .... that's more like what I want to do ...
like that. Behind me, trees. Did the best I could. I
had to come across this way.
I didn't want to go back
up. I was having such a difficult time I decided not
to go back up. .. try again ... I might end up on the other
side of the globe.
So I.
..
. We have our good days
and we have our bad days, I suppose. Alright, what did
I get in the living room, .. seven ... solid door ... but still
with the jallouse windows ...
#66
Ok. This time you seem to perceive some furniture in the
front room.
#31
Yeah. The dark couch. . . of some kind. . . that's the off
hallway, that way. Over here on the right, again, are
the stairs coming up. . . and the living room.
$66
Bean bag chairs, you said you saw.
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#31
Yeah. I don't know where I got that from, though.
Where was I working at that time? That was when I
was trying to get into the place. We'll have to check
the tape. I wonder if that was the time I was trying
to get in the place ..... the front door. If it was,
then there's also that sort of smooth tan colored
something or other, somewhere in there.
#66
Ok.
#31
Somewhere else, too, is a very leathery looking thing.
I had the feeling too. .. it's hard to describe it .....
and I have no idea where it goes in the sketch anyway ....
so .... but it's one of these. .. belted leather things ...
felted like belted leather ..... you know what I mean by
belted leather.
The style looks like it's got belts on
it ... belts holding the things on .... like here's the
arm of the chair and there's a belt like that, with an
ornamental buckle on it. Something like that, somewhere
in there.
A beige color is what I got.
Anyway, went
up the staircase and I saw .... for number eight ..
#66
#31
No. I popped through the floor. Didn't go up the
staircase. Popped up through the floor.
You said before you came up the staircase. Did you ....
#66
And you perceived. ...
#31
I perceived a woman walking towards me just as I came
up through the floor. It was really weird. It was as
though I was here and she was right there. My head was
just through the floor. I was just up through the floor
coming up and as I came up and she like ... walked right
on through me. . . right on down the hall. . . you know. ...
because it was just as flurry as ..... she was coming
at me, she was gone.
I turned around and I perceived
her walking on passed me down the other end of the hall.
It was a weird feeling, but it was of no relevance.
Here is the stairway as I see it, or saw it.
Here on the
left of this sketch. Feeling is that the hallway continues
on down to the end down here.
Like this. Here is the
stairway, up. I popped up around living room level ....
and I saw
person. walking that way.
I tried to follow
her and I think I followed her all the way down to the
last room on the right. It's not too far, 25 feet, maybe.
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#31
The last room down there .... the distinct impression ...
she goes into the last room. Now this room that I
had .... how do I draw this, guys ... it was as though ...
it was ... like I just described it on the tape. It was
as though it was a small room that was almost fully
taken up by a table ... or pretty much taken up by a table,
but, I didn't have anybody else in the room with her, and
she walked in. .. hard to describe ... let's see. . . here's
door jam ... door frame ... like this ... ok ... right here, in
the very front is this tabl .. . . and. .. like there's very
little clearance to get in there. So she's walking
down the hall and she just sort of side-stepped, bent
over, and sat down in one fluid motion. And she sat
down here. Where X marks the spot.
And an overhead of
that would be ... there's this table in there. .. like this ..
she came right down and bent over ... and that there is
some sort of a. .. I had the feeling .... it was some sort
of a cushioned seat along the wall and that she just sat ...
plunked herself right down on it. Weird feeling.
Very tight place. Tight, closed in feeling.
#66
Anybody else in the area.
#31
I didn't perceive anyone else. I find it unlikely that
she was alone, but I still didn't see anybody else.
Didn't feel anybody else there, and I don't know what she
was doing ... at one time, I thought she was like reading ...
that she had manuscripts out on the desk, scattered
out in front of here and that she was reading them.
Another time, I had the feeling that she just sort of like
sat down and crossed her legs and (mumbling) with her
fingernails, or something, you know. Didn't really do
anything. But the more I looked at it the more she
started to do something that was purposeful. I don't
know what that is
There, put a manuscript out there.
Some sort of a book. But, no, I agree #66 I was not
flying today.
#66
Ok, you don't think you good (mumbling)
#33
No, no, I don't think I did.
#66
How do you feel about the images that you've seen?
$31
Well, what I got was ok. I was getting very little
spontaniety on action or detail. I was getting only
the basics. Like I got a bare room downstairs.
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#31
It was unlikely as hell that some living room, or
whatever .... something with a white carpet on this large
living room is going to have no furniture in it, unless
it's been pilfered, or all thrown out. Nuts will do
anything when they think they've got a reason to.
I was getting the basics, the contour right, but,
there's uncertainty, you know. When I looked at the
targets, I sort of said to myself, this is going to be
a doozie because all four targets are identical in
structure form. So that means only detail is going to
tell the difference, when you get right down to brass
tacks, you know.
#66
You just don't have a general good feeling about this?
#31
NO.
I don't. I didn't all the way through it.
I
really had to work and with this game ... the more you
work, the more you'll see.
The question is whether
you're making it up or not.
The guy outside. .. if I drew this cat herc ... there are
some large trees out front ... what I call out front of
the place .... uh .... I do think that's the front.
That's
the business end of these buildings. . the other side ...
the side where those trees .... and everything ...... are
Some small path, or something, in under those trees. , ,
I had this shot of somewhat open area, yardish type thing.
.. not even yard. ... just sort of black and white.
Let's say that I'm looking out the front door, in this
view ... I had the very strong feeling that on the other
side of these trees ... 4 feet ... like in under the trees
but: on the other side of these trunks was like a small
foot path, or maybe a bicycle path, something very small.
That's where this guy was walking. He did have a weapon
slung over his arm .. . wasn't carrying it at high port.
The dam thing was slung over his arm.
The peculiar thing
about it is that I had it on his left shoulder. That's
something that I remember :. It was on his left shoulder.
Some sort of black cap, black clothes.
I was trying
to extrapolate what this guy's patrol was. .. trying to
dig what his patrol wos, if that is, in fact, what he
was doing. I had the impression that he had the area
where the four buildings are, but only about that much.
I had this redundant pattern. .... I didn't see anybody
else in this redundant pattern. . ... but I had the feeling
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that this guy was here walked on this road down
to about middle of this. .... what he was doing was ....
he was going to about middle of that building and
then he was coming back up and he was going to just
about passed that building and then he was just turning
back. In a fleeting moment I saw him do about a turn
here and I looked way down there and I saw him turn
there and then I saw him turn here again. .. I looked
way down and slowly turn around ...... that's about it.
X is the sentry, and the line and dot is his post.
That's it.
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TAB
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C
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0
C
(
Pack
Porch
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Curved
bar ?
hallway
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white
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MYRIS
under
1
5
C
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E LIBRARY
Room
Staircase
1
HALFWAY
Rms
RMS
upstairs
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0
KALL
WALL ?
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جينو تيقف البيان
FATh
BED
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clownstans
1
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KIT
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I ..
ARCA
C
#5
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Beige?
1
Beau
Longo
. ... .
.
Approved For Release 2000/08/07 : CIA-RDP96-00788R000800140001-9

Approved For Release 2000/08/07 : CIA-RDP96-00788R000800140001-9
7ª
C
Approved For Release 2000/08/07 : CIA-RDP96-00788R000800140001-9
C

Approved For Release 2000/08/07 : CIA-RDP96-00788R000800140001-9
----
Woman
Sitting
(
...
Approved For Release 2000/08/07 : CIA-RDP96-00788R000800140001-9

-
Approved For Release 2000/08/07 : CIA-RDP96-00788R000800140001-9
0
...
Weapon
..
C
Approved For Release 2000/08/07 : GIA RDP96-00788R000800140001-9

.
Approved For Release 2000/08/07 : CIA-RDP96-00788R000800140001-9
2
C
Xis The
-Food
0,60
X
-
.
C
Approved For Release 2000/08/07 : CIA-RDP96-00788R000800140001-9

Approved For Release 2000/08/07 : CIA-RDP96-00788R000800140001-9
TAB
Approved For Release 2000/08/07 : CIA-RDP96-00788R000800140001-9
.... . .... . ..... . -------------..

Approved For Release 2000/08/07 [CIA-RDP96-00788R000800140001-9
.
TARGET CUING INFORMATION
REMOTE VIEWING (RV) SESSION CC20
1.
(S)
The remote viewer had been exposed to open source news
media information and overhead imagery prior to the session.
He
knew he would be working on the hostage situation in Iran.
2.
(S) During the session the viewer was shown overhead imagery
of the Embassy compound in Teheran, Iran and asked to focus on
areas "C" and "D". The overhead imagery is not included herein
due to its classification.
SECRET
Approved For Release 2000/08/07 : CIA-RDP96-00788R000800140001-9