CIA-RDP96-00788R000700300001-2

Approved For Release 2000/08/070FA DR96-00788R000700300001-2
INSCOM
GRILL FLAME
PROGRAM
SESSION REPORT
CLASSIFIED BY:
MSG, DAMI - ISH
DATED:
051630ZJUL&*
REVIEW ON:
Jul 2002
NOT RELEASABLE TO FOREIGN NATIONALS
If-017-82
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Cy #82011/

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SUMMARY ANALYSIS
REMOTE VIEWING SESSION #929
1. (S/NOFORN)
This report documents a remote viewing session conducted
in compliance with a request for information.
2. (S/NOFORN)
The remote viewer's impressions of the target are
provided as raw intelligence data, and as such have not been subjected
to any intermediate analysis, evaluation or collation.
Interpretation
and use of the information provided is the responsibility of the requester.
3. (S/NOFORN) The protocol used for this session is detailed in the
document GRILL FLAME Protocol, AMSAA Applied Remote Viewing Protocol
(S), undated.
4. (S/NOFORN)
Following is a transcript of the viewer's impressions
during the remote viewing session. No drawings were provided by the
remote viewer.
Target cuing information was a sealed envelope containing
one photograph. At TAB A is the photograph which was in the envelope
and never shown to the remote viewer. The viewer did not appear to
have acquired relevant target imagery.
Another attempt will be made
at a later date.
NOT RELEASABLE TO FOREIGN NATIONALS
OroDE 96-00788R000700300001-2
Approved For Release 2000/08/07

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TRANSCRIPT
REMOTE VIEWING SESSION #929
#66:
This will be a remote viewing session for 0900 hours
8 July 1982. Following is a pre-session briefing
to the remote viewer. We have a brand new project
to work on this morning. I have here a sealed envelope
containing a photograph of a target building. This
sealed envelope will be your target cuing information,
this morning. We have three sessions for you, planned
on this target. This first session is a target
acquisition session. Your task this morning will be
to access the target area and describe the outside
of the, this building and the entranceway as depicted
in the photograph. Do you have any questions concerning
your task for this morning?
No.
#46:
#66:
All right. Let's prepare yourself then, for this
morning's session. Relax and concentrate now. Take
a moment to relax, relax, relax. Now focus your attention
solely and completely on to this target, accessing the
present time
, present time. Position yourself,
standing outside the target building. Face the target
building and describe your perceptions to me.
#46:
There's a yellow wall, a white yellowish wall and kind
of, I see appearance of four columns in(mumble) part
of the wall.
#66:
Step back 50 feet from the building.
PAUSE
1
#66:
Describe the size of the building to me.
#46:
This is a ---
#66:
Don't tell me what it is, you just have to describe
it to me. Describe the raw perception.
#46:
I keep getting drawn into it. It's a huge --
#66:
Stay outside, stay outside, 50 feet from the building,
on the ground, facing it, as in the photograph, in the
sealed envelope, describe.
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#46:
It's a brick building with commercial type windows used
for storage.
#66:
It's not necessary to tell me what it is, you must tell
me what you perceive.
#46:
I perceive brick walls with commercial type windows, like
an old factory.
#66:
All right. Place your back to this and look out and
away and describe what is in front of you. Press
your back to this wall, look out and away and describe
what is in front of you.
#46:
There's not too much there except a huge, some sort of
cement road and then beyond that, trees. I have a
feeling of space, a lot of space.
#66:
All right.
PAUSE
#66:
It appears, it appears from your description that you
have not acquired the building of interest.
#46:
No, wait a minute. Like an airfield type thing, where they
do something with travel.
#66:
Okay. Let's attempt at this time, to refocus your
attention, think only of the sealed envelope, think
only of the sealed envelope, the photograph of the
building and start anew in your attempt to acquire the
target. Relax now, relax, relax. Relax.
PAUSE
#46:
Okay, .. this is the impression I have of two, two and
a half story building with a red roof, that is built on
the side of hill, as though the bottom floor were part
of a wall. There's a, almost a rural, sedate feeling
to this place, like a .... like a building in a village
outside city limits, beyond.
#66:
And standing on the ground, facing this building, describe
it to me.
#46:
Say again.
#66:
Standing on the ground, facing this building, describe
it to me.
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#46:
About two stories high. It's a garage or a wall on
the first floor or there's something, there's a hill
or a slope near, maybe behind it. That house is
built on that slope. (Mumble) two, two and half stories
high. I see a red tile roof and I see ... you know, stucco
type finish on the building.
#66:
Describe the windows to me.
#46:
This is an illusion of an arc,. an arch, but and there
is also green wooden shutters.
#66:
Describe the entrance door to me.
#46:
Entrance is to the side, .. and there are two, however,
from the road into, through the garage or through cement
steps to the right front that lead to the side door, if
you wish ..
#66:
Are you saying that there are two entrances?
#46:
Yes, street entrance that you can go right into the garage
on the street floor and from there you can go up or you
can go to the right entrance, through cement steps to
the door.
#66:
Okay. This entrance that you say, from the street, a
garage, tell me about that entrance. Describe it in
detail.
#46:
Just a garage entrance. And there are wooden steps that
lead up to the first floor up above of the building.
Describe the entrance door.
#66:
#46:
Yeah, they're roll down metal doors with a, .. . and the
once inside you go up the stairs. I don't see a door
in the, you'd have to drive in to gain access to the
house, like the wooden steps that lead to the house.
#66:
All right.
I have no further questions about the
target building.
Take a few moments now, during the
imagery you've had and explore the target on your own.
I will wait.
PAUSE
#46:
(MUMBLE)
built on.
On this slope where, this street wall like is
part of the house.
I don't have anything to add.
#66:
All right fine, thank you very much.
3
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