CIA-RDP96-00788R000700170001-7

Approved For Release 2000/08/07 : CIA-RDP96-00788R000700170001-7
INSCOM
GRILL FLAME
PROGRAM
CLASSIFIED BY: MSG, DAMI-ISH
REVIEW ON:
951630Z JUL78
January 2002
NOT RELEASABLE TO FOREIGN NATIONALS.
STORET
ORCON
Copy 1of 2 Copies .
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SUMMARY ANALYSIS
REMOTE VIEWING SESSION 839
1. (S/NOFORN)
This report documents a remote viewing session conducted
in compliance with a request for information.
-
2. (S/NOFORN) The remote viewer's impression of the target are provided
as raw intelligence data, and as such, have not been subjected to any
intermediate analysis,evaluation or collation. Interpretation and use
of the information provided is the responsibility of the user.
3. . (S/NOFORN)
The protocol used for this session is detailed in the
document GRILL FLAME Protocol, AMSAA Applied Remote Viewing Protocol (S)
undated.
4.
(S/NOFORN) Following the session the remote viewer was interviewed
for his impressions. At TAB A are drawings, and a narrative concerning
the drawings, made by the remote viewer. At TAB B is the target cuing
information provided the remote viewer.
/
.
SECRET
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TRANSCRIPT
REMOTE VIEWING SESSION 839
#72:
This will be a remote viewing session for
18 December 1981 with a start time of 1500
hours.
PAUSE
#72:
It is now 1500 hours.
Our target for today
is the individual whose name and identifica-
tion are in the envelope. I want you to
concentrate on the man whose name and identi-
fication are in the envelope. Tell me where
he is.
PAUSE
#06:
Get an impression of
flight of steps.
PAUSE
Outside.
Decorative steps.
Impression of a
dark.
area.
PAUSE
Its like
walking into a depression.
.
low.
Low area.
PAUSE
#72:
Is the person alone?
PAUSE
#06:
No ... he's.
..
..
.
, accompanied by at least two
others.
Got on military uniforms.
PAUSE
#72:
All right.
I
want you to come out to the front
of where this person is and describe it for me.
PAUSE
#06:
Just a minute.
PAUSE
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#06:
Impression of
.
ramp of steps.
Decorative.
And .
narrow
. ..
. I was
standing on top looking down.
Like coming
out of a airplane or a
a
something metal.
PAUSE
#72:
All right.
Look at the front.
Is there
any number on the front?
PAUSE
#06:
A. .
Its got a .
kind of design.
A bird on it.
Don't see any numbers.
#72:
All right.
I want you to go into an overhead
perspective.
Overhead perspective. . . from
where the person is what are the most distinguish-
ing landmarks.
Look around.
PAUSE
#06:
See a city surrounded by water. Long, low
bridge. Park.
Yeah, a park.
PAUSE
#72:
Look around the city.
Look around the city.
Distinguishing landmarks.
PAUSE
#06:
Tall, pointed building. Just feel like I'm
going around in a circle around that tall
pointed building.
. See a
.
building that's round.
Or a group of inter-
connected circles - cluster of circles.
Its
a church.
PAUSE
See a . .
there's a . .
Impression of
open areas with no cars.
Large open area
with no cars.
#72:
All right. From your perspective over the
city, I want you to locate the main road.
Locate the main road.
PAUSE
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#06:
Okay.
#72:
Go down the road around the city, close to the
Look for a
city until you find a road sign.
road sign.
PAUSE
#06:
Okay.
#72:
Read the road sign.
What does it say?
Describe
it.
PAUSE
#06:
Its.
Its got a person's name.
PAUSE
Marvin.
Marvin, or .
. Male first
name, Mar.
Its like overhead, green.
PAUSE
#72:
Look at the overhead green.
What does it say?
PAUSE
#06:
I'm getting a
.
. I'm getting just a
view now of a raised highway. .
.
on the
edge of the city.
With the ramps going down
and the ramps going up.
PAUSE
#72:
All right. That's fine. I want you now to go
back into the city.
Back to the place where
the person is. . . Maintain an overhead look
and look down and describe its relationship to
the roads and other landmarks.
PAUSE
#06:
Its across the river.
A. .
.
.
.
·
A.
Just had a
. .
flash of something.
Just a minute.
.
PAUSE
Just got a flash of some funny pointed trees.
Skinny, tall trees.
PAUSE
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#06:
I don't know. . . I just keep winding up back on
an aircraft ramp.
PAUSE
#72:
All right. That's all right. Take a sense
of the city.
What is the function of the city?
PAUSE
#06:
Very
·
·
Got a political feeling.
.
Strong political feeling.
1.
#72:
How do I find the city?
PAUSE
#06:
I just.
I keep getting overlay here.
I'm.
I just feel like one minute
I'm in Moscow and the next minute I'm in
Washington.
#72:
Okay, just relax.
Just relax. That's all I
have for you now.
That's all I have. Do you
have anything you want to add?
PAUSE
#06:
I get a stronger feeling about Moscow than
Washington.
But I'm still not sure if its
overlay.
#72:
All right.
I want you now to relax.
Return
to this room.
Return to this room.
Relax and
return to this room.
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POST SESSION COMMENTS
#06
In Moscow or something. . .
#72
That's interesting. When you were looking at
the building, the first building where he was.
at, where he was down - what did you feel about
that building?
PAUSE
#06
I. . . guess I'm confusing something here.
You mean where I was talking about the steps?
#72
Yeah.
#06
I got an impression that it was
, his back
to something metal, heavy
#72
Damn, there's enough noise going on in here
to .
.
#06
I know, its ridiculous. Difficult
##72
Today, it was just unreal
PAUSE
Let's just relax and rest for a little bit
Just stretch it out.
5
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£
TAB
,
-
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Approved For Release 2000108107-01A-RDP96-00788R000700170001-7
TRANSCRIPT
REMOTE VIEWING SESSION 839
DESCRIPTION OF DRAWINGS
#72
Okay we'll continue the session with some
drawings and commentary.
#06
Okay. Page 1. . . is a rendition of the city
area circled by the moat of water or the rivers.
I have a narrow bridge on there labeled narrow
bridge. I got a feeling like this narrow
bridge was very close to the water and on
a piling . . . you know, just a flat ribbon of
road. There's a road inside the city edge along
the water, with some kind of a cut-off right
before a curve that said Marvin something-or-other.
That's where I was working on the sign. I've
indicated with an asterisk the approximate
position of the targeted individual. I've labeled
open areas in the city. There's some kind of
big, flat square open area.
Page 2 . . . "A" is a representation of the
grouping of tall skinny trees. For some reason
I had the impression of tall skinny trees.
"B" is where I turned around on the upper
platform of the steps and saw a angular type
representation of an eagle inside a triangular
type background. "C" is a group of inter-
connecting superimposed circles which I felt
indicated a church. You know it was like a top
view of the design of a church
Page 3 . . . Is a side view of the type of
steps or ramp that I'm talking about which
appeared to be narrow. The top of which he
was standing and looking down. I got an impression
that - like I did "E" ... here is a cutaway
section of one of the supports. And that's
about it.
#72
Okay, let's darken them in and that will
terminate the session.
#06
Okay.
6
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WATER
OPEN
AREAS.
CITY
SOMETHING
ROAD
WARER
MARC
,
TOTED
INDIVIDUAL
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2
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E
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TAB
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Approved For Release 2000/00107 - CIA DDP96-00788R000700170001-7
TARGET CUING INFORMATION
REMOTE VIEWING SESSION 839
1.
(S/NOFORN)
Immediately prior to the session the remote
viewere was shown a sealed envelope and told that the name
and identification of the target was in the envelope.
2.
(S/NOFORN) The remote viewer was asked to locate the
individual and describe his surroundings.
£
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