CIA-RDP96-00788R000601050001-0

Approved For Release 2000/08/07 : CIA-RDP96-00788R000601050001-0
SECRET
INSCOM
GRILL
FLAME
PROGRAM
SESSION REPORT
-
-
CLASSIFIED BY: MSG, DAMI-ISH
051630Z JUL78
REVIEW ON:
April 2002
NOT RELEASABLE TO FOREIGN NATIONALS
·
ORCON
GRILL FLAME
Approved For Release 2000/08/07 : CIA-RDR9 -- 00788R000601050001-0
SEGRET

Approved For Release 2000/08/07 : CIA-RDP96-00788R000601050001-0
SEGRET
SUMMARY ANALYSIS
REMOTE VIEWING SESSION 884
1. (S/NOFORN) This report documents a remote viewing session
conducted in compliance with a request for information.
2. (S/NOFORN) The remote viewer's impressions of the target are
provided as raw intelligence data, and as such, have not been subjected
to any intermediate analysis, evaluation or collation. Interpretation
and use of the information provided is the responsibilty of the requestor.
3. (S/NOFORN)
The protocol used for this session is detailed in the
document GRILL FLAME Protocol, AMSAA Applied Remote Viewing Protocol (S)
undated.
4. (S/NOFORN) Following is a transcript of the viewer's impressions.
during the remote viewing session. At TAB A are drawings and narrative
provided by the remote viewer. At TAB B is target cuing information
furnished the remote viewer.
NOT RELEASABLE TO FOREIGN
NATIONALS
Approved For Release 2000/08/07 : CIA-RDP96-00788R000601050001-0

Approved For Release 2000/08/07 : CIA-RDP96-00788R000601050001-0
TRANSCRIPT
REMOTE VIEWING SESSION #884
#66:
This will be a remote viewing session for 0900 hours
6 April, 1982.
Following is a pre-session briefing to the remote viewer.
At this time I show you photographs which you have seen
before. This individuals are involved in incident that
we are investigating. Your last session we attempted to
locate and identify the residence and place of employment
of the female in the photographs. This week we will do
the place of employment and residence of the male in the
photograph. So we want to focus our attention today on
the male identified in the photograph. Do you have any
questions pertaining to your mission today?
#00 ::
Nope.
#66:
All right you have approximately twenty minutes in which
to prepare yourself for this morning's work.
Relax and concentrate now. Focus your attention solely
and completely on the individual in the photograph
I've shown you. Picture him in your mind. Move now through
space to his everyday work place, to his place of
employment. And describe this area to me.
#01:
Itsu sideways cones, likesframes.
.. X overhang. . circular
step, steps. It's electronics.
#66:
Describe the raw impression that makes you say this.
#01:
Car radios, speakers ah, stereo, shelves im the sun ...
white ... it's a like second floor.
#66:
Look outton the second floor and down and describe what you
see.
#01:
I see a boat and pavement, hollow stones .... building walls
hollyy green, something green ..
#66:
Okay.
#01:
leafy.
#66:
Yeah. Focusing on this individual's principal job, his
employment, is his principal time spent outside or
inside?
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#01:
Your automobile, like driving, travel, outside.
#66:
Describe this outside place.
#01:
It's giving me flashes of highway. Some kind of covered
eren but outside.
#66:
Can you describe this area to me.
#01:
Benches, table, water running somewhere .. very old
fashioned , place for music. Keep seeing park like walks,
by a narrow walk areas. many brown benches.
#66:
Okay.
#01:
White rails.
#66:
Focus on this place that's outside and yet covered, Just
relax now for a moment.
Relax and concentrate on this
place. Now watch the individual work and describe his
activity to me.
PAUSE
#01:
See him carrying something, flat.
#66:
Watch his activity and describe it to me.
#01:
Moving hands, go wiping motion ... I don't understand it.
Moving hands, like a windshield wiper, left, right.
#66:
Stand behind him and look.
#01:
Polishing , cleaning something, moving left, carrying
something.
Seeing him carrying something, rubbing
something.
#66:
All right.
#01:
See a reflected light, like a through glass, some glass
everywhere. Serves.
#66:
Break this out.
#01:
Keeps giving something to someone.
.. It's like a transference.
of object.
#66:
Describe the object.
#01:
Get the glass again, glints of glass.
2
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#66:
All right.
Relax and concentrate now and let's change
your focus and move to the area of residence. The area
where this individual lives at the present time. Move
through space now to this area and describe it to me.
PAUSE
#01:
It's like a three story brick building. Impression of
dormitory or no, it's wrong, it's like corridor with many
doors, single rooms.
#66:
Describe the outside.
#01:
Yellow stucco on brick,
three floors, plain box. Many
buildings alike.
#66:
Describe the neighborhood.
#01:
Ah, kind of run down industrial area.
Get a feeling for
many single male worker feeling.
#66:
Describe for me how I can best locate this residence.
#01:
It's near au shape beer garden, old trees, like high
hedges, old trees.
#66:
Describe this beer garden to me.
#01:
Arched, arch wood entrance, trees are pruned high, three
square, blocky roof type, trees for cover, high hedges
around outside. See the benches again, outdoors ...
Building in corner, very old .. I think that's his place
of employment. Residence and place of employment is
very close.
#66:
All right.
I have no further questions about this target.
However, I would now like to give you a few minutes to
explome and comment as you see fit. Do so now.
PAUSE
#01:
This guy's .. just a minute .. got an impression of a
weilvard of some kind, very close by, a large railyard.
A large open area for, it's like used for chaval ground,
beer fest ground ..... that's all I get.
#66:
All right. Remembering the impressions you have now
Let's prepare to draw the perceptions of your session.
' SECRET
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TAB
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Approved For Release 2000/08/07 : CIA-RDERFOR
APPR000601050001-0
REMOTE VIEWING SESSION 884
(DRAWING NARRATIVE)
#01:
Okay. First I have to explain that I think that this guy
is ... I'm getting an impression of two different jobs, but
he's not working both. Which means he either just quit
or was just fired from the first one.
Page 1 is his first place of employment. I perceive it to
be a spec shape type of blocked overhang with recessed glass
doors, circular stair entrance, big long flat building with
a row of windows denoting a second floor. It's some kind of
electronic firm. I get an impression of two cone shaped
objects kind of off-set as an emblem to one side. I don't
think he's employed there any longer. He's just recently
been employed there.
Page 2 is the impression I get of his residence and either
place of current employment or place that he hangs out on a
day-to-day basis. I'm not real on the employment angle.
I
don't know if he's helping out there for money or what.
But,
I don't get the employment feeling very strong. But, that's
where he spends the majority of his time.
That's the old
Gasthaus building.
#66:
So, I see in number 2 here you have his residence building
indicated. Then across the intersection down the street a
little bit, we have this ... what you gall @ asthaus, Will
you explain to me what that is. What do you do at a Gasthaus?
#01:
This little Gasthaus place is like where you and eat and
drink beer and all that. It's really old fashioned. I get a
feeling like this building might be 150 years old. It's
surrounded with these very high, well manicured, blocked cut
trees that you actually sit under the trees.
You know, they're
cut like big pedestals, and you sit under these trees. And,
surrounding this whole thing are these huge 12 foot squared
off edges that have been there forever. You know ... in a Koons
age. And, the entrance is like this ... just flat, carved wood
and overhang type entrance. Underneath all these trees are
all these old pipe, benches and tables where, you know, the
old beer drinking kind of place where this ... all this work
I'm feeling, and you actually are outside, but inside sort of ..
in this old Gasthaus ... where you eat the old German meals and
swirl (phonetic) with German beer, and whatnot. It's a place
where on Saturdays they would have the Ompa band (phonetic)
you know, sitting in the corner. That kind of thing.
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#66:
So, you are saying I can identify his residence place by its
proximity to this other building?
#01:
Correct.
#66:
And, what is unique about this other building that I could
identify this from all others like it?
#01:
Just the hedges, the trees, the entranceway. Its age. It's
directly across from a, what I call, fest grounds. It's like
a clear, giant cleared area where the grass is kept nice and
everything. Where they have sort of a layout of asphalted
walkways for carnivals and things like that. And, to the other
side a little farther distance away is a large railyard, and I
got a feeling down the other side is light industry and I've
indicated with an arrow where the center of the town is ...
I don't have a very strong feeling about this town for some
reason.
I don't know. Didn't get any strong feelings about the
town.
#66:
Okay.
Anything else you would like to add?
#01:
No.
That's it.
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Approved For Release 2000/08/07 : CJA-RDP96-00788R000601050001-0
WINDOWS
X-SHAPED
OVERHANG
ELECTRONIC
FIRM.
DOORS
EMBLEM.
DESIGN
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STEPS
1

INCL 7
884-01
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FILLED WITH OLD
BENCHES F'TABLES
OLD
GASTHAUS
BLOG.
TO RAIL
YARD.
AREA.
TREES
YOU CAN
SIT UNDER
ENTRANCE
LIGHT
RESIDENCE
BUG.
FEST
LIGHT
GROUNDS.
(CLEARED
AREA)
CENTER OF TOWN.
INDUSTRY
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2

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TAB
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SG1A
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