CIA-RDP96-00788R000600840001-4

Approved For Release 2000/08/07 : CIA-RDP96-00788R000600840001-4
OLONLF
INSCOM
GRILL FLAME
PROGRAM
SESSION REPORT
CLASSIFIED BY:MSG,DAMI-ISH
NOT RELEASABLE
OLUNAN NATIONALS
DATED:
051630ZJUL78
ORCON
REVIEW ON July 2001
GRILL FLAME
Approved For Release 2000/08/07 : CIA-RDP96-00788R000600840009-481
Cy1 of 2 cujo

Approved For Release 2000/08/07 GIA-RDP96-00788R000600840001-4
OLUNLT
SUMMARY ANALYSIS
REMOTE VIEWING SESSION DCC-96
1. (S/NOFORN)
This report documents a remote viewing session conducted
in compliance with a request for information.
2.
(S/NOFORN)
The remote viewer's impressions of the target are provided
as raw intelligence data, and as such, have not been subjected to any
intermediate analysis, evaluation or collation. Interpretation and use
of the information provided is the responsibility of the requestor.
3. (S/NOFORN)
The protocol used for this session is detailed in the
document Grill Flame Protocol, AMSAA Applied Remote Viewing Protocol
(S), un dated.
4. (S/NOFORN) Following is a transcript of the viewer's impressiond
during the remote viewing session. At TAB A are drawings made by the
remote viewer reference his impressions of the target site. At TAB B
is target cuing information provided the remote viewer.
SEODET
NOT RELEASABLETOTTORELAN NATIONALS
Approved For Release 2000/08/07 : CIA-RDP96-00788R000600840001-4
ORCON

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TRANSCRIPT
REMOTE VIEWING SESSION DCC-96
TIME
#14:
This will be a remote viewing session for 24 July 1981;
mission time is 0900 hours.
This will be a pre-mission brief. There's photographs
of a man, one photograph taken 1980, another 1981, to
show you a comparative difference or similarity.
#01:
Okay .
SG1A
#14:
The man's name is
and that's a phonetic
pronunciation.
I don't know if it's correct or not.
And once we start the session I'll give you your targeting
information.
Questions?
#01:
Nope.
0900
#14:
All right #01, the time is now 0900 hours. What I'd
like you to do today is focus on the man in the photo-
SG1Agraphs.
I'd like you to focus on
SG1A
Project your awareness to his present location and describe
your surroundings.
+02
#01:
Okay, just a minute
Gettin' a .. smaller building.
It's like, uh, a residence
type building made of old stone. It's only one, one
floor and a basement ...
+05
Interior is, uh ... it's like an office and residence mixed.
Good furniture. He's like in the, uh, the office portion ....
He's in this building with three or four other individuals
..
Getting like a French influence in the chairs and the
tables and .. furniture and the furnishings in general.
It's got a French flavor to it. Although the general area's
got an Arabic feel.
#14:
By general area you mean the-
#01:
Neighborhood ... Getting sort of a complex opinion here
about the neighborhood. I'm getting, uh, Arabic and
European both. And I'm getting a fine house but like a
slum condition.
Trash in the streets, that sort of thing ...
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#01:
Think there is a partial second floor or split level.
Seems to be heavily shuttered.
Say the home is probably
about, uh, 200 years old maybe ... Get a cluttered
feeling too, like it's, uh, it's walls are fastened to or
adjacent to other buildings. . other residence type areas ...
Getting only one other feeling about this. These, uh ...
I think the, uh, quasi office feeling about this building
is new. Think he just sort of lived there before but now
he's using it for his office as well. It's like he had to
relocate his office recently.
#14:
Okay. How would you describe this complex here as far as
locale. For example, would you describe it as mostly
private residence, or businesses or apartment dwellings?
#01:
Okay, just a minute.
I'd say like about 80 percent
apartments, 20 percent residence, private residence.
A new, uh ... getting a .. getting like a military feeling
about it too, though.
Like there's a high level of military
people living there .. New business, for some reason.
New business feeling.
All that's predominantly a resi-
dential type area. There's business done there ....
#14:
Where do you feel you are in the world?
#01:
Just a minute.
PAUSE
+11
Feel like I'm in, uh .... like the, uh .... I'm like in the
area of Lebanon. I'm not sure if I'm actually in that
country.
There's a shoreline, but ... feel more like I'm
just outside that country
..
#14:
Is this the area where
SG1A
is located at this time?
#01:
Yes. Get the feeling like he just moved to this location,
or he's just arrived at this location. I also get the
feeling that he's highly upset about something ... That
was just like a flash I just had. He's really put out
about something ...
His move wasn't a great one either.
I mean it wasn't, uh,
by jet from one place to another.
It was ... more like a
town to town move.
#14:
All right #01, I'd like you to prepare yourself to change
your focus in time. But I want you to remain with
I would like you to focus back in time, on 19 October 1977.
I'd like you to focus at a time window of six in the
evening, his time, six in the evening his time.
SG1A
PAUSE
2
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#01:
Okay.
#14:
I'd like you to describe your surroundings and activity
at this time.
+18
#01:
Okay, just a minute
Get like a ... downtown street ... with, uh, some kind of an
overhang on the left. It's a curved overhang. It was
predominantly a large wall running down one side.
It's
like a. . enclosed courtyard type sections. There's a lot
of noise and yelling. There's an awful lot of people ..
running. I'm getting like a ... getting the impression of
very violent vibration of some kind. Like, uh, the view
you'd get when there's a loud concusive type shock wave.
SG1A
#14:
Where is
at this time?
+20
#01:
He's like on a ... looking through a thin window on the
second floor of a large building. It's like some kind of
a factory type building, very large and square.
It's kind
of off to the left and above this wall.
#14:
Do you have a feeling for where in the world you are at
this time?
#01:
Just a minute
I have a feeling like I'm in, uh ... West Europe. Like, uh ...
it's like the Danish/Swedish area. . North Europe. Way up
north, very far north.
+24
Get a .... get another feeling.
Just a minute, I'm tryin'
to .. figure out what it is .....
Just getting a feeling of
a blank, gray, cold wall. I don't know ... what that means.
I keep seeing this .. gray wall, though. I get this cold
feeling.
SG1A
#14:
Okay. I would like you once again to focus on
I would like you to stay with him and move, describing as
you move, till 10:00 on that same day. 10:00 in the evening,
19 October 1977.
#01:
I ..... just had him walking .. like a place that's got a
round roof and support columns. He's getting in a black
car ...
Drives about three miles I guess, four miles.
Stops in a, uh, old section of the city. It's got very
high walls on both sides of a narrow alley like road.
Walks down to a very smoke filled Gasthaus type bar.
Just have him in there sitting in like a booth ... He
meets one or two people there ... That's where he is at
ten.
I don't ...
#14:
These people that he meets with- is that a accidental
type meeting?
3
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Approved For Release 2000/08/07 : CIA-RDP96-00788R000600840001-4
#01:
No, that's a planned meeting. He was there waiting.
Uh, one man he meets is only there a minute and leaves.
But the second guy that came with the first stays. That
meeting's longer, like 20 minutes. And, uh ... they exchange
information.
The visitor is, uh .. speaks longer, speaks
more than the .. the target individual, like he's giving
instructions. Then he leaves and target individual just
continues to sit there. . and leaves about midnight ...
+29
I'm getting an impression of, uh, like a brown envelope
with a lot of money in it. And, uh .. I'm not entirely sure
if it's overlay or not, but the money's greenbacks, and it
may be that's just 'cause I'm familiar with that kind of
money, but I'm getting a very thick sheef of greenbacks.
#14:
As you see him leaving this establishment, does he leave
this establishment alone or with anybody else?
#01:
He leaves alone, but the, uh. . he's picked up by somebody
in a car. It's a dark brown car. They, uh .. they drive
to a ... the house with the courtyard. . garden ... Get the
feeling like the guy who picks him up is somebody he works
for. They go back to his house with the courtyard to dis-
cuss business ...
Just had a ... just had a disturbing flash here a minute.
Hold on a second.
.
The guy that, uh .. this guy that
he went to the courtyard and the house with is a .... I get
a sense of like .. it's confusing. It's like I get a sense
like he's got a boss-employee relationship with the guy
but not really. And I also get a feeling that, uh, he's
like doubling over on this guy who's supposed to be his
boss.
'Cause I see this very acquiescent meeting, going
to this house with the courtyard. And then I see him
leaving like in the early dawn hours, like three or four.
And the guy in the house is dead, like he just shot him.
He just killed him.
There doesn't seem to be any motive
to it.
..
Sorta like he just made his mind up to do that.
#14:
Okay .
I have no further questions at this time.
I would
like you to bring your awareness back to this room, this
time. It's the 24th of July 1981.
Okay, we're now ready for debrief.
#01:
Page one is the, uh, first area.
It's like an old, 200
year old or so stone building. It's a house, in a section
of town that is now a mixture of old houses and new houses.
Uh, newer buildings or apartment buildings, and it's kind
of a ratty section of town. I don't know how- it's like it
used to be a really nice section, now it's a ratty section.
And the interior of this building is in very good condition.
So, it's a very old residence. And there's like courtyard
all around it.
4
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#01:
Page two is a picture of the interior of this gasthaus
type area. Uh, there's a long, very long, narrow alley-
way in the front, with sidewalks on both sides. I got
the windows marked, entry door, counter, kitchen on the
left, bathrooms in the back. And these are all like
arched. you know, like areched type booths with tables
all the way around. I got another section of tables and
I got another cleared area to the front. I get a, like a
Baltic flavor with this restaurant, like it's some kind
of a Baltic type restaurant. Yugoslavian or Czech or some-
thing like that. And, uh, that's about it I guess.
#14:
Okay.
#01:
That's the end of session.
#14:
End of session.
5
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TAB
..
-
1
1
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....
APT/
6400
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APT
BLDG
APT
BLDC
37
1_
APTU
BLDE
3
>
3=
V
1
-
10
VERY OLD STONE
BLDG
RATTY LOOKING
AREA OF TOWN.
( BUT INTERIOR OF OLD BLDE
IS IN VERY GOOD
COURTYARD
SHAPE AS WELL
AS FORENING
OLD BUDE
OLDS
BUDO
.
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1
1

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BOOTHS WI
TABLES
BATHROOMS
ARCHS
00
TABLES
BUDE
KITCHEN
01
CLEARED
AREA
COUNTER
1
1
DOOR
1
1
SIDEWALK
T
1
WINDOWS
LONG VERY NARROW ALLYWAY.
1
1
1
SIDEWALK
1
1
1
2
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alpina
L.
BLOC

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TAB
1
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Approved For Release 2000/08/
P96-00788R000600840001-4
TARGET CUING INFORMATION
REMOTE VIEWING SESSION DCC-96
1. (S/NOFORN)
Prior to this session the remote viewer was shown the
attached photographs. He was told that the man in the photos
SG1A is named
and that this individual would be his
target for this session.
2.
(S/NOFORN) During the session the remote viewer was asked to
SG1Afind
in present time, and describe his surroundings.
The
viewer was then asked to describe
surroundings on
19 October 1977, at 6:00 p.m and at 10:00 p.m.
SG1A
NOT RELEASABLE TO FOREIGN NATIONALS
ORCOTOPP
ULOALI
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SG1A
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Approved For Release 2000/08/07 : CIA-RDP96-00788R000600840001-4