CIA-RDP96-00788R000600680001-2

Approved For Release 2000/08/07 : CIA-RDP96-00788R000600680001-2
SECRET
INSCOM
GRILL FLAME
PROGRAM
SESSION REPORT
CLASSIFIED BY:MSG,DAMI-ISH
DATED:
051630ZJUL 78
NOT RELEASABLE TO FOREIGN NATIONALS REVIEW ON June 2001
SECRET
GRILL FLAME
TILT
0) GF-048-81
Approved For Release 2000/08/07 : CIA-RDP96-00788R000600680001-2
Copy lot 2 copies

Approved For Release 2000/08/07 : CIA-RDP96-00788R000600680001-2
-SEGRET
SUMMARY ANALYSIS
REMOTE VIEWING (RV) SESSION DCC-73
1. (S/NOFORN) This report documents a remote viewing session conducted in
compliance with a request for information on personnel working in a building.
2. (S/NOFORN) The remote viewer's impressions of the target are provided
as raw intelligence data, and as such, have not been subjected to any
intermediate analysis, evaluation or collation. Interpretation and use of
the information provided is the responsibility of the requestor.
3. (S/NOFORN) The protocol used for this session is detailed in the document
Grill Flame Protocol, AMSAA Applied Remote Viewing Protocol (S), undated.
4.
(S/NOFORN) Following is a transcript of the viewer's impressions during
the remote viewing session. At TAB A are drawings made by the remote viewer
reference his impressions of the target site. At TAB B is target cuing
information provided the remote viewer.
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-SECRET
TRANSCRIPT
REMOTE VIEWING (RV) SESSION DCC-73
TIME
# 66:
This will be a remote viewing session for 0900 hours,
12 June 1981.
This will be a pre-session briefing to the remote viewer.
At this time I show you a photograph on which the target
building is indicated. There is an arrow pointing to the
target building and I am now pointing to the target building.
#01:
Okay .
#66:
Your mission will be to gain access to this building during
normal working hours at the building today, 12 June. Once
your perceptions become clear on the interior of the building
I am going to direct you to a very specific area within the
building, about which I will have very particular questions.
#01:
Okay .
#66:
You can see the building then, that we're talking about?
#01:
Mm-hmm, upper left building.
#66:
All right. Do you have any questions pertaining to your
mission this morning?
#01:
No.
#66:
All right, at this time you 25 minutes to prepare yourself
for this mornings session.
+05
Relax and concentrate now.
Relax and focus your attention
solely and completely on the building indicated in the photo-
graph I have shown you. Focus now on the target building
and describe the interior to me ....
#01:
I get one flight of steps going up to a ... double entrance
door under an overhang arch. Inside the doors is red tile ...
Hard squares of red tile .. See an entrance foyer. Straight
ahead looks like a ... some kind of large opening of some
kind. It's like there's one big, uh, circular staircase.
SG1A
#66:
All right. Remembering now to focus solely and completely
on the target building, providing raw perceptive data. Move
how to the area designated as the
Move now to
SG1A
and describe it to me.
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+08
#01:
Okay. Just a minute ..
Um, looks like some kind of a
open balcony, and there's .. single door goes into a .. a room
that's wider than it is long. It's white. There's a ... it's
like two sections to the room, almost like two rooms. Table
to the left along the wall. And there's safes along the
right. Funny looking safes. They're like short boxes ..
double doors. There's another door.
Seems to be some very
sophisticated communications equipment.
+11
#66:
Focusing now on daylight, normal working hours, 12 June 1981,
narrowing your focus to the time window working hours 12 June
1981. Describe the activity in
to me.
SG1A
#01:
I got a ... two women are sitting at a. . at the table, like the
counter .. typing into a, uh, machine. Punching out some kind
of a tape .. The tapes are, uh, being put into this basket
like. That's essentially all that's going on in the front.
+12
#66:
Describe the women to me.
#01:
One is ... neither's very young, they're both fairly old. Uh,
mid to late forties. They have a very severe or stern look
to their face. Dark brown or black hair. Uh, one's heavy set,
one isn't. . The one that isn't is about 130 pounds ... Heavy
set one's maybe 165, 170. Uh, heavy set one's got gold
fillings. That's very unusual. And the younger one of the ..
she was wearing glasses. Both wearing wedding rings on right
fingers, right hand. No jewelry ...
#66:
You've described an older and a younger and a heavy set and
lighter. Match these descriptions for me.
#01:
The younger is the lighter and the heavy set one is the older.
#66:
Are there other personnel in the area?
+15
#01:
Comrect. There's a .. see a younger man and a. . just a minute ...
Younger man and an older man in the .. in the radio area.
The,
uh, younger man is more like a technician of some kind. The
older man is the operator. There's more than one operator
but he's not there. He's doing something. I don't know where
he's at.
#66:
All right.
Stand so you can observe what's going on and prepare
yourself for instructions.
#01:
Just a minute ... Okay.
#66:
Listen very carefully to the following instructions and do
not proceed until told to do so. Scanning the individuals
who work
you will be going to each one of
SG1A
them without reporting to me. You will be going to each one
of them and touching them on the shoulder. With each one of
them you will determine the most likely candidate who might
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#66:
like to work for us. When you proceed, you will go to each
individual without reporting to me until you have completed
the entire mission of determining which individual is the
most likely to work for us. Prepare yourself and proceed now.
PAUSE
#01:
Okay.
+18
#66:
Report.
#01:
Uh, I get, uh .. good response from only one.
It's from the
older guy, the radio operator. He's, uh. . his response seems
to be more of a reality than the rest.
#66:
Break this out for me.
#01:
Feeling of, uh, he has better understanding for what's going
on in the world. He knows that, uh, idealism isn't, uh ..
isn't, uh, necessary. Uh, younger. . younger two, woman and
man are, still have too many ideals. Also, uh, I perceive
their .. their lifemates aren't, uh, aren't with them. Feel
pressure about lifemates. Older woman is just .. uh, I get
intense feeling of stupidity. Uh, lacks required intelligence
for decision. Older man will, uh, will do this though.
+21
#66:
Describe in detail the radio operator.
#01:
He's, uh, clean shaven, 195 pounds, 5' 9", 5' 8", uh, hair
is thinning just a bit on top. Age; 46, 47. Light framed
glasses. Just a minute, tryin' to look at the face. Has
kind of a square chin, full lower lip, thin upper lip. Nose
previously broken, small lump like on the nose.
Very, very
heavy brows. Brown eyes. Hair is dark brown.
Believe he
has identifying scar on his upper right hand.
I just sense
that, I can't see it.
#66:
Spend some time now with the radio operator.
Without report-
ing to me, involve yourself in him and his life. Do this
now.
#01:
Okay .
+24
#66:
Report.
#01:
He's, uh, he's married, but his wife isn't with him. He's
very dissatified with his life. Has no, uh, future. Drinking
problem, very alcoholic .. Tense feeling for, uh, frustration
for some reason. Believe it's a frustration for missed
desires or something. Believe he's like to, uh .. to begin all
over again if he could. Thought there's kids, but I don't
have a close feel for these kids. They're teens or young teens.
He doesn't have any real affection for his family. Believe
alcohol is his problem ... May .. feeling he may not have the
3
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+27
#01:
particular strength and character necessary to, uh, perform
for meeting any tasks we may give him. Just a minute.
...
I get, I'm getting impressions of, uh, one time, big time,
one shot type person. Probably can, uh, can be convinced of
the one shot, but, uh, I think he lacks the character for
long term, uh, long term work. Uh, frightening to him.
#66:
What is the one thing which he most desires which we could
provide to him ?...
+29
#01:
Money and new identity.
#66:
Describe the raw data which makes you say this.
#01:
I see a ... I see this man for which nothing appears to have
ever been accomplished. He's very frustrated. Primarily
with himself. He has no real affection for anything or anyone.
He, uh, feels with, uh, with the money and a new name, freedom
to start again he could recapture what he failed in before.
He could be happy.
#66:
What is the one thing which he fears may happen to him most?
+30
#01:
Going back home.
#66:
Break this out for me.
#01:
Uh ... I get a feeling that home is the seat of the frustration.
Going back home is like him crawling back into a hole. He's,
I also get a feeling he's. . already into something here.
I
just go that, it's like a secretive thing.
#66:
Explore and report.
+31
#01:
I sense he's got a. . he's got a relationship with a. . a woman
that even his, uh, own people aren't aware of .. And he's
trying to ... trying to keep that, maintain that secrecy.
I
think this is a big concern, fear for him, (mumble) if his
superiors know that he'll be shipped home ...
#66:
I have no further questions concerning the target area, or
the individuals who work there. However, I would like to
provide you a few minutes to explore and comment on those
areas which you feel most important to today's mission.
I will wait.
+33
#01:
Just one more comment on him. He, uh, he respects the good
life. Uh, someone talks to him they should, uh, do so under
the best of circumstance. Like, uh. . real, uh, good food and
good wine and .. make him feel that this is common, uh, normality.
That it's not an abnormal thing. That's all I got.
#66:
All right. . Take a look around now and remembering everything
that you have perceived, that you have understood, and that
you know. Focus your attention now back on my voice in the
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#66:
room here. Move your arms and move your legs, and take a
few deep breaths. And let's prepare now to draw that which
you remember concerning your session.
#01:
Okay, uh, page one is the, what I perceive to be like the
main entrance to this building. And it's like, uh, off to
one side instead of directly in the front. You have to walk
down like a narrow walkway or walk path type entrance.
But it
can be approached from two directions. And, uh, I couldn't
tell whether or not there was like a double door entry. You
know, where you go in one set of doors, make a left, and go
in the other set of doors- or not, but it was definitely
covered entry. And you had to go up some steps to get to it.
Number two is as you come in the door, the entry door, is this
like foyer area. And, uh, it was like two walls went down only
so far and stopped. And the ceiling appeared to be like an
overhang. And there was, to the right, something blocking the
view but not quite cutting out the entire view. Like slats
or something of that design- dark glass, something, curtains.
I don't know what it was, but something was not thoroughly
blocking the view, or else I was lookin' through the wall, one.
Just on the other side is a sweeping staircase to the right,
and this big open area is out there. And, uh, I was kinda
surprised at the open area for some reason. I got a circular
open area.
SG1A
#66:
Okay, it was at this point I believe that I asked you to go
to
#01:
That's correct.
#66:
At this point I directed you then
SG1A
#01:
Right. Where I wound up was about halfway down an open
corridor on the second floor, which terminates at these stairs,
overlooking- like you can come out
and
SG1A
you're in the open corridor and there's a railing there and
you can look off the railing into this open area. It's like
a- some kind of an open foyer type area. I tell you I get the
impression that this is like one of those, uh .. uh, old German
or old Bavarian type hunting lodge type designs, okay? That
sort of feeling. So that's what I drew here is the location
of the code room on page three.
SG1A
Page four is the interior
which is essentially
two rooms with an inner room.
Uh, there's like a- I didn't
perceive any kind of a vault door or anything in the entranceway,
but I did perceive that it was some form of metal, so it's
probably metal sheeting. As you come in there's a, safes on
the right. There's a counter on the left. And I got labeled
"OW" for older woman and "YW" for younger woman. This is the
counter they were sitting at. And, uh, punching out these
tapes. There's, uh, one work table. And there was some other
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#01:
kinds of cabinets, but I can't tell if they were open or
shut face, and I don't know where they were, but I perceive
them to be there like sorting table of some sort. And you
go through that door and you're in the actual electronics
area. There's one bank or one wall of electronics, probably
back-up equipment, test equipment or something. You know,
some other form of electronics unidentifiable. But to the
right was a counter top, it was built wall-to-wall. And it's
labeled "OM" for old man, older man. And that's the radio
operator that I was talkin' about. The "YM" is the younger
man sitting at the table and to his right were some cabinets,
storage type cabinets. And I perceive that the olden man is
the one that, uh. . I'll label as best targeted ...
#66:
Okay, in your own words now tell me what you can about this
radio operator.
#01:
Okay. I have this, uh, they're mostly impressions, I guess,
that I get from him. He's, uh. . he's old enough to have been
very young at the termination of the war. You know, the
world war, in his very early teens or ten or nine years of
age or what not. And he remembers these very hard times, and
I get the impression that he never quite settled down after
that. Uh, he's married and has a couple kids, but he has no
real, uh, no real affection for his family as such. You know,
for wanting to spend the rest of his natural life with 'em or
whatever.
I sense that the family is just a question of you
need the family in order to meet certain prerequisites in the
society in which he lives.
And so he's married and has kids.
Did his thing for the state or whatever. And I have a feeling
that, uh, he's very frustrated and dissatisfied with his life
to date, and it's never really had a whole lot, has more now
than he's ever had. He would like to expand on that somewhat.
He would like to shuck all of his responsibilities and be able
to start completely fresh with a different name and no fear of,
uh, where his income might come from. Uh, but I perceive a
flaw in his character in that he does not have the capacity to
carry anything out to the extent necessary to make that monetary
gain and to make that break-away. In other words, he could not
innovatively do it on his own. He would have to be, uh, led
down the primrose path, so to speak. Not conjoled into it,
but given the where for all to make his decisions. Uh, I think
that in that regard that he could not participate on a long
term basis in any kind of subterfuge, 'cause I don't think he
has the character and capacity to carry that off. But, uh,
one big kill for money and, you know, the freedoms that he's
looking for, something that he would be conducive to. I don't
know his name 'cause I forgot to ask him his name. Uh, I
don't know why I didn't think of doin' that. I would say pro-
bably the best way to know this guy .. . is I, uh .. I perceive that
he has a identifying scar on his right hand that's noticeable
to someone talking to him, but I can't identify what kinda
scar it is. For some reason scars don't .. aren't explicit
enough. I also perceive that he's not a real neat dresser, he's
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#01:
kinda sloppy in comparison to others that he works with or
hangs about with. For some reason I see this, you know the
old belt that's 14 inches too long. I'll repeat the last
I just said. These old, I get this impression of you know
these old guys that wear these belts that are 14 inches too
long and shoulda been trimmed a year ago, you know, and they're
all curled up and hang out all over the place, that kinda,
that kinda impression with him. Uh, light gray pants, white
shirt, dark coat. No tie, or the tie is very ... very subdued.
Uh, shuns hats, doesn't wear hats .. . Uh, very somber type
person. It's gonna be hard to contact this person. But he's
amenable to the opposite sex.
That's a result of his frustra-
tion. And he's highly impressionable as far as the appearance
of routineness in ordering good food and good wine and that
sort of thing. That impresses him. And essentially that's
it I guess. I don't know what else to tell you.
#66:
Okay. How do you feel about the session?
#01:
I feel the session was really good. Super. Feel like I was
actually in the room.
This is the best kind of feeling you
can have, I guess.
#66:
Okay. Anything else you'd like to add?
#01:
No, that's it. Uh, on the other people- I would stay away
from the young man and the younger woman, 'cause they're very
idealistic. And the older woman is just, I honestly believe
is just really too dumb to know any different than what she's
doin' .
#66:
Okay .
#01:
That's it.
CCADET
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TAB
...
-
-
-
-
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0
Dİ
ENTRANCE
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OPEN
ALEA
ENTRY
DOOR
FOYER
AREA
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2

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SG1A
OPEN CORRIDOR
OPEN
AREA
STAIRS
ENTRY
FOYER
ENTRANCE
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3

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(
BEST
TARGETED.
ELECTRONICS
. RADIO
COM
CABINETS
SYM)
TABLE
TABLE
SG1A
SAFES
Ow?
YW
COUNTER
L
ENTRANCE
(STEEL DOOR)
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.
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TAB
...
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TARGET CUING INFORMATION
REMOTE VIEWING (RV) SESSION DCC-73
1. (S/NOFORN)
Information provided the viewer prior to the session is
documented asca pre-session briefing and is included in the transcript.
Attached is the building photograph shown to the viewer.
SG1A
2. (S/NOFORN)
During the session the viewer was asked to describe
Asked to describe
the viewer
reported on personnel
The viewer was asked to
elaborate on those descriptions of personnel which seemed to be relevant
to the task at hand.
SG1A
SG1A
SG1A
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