Project Interloper

CIA STARGATE release

CIA-RDP96-00788R000600480001-4

Opens with: SUMMARY ANALYSIS

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14 pages, machine transcribed from the CIA’s released scan.

Approved For Release 2000/08/07 - CIA RPR96-80768R000600480001-4
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SUMMARY ANALYSIS
REMOTE VIEWING (RV) SESSION DCC-04
1. (S/NOFORN)
This report documents a remote viewing session conducted for
orientation purposes in an attempt to locate an individual known to the
SG1A viewer as
2. (S/NOFORN) The remote viewer's impressions of the target are provided as
raw intelligence data, and as such, have not been subjected to any inter-
mediate analysis, evaluation or collation. Interpretation and use of the
information provided is the responsibility of the requestor.
3.
(S/NOFORN) The protocol used for this session is detailed in. the document
Grill Flame Protocol, AMSAA Applied Remote Viewing Protocol (S), undated.
4. (S/NOFORN) Following is a transcript of the viewer's impressions during
the remote viewing session. At TAB A are drawings made by the remote viewer
reference his impressions of the target site. At TAB B is target cuing
information provided the remote viewer.
NOT RELEASABLE TO FOREIGN NATIONALS
SEGRET
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Approved For Release 2000/05717 : C/ 1-2bp25 00188R000600480001-4
TRANSCRIPT
REMOTE VIEWING (RV) SESSION DCC-04
TIME
#66:
This will be a remote viewing session for 1000 hours,
25 March 1981.
This will be a pre-session briefing to the remote viewer.
Today's session is an orientation session. It is being
conducted. for the purpose of planning a operational session
later. Your job today will be to locate and describe the
surroundings of a witting, beacon individual who you know
SG1A personally as
You have in your possession a personal
SG1A item of
so that you might focus on him better.
At the
start of the session I will simply ask you to locate
at
the present time, the time at the start of the session, and
describe his surroundings to me.
SG1A
Do you have any questions on what your task will be for today?
#01:
No.
#66:
You now have 20. minutes in which to prepare yourself for
today's session.
PAUSE
#66: SG1ARelax and concentrate now.
Just relax. Relax. Focus your
SG1A
attention on
who you know well by this time. Focus now on
right now.
Describe his present surroundings to me.
PAUSE
#01:
Got .. a, block, block ouniforms
.. some layers:
+01
layers of, layers of building .. . block cuniform. . . ah ... .
lot modern, modern geometric shapes ... getting two, two
impressions ... get a, I get a outdoor and indoor impression.
#66:
Describe the experience.
SG1A
+02
+03
#01:
Like I see, see
with an indoor impression. Then I see
myself walking on a outside sidewalk. The, the outside
sidewalk impression was when you said the word "now." I was
like looking down a walk and the left side was a pair of
geometrics, corners, corners of one long, multi-functional
building of some kind ...... three or four stories with, ah,
a lot of gray concrete and black glass .. bushes shaped funny ....
SG1A
thimble shapes. Many inverted and right-side up thimble shapes.
-pression of seeing
in a room environment. Like ... sitting
with his, sitting crooked to a table with his left arm on a
table.
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#66:
Tell me about the room.
PAUSE
+05
#01:
Very bright splash of red or orange color. Ah.
Extremely cluttered.
cluttered. +
#66:
Explain.
#01:
Got a corner of the room to his right rear ... just like very
small table platform, catty-corner to another case of some
kind and a lot of ..... just. things stacked .....
...
I don't ....
all shapes, sizes, forms; very cluttered appearance. Get a
...... I'm gettin' so many images at one time ... it's like ...
just flying at me.
#66:
Remember you are in control. You can slow down.
PAUSE
+07
#01:
They stopped racing. I got a
not getting anything right now. Just a minute. Getting
absolute black. . I'm getting an impression of a triangulated
sawtooth pattern .... a void. I got a ...... I got
is, ah,
concentrating on slowing his own thinking down here. Blanking
his mind.
SG1A
PAUSE
#01:
Think I'm feeling ... think he has a headache, physiological
feeling .... I'm trying to overlay (phonetic) my mind with his
and I get a headache. Sense a headache.
#01:
+09
Okay, I get a ... something that looks like ... a close view of
woven terry cloth. It's like, cloth like with loops of ....
fine mesh, white, almost irridescent. .. some yellow .....
chromium, aluminum wire ... that and a ladder shape .. and, uh,
SG1A
isn't moving, he's sitting with his arm on this table
SG1A
+10
#66:
As you move closer to
ask him to tell you about the
place in which he's located ...
+11
#01:
Get a sense of sterility, Uh, place he's located is clean,
empty, sterile, but doesn't, feeling doesn't coincide with the
impression of clutter ... Get, getting oposite impressions.
One impression's clutter, other impression's cage, sterile
cage. ..
1
Uh, empty buildings, empty, predominantly empty, I think.
Two, impression of two other people downstairs, but no
impression of which floor ...
#66:
Let's turn now to
SAIA
and describe
SG14
activity to me.
2
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#01:
Center of room .... Just a minute, I'm ..
...
+13
Putting his palms of both. hands out, flat against something.
Has a sandpaper feel. Touching the same area with either his
right cheek or right forehead, moving in a left, left direc-
tion, like along this, this wall or this blank, this sand-
paper area. Feel grooves, like, uh ... in, uh .. same size grooves,
but not uniformly spaced, just grooves, every now and then
grooves. Feel my hand rubbing across the ... turning around.
Again, just a sudden burst of cl- color and clutter. It's like
looking in a corner with just a thousand things have been put.
Many, many parts or pieces.
+15
He's wearing his, uh, this special shirt. He's wearin' a,
like a denim, washed-out denim shirt. Got, uh .... that's all
I'm getting is just moving in this room.
SG14
#66:
Okay.
has a particular item of interest to communicate
to you. A particular item, an object, an item, a thing that
he wishes to tell you about that's special just for you and
just for today. Let's move closer to
and have him tell
you what that item is
SG1A
+17
#01:
I'm getting an impression of a plastic spider. That's just
the shape. Tryin' to ascertain what it is. I get a greenish
card ... plastic spider, it's like black with legs, very small.
Get one impression of round and another impression of square ...
associated with the spider shape.
7
#66:
Okay. I have no further questions. However, I'd like you to
explore on your own and report as you see fit. I will wait.
PAUSE
+20
#01:
Chair is a ... something blue, looks like a chair or seat, or a
support. of some kind ... I don't know what it is, but it's
blue.
That's all I got.
#66:
Okay. Leave an indication with
SG14
that you have been there.
And when you're ready let me know and we'll begin to draw.
#01:
I'm goint to, uh ... I'm going to give him a impression ... that
he, uh ... impression of a hand. closing ... just a hand closing ...
Let's see if he recalls that .... Okay.
#166:
Bring your attention now to focus back on me here in the room.
Move your arms, move your legs, take a few deep breaths.
Let's prepare to draw the images you've had.
#01:
Okay, uh. Check these drawings out here. Uh, I went through
my drawings real fast, and then I want to, uh, make some more
comments. On page one this is my first impression. This was
like, uh, blacks and grays, uh, black window type impressions,
uh, gray building type impressions. I don't know if this is
outside or inside, but this, they were black and gray building
3
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#01:
shapes, with thimble or gumdrop shapes associated. And like
a walk or a pattern like a walk going off in a direction move-
ment.
Second impression is of a room. I got, first thing I got was
a splash of red or orange and then clutter, like square color
to the gear right and some other kind of clutter to the rear
left.
sitting catty-corner to the desk and, uh ... uh .. just
sitting there thinking, I guess. I don't get any other image
of this other than it was kind of a dual image. . First impres-
sion was clutter, but then my next impression was a cage,
sterile cage. You know, like a bird cage. Mighta been some-
thing he was thinking of. Then I had another impression, it
was of a plastic like black spider on a green card, standing on
a green card. I don't know what that is but that's the impres-
sion I got when you had asked what he had specifically that he
wanted me to know about.
#66:
The special item I referred to?
#01:
Special item, right. Then I had a real interesting impression
of a sawtooth type pattern, like the tip of a tool or something.
And then that went away and I had a, I had an impression also
of like a soft white cloth with some specks of yellow or some-
thing in it that had loops, rows upon rows of loops. Like, as
if you were looking at a blow-up of terrycloth. And, on page
5 that's the items A, B, and C; C being the close-up of the
way the loop patterns were on the cloth.
SG1A
Uh, some other impressions that I had, I deliberately tried to
leave
with the impression of a, uh, just a, a white . back-
drop and a white hand closing, being extended with the thumb up,
and the fingers all together, just closing into a fist. That's
the impression I wanted to leave him with.
And, uh, also I think that, uh, he probably was having a severe
headache at the time, probably from concentration. Rear left
side of his head was aching him.
#66:
I understand that you say this because as you focused on him
you then felt this kind of thing?
#01:
Yes, I didn't have a headache. But when I tried to, to kind of
overlay in my mind with his I was getting the, the, the feel of
the headache. When I'd stop it'd go away. Uh, I was getting
a lot of opposite impressions. It was like I was trying to
blank my mind and wait to receive whatever
was sending and
I got the impression that he likewise was blanking his mind and we
were both literally sitting with blank impressions. But I
think I was getting a lot of things spontaneously .. Uh, I guess
that's it.
SG1A
#66:
Okay. What kind of confidence do you have on your imagery?
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#01:
I had a good confidence in the imagery. I don't know what
it is, but I had a good confidence in it.
#66:
Okay, fine. That'll do it then.
5
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TAB
1
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1 ST IMPRESSION
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DI
D
· THIMBLE
OR
GUM DROP
SHAPES
D
BLACKS
$ GRAYS .
OUTDOOR/INDOOR
IMPRESSION
DIRECTION
OF
MOVEMENT.
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2 M
IMPRESSION
.
CLUTTER
SQUARES.
SG1A
-
4
SPLASH OF
RED OR ORANGE
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2
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3rd IMPRESSION
m
STERIL CAGE
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4TH
IMPRESSION.
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PLASTIC LIKE
BLACK
.
SPIDER
GREEN CARD.
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4
-SAW TOOTH
TOOL TYPE
OF PATTERN
B
1
mx
1
().
(
>
1
2
WHITE
CLOTH
(
W/LOOPS
CLOSE-UP
OF LOOPS ROWS.
-
1
1
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5
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TAB
-
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TOTR000600480001-4
TARGET CUING INFORMATION
REMOTE VIEWING (RV) SESSION DCC-04
1.
(S/NOFORN) . Information provided the remote viewer prior to the session
is documented as a pre-session briefing and is included in the transcript.
SG1A 2. (S/NOFORN) During the session the viewer was asked to elaborate on his
impressions pertaining to
location. He was also asked to describe
SG1A
activity and a "special item" which
had for him.
SG1A
NOT RELEASABLE TO FOREIGN NATIONALS
SEGRET
ORCON
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