CIA-RDP96-00788R000500970001-1

Approved For Release 2000/08/07 : CIA-RDP96-00788R000500970001-1
SECRET
INSCOM
GRILL FLAME
PROGRAM
SESSION REPORT
CLASSIFIED BY:MSG,DAMI-ISH
DATED:
051630ZJUL78
NOT RELFASABLE TO FOREIGN NATIONALS
ULUIL!
REVIEW ON: Jan 2001
Approved For Release 2000/08/07 : CIA-RDP96-00788R600500970001A ME
ORCON
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SUMMARY ANALYSIS
REMOTE VIEWING (RV ) SESSION DC-71
1. (S/NOFORN)
This report documents a remote viewing session conducted
in compliance with a request for information concerning an individual
suspected of hostile intelligence activities.
2. (S/NOFORN)
The remote viewer's impressions of the target are provided
as raw intelligence data, and, as such, have not been subjected to any
intermediate analysis, evaluation or collation. Interpretation and use of
the information provided is the responsibility of the requestor.
3. (S/NOFORN)
The protocol used for this session is detailed in the
document Grill Flame Protocol, AMSAA Applied Remote Viewing Protocol (S),
undated.
4. (S/NOFORN)
Following is a transcript of the viewer's impressions during
the remote viewing session. At TAB A are drawings made by the remote
viewer reference his impressions of the target site. At TAB B is target
cuing information provided the remote viewer.
At TAB C are police identi-
kit composites of perceived individual.
NOT RELEASABLETO. FOREIN NATIONALS
OLUNCT
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ECCOEL
TRANSCRIPT
REMOTE VIEWING (RV) SESSION DC-71
TIME
#66:
This will be a remote viewing session for 0900 hours,
28 January 1981.
Okay, this is a pre-session briefing to the remote viewer.
At the beginning of this session I am going to be giving
you a bank account number which identifies one person, one
person who has this bank account 1AI'm going to be asking
you to go back in time to the
SG1A
SG1A
at which time the individual in question withdrew
all funds from this account. He physically visited the bank
and withdrew all funds from this account. It is this indiv-
idual which we are interested in identifying. Do you have
any questions?
#01:
Do you want a description of the guy, or-
#66:
Yes, once we find yourself in the setting that you're in,
then we'll proceed with describing him, and then we will
move in time and describe his future location.
#01:
Okay.
#66:
But we will start by going back in time to the time when he
physically visited the bank. I'll give you his account
number.
#01:
Okay.
SG1A
#66:
We know that on the
he withdrew all the funds
and he was physically there. Okay, do you have any other
questions.
#01:
No.
#66:
Okay.
PAUSE
SG1A
#66:
Relax and concentrate now.
Relax and focus your attention
on
Focus your attention SCIAy and completely
Move theGaAtime to
SG1A
on
Move back theadA time to
SG1A
Move now on
to the area of the bank and locate the
individual identified by the bank account number
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SG1A
#66:
Locate the i
bank account
who withdraws money from
ribe him to me
+03
#01:
Uh ..... have a man that's, uh ... uh, 5 feet, 8 inches ....
thinning, uh ... his hair's getting thin, but you can't see
through his hair yet ... Hair color is very dark brown, very
light shade of reddish ... color ... maybe just the way the light
hits it ...
+05
I get a ... slightly darker skin than normal ... be a shade
darker than average ... age, uh ... 48 to 50 ...... probably closer
to 48 ....
Not wearin' a tie, I'm getting a. .. light gray
color, a light gray pullover sweater and a open color shirt
with a light color, tan ....
I don't, uh, I don't see any mustache, but I sense one ...
could be he's removed it or ... just thinking of growing one ...
SG1A
#66:
Holding your attention on
in
tell me the
SG1A
setting in which you perceive this individual ....
+07
#01:
He's comin' out of a park ... walkin' across the, like a stone
covered area ... block square with stones ... Uh, crossing the
street, fairly wide, four lanes ... Walking, uh, on the side
of the street against traffic ....
There's a little yellow building on his left ... see columns,
like false columns .... Kind of building you see with lions
in front of it .... walking somewhere ... He's not carrying
anything ... a light gray suit without a tie .. Got silver
on his left arm, some kind of decorative bracelet.
I don't
see a watch, but he's wearing something made of silver on
his left arm ...
Getting a scar as well.
Small scar, extreme high side of high
face, almost like a, uh, like a scar from measles, deep pock
mark type scar ... on the side of his face like parallel with
the eye. I can't tell which side it is, left or right ...
+10
Build, uh, 200 pounds .... a slight bit on the heavy side
Just for seeing along the street.
#66:
Okay.
#01:
A get a lip line that's funny, it's like his ... again I don't
know if this is from a mustache or what but his lower lip is
fuller than his upper lip. It's like protrudes just a little
bit much fuller than his upper lip.
#66 :
Okay, I'd like you to, uh, freeze time so that his face is
in front of you. Tell me when you're ready.
#01:
Okay.
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#66 :
Now, looking at his face ... in what area of the world would
you find others with a face like that?
#01:
Just a minute.
#66:
I will
wait
#01:
Face is, uh .... face is very deceptive. Uh ... number of places ...
Just a minute, I'm having trouble. I don't know if I'm
having trouble because he's ... his nationality or if he's ...
where the nationality can be found.
#66:
Okay, um, remember I have not asked you about him specifically.
I've asked you to compare what he looks like.
#01:
I know, I have trouble.
Just give me a minute.
#66:
You may explain your troubles to me if you like ...
#01:
It's like, uh, there's a peculiar trait in his nationality
that, uh, is not identified to world origin. Like, uh ...
you would say. . . uh, just a minute.
Say, uh, section of the Mediterranean, uh, extreme east ...
Could be Athens, could be ... uh. .. could be part of Turkey or
North Africa ... that section.
#66:
Okay.
Do I understand that you're saying to you he looks
like he would come from that area, the region of the world,
just by looks?
#01:
Yes, looks, uh, I get a problem with looks because I'm getting,
when you say looks I'm getting, uh, I don't, I, I can't
decide if I'm seeing him or if I'm sensing him, and when I
sense for looks I get ... I get feelings and language and ... or
languages would be a better choice ...
#66:
Okay.
#01:
I get his culture.
#66:
All right. You're having trouble then with saying that he
looks like other people in a certain area of the world?
#01:
Yes.
#66 :
Tell me-
#01:
I don't know if these other people I sense like him are
migratory to that area or if they're from that area.
#6 6:
Okay .
Tell me about the setting. I've asked you to freeze
time here and take a look at him in the frozen time situation.
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+17
#66:
Tell me about this setting of your freeze time frame.
#01:
Uh, mid-stride, white sidewalk, very wide, perhaps three
times wider than normal. Large orange or gold colored build-
ing to his rear left. Uh, very warm, sunny day, trees grow-
ing from squares in concrete, very heavy traffic, uh, 10:30
in the morning maybe.
#66:
Okay. Let's turn back to him now and ask him, ask him his
country of birth.
Ask him to show you a picture of that.
#01:
Okay, just a minute.
Feel like I just stepped backward in time 200 years.
Uh ... I see very large open expanse of rolling green ... snow-
capped mountains ... herdsmen or animals of some kind, heavily
furred.
#66:
Tell him the picture you have received as his answer and ask
him to show you again from a perspective that you might
recognize the country
#01:
I'm getting a ..... getting more or less the same thing, only
I'm getting a ... very heavily stone buildings ... rounded, uh,
very thick stone and stucco exterior. People are wearing
some form of a turban, but it's not like a Indian turban,
it's a flatter
#66:
Okay.
Perhaps he can't help you at this particular point.
Holding your perspective on the scene that he's given you,
push the scene away from you slowly until you're at an
altitude where you can see.
+23
#01:
Okay . . . . .
Looking at the .... appears to be extreme southern,
uh, U.S.S.R ... somewhere near Pakistan, very high mountains.
I don't think it's U.S. S.R., though. Behind the borders,
very isolated area ... Small country ... backwards country.
Somehow there's somethin" not right about the, uh.
...
I don't
know, I'm havin' trouble with this.
I just found myself in,
uh, like in Morroccose1A
something .
SG1A
#66:
Okay, return to the
what you have seen
in
and tell him
+25
#01:
Figures the problem is that, uh, his place of origin is not
his home. It's not what he considers home. Somethin' like
he was displaced during the war years and has now a new home,
new nationality ...
#66:
Okay
.
Before you brought up the subject of languages ...
#01:
Yes.
#66:
Is this man multi-lingual?
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#01:
Yes, he is.
SG1A
#166 :
I want to know the language he uses ... in his bank dealings,
in this account
#01:
Okay ... He speaks English ... in his bank dealings, talks in
English ... He speaks some French, but it's not very good ...
In terms of money he speaks in English.
#66:
Okay, fine
Do you feel you have enough focus on
this individual to move in time now?
#01:
Yes.
#6 6:
All right. Let's blank the screen then. Let's blank the
screen and move to Sunday, 15 February 1981, Sunday,
15 February 1981. Locate the individual and describe his
surroundings to me. Sunday, 15 February 1981.
+29
#01:
I see a ..... uh, long narrow ... street, with, uh, thick rounded
stones, very uneven ... terminating on new asphalt. Houses
are very old. It's, uh, it's warm. There's a lot of green.
It's like a dry season. Very scrubby looking trees, like a. ..
old, uh, look like old cypress trees or something. Blocky
ground.
People are a strange looking ... they're an Arabic people, but
they're strange looking.
#66:
What do you mean by Arabic?
#01:
They're wearing, uh, like these hoods over their heads.
And the, uh, the second outer garment ....
#6 6:
All right, I want you to explore this area now without report-
ing so that you can more intensely experience the atmosphere.
PAUSE
#01:
I'm ... getting a ... younger men, heavily bearded, wearing light
tan camouflage type uniforms, very heavily armed with new
guns, the automatics, and they're in like a new jeep.
I keep asking where this is at and I'm getting foothills, uh,
like highland country, higher country than the surrounding
country. And I'm asking one of them ... directions, and he's ...
he's like looking north and feeling like there's a mountain
range there and a valley beyond and then the Mediterranean.
And somewhere to the left is a ... small desert area. And beyond
is, uh, this west bank territory. This is a, like a guerilla
operation this area for I guess Jordan or mountain range, uh ...
uh, southwest Lebanon ...
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#66:
Okay, let's put the individual we're interested in in this
setting. Describe him to me in this setting.
#01:
I get him sitting in this jeep. He's wearing these .. . camouflage
uniform.
And he has a sidearm, but it's hidden like in a
shoulder type holster. And he's sitting with these three ...
the jeep, it's like, uh, just up the road from a form of a
checkpoint. |A road type checkpoint with barricades.
And, uh, apparently they're waiting to enter or waiting to
leave some kind of a headquarters ... headquarters type encamp-
ment or camp. ..
I'm still not able to shake the guerilla
type feeling though ... He knows somebody there and he's ...
either just seen 'im or he's seein' 'im. He's got some func-
tionary duty ... That's all I'm getting .
#66:
Okay. Is he one of these?
#01:
I don't think he's the same nationality, and I don't think
he's identifiable as one of these same people but he's, he
has some formal connection with them.
Something semi-official.
Something other than just courier ...
#66:
Are there any markings on the jeep?
#01:
No, I don't see any markings.
#66:
Okay.
#01:
The jeep doesn't strike me as even being camouflaged.
It's
like just a tan color.
#66:
Okay, explain for me the experience you had transcending from
the what I call cobblestone road to the paved road and now
to this
set ting.
#01:
Same place. | I felt like switched positions. Before I was
sitting looking through his eyes and I was seeing cobblestone,
and the buildings, and then I did a switch and I was stand-
ing away from him and I was seein' the jeep with the other
people in it;
#66:
Okay. So he's in this setting with he and these other people
in what I perceive as some kind of uniform.
Is that correct?
#01:
Yeah.
Some camouflagirg .
#16 6:
But on the street are there others around him?
#01:
Yes, there's, uh, the indigenous populations there.
#66 :
And tell me how the indigenous population's dressed.
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#01:
They've got the, the hoods and things. Uh, the Arabic
garb ...
#66:
By Arabic you mean that it is, um ...
#01:
Multi-layered clothing, long-sleeved gown type ...
#66:
Go now away from him and down the street. Explore this area
that you're in. Feel free to wander away from him now.
#01:
Just getting a very old town.
I keep looking for modern
structure and I don't see any.
#166 :
Um, what, are there, is there vehicle traffic, are there
people in the street?
#01:
No, there's, there's armor parked on the street. Looks like
some kind of a self-propelled gun. And there's other troops
in the area, and plus there's the indigenous population and
some animal ... animals there.
#66 :
I don't understand.
#01:
Sheep ... chickens ... uh, old bus at, uh, it's like some kind
of a hostel type place. One or two modern cars.
They're
parked.
#66:
Okay .
Now let's return your focus to the individual in
question.
Take a look at him and be sure that he is the same
individual we found in Paris and tell me when you're ready.
#01:
Okay.
#6 6:
Okay. Now we're gonna want to find this person again.
I want you to ask him by what name you can find him again
when we want to find him again. We will use his name and
call for him so that you may find him. A name personally for
you. Ask him how you can find him again ....
+42
#01:
Okay ... You want the name? Sounds like, I, name I get
sounds like "Chris", but it's not. It's like Kra, krase, or
something like that, but Chris is good.
#66:
All right.
I have no further questions at this time, but I'd
like to give you a moment to add anything you think is impor-
tant.
#01:
Just a minute, there is something.
#66:
All right.
#01:
Uh, I'm left with a strong impression that, uh, this, this,
money, uh, has no meaning to him personally. He's very
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#01:
highly motivated politically, and money has no bearing to
him, no meaning to him, from a personal desire or from a
personal greed type feeling he has none.
#66 :
Okay .
#01:
That's, uh, I just wanted to add that.
#66 :
Okay. Anything else?
Drawings
#01:
Okay. Uh, page 1 I did a, sort of a looking down on topo-
graphical layout. There's a coastline off the Mediterranean
Sea, and these are like borders down here.
#16 6:
Okay. Now just for the purpose of the transcript. let me
introduce this a little bit. This is after we moved in time
and I asked you to locate our subject in, uh, 15 February
1981, little bit in the future here.
#01:
Right. I wrote a scale in here, 75 miles. The, uh, page
is oriented approximately due north straight up and down the
page. There's the city here, and there's some hills that
are kinda south of the, southwest of the city and flat lands.
And he's about 35 miles inland over this range of mountains
up on this plateau.
And, you know, I just get a feelinglike I'm back away from,
looking down on Lebanon or something.
Uh, you asked for a drawing on the same date, 15 February.
And page 2, this is sorta his view from where he's at, he's
like up on the side of the small hill looking down a cobble-
stone, cobblestone road. And there's a lot of old houses
to the left in the village, one of these very old villages,
mountain villages spread out in front of him. An armored
gun parked over on side of some of the buildings and a
checkpoint at the base of the road. There's a modern black-
top going straight through this village. And in the back-
ground off in the hazy distance there is these mountains
fading in the hills, and then an absolutely flat, green
horizon with some like smoke on the horizon. Which may be
clouds or something .
It's a very scenic view. It's like, uh ... you know, it's
very green.
#66 :
Okay. Now, uh, is there anything else you wanna add there?
#01:
No, that's it. And the picture whenever we get to 'em.
#66 :
Okay. Um, I wanted to ask you about this name thing. Tell
me about the, I wanted to be able to find this guy again.
Want to be able to have you find him again, so I thought if
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#66:
you could get a name from him that you could call him by to
find him again.
#01:
Yeah, uh, the name that I got that came to mind I can't
pronounce. And I know that sounds a little weird, but it was
like ... it was like a real slurred "Chris". And so Chris
would be an easy way for me to identify. You know, it's like
Chris is okay 'cause everybody makes that mistake when they
call him by this name or whatever.
#66:
Okay.
#01:
But it's pronounced differently. I don't know how to
explain that.
#66:
Okay. Anything else?
#01:
No, that's all.
#66:
Okay, good.
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:
£
TAB
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F15,1981
NORTH
SOALE
75 MILES
MEDITERRANEAN
SEA
COASTLINE
APPROX
35 MILES
DISTANCE
THILLS $
FLATLANDS
PLATAN
BORDERS
TARGETS
LOCATION
MOUNTAINS
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FEB 15, 1981
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" B 15, 1981
FLAT HORIZON
MOUNTAINS GOING INTO HILLS
VILLAGE
ARMORED
GUN
OD HOUSES
CHECKPOINT
MODERN BLACK TOP
COBBLESTONE
ROAD
COMING DOWN
FROM HILL
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FEB 15, 1981

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TAB
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TARGET CUING INFORMATION
REMOTE VIEWING (RV ) SESSION DC-71
1.
(S/NOFORN)
Information provided the remote viewer prior to the session
is documented as a pre-session briefing included as part of the transcript.
2.
SG1A
(S/NOFORN)
At the start of SoilAsession the viewer was told to focus
his attention on
and locate the individual
with the following bank acct. number:
SG1A
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TAB
.
.
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