CIA-RDP96-00788R000500700001-0

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SECRET
INSCOM
GRILL FLAME
PROGRAM
SESSION REPORT
I
17-005-81
CLASSIFIED BY:MSG,DAMI-ISH
DATED:
051630ZJUL78
NOT RELEASABLE TO FOREIGN; NATIONALS
REVIEW ON Jan 2001
OLUALI
ORCON
GRILLFLAME
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Copy 1 08 / copies

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SUMMARY ANALYSIS
REMOTE VIEWING (RV) SESSION DC-47
1. (S/NOFORN)
This report documents a remote viewing session conducted in
compliance with a request for information concerning the locations and
activities of an unidentified individual in a photograph.
2. (S/NOFORN) The remote viewer's impressions of the target are provided
as raw intelligence data, and as such have not been subjected to any
intermediate analysis, evaluation or collation. Interpretation and use of
the information provided is the responsibility of the requestor.
3. (S/NOFORN)
The protocol used for this session is detailed in the
document Grill Flame Protocol, AMSAA Applied Remote Viewing Protocol (S),
undated.
4. (S/NOFORN) Following is a transcript of the viewer's impressions during
the remote viewing session. At TAB A are drawings made by the remote viewer
reference his impressions of the target site. At TAB B is target cuing
information provided the remote viewer.
.
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TRANSCRIPT
REMOTE VIEWING (RV ) SESSION DC-47
TIME
#66:
This will be a remote viewing session for 1400 hours,
15 December 1980.
PAUSE
Relax and concentrate now. Relax and focus your attention
on the individual in the photograph I have shown you.
Focus solely and completely on the individual in the photo-
graph I have shown you. Move now through time and space
holding this individual in your mind. Holding his picture
in your mind. Move through time and space to 12 December,
12 December 1980.
PAUSE
Now, focus your attention even more closely, more specifically
on that significant event of 12 December; on that one impor-
tant significant event of 12 December. Focus now on the in-
dividual in the photograph, and describe his location to me.
PAUSE
12 December 1980.
PAUSE
+07
#10.5:
A metropolis, hillside buildings and valley area and zooming
in have a massive structure, courtyard, very elaborate steps,
garden, circle ... square, entranceway. It's a squared
entranceway. Has 3 or 4 levels of steps at .... like I'm in
a complex of palace buildings ....
#66:
And what of the individual and his immediate surroundings?
PAUSE
#10.5:
Being high above the city and an archway.
He's dwarfed by this ... archway. Let me work on it and get
him clear here
PAUSE
+12
Feeling like I'm in.
... temple, monastery .... abbey
like place. Trying to find him.
I don't know if he's
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+14
#10.5:
I have him ... small black automobile, turning, curved, and
he exits and ... like, walks out of it. Like he arrived by a
cab ... Funny little European type of car, cab. I think he
has arrived at this place by cab.
#66:
Okay. Let's move in time now. Let's move in time to
13 December. Move in time now to the exact period of 12 noon,
at his location, 12 noon, at his location, 13 December,
13 December, Saturday, Saturday the 13th, exactly 12 noon.
PAUSE
#10.5:
Long corridor ... mmm ... I had it once and then I came back to
it ... seems to be valid like a long corridor ... Now I'm at
a place that looks like a ... indoor-outdoor type of place
in a ... seems like I'm on a subway that goes above ground.
Some sort of tracks and a roof on one side, and like a landing,
like a subway landing, but it's at a place that is ... got
sunlight coming through, like I just came out of a tunnel and,
uh, having an above ground portion of the track ...
#66:
Now focus more closely, even closer to the individual in the
photo, very, very closely, and describe his actual activity.
What is he doing? Him personally ...
#10.5:
He's, uh ... walking down a street now carrying a triangular
shaped bag, left hand, right hand in right pocket of his coat.
He's walking as though he, uh. .. had, uh, exited the station
or something. He's ... he's like walking in the street.
I
feel traffic around me and other passers-by, bigness and tall-
ness around me like buildings ...
+23
#66:
All right. Let's move in time again. Let's move plus one
more day now to the 14th, Sunday the 14th of December, the
most significant event on Sunday the 14th. Focus now, focus
now on the individual in the photograph and move to the 14th
of December, that one important time, that one important event,
14 December. Focus on him and describe his location to me.
+24
+25
#10.5:
I had a ... feeling of him sitting at .... some very exotic place
like a hotel lobby, or a gentleman's club ... lobby. Feeling
of a club lobby came through. Strongest was him sitting and
talking with someone ... very gentlemanly like fashion, both are
very well dressed and like they're interviewing or something ...
gentile ... Another look, uh, him standing at a counter again
with a briefcase open taking something out of it ....
Another thing that was some funny hollow squares ... two sets
of 'em side by side on some weird sort of belt. I don't
know what that was.
+27
#66:
Okay. Let'm move in time now to 15 December, Monday,
15 December, the most significant event on Monday, 15 December.
SECRET
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PAUSE
+30
#10.5:
I, uh, was a feeling of travel on Monday. Looking. down at
something that looked like a railroad car with chevrons
painted on the roof of it. And I had a feeling of being in
a smaller ... funny type of city, town, area that had mountains
in the background, like, and funny, uh, architecture, uh,
really, uh ... sort of unusual architecture ... Like, uh ...
concrete, uh, three or four story, but like of a unusual style
and, uh, like you'd find in some lower developed country.
Still city like, but no big skyscrapers, sorta like a jumbled ...
matchboxes, mountains in the background and ...
#66:
What is his activity?
#10.5:
When I was looking at the scene he was walking down the side-
walk in front of these buildings, like he had just arrived ...
#66:
Okay.
#10.5:
It's in some newer, unusual place ... moving by train, I guess.
+32
#66:
All right. Let's move in time to 16 December, 16 December,
the most significant event of 16 December. Focus your
attention on the individual in the photograph, the time win-
dow 16 December, the most significant event of 16 December.
PAUSE
+35
#10.5:
I'm in some ... I was looking at, uh, some funny apparatus.
Up close it looked ... like some sort of a drum and movable part,
like a, reminded me of a printing machine. Feeling is that
I'm in a ... some sort of a ... low grade, uh, printer's shop.
Reminded me of an old mimeograph machine. The shop was sort
of barren but I think I'm in this new place, this weird place ...
still, and it's a ... windows along one side and a. counter,
sorta L-shaped counter. Machines in the back you can see from
the counter. I have a feeling is that he, uh ... seen him
first there, but then I ... see s- lift up a part of the counter
and go through into the back where the machines are, as though
he's being allowed into the work area
!
He's discussing something with someone ... who has a relationship
with him as a ... an assistant in something, not a formal assis-
tant, but somebody who helps him all ... often, like an informant,
or a contact of some kind. Somebody you would drop in on and .
find out the latest news from. The guy is not some highly
placed guy, he's like the, the guy that, you know, the guy that
keeps his eyes and ears open ... helps out, knows what's going
on in the street type thing.
+40
#66:
Okay. Relax and concentrate once again. Let's move in time ...
move in time now, focusing solely and completely on the
SECDET
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-SECRET
#66:
individual in the photograph. Focus your attention solely
on the 17th of December, that one particular event of impor-
tance on the 17th of September (sic), holding the individual
in your mind, move now through space and time to the 17th of
December, the 17th of December, and describe his location to me.
PAUSE
+43
#10.5:
Oh, he's back in a bigger place now .... taller buildings,
more metropolitan flair.
Feeling I was looking down at
this side of this building that I'd seen before, multi-storied,
uh ... row arches down on the bottom, street side.
#66:
What is he doing?
Hold your response for a minute,
I will now turn the tape over, hold your response for a moment.
All right, you say he has returned to a bigger place, a more
metropolitan area ....
+46
#10.5:
I don't know, uh, it's as though the importance of his activity
is that he has or has not gotten to places. Not so much
what he has to do at those places because I'm not getting any-
thing about what he does at the places. And it seems like the
importance is simply that he got there, or that he is at a
place.
#66:
Okay.
#10.5:
He's back in his active phase, he's moving and I get him ...
every time I ask myself what is important about him being here,
what's so important about today I just get him walking and
business as usual and no surveillance, nobody's suspicious
of him, and like he's now living his cover type thing and it's
just that ... thing that's important is just that he's gotten to
where he's supposed to be now.
#66:
Okay. I have no further questions about this target. If
there's anything you'd like to add before drawing please do
so now.
#10.5:
The, uh, feeling of that place way back in the beginning when
the train or subway station that was outside, the long ramp,
I had the feeling that the ... that was at some place or stop
or something that started the Balcon or Balcan ... something
about B-A-L, is that I had there and I didn't talk about it
then.
But I have no idea where these other places are.
#66 :
Okay.
#10.5:
That's all I've got.
#66:
Bring your attention to focus now back to me here in the room
right now. Move your arms and move your legs, take a few deep
breaths and prepare to draw that which you have perceived.
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#66:
Okay, now, uh, I first had you focus on the 12th of December
on our unknown guy here, and, uh, you told me that you were
in some sort of a metropolitan area and there was a hillside
and some buildings and felt that you were inside some sort of
a massive structure with a centralized garden and so forth.
I see you've drawn in drawing #1 your idea of what you saw.
#10.5:
Mm-hmm. . Uh, the view I had was two-fold.
Sketch one open
piazza, very ornate circular garden, da-da.
And then you
asked me to focus on him and I ended up what I believe is like
upstairs looking out over this sprawling valley and this feeling
of this sanctum, some sort of a abbey type place. And there's
one, one shot that I didn't sketch was as though I was in a
large room, like inside a temple, or inside a cathedral or
something. Like it's a place of public visit, the public goes
there and looks, historical place or something like that.
That's sketch 1 and 2.
Sketch 3, um, which is 13 December 1200 hours, I had the feeling
of. a long hallway and I was tryin' to get to the end of the
hallway. When I got to the end of the hallway I had the feeling
that I had arrived at some sort of a civilian transit loading
dock, like a subway or train station but it was above ground.
There was light up there, it wasn't like it was a, you know,
a bottom, a underground type subway ... both above and then in
tunnels. Could just be a commuter train.
#66:
And I said where is he and what is he doing?
#10.5:
Well, I had the feeling that he had, the action here is inter-
esting thing. I had really, the action, the thing that was
most important was that he had gotten to wherever it is that
he needed to go or some such. Not that most important he
dropped something or found something, just simply that what we
were interested in is just making sure that everything went,
he got to the right places at the right times.
Uh, he arrived at the Balcon or something like that, really
funny name, Balcon. Like the name of the station is something
like Balcon. Uh, and then the next thing I had was in sketch 4
also later on I think he was walking in a busy bustle, hustle,
buzzle, bustle of activity. People everywhere in some sort of
a large central downtown area. Traffic going by on the street,
people all over. Uh, the idea of alone in a crowd comes to
mind, which is what I said on, wrote on sketch 4 here. Uh,
people were, busy city street. And he's walking, hand in,
right hand in pocket and he's carrying his brief satchel or
whatever it is. More a satchel than a briefcase.
14 December I had him, chatting with some old fogy in like a, uh,
a hotel lobby, some overstuffed chair, really nice atmosphere,
sedate, refined, black tie type of place, uh, hotel lobby or a
men's private club, private men's club type thing came to ...
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#10.5:
came to mind. Of course I've only drawn the central scene,
but it's cluttered with nice overstuffed furniture.
15 December.
I had feelings of movement, uh, I don't believe
that he was stacked like cord wood in this box car, but I
think the box car representative of some sort of movement or
travel, going onto the next station type of an idea. So all
I know is this movement.
. I talked about white chevrons, that's
on the roof of the box car.
I don't know, maybe it's some sort
of a symbol or something.
Uh, and in sketch 7 is that same day, 15 December. I had the
feeling he was alone now and had arrived at some other little
city, which had very peculiar architecture, mountains in the
background, Uh, rather than the hustle and bustle and the very
high rise type structures before, he was in some place that
really resembled me, resembled, recalled to mind, uh, some
place that was more third world, like they did not have the
technology or the engineering ability, the equipment ability
to build big s-, big, big buildings. And they just sorta
tacked on and added on buildings together and some sort of a ...
well, what I would call a, it reminded me of like Saigon in many
ways, you know, buildings are all close together and then, just
different flavor, definitely a different flavor than ...
#66:
Okay.
#10.5:
Than what I would expect to find in some U.S. type town .....
Peculiar. But anyway, he's walking alone down the street, like
he had just arrived and there was nothin' to worry about.
Uh, like he had arrived at a sleepy time of the day ...
#66:
Not a lot of activity.
#10.5:
Not a lot of activity. Like, how do I describe it? In other
foreign countries certain people take two hours off for lunch.
And you won't find 'em. They close the shops down, everybody
goes home. That. type of a feeling, like the train pulled up
at a time when everybody else was gone. And that there was no
activity around in the city where he was.
Uh, 8, that was the 16th of December. Uh,-
#66:
Funny apparatus.
#10.5:
The flavor of the building structure of the place that he was
in on the 16th is the same type of a flavor as where he arrived
on the 15th, like he's still in the same place. And he is
in this again, third world type of single storied, uh, like a
print shop.
I first zoomed in on some sort of rolling, shiny drum with some
sort of a funny sheet metal appendage that clicked back and
archer
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#10.5:
forth on it, like I was looking at a mimeograph machine.
That type of feeling came through. Like I was in some small
local newspaper office or circular office or something like
that.
Uh, I had him waiting to meet somebody that he knew. He wasn't
waiting to meet a stranger, he was meeting somebody that he knew,
like an old crony of his, he was droppin' by, he had been gone
a long time, he was dropping to chit-chat with him and check
up on the local news and everything. And our hero waits, uh,
sort of, very shortly in some sort of a crude wooden bench type
lobby area. And then he's allowed to get up and he walks through
this flip-up panel in the ... in the counter, and he goes back
amidst all this printing and working machinery and everything
that's going on.
And he sits and he talks with this guy in the back of the room
who is like a older, middle-aged guy, uh, who's like a worker
overseer, or a small business owner, you know, the type of a
guy who doesn't, you know, he's, oh, what do you want to call
it? He's got 5 or 8 workers but he doesn't trust 'em to be
alone. He sits in the back and he watches 'em all, you know.
I'm sort of reminded of the uh, um, I don't know, . the money
changer. The guy who's always, you know, always very particular
where every penny goes and where every hour of labor goes and
everything and he's driving and overseeing these people that
are up where the machinery is. And that's it for 16 December.
#66:
Okay.
#10.5:
And the guy who is there is like he was an informant, like he
had his ear to the ground locally and maybe this old crony of
his and so our guy, our hero goes in to touch base with him
and see what's happenin'. You know, what's the buzz?
#66:
Okay, and then now for the 17th you simply had imagery of him
returning to this other larger city.
#10.5:
Well, I didn't have the imagery of him returning. I had
imagery which was reminiscent of the, of a city that I worked
against this guy before.
#66:
Okay .
#10.5:
I don't know which session it was but .... the large city street
with the arches down on the ground level was the feeling I
had.
#66:
Okay.
#10.5:
Large city, large city building with these multiple arches on
the bottom.
And by that time I was slipping out of my focus.
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#66:
Okay, good.
#10.5:
All right.
#66:
Anything you want to add about the session?
#10.5:
Main thing I ... wanted to say is just ... beep, beep, beep ...
I guess, I guess I, thing I wanted to say is that there's
nothing very important going on. I, the, you would always tell
me to go look at the thing which is of intelligence interest.
And I- the prime interest was the fact that this guy is just
chuggying along doing his cover thing or whatever he's ...
opening supposed to be doing and you know, it's not spy versus
spy any more or anything like that. The only imagery that came
to me was just routine imagery showing me that the guy was all
right and was going about his merry business and-
#66:
Okay.
#10.5:
-nothing was amiss.
#66:
Okay.
#10.5:
Okay?
#66:
Fine.
#10.5:
All right?
Goodbye.
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TAB
-
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P
BUILDING
WALL
MORE
open
PIAZZA
STEPS
WALL
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MORE OF SAME
BLOG In
BACK
1
FRONT
EDGE
12 Dec
& ŞARDEN
PIAZZA
Type
FURTHER
COMPLEX

(
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HIGH ABOVE A CITY IN A
QUIET SANCTUARY LIKE A
PALACE, MONASTERY, OR ABBEY
Looking . OUT OVER CITY
BELOW
12
Des
5-6
STORY
bld
S
RATHER
genTLE
hillside.
COVERED WITH
STRUCTURES
1
PART of
Complex
.
#
SPRAWLINS
CITY In
VALLEY
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2

(
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SUNLIGHT
Some . OVERHEAD
Lines - tike elect
/
0
TRAIN Of Teles ph
WIRES
BALCON
.
Town
.
OVERHANG
JSunLIGHT
WALL
BIOG
subway-
DOCK
TRAIN
STATION
ABOVE
GROUND
TRAIN
TYPE
1200 hRs
13 Dec
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BERBACKS
3

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" ALONE IN A CROWD .
"
OU A BUSY CITY STREET
13 Dec
1
LEE
-
Down TOWN
BUSTLE OF
AUTO
TRAFFIC
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4

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HOTEL
OR PRIVATE
CLUB LOBBY
fuReplace
Type area
14 Deco
OUR
HERO
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5

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1
15 Dec
"
RR car
w "chevRons
on ROOF
Looks like
BOXCAR
BUT I
Can't help
THAT
WHITE
sHodnota
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6

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down
Alone WALKING
nearly empty unbusy
sleepy
STREET
15 Dec
funny LATERAL
& BLOG
1 4
F
DI
0
SMALLER
CITY WITH
SORT Of PRIMITIVE OR
3d world Blogs like
Saigon In Many ways
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yet
7
DOIT

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SHINY ROLLER
drum Like on
16 Dec
mimeograph
machine .
Thin METAL SHINY
Trough Like piece To
HOLD LIQUIDS WHICH
pops down, Fino up
IT IS PART of SOWIE
LARger DESK OR TABLE TOP
APPARATUS
-
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(
Paper
presses
Machines
And such
going
16
pec
HERO
1 WAITS
1
-
THEN
GOES INTO BACK AREA,
SITS AT TABLE IN
REAR OF Machine
Room with a guy
LIKE A WORKING BOSS
le SMALL BUSINESS or forem
9
THE guy is Like
A CASUAL
InformanT.
someone
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his "eyes find ofRe open "
Type quy

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TAB
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TARGET CUING INFORMATION
REMOTE VIEWING (RV) SESSION DC-47
1. (S/NOFORN)
Prior to the session the remote viewer was shown the
attached photograph of an otherwise unidentified individual. He was told
that it would be his task to focus on this individual during six different
time windows.
2. (S/NOFORN) During the session the viewer was asked to focus on
12, 13, 14, 15, 16 and 17 December 80 and report the location and activity
of the individual in the photograph.
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SG1A
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