CIA-RDP96-00788R000400740001-7

Approved For Release 2000/0802LUMEA DP96-00788R000400740001-7
INSCOM
GRILL FLAME
PROGRAM
SESSION REPORT
1
CLASSIFIED BY:
MSG, DAMI - ISH
DATED:
051630ZJULE 78
REVIEW ON:
Sep 2002
NOT RELEASABLE TO FOREIGN NATIONALS
Af-022-82
Approved For Release 2000/08/07 : CJA RDP96-00788R006402745951-FLAME
ORCON

AFADTT
Approved For Release 2000/08/07 : CIALRDR46:00788R000400740001-7
SUMMARY ANALYSIS
REMOTE VIEWING SESSION #935
1.
(S/NOFORN)
This report documents a remote viewing session
conducted in compliance with a request for information.
2. (S/NOFORN)
The remote viewer's impressions of the target are provided
as raw intelligence data, and as such, have not been subjected to any
intermediate analysis, evaluation or collation. Interpretation and use of
the information provided is the responsibility of the requester.
3. (S/NOFORN)
The protocol used for this session is detailed in the
document GRILL FLAME Protocol, AMSAA Applied Remote Viewing Protocol
(S), undated.
4. (S/NOFORN) Following is a transcript of the viewer's impresssions
during the remote viewing sessions. At TAB A are drawings and narrative
provided by the remote viewer. At TAB B is target cuing information
furnished the remote viewer.
NOT RELEASABLE TO FOREIGN NATIONALS
Approved For Release 2000/08/67
DP96-00788R000400740001-7

CADET
SEUNET
Approved For Release 2000/08/07 : CIA-RDP96-00788R000400740001-7
TRANSCRIPT
REMOTE VIEWING SESSION #935
#66:
This will be a remote viewing session for 0900 hours
10 September 1982. Today, following is a pre -session
briefing to the remote viewer.
Today we are going to be
working on a target which you accessed earlier this week.
I want to show you the photograph that I showed you previously
after your session, so that I might refresh your recollection
about the target area.
#32:
Yes, I know where it is. Okay, I got it.
#66:
Now, this is the building in which you said was divided into
three different areas and it was the activities on the top
part of the building, on the top floors of the building, which
you talked about and coincidently are the areas we are interested
in. Now today I want to, once again, ask you to access this
target, this building and the top floors of this building. It's
necessary for you to access information about this in the present
time window, not necessarily at the time when this photograph
was taken, but the time right now today, 10 September 1982.
#32:
I shouldn't have any problem, I know where the building is now.
#66:
Okay .
Now once you access the building, begin to explore the
area, tell me a little bit about what's going on there today,
right now. And then I have some prepared questions about the
target area that I want to get into. Now do you have any
questions concerning the mission for this morning:
#32:
No. I just need a little longer preparation here, than the session I
did yesterday, was it, the day before yesterday.
#66:
I'll give you as long as want, let's think about 10 minutes.
#32:
That's fine.
#66:
And what I'll do is, I'll listen to your respiration and when
I hear that you're relaxed and calm and ready to start, we'll
go ahead and start. So take some time now to prepare yourself
for this morning's session.
#66:
In present time, in the building in the photograph I've shown
you, is the target area which is perceptible.
#32:
On the end of the building there's a man standing with his
hands on pan shaped object. It's narrow and it's wide. He's.
adjusting it. It's
horizontal to a window.
It's fastened
to a metal rack, some other things. This metal rack is three
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#32:
feet back from the window. It's like an open bay area,
there's open windows all the way around. Things look like
air conditioning duct, that's section of air conditioning duct,
running from the windows. Get some black boxes with flashing
lights, numbers in orange. They're all small like eight inches
tall, eighteen wide, twelve inches deep, many of these, they
are alike, they all look alike.
The size of the area you are perceiving is describable.
#66:
#32:
It's at least 25 x 40, 40 feet, 25 wide, 40 feet long. See
perhaps six people here, five or six. It's all clustered in
one area like they're taking something apart. Very quiet,
nothing moving, just everything sitting here.
See like cableways
with cable up off the floor about two feet, all run together
at the end of the room , go through a wall, very clean.
Next room, see rows of gray cabinets, no markings, that have
small row of red lights outside end of cabinels, wide doors,
just printed circuit boards like stacked like cards, large
row. Feel like this is a full system and a backup system.
It's like half the stuff is turned off.
Activity.
#66:
#32:
Single individual pulling a board, putting a board in, has a
clip board or a notebook type thing he's writing on.
#66:
Next area.
#32:
Cold. Feeling of cold, gray cabinet, counter top, keyboards,
I get keyboards in there. Got smart terminals, tapes, lot of
tapes, much activity here. Got printers, seems to be a
continual printout going there.
#66:
Describe spectrum of data flow.
#32:
I got ten digit numbers followed by letter numbers and I also
got many rows of tapes, starting, stopping with voice, voices
going on tapes.
#66:
Go to the front end of the system.
#32:
Got a special box front end.
It's like a trunk separater, it's --
#66:
Go further.
#32:
A .. can't get a .. just a mish-mash of voices, like a voice soup,
buzzing noiçes, like chain saw noices, plaques, like a telephone
relay center.
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#66:
Back into the system, go the other way.
#32:
Trunk line divider or something, sorter, reader sorter like
goes into a computer. I think the computer gives commands,
different tapes start, stop.
#66:
Further.
#32:
Printout.
#66:
Further.
#32:
Different room, I got a different room now.
#66:
Describe.
#32:
Cubbyhole desks, tape deck, people are seeing their tapes.
They're looking on computer runs for numbers and according to
tape marks, tape marks for special numbers.
#66:
Very good.
#32:
He's taking notes.
#66:
Very good.
#32:
It's all, just, getting a confusing thing here, mix of English
and, keeping getting English mixed with some other language.
It's like they're running the two together. I don't understand
that. Tapes are, sections of the tapes are copied, sent with
notes to another room.
#66:
Methods.
#32:
Translaters, writing, but only select numbers.
They pick numbers
off IBM run and select that tape point.
#66:
Next.
#32:
Get a large area of desks, papers, folders, safes, it's not
safes, cabinets, six drawer cabinets. Appears to be an inordinate
number of women.
#66:
Describe how the information leaves this building.
#32:
Two ways, see small documents carried down stairs, see tapes
and thicker documents being packaged, boxed, boxes, somewhere
else in this upper area, then carried down stairs. It's
the basement, boxes to basement. See some of those things going
to destruction area, I think. Feel heat, bright light and
heat.
See one office gets small reports, not the main office,
but it's an important office.
Appears to be third or fourth
floor, I think it's fourth floor.
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#66:
Focus now again on the area of interest, in the upper portion
of the building. Take a moment now to scan, without reporting
the area, scan the area without reporting, and as you do,
notice all the personnel working in this area.
#32:
Get a --
#66:
The quantity of personnel is describable.
#32:
Coming up with approximately, what appears to be eight to ten
repair type people type missions. Get five possibly six in the
computer area, mostly women in the tape and desk area. Tape
area's got five to six, desk area five to six. Just got a
feeling of rapidness to this, like it's a quick first scan type
affair, looking for key words, relating to key numbers, key words,
key numbers. It has something to do with conversations.
#66:
Now these personnel you've told me about, I assume you are
confining yourself to the area explored or the total upper
floor area.
#32:
Area explored.
#66:
All right.
#32:
The area explored is about 75% upper floor arna.
#66:
Okay. I have one particular question left that will involve
a deep exploration on your part.
#32:
Okay.
#66:
There are occurences, highlights, events which trigger high
level activity in this area. Describe such an event to me.
#32:
Just a minute.
#66:
I'll wait.
#32:
Get specific seven digit numbers and their frequency of use,
in conjunction with a second set of seven digit numbers, forms
a link. And then key phrase or key words from conversations
associated with seven digit numbers is cause for intense
activity, recall of many tapes.
#66:
Now go beyond this perception to an actual occurence of this
in the past. Observe and describe.
#32:
Most recent was two days passed, looking for a time, just a
minute. Very early in the morning hours, our time, local time.
Something to do with series of three combinations of two
numbers, seven digit numbers, quick succession series, trying
to dig. All I get is people talking, I don't -
4
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AFOOT
Approved For Release 2000/08/07 :SLA HDP96-00788R000400740001-7
#66:
All right. It's not necessary for you to maintain your
fix on the target. You may free yourself to the event of
interest and describe it to me.
#32:
How I get four planes, four jets rolling left, white, very
white bursts of light on ground, some kind of air attack.
That's all I get.
#66:
All right.
#32:
But it's dark, where the air attack is, it's dark, getting
dark anyway, it's just gray. I'm losing this.
#66:
Yes, it's very late. I have no further questions, but I would
like you now, to explore beyond the confines of my questions.
#32:
I don't have anything else, I'm losing this.
#66:
All right, fine. Let's then prepare to draw the perceptions
you have had.
NOTE :
SEE DRAWINGS AT TAB A
5
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TAB
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Approved For Release 2000/08/07 : 6
SECRET
EDP 96-00788R000400740001-7
DRAWING NARRATIVE
REMOTE VIEWING SESSION #935
#32:
Okay, page #1. This is a drawing of the pan type thing that
the guy was adjusting. I've labeled it pan. And underneath
it were some stuff that looked like air conditioning ducts,
which I labeled air/c duct. And to the right is a stack of
these, everything is in sevens.
I got a stack of seven black
boxes with all kinds of blinking lights, but it was orange
lights right and just blinking left and don't count on this
for number of dials and lights and all that, it just a
perception of the idea of what these black boxes are and
cable runs everywhere. And I drew in a sort of shadowy figure
back here, just as reference for scale, in case, you know, if
anybody wants to know what approximate scale is to this stuff.
#32:
Page #2 is the doll house floor like arrangement. I perceived
that I was going this way. And the black boxes and antennas,
what I call antennas, in the front room, which are wall to wall,
I went back through a double row of just gray cabinets with
all kinds of insert boards, so I call that rows of circuitry.
And then into a computer and multiple tape arna and back into
what I labeled a transcription area, and across the hallway,
what I call analysis area. And then I have an area that's
got a question mark, because I didn't feel like I ever went in
there. That might be like a store room or storage area or
something of that nature. I put in numbers of people. I put
in directions that I think that this is oriented in, this
section of the building and these directions may be 180 degrees
out of phase, because that's the way I am sometimes remote
viewing.
#32:
Page #3 is an example of the type of printouts that were coming
out of this computer, computer area, always seven numbers
followed by letters numbers and characters. And it may be, I
don't see any rationality to the mixed letters, numbers because
it's a foreign language. The numbers on the left are,
I have to state are not the numbers that I was seeing, they just
represent seven characters or seven numbers that always appear
in the left column.
And I have to ask this, what were the numbers you were seeing?
#66:
#32:
I don't know, just a mass of numbers, I was just going down this
long, long, long computer sheet, I was just seeing these. And
these computer sheets were all over the analysis and transcription
areas and have something to do, that directly correlated to the
tapes.
#66:
Do I understand that you're telling me then that you had sufficient
recognition to know that you were looking at groups of numbers, but
not sufficient recognition to read those numbers to me?
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#32:
That's what I'm saying, yes. Why I don't know, maybe I just
didn't look hard enough. It would represent breakthrough
for us, if I did see the numbers. Anyway, these printout
sheets in some abbreviated manner have something to do with
the tapes, all voice type tapes.
#32:
Page #4 is a drawing of the building proper, top floor and
the dotted area is the location of the area that we drew in
page #2.
#66:
Okay, good.
#32:
And that's it.
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PAN
ANTENNAS ?
FOR
SCALE
BLINKING
LIGHTS
78
ENTS
0
0
O
00
0
0
O
0
O
00
0
0
00
a
0
0
A
ENTRY
AiR/C DUCT
-
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04
CABLE RUNS
WINDOWS

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ANALYSIS
(?)
YOURS PERSONS
1 PERSON
/
000
BLACK BOXES
1
ANTENNASO
HALLWAY
La
TRANSCRIPTION
B
[T] TAPES &
COMPUTER
5 OR 6 PERSONS
SORG PERSONS
S
------
-
2
.
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BLACK BOXES
L
ROWS OF CIRCUITRY
5 OR 6 PERSONS

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6657281 C5BRRAM !! ZZIB
6935598
2256543
2348122
(MIXTURE LETTERS/NUMBERS/E
SPECIAL CHARACTERS
THIS IS AS IT
APPEARS NOT
ACTUAL # 5.
THIS MAY BE
A FOREIGN LANGUAGE
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3

-L- SHAPE
EARTH
RAMP!
, asz
Shadow
-
20
-
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B
OVERHANG
1
PIT
CONNECTING
CHANNEL
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TAB
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SG1A
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