CIA-RDP96-00788R000400550002-7

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SECRET
CUAL
INSCOM
GRILL FLAME
PROGRAM
SESSION REPORT
CLASSIFIED BY:MSG, DAMI-ISH
DATED:
051630ZJUL78
REVIEW ON: Nov 2000
NOT RELEASABLE TO FOREIGN NATIONALS
-SECRET
ORCON
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GRILL FLAME
R-033 -80
Copy / of Pcapuer

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SECRET
SUMMARY ANALYSIS
REMOTE VIEWING (RV ) SESSION DC-11
1.
(S/NOFORN)
This report documents a remote viewing session conducted in
compliance with a request for information on the
SG1A
SG1A
2. (S/NOFORN) The remote viewer's impressions of the target are provided as
raw intelligence data, and, as such, have not been subjected to any inter-
mediate analysis, evaluation or collation. Interpretation and use of the
information provided is the responsibility of the requestor.
3. (S/NOFORN) The protocol used for this session is detailed in the docu-
ment Grill Flame Protocol, AMSAA Applied Remote Viewing Protocol (S), undated.
4. (S/NOFORN) Following is a transcript of the viewer's impressions during
the remote viewing session. At TAB A are drawings made by the remote viewer
reference his impressions of the target site. At TAB B is target cuing
information provided the remote viewer.
5. (S/NOFORN)
This session was done concurrently with Session D-12.
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FOR CON
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TRANSCRIPT
REMOTE VIEWING (RV) SESSION DC-11
TIME
#66:
This will be a remote viewing session for 0900 hours,
13 November 1980.
PAUSE
Relax and concentrate now. Relax and concentrate. Focus your
SG1A
PAUSE
#31:
Mmm ... I had a, ah ... person washing hands. I think, in the
overview I had ... back to the elevator. Looking down the ... down
the hall, the ... I had three, ah, a end room on the right, about
halfway down on the right, and about the second one in on the
left, second one on the left away from me. Looked like three
people or at least three occupied rooms
#66:
All right.
#31:
I don't know where the hand washer is ..
.I think he's in
the one on the left ...... second room in.
#66:
All right.
Standing now at the elevators and looking down the
hall towards the target areas, move your perception up, up,
up, holding the elevators, but moving up, up now to the ceiling, and
the ceiling dissolves and you move up even higher so that you may
now look down into all the rooms in the target area. Standing
at the elevator end of the target area looking down into all the
rooms in the target area.
#31:
Okay .
#66:
Now, as you look down into the rooms from this position, I want
you to assess the general status of what's going on now at
Assess the general status of what's
SG1A
going on right now. Report to me.
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#31:
Looks as though it's people just reported to work. A guy in
the ... in the middle on the right is a, looks like he's standing
at a desk and reading sheafs of papers ... sorta resembling
printouts. A guy on the end. .. right ... The feeling is that
they're just ... starting the work day, and just getting in .....
but, the guy on the left is ... like, ah, is a little late, and
he's like washin' his hands, gettin' ready to start work .....
morning routine, you know.
#66:
Okay.
#31:
They're not meeting together or anything. They're not.
. .
BSing for a cup of coffee. They're like, ah, to separate, but
disciplined and they go to their respective work areas, and ....
get cracking. It's a routine level. I have a feeling that
there's someone missing here that I am not aware of. I don't
There should be more than three, but .... like there's
someone gone on a business trip.
SG1A
#66:
Okay. Now, listen very carefully. Hold the thoughts now in
the back of your mind. Just hold the thoughts now in the
back of your mind of the two important things in the target
area ... the teletype and the
Just keep
those in the back of your mind at all times.
And, while you hold
your perspective, while you hold your perspective, move through
time two weeks to the 1
And, as you come upon the target in this time window, describe
the general status in the target area.
SG1A
PAUSE
#31:
I had ... going into it several ... things ... something that looked
like a doughnut made out of bricks, side-by-side, making a
circle, and each brick having a ... loop of wire sticking out'a
one end of it. I had the feeling this thing was about.
three feet in diameter.
...
..
.I got more people now. I got
six ... five to six. It seems like, ah, it seems like, ah, they're
all in an' they're really, ah ... there's an increase in activity.
Ah, looked like a little more concern, a little more concern
and, ah, mission orientedness, little more eager .... eagerness.
...
#66:
All right. Listen very carefully now. Listen very carefully.
Holding your position above the elevator area looking down on
the target rooms, holding your position above the elevator area, SG1A
and looking down on the target rooms keeping in the back of
your mind the thoughts of the teletypewriter, and
SG1A
SG1A
PAUSE
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#31:
It's, ah .... very low level. Like one guy. I can't see much of
anything here. Not many people at all here, today. But, the, ah,
SG1A
the elevator. ... on the right. The only, an, the reason i know
that is I saw the fl .... panel flopped down. The panel is flopped
down. The thing in the door ... the bottom thing that comes down is ..
was flopped down.
I saw that, but I didn't see anyone around it ....
I'm standing .... I'm standing on the, ah, ceiling rafter looking
down at it.
+22
#66:
SG1A
Ask yourself about the atmosphere in the target area on the
PAUSE
#31:
Chagrin ...... plussed ..
Like they had embarrassed
themselves. Not severely, but substantially .... embarrassed
themselves. Like they, like they did something that cost
somebody: an awful lot of money, and it was unnecessary.
And, they know about it, and ... like they called something wrong,
and everybody got all ready, and, and then it never happened.
And, the guy in the end room is the only guy there on the
right. I don't know. He's sorta like .... in a fog, ah, you
know. Like wondering what went wrong, ah, puzzling, puzzled;
He's puzzled.
+25
#66:
Tell me about the teletype?
PAUSE
#31:
Well, it's there.
It's at the other end of the hall. It's
unattended and it's like ... I got this feeling of like messages coming
in ... this constant ringing, and the ta -.. the tape, ah, sheets.
are just like coming out and ... a lot o' commo, but no answer.
Like it's, um, like it's either routine junk or they just don't
wanna bother with it today.
#66:
Tell me about the
#31:
SG1A
Well, that's what I ... when I saw it on this date, the thing that
a fronth nontition
SG1A
open, and I was standing, I was standing right over it Dororow
PAUSE
#31:
Let me get into it a little more.
#66:
I will wait.
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SG1A
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#31:
SG1A
#66:
#31:
#66:
All right.
#31:
That is, I was outta time at that time ... (Admin Note: Break
in concentration) I'm about to giggle my shorts off with that
statement. Oh, jees. Oh, lord (hahaha). For some reason that
was just funny to me and it just totally broke my concentration.
(Hahahahahahahahahah)
I'm sorry.
#66:
Okay, that's fine.
#31:
(Hahahahahahahahahaha)
What I was trying to say there (haha)
trying to get across-
#66:
You were out of time at that time.
#31:
I was out of time at that time.
I s-, well, I still got my
eyes closed here, wait a minute.
#66:
Okay, let me, let me see if I can, can put this in some kind of
organization.
5
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#31:
Well, now that I'm, now that I'm up I can do it .... better,
I think.
SG1A
#66:
Okay, at the point in time
very first focused there t
place and you had to step backwards in time a little bit so that
you could see it in it's place?
#31:
So I could see how it fit in there.
#66:
Okay, how much time?
How much time was it-
#31:
How much time did I go back?
I felt that even was just a little
bit, but ... I don't have a time correlation for backwards.
#66:
All right.
#31:
But I know it was back in time, that it- just before my arrival
it had been in it's proper place.
#66:
We're talking about hours as opposed to days?
#31:
Yes, hours as opposed to days.
#66:
All right.
#31:
Maybe fractions of hours as opposed to days.
#66:
All right.
#31:
But- and I never realized that it was right down here beside
me on this table, on this bottom of this wall unit thing.
SG1A
#66:
Okay.
#31:
#66:
#31:
#66:
Okay.
6
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#31:
I might only be- I might only be calibrating in an hours time
frame.
#66:
SG1A
#31:
#66:
Okay. Al in some chunk of time in and around that.
#31:
Simultan- yes, also same chunk of time. The teletype is going
and nobody's reading it, and the guy is down at the end of the
hall in the back room.
The only who's there is puzzled, cha-
grined, uh, I don't know.
#66:
Okay. Okay, let's revert to drawing some of the things that
you've seen now
#31:
Huh, I apologize for that.
It just ... sitting here trying so
hard to describe what I'm doing and (haha) I got caught in the
old ...
#66:
Okay, well we'll turn the tape over now and then we'll draw the
perceptions that you've had.
#31:
Okay. Um, the first sketch here is, um imagery from 13 November.
I was, uh, I acquired the target as though I was standing
with my back to the elevator shaft looking down the hallway,
down the rooms there. So on sketch one I've drawn a sketch of
the ... of the perceived layout just in generality, so there won't
be much detail here, 'cause I wasn't concerned with detail.
SG1A
Anyway, activity
I had, uh, three people
like, uh, casually going to work, just getting started. On the
left side of the hall from the elevator shaft had one person
who was like late for work and was just washing his hands and
getting ready to walk across the hall ... On the right side of
the hall I had a guy about halfway down the block of room,
standing at a desk reading sheafs of paper as though they were
printouts, computer printouts, or, like I had the feeling of like
reading the morning build-up ... traffic that came in during the
night. And down at the far end there was a, another individual,
male. All these are males as far as I know. . Uh, in a business
environment, and then like a desk and that type of thing,
official feeling. But I couldn't detect what it was he was
doing ...
SG1A
#66:
Okay, then I, uh, at that time gave you guidance to move on two
SG1A
#31:
Yes. And you told me keep in the back of my mind the
and the printout- uh, the, uh, teletype. Well, before I acquired
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#31:
SG1A
Okay, I ... I talked about that and then I went on to the 27th.
I think this was in and around the 27th, but I'm not sure.
The activity level on the 27th was much higher in sketch three.
I had the feeling like everybody had gotten to work on time.
There were no dawdlers. Everybody was in there, they were all
spiffy, snappy, they were all sorta busy. There were five to
six people working in various rooms on the right. Hmm, the guy
down at the end of the hall there appears to be like the leader.
He's had ... it seems like whenever there was a question of where
people met, they always met in the end room down there like and
talked with that guy. Okay, um ... I don't know what they were
doing. The activity level was definitely more intense, like
they were getting ready for something, something was about to
happen, you know, and so they could- had to get in, worked a
little late maybe and they had to work all through the day.
And sketch four you moved me to ... one day (hahahaha).
11 December you- it was- you moved me on sketch four here. On
11 December I had like, uh, hell, it was like no activity.
I
had one guy sitting in the end room, his feeling were like he
was chagrined. It was like they had tried to call a shot and the
thing had boloed. Like they'd embarrassed themselves, they'd
done something wrong. Uh, a bad estimate, or something like
that. Or got caught with their shorts down, something like
that. Okay. Something that made the guy sitting there very
chagrined, philisophical, embarrassed, sort of like with his
head in his hands saying, well, you know, it was bound to happen
one day. You know, that type of thing. Isn't that cute, look
at what we went and did.
Um, as I was walking up and down this hall on top of the rooms,
I was moving up and down, trying to find out where everybody
was, there was nobody there except the one guy. This was a
8
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SG1A
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TAB
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(
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SG1A
Xx
OFFICE TYPE -
A business
Environment_
ACTIVITY
STANDING AT.
DESK READING
SheAfs of.
PAPER LIKE
print- outs
Like reading
morning
TRAFFIC
which
·builT-up
during
night.
X
WASHING HANDS
LATE FOR WORK
1 PERSON-MALE
1
t
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ELEVATOR
SHAFT
C

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SG1A
1
COPPER
WIRES
PROTRUDING
IN REGULAR
Loops
CONSISTENCY
OF Porcelain or
PLASTIC
3 dIA
.
ABOUT THE SIZE
OF FIRE BRICK -
HAS" ROUNDEDNESS
OF EDGES LIKE A
BAR OF ZEST SOAP
IS BLACK
HAS SOMEThing to DO with the teletype OR the
SponTANEOUS Acquisition just AT START OF
TARGETING.
SG1A
SG1A
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2
.

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MEETING
TALKING
(
SG1A
xx
5-6 people
WORKING IN
VARIOUS, ROOMS
×
1
X
1
×
1
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ELEVATOR CHAFT
ELEVAT
X
3

SG1A
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TAB
-
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SEGRET
CC
TARGET CUING INFORMATION
REMOTE VIEWING (RV) SESSION DC-11
1. (S/NOFORN)
Prior to the session the viewer was shown the attached floor
He was
diagram of the
also reminded of his past attempts at this target.
2. (S/NOFORN) During the session the viewer was asked to scan at two week
intervals the target area. He was asked to elaborate on his description of
11 Dec 80 as this period seemed relevant.
SG1A
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SG1A
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