CIA-RDP96-00788R000200240001-4

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SEORLY
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ORCON/NOT RELEASABLE TO FOREIGN NATIONALS
INSCOM
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GRILL FLAME
PROGRAM
SESSION REPORT
CLASSIFIED BY: DIRECTOR, DIA
REVIEW ON: March, 2000
EXTENDED BY: DIRECTOR, DIA
REASON:
2-301c (3 & 6)
GRILL FLAME
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SUMMARY ANALYSIS
REMOTE VIEWING (RV) SESSION CCC-24
1.
(S) This report documents a remote viewing session conducted in
compliance with a request for information on a target of interest.
2.
(S) This session represents the third attempt by this viewer to
access this target (see CC90 and CC99). The viewer was able to
attain his usual state of relaxed concentration, but was disturbed
periodically throughout the session by ambient room noise. The
viewer was disappointed in the session because he wanted to have
better resolution.
3. (S) The protocol used for this session is detailed in the document,
Grill Flame Protocol, AMSAA Applied Remote Viewing Protocol (S), undated.
4.
(S) Following is a transcript of the viewer's impressions during
the remote viewing session. At TAB A are drawings made by the viewer
reference his impressions of the target site. At TAB B is target cuing
information provided the remote viewer.
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TRANSCRIPT
REMOTE VIEWING (RV) SESSION CCC-24
TIME
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#66:
This will be a remote viewing session for
1400 hours, 14 March 1980.
PAUSE
Relax and concentrate now. Focus your attention
on the target selected for this afternoon.
Focus your attention on the area you have described
before in the vicinity of :
SG1B
Once again, focus your attention on this area.
Solely on this area. Relax and concentrate. Focus
and describe the area to me.
PAUSE
#11:
Right now, I'm outside facing this mountain for
not, nothing better to call it.
#66:
Fine. Stay outside. Move to a position where you
may observe better this that you see.
PAUSE
+04
#11:
I feel as if the area I'm looking at is where
the tunnel goes up to the side thing. The area
just below me is kind of flat, and just to my
left and behind me is, seems to be another area of
interest.
}
L
1
#66:
Move a little higher so that they come into view
all at one time.
PAUSE
#11:
Having a hard time. . I keep ... I'm winking in between
inside of some tunnel and outside. Everytime I
get inside, I say no, that's not where I want to be.
And, when I go outside, I get a flash, and then I'm,
I'm gone. I'm winking back and forth. I, .. uh ...
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I've had flashes of square box-like things.
Some appeared stacked. Others were ... they're
all arranged, somehow, Then I winked out,
and I winked in, and I winked back out again.
I saw some L shaped things.
PAUSE
+11
#66:
Relax and concentrate on the target.
Relax and
focus your attention.
Ask yourself, "How do I
locate this target?" "How do I locate this target?"
PAUSE
#11:
Think I've had that answer all along. From my
position I'm looking at the face of the side of a
mountain or cliff. Below me is flat. I must be.
facing north. If I'm facing ... I don't know which
way I'm facing, but ..... if I arbitrarily say the
entrance to this tunnel is north of me there is a
complex south and west from this tunnel entrance.
I'm not sure whether it's military complex or a
city. If one goes west for some distance you can
see a coastline.
}
PAUSE
+15
#66:
Describe the entrance to the target area.
PAUSE
#11:
There's, there's some type of road or railroad
that, or path or trail that leads to this opening
in the side of the mountain. The opening is very
large. It is, at least it is tall as a two-story
house. Probably more.
}
PAUSE
The main entrance is rough rounded shape as you
first come in, but there are other areas, other
tunnels that are very squared off, very blocked
off. It's as if parts of this tunnel are ..
not just tunnel, the whole complex. It's as if
parts of it are older than other parts. The,
the older portions being very rough, roughed out
and other portions of the underground complex
are very squared off and neat, and more of a
smooth, long surface.
1
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+20
#66:
Stand in the entrance, looking away from the
entrance and describe the scene to me.
PAUSE
#11:
My very first impression was a ... like a coastline
affect. All I saw was some kind of an outline.
This side closer to me was lighter in color than
the other side of this jagged line.
#66:
Walk away from the entrance, slightly and describe
the scene to me. Walk away from it so that you may
see better and describe the scene to me.
PAUSE
+25
#11:
My absolute first impression is if I walked away:
from the entrance to the tunnel it was a sheer
drop.
PAUSE
#66:
All right. I have no further questions about the
target area.
If there's anything you'd like to
add, please do so now.
PAUSE
#11:
No. I'm not getting anything else.
#66:
Ok. Fine. Prepare to draw then.
#11:
When I first zeroed in I saw this side of a hill,
cliff or mountain, or whatever, and I was above it.
Must have been several hundred feet. There was
this entrance way down here. Jesus!
Hear that
#43.5. And, clearly there was something leading
up to it. Something clearly visible;whether it be
a trail, railroad tracks or a road. There was
something that pointed right to that.
#01:
You have a feeling that there was definition there
though. I mean down the edges.
#11:
Where?
#01:
These two lines that you just drew there.
#11:
Yes. I just felt that there was something that
led right into there. Whether be it a road,
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a trail ... uh ... railroad tracks, a bed. It was
lighter in color, ok. There was a lightness
going into there and I was ..... somewhere, how, how
do I put it?
#01:
Use some other paper.
#11:
I'll go to an overhead view to try to explain
what I felt at the same time. Uh ... I'll just use
this. Here's this entrance way here, kind of, and
here's this mountain going up and I'm overhead
looking down. Seemed to be something in there, and
somewhere .... and this is flat .... at the base of
this feature here. Seeing that there was some
other rugged country off in the distance that was
an impression, now, if ..... if my position was at
X, and that's up in the air, ok, I, there was
something over in this direction that was of
interest of somehow ... sorts.
I was facing the
mountain which I finally discribed as if I had to
put north anywhere that would be north.
I
facing that direction. Whatever that direction is.
I'm not say that is north, but for focal point ...
and this other thing that was behind be. . . uh ...
was to the south and west, and it just, the initial
thing, it just appeared as a large shape. Looked
like the cornern of a box or rectangle or whatever.
#01:
Is that the same, same boxes shapes that you
talked about?
#11:
Well, it was very odd. I had a feeling that if one
went for some distance to the west you'd run into a
coast or a coastline, but was some distance off.
Now, while I was getting the box shapes, and I felt
as if I was in the same position up here, and the
box shapes were kind of under me, and they were
3 dimensional ... uh ... it was a mass confusion. Some
of them appeared to be on top of each other. Some
of them might have been out here. They seemed to
be on different levels, and then at the same time
I kept getting ... for some reason I kept getting
sucked into this, this tunnel type thing, and then
I'd come back out, and I would appear to come back
to the same position and over to my left I saw ...
and this is an aerial view ... something kind of L
shaped, and I believe there was more than one.
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#01:
Is that in proper relationship to the boxes
you drew, or is that something different? Different
area or.
#11:
Well, it's hard to say. When I came back to this
focal point, which is X on drawing 2, to my right
seemed to be the box shapes, ok, and then I would
loge
#01:
That your right, right front or your right rear, or
your immediate right or.
#11:
Uh .... well let's say that .... you know, this is the
area over here. Now these are not in proportion,
but here's your, your mountain type thing, and
there seemed to be other rugged country in the
background. Uh ... this stuff may have some ...... it
appeared to have something to do with this complex
or whatever. The word complex kept coming to me.
But, as I was over this position, these were off to
my right, and the L shape was off to my left. It
seemed like there was some type of delineation there.
But, what, I don't know.
#01:
Can you draw me a sizing picture of the entranceway
to this tunnel. Because you had mentioned size.
Maybe put a little stick man there or something to
give me a feel for portion.
#11:
Yes. It was really odd. At different times as I
was flashing back and forth I would go to different
parts by no logical route. I would just be here and
I'd go out and then I'd come back in a different
type of area.
#01:
I don't understand what you mean by that.
#11:
Well, I'll give you sizing type thing.
#01:
Number that page 4.
#11:
Uh ... if I were standing here with my hands in my
pocket and a little derby.
#01:
What are those lines?
5
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#11:
That's the rough
.
It's a real rough tunnel
as it starts out. It's very rough, rugged ....
uh ... like it was blasted on there or something.
Now there were other parts that I appeared to be
drawn to that were more uniform. In other words,
... uh ... they're still fairly rough but they're
more squared off rather than rounded.
#01:
Do you have a feeling for why that might be?
#11:
I, and I don't know whether it's analytical or
whether it just came to me .. . uh. . . technology.
better technology.
#01:
Is this the only other variance, or where there
others that were different?
Different views.
#11:
Uh ... yeah.
I would say everything in between.
As I said, it seemed like I was drawn into, you
know, different parts at different times but
without any logical way of getting there. In
other words, I didn't go through the big, the
big rough and go to my right or whatever.
I
just appeared to be in this place. Then I'd
flash out; then I'd come back in a different type
of
#01:
Do you have a feeling for the size of that area
you just darkened in on page 5?
1
#11:
Yeah. It's much smaller than this. I would say
12 to 18 foot.
There seemed to be all different
shapes and sizes of tunnels. There was nothing
really to put together. What was really odd, and
absolutely doesn't make any sense ........ what was
really odd, when #66 asked me to stand with my
back to the tunnel, which was no problem, and look
out and tell him what I had, I had the feeling if
I walked out it was just a straight drop off which,
which doesn't
#01:
What are you talking about now? The round one or the ..
#11:
Yeah, yeah, which doesn't make sense, because then
that would invalidate my, my road or path or whatever
up to it.
#01:
I don't have any other questions.
Is that all that
you have. How do you think you like the session.
#11:
I personally don't think it went very well at all.
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CUING DATA
1. (S)
The facilitator and viewer were both provided with the
coordinates for the target, and instructions that the target was a
previously determined underground complex discovered by the same
viewer (Session CC90, 12 February 1980 applies) ..
2. (S) The facilitator was directed to guide the viewer so as to
obtain an overall look at the target area from approximately 500 feet.
To obtain a clear exterior description for about 4x4 kilometers, for
location purposes.
3. (S) Since the viewer had previously determined an underground
complex at the given coordinates, one can assume prior knowledge of the
analyst involved.
4. (S) No other information was provided to either the viewer or
the facilitator prior to or following the session.
JOSEPH W. McMONEAGLE
CW2
Analyst
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